| Call number | Item |
| M | Music (Go to start of category) |
| MT | Musical Instruction and Study (Go to start of category) |
| MT50 .C437 1899 | Leitfaden zum Praktischen Erlernen der Harmonie (German translation; Leipzig: P. Jurgenson, c1899), by Peter Ilich Tchaikovsky, trans. by Paul Juon |
| MT50 .L89 1915 | Harmonielehre (4th revised edition, in German; Stuttgart: C. Grüninger, ca. 1915), by Rudolf Louis and Ludwig Thuille (page images at HathiTrust; US access only) |
| MT50 .L89 1920 | Harmonielehre (7th edition, in German; Stuttgart: C. Grüninger, ca. 1920), by Rudolf Louis and Ludwig Thuille (multiple formats at archive.org) |
| MT50 .R55514 1902 | Manuel de l'Harmonie (translated into French from the 3rd German edition; Leipzig: Breitkopf and Härtel, 1902), by Hugo Riemann (page images at HathiTrust; US access only) |
| MT55 .B36 | Cours de Contre-Point Théorique et Pratique (in French; Paris: H. Le Moine, ca. 1881), by François Bazin (page images at HathiTrust) |
| MT68 .S12 | A Jazz Improvisation Primer, by Marc Sabatella (HTML at outsideshore.com) |
| MT70 .R62 | Principles of Orchestration, With Musical Examples Drawn From His Own Works (2 volumes in 1; New York: E. F. Kalmus Orchestral Scores, n.d.), by Nikolay Rimsky-Korsakov, ed. by Maksimilian Oseevich Shteinberg, trans. by Edward Agate (multiple formats at archive.org) |
| MT82 .G66 | Guide to Memorizing Music (Cincinnati et al.: John Church Co., c1906), by A. J. Goodrich (page images at HathiTrust) |
| MT85 .W3 | On Conducting, by Richard Wagner, trans. by Edward Dannreuther (Gutenberg text) |
| MT90 .B73 | Sound Reasoning, by Anthony K. Brandt (multimedia with commentary at cnx.org) |
| MT95 .A613 1911 | The Standard-Operaglass: Containing the Detailed One Hundred and Fifty One Celebrated Operas, With Critical and Biographical Remarks, Dates, &c. &c. (revised edition; London: Sampson Low, Marston and Co., et al., 1911), by Charles Annesley (Gutenberg text and illustrated HTML) |
| MT95 .A613 1934 | The Standard Operaglass: Detailed Plots of the Celebrated Operas With Critical and Biographical Remarks and Dates (revised edition; New York: Tudor Pub. Co, 1934), by Charles Annesley, contrib. by James Huneker (page images at HathiTrust) |
| MT95 .D2 | Two Hundred Opera Plots, by Gladys Davidson (PDF at mdc.edu) |
| MT95 .K52 | The Complete Opera Book (New York and London: G. P. Putnam's Sons, 1919), by Gustav Kobbé, contrib. by Katharine Wright (multiple formats at archive.org) |
| MT95 .K85 | A Second Book of Operas, by Henry Edward Krehbiel (Gutenberg text) |
| MT95 .K87 1910 | A Book of Operas: Their Histories, Their Plots, and Their Music (New York: Macmillan, 1910), by Henry Edward Krehbiel (Gutenberg text) |
| MT95 .M4 1921 | The Opera Goer's Complete Guide: Comprising Two Hundred and Sixty-Eight Opera Plots With Musical Numbers and Casts (revised edition, c1921), by Leo Melitz, ed. by Louise Wallace Hackney, trans. by Richard Salinger (multiple formats at Google; US access only) |
| MT100 .W2 F7 | The Wagner Story Book: Firelight Tales of the Great Music Dramas, by William Henry Frost (Gutenberg text) |
| MT100 .W2 G9 | Stories of the Wagner Opera (New York: Dodd, Mead and Co., 1905), by H. A. Guerber (Gutenberg text and illustrated HTML) |
| MT100 .W25 S5 | The Perfect Wagnerite: A Commentary on the Niblung's Ring, by Bernard Shaw (Gutenberg text) |
| MT145 .B42 R4 | L. van Beethovens Sämtliche Klavier-Solosonaten: Ästhetische und Formal-Technische Analyse mit Historischen Notizen (3 volumes in German; Berlin: M. Hesse, 1918-1919), by Hugo Riemann (page images at HathiTrust) |
| MT162 .B27 | School of Organ Playing: Based Upon the Course of Instruction of the Schola Cantorum, Paris (op. 31; Boston et al.: Boston Music Co., c1921), by Edward Shippen Barnes |
| MT262 .E5 1879 | Eichberg's Complete Method for the Violin (revised edition; Boston: White, Smith and Company, c1879), by Julius Eichberg (page images at HathiTrust) |
| MT265 .D68 O12 | The Artist's Technique of Violin Playing: A New Scientific Method for Obtaining, in the Shortest Possible Time, an Absolute Mastery of the Higher Technical Difficulties of the Left Hand and of the Bow (with parallel texts in English, French, and German; op. 12; New York: C. Fischer, c1921), by Demetrius Constantine Dounis (page images at HathiTrust) |
| MT267 .S73 1907 | Die Physiologie der Bogenführung auf den Streich-Instrumenten (second revised edition, in German; Leipzig: Breitkopf and Härtel, 1907), by F. A. Steinhausen (page images at HathiTrust; US access only) |