Operas -- Excerpts -- Vocal scores with pianoSee also what's at your library, or elsewhere.
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Filed under: Operas -- Excerpts -- Vocal scores with piano- Deuxieè Partie de l'Opéra en Cinq Actes, L'Africaine (piano-vocal score for portions not performed at the Imperial Opera premiere in Paris; text in French; Paris: G. Brandus et S. Dufour, ca. 1865), by Giacomo Meyerbeer and Eugène Scribe, contrib. by Eugène Vauthrot and François-Joseph Fétis (page images at HathiTrust)
- Vocal Gems From The Idol's Eye: Comic Opera in Three Acts (piano-vocal score; New York et al.: E. Schuberth and Co., c1897), by Victor Herbert and Harry B. Smith (page images at HathiTrust)
- 30 ausgewählte Arien aus Opern und Oratorien für eine Frauenstimme (Edition Peters, 1915), by George Frideric Handel and Herman Roth (page images at HathiTrust; US access only)
- Les Plus beaux airs de l'opéra françois (1 vocal score (2 v. (61 p.)) ;, 1924), by Percy Pinkerton and Gabriel Grovlez (page images at HathiTrust; US access only)
- Songs from the operas for soprano (Oliver Ditson Company;, 1907), by Henry Edward Krehbiel (page images at HathiTrust)
- Album of songs (M. Witmark, 1927), by Victor Herbert (page images at HathiTrust)
- Les peines & les plaisirs de l'amour : pastorale en 5 actes (T. Michaelis, 1800), by Robert Cambert and Gabriel Gilbert (page images at HathiTrust; US access only)
- Pomone : pastorale en 5 actes et 1 prologue (T. Michaelis, 1880), by Robert Cambert and P. Perrin (page images at HathiTrust)
- Répertoire classique du chant français : morceaux d'étude & de concours pour les conservatoires et les écoles de musique. (H. Lemoine, 1902), by F. A. Gevaert (page images at HathiTrust; US access only)
- Samson and Delilah (G. Schirmer, 1892), by Camille Saint-Saëns and Ferdinand Lemaire (page images at HathiTrust)
- Le couronnement de Poppée = L'incoronazione di Poppea : MDCXLII (Rouart, Lerolle, 1922), by Claudio Monteverdi, Vincent d' Indy, and Giovanni Francesco Busenello (page images at HathiTrust; US access only)
- Scenes from Euridice (O. Ditson, 1894), by Jacopo Peri, H. Millard, William H. F. Metcalf, J. Frank Botume, and Ottavio Rinuccini (page images at HathiTrust)
- Songs of two Savoyards (George Routledge and Sons ;, 1899), by Arthur Sullivan, King Hall, and W. S. Gilbert (page images at HathiTrust; US access only)
- Six chansons galantes (1769-1814) du répertoire de Maggie Teyte. (G. Schirmer, 1913), by Maggie Teyte (page images at HathiTrust)
- Gilbert & Sullivan at home, containing the complete stories and most popular songs of Trial by jury, The sorcerer, H.M.S. Pinafore [etc.] (D. Appleton-Century Co., 1930), by Arthur Sullivan, Albert E. Wier, and W. S. Gilbert (page images at HathiTrust; US access only)
- Wagner lyrics for soprano (Ditson, 1904), by Richard Wagner and Carl Armbruster (page images at HathiTrust)
- Da l'Euridice; musiche in stile rappresentativo trascritto in notazione moderna con accompagnamento di basso elaborato per pianoforte (Istituto editoriale italiano, 1919), by Jacopo Peri and Carlo Perinello (page images at HathiTrust; US access only)
- Duo (G. Miran, 1880), by Pauline Viardot-García (page images at HathiTrust)
- Marietta's song : from the opera The dead city = Mariettas Lied zur Laute (Schott ;, 1920), by Erich Wolfgang Korngold, R. H. Elkin, and Paul Schott (page images at HathiTrust; US access only)
- Parlez, parlez petite amie. (P. Gaveaux, 1813), by Sophie Gail (page images at HathiTrust)
- Ma liberté, ma liberté (Benoit Pollet, 1813), by Sophie Gail (page images at HathiTrust)
- The Prima donna's album : a collection of 41 celebrated cavatinas and arias (in their original keys) (G. Schirmer, 1890), by J. Pittman (page images at HathiTrust)
- Mein singendes klingendes Wien : eine Auslese der schönsten und bekanntesten Wiener Lieder (Drei Masken-Musik, 1926), by Ernst Decsey and Franz Stassen (page images at HathiTrust; US access only)
- Oh, promise me : song with piano accompaniment (G. Schirmer, 1917), by Reginald De Koven and Clement Scott (page images at HathiTrust)
- Récitativ et air : pour soprano et flute (ad lib) de l'opéra Céphale et Proxis (W. Zimmermann, in the 1900s), by André-Ernest-Modeste Grétry and Arÿ van Leeuwen (page images at HathiTrust; US access only)
- Echos de France (A. Durand, in the 1890s), by Léon Roques (page images at HathiTrust; US access only)
- St͡sena Kuma i Cherevika = Scene des Gevatters und Tscherewiks = Scène du Compère et de Tchérévik (W. Bessel, 1911), by Modest Petrovich Mussorgsky and V. G. Karatygin (page images at HathiTrust; US access only)
- Dumka Parasi : iz op. Sorochinskai͡a i͡armarka (W. Bessel ;, 1909), by Modest Petrovich Mussorgsky, Anatoly Konstantinovich Lyadov, and Nikolai Vasil'evich Gogol' (page images at HathiTrust; US access only)
- Dumka parobka : (tenor) : iz neokonchennoĭ opery "Sorochinskai͡a i͡armarka" (W. Bessel ;, 1908), by Modest Petrovich Mussorgsky, Anatoly Konstantinovich Lyadov, and Nikolai Vasil'evich Gogol' (page images at HathiTrust; US access only)
- Khivri͡a : (v ozhidanii Afanasii͡a Ivanycha) : Iz op. Sorochinskai͡a i͡armarka (W. Bessel ;, 1908), by Modest Petrovich Mussorgsky, Anatoly Konstantinovich Lyadov, and Nikolai Vasil'evich Gogol' (page images at HathiTrust; US access only)
- Khovántchina : Act III, scene 6-7-8 (s.n.], 1925), by Modest Petrovich Mussorgsky and Schola Cantorum (Musical group) (page images at HathiTrust; US access only)
- Pi͡esni͡a duraka. : "Ty mni͡e zhonka, ne perech, mni͡e" (A. Gutkheĭlʹ, in the 1880s), by A. N. Serov and D. V. Averkīev (page images at HathiTrust)
- La pazza per amore (Società anonima notari, 1919), by Giovanni Paisiello and Carlo Perinello (page images at HathiTrust; US access only)
- L'Euridice (Società anonima notari, 1919), by Jacopo Peri and Carlo Perinello (page images at HathiTrust; US access only)
- Il filosofo di campagna (Società anonima notari, 1919), by Baldassare Galuppi and Gian Francesco Malipiero (page images at HathiTrust; US access only)
- Rappresentazione di anima et di corpo : per canto e pianoforte (Società anonima notari, 1919), by Emilio de' Cavaliere and Gian Francesco Malipiero (page images at HathiTrust; US access only)
- Il barbiere di Siviglia (1816) Largo al factotum della città. (G. Schirmer], 1903), by Gioacchino Rossini and Max Spicker (page images at HathiTrust)
- Marietta's song = Mariettas Lied zur Laute : from the opera The dead city (Schott ;, 1920), by Erich Wolfgang Korngold and Paul Schott (page images at HathiTrust; US access only)
- Operatic anthology. Celebrated arias selected from operas by old and modern composers. (G. Schirmer, 1903), by Max Spicker (page images at HathiTrust)
- Bois epais (Sombre woods) (Boosey, 1892), by Jean-Baptiste Lully (page images at HathiTrust)
- Swanee-river-song : aus der Oper Jonny spielt auf : op. 45 (Universal Edition, 1927), by Ernst Krenek (page images at HathiTrust; US access only)
- Early Italian songs and airs (O. Ditson Co. ;, 1923), by Pietro Floridia (page images at HathiTrust)
- Early Italian songs and airs. Volume II, Provenzale to Supriani : for high voice (Oliver Ditson ;, 1924), by Pietro Floridia (page images at HathiTrust)
- Koloratur-Album Sammlung beliebter Koloratur-Arien, für sopran (C. F. Peters, 1940), by Mathilde Marchesi (page images at HathiTrust; US access only)
- Opera songs. the choicest selection from all the standard operas, new and old. (The John Church company, 1901) (page images at HathiTrust; US access only)
- Samson and Delilah. opera in 3 acts (O. Ditson Co., 1895), by Camille Saint-Saëns (page images at HathiTrust)
- Gems of Indigo. spectacular opera burlesque. The only authorized ed. as performed at the Casino, New York. (W. A. Pond, 1891), by Johann Strauss and Maximilian Steiner (page images at HathiTrust)
- Airs avec acct. de piano : extraits des oeuvres complètes publiées sous la direction de C. Saint-Saëns (A. Durand & Fils, 1906), by Jean-Philippe Rameau, Alexandre Guilmant, Auguste Chapuis, Paul Dukas, Vincent d' Indy, and Camille Saint-Saëns (page images at HathiTrust; US access only)
- Zwölf Alt-Arien aus verschiedenen Opern. (Kistner, 1869), by George Frideric Handel and Robert Franz (page images at HathiTrust)
- The operatic album; a collection of music in parts, for ladies' voices. Intended particularly for seminaries, high schools, musical classes, and the social circle. (O. Ditson, 1857), by E. Ives (page images at HathiTrust)
- The opera bouffe : a collection of vocal and instrumental gems, from Offenbach's La grande duchesse, La belle Helene, Barbe bleue, Orpheus, & Genevieve. (O. Ditson, 1868), by Jacques Offenbach (page images at HathiTrust)
- Notre-dame of Paris, a lyrical drama in four acts. ([Clayton], 1864), by William Henry Fry, Victor Hugo, and J. Reese Fry (page images at HathiTrust)
- La belle Hélène. [Selections for piano with English and French words.] (Ditson, 1868), by Jacques Offenbach (page images at HathiTrust)
- Twelve arias by old Italian masters (Boston Music ;, 1915), by Nathan Haskell Dole and Maffeo Zanon (page images at HathiTrust)
- Opera songs : a collection of fifty-two songs with English and Italian words (Boosey & Co. :, 1880), by George Frideric Handel, Maria X. Hayes, and W. T. Best (page images at HathiTrust)
- Das Rheingold : Album für eine Singstimme mit Pianoforte = The Rhinegold : album for single voice with pianoforte accompaniment (Breitkopf & Härtel, 1912), by Richard Wagner (page images at HathiTrust; US access only)
- Götterdämmerung : vocal album, low = Gesangsalbum, tief (Breitkopf & Härtel, 1914), by Richard Wagner (page images at HathiTrust; US access only)
- Rienzi : vocal album, low = Gesangsalbum, tief (Breitkopf & Härtel, 1914), by Richard Wagner, Ernest. 1868-1959 Newman, Fanny S. Copeland, Otto Singer, and Emil Liepe (page images at HathiTrust; US access only)
- The opera chorus book : consisting of trios, quartetts, quintetts, solos and choruses selected and arranged from the works of von Weber, Rossini, Meyerbeer ... and Bishop ; forming a most interesting valuable work for societies, advanced schools, clubs and the social circle (O. Ditson, 1849), by Edward L. White and J. E. Gould (page images at HathiTrust)
- Light opera at home : containing the stories and the most popular music in The bartered bride, The beggar student, The chimes of Normandy, Erminie, Giroflé-Girofla, Queen's lace handkerchief, The mikado, Martha, The mascot, Olivette, H.M.S. Pinafore, The grand duchess (D. Appleton, 1917), by Johann Strauss, Arthur Sullivan, Edmond Audran, Friedrich von Flotow, Jacques Offenbach, Charles Lecocq, Edward Jakobowski, Robert Planquette, Carl Millöcker, Bedřich Smetana, and Albert E. Wier (page images at HathiTrust)
- Vocal gems from the merry monarch : comic operetta (T. B. Harms, 1890), by Emmanuel Chabrier, Woolson Morse, and J. Cheever Goodwin (page images at HathiTrust)
- Vocal gems from The fencing master : comic opera (Schirmer, 1892), by Reginald De Koven (page images at HathiTrust)
- Don Cesar : vocal gems (White, Smith & Co., 1886), by Rudolf Dellinger and Louis Charles Elson (page images at HathiTrust)
- Sympathy : waltz-song from the comedy-opera The firefly (G. Schirmer, 1912), by Rudolf Friml (page images at HathiTrust)
- Gems of Millocker's sprightly comic opera Poor Jonathan. (Wm. A. Pond, 1890), by Carl Millöcker, Julius Bauer, and Hugo Wittmann (page images at HathiTrust)
- Opera songs : the choicest selection from all the standard operas new and old : published in four books. (T. Presser Co., 1901) (page images at HathiTrust)
- Comic opera, The merry war : in three acts (s.n.], 1882), by Johann Strauss, R. Catenhusen, I. W. Norcross, Richard Genée, and F. Zell (page images at HathiTrust)
- The plaint of the people : chorus of mixed voices and baritone solo from the opera Khovantchina (G. Schirmer, 1914), by Modest Petrovich Mussorgsky, Sigmund Spaeth, and Kurt Schindler (page images at HathiTrust)
- Les deux foscari = (I due foscari) : opéra en 4 actes (Choudens père & fils, 1885), by Giuseppe Verdi, Francesco Maria Piave, and Monique Escudier (page images at HathiTrust)
- Le fils du croisé : drame lyrique en 3 actes (Lissarrague, 1875), by D. Ch. Planchet and Paul Croiset (page images at HathiTrust)
- Arien-Album. Sammlung berühmter Arien für Bariton und Bass mit Pianofortebegleitung (C. F. Peters, 1900), by Alfred Dörffel (page images at HathiTrust; US access only)
- Geneviéve de Brabant, opéra bouffe en cinq actes. Morceaux supplémentaires de la partition piano & chant. (Au Ménestrel, Heugel, 1875), by Jacques Offenbach, Étienne Tréfeu, and Hector-Jonathan Crémieux (page images at HathiTrust)
- Le couronnement de Poppée = L'incoronazione di Poppea ; MDCXLII ; sélection conformé à l'exécution donnée par les soins de la Schola Cantorum le 24 février 1905 ; publiée d'après le manuscrit original de la Bibliothèque Marcienne à Venise avec réalisation de la basse ; nuances et indications d'exécution (Bureau d'Édition de la "Schola Cantorum", 1908), by Claudio Monteverdi and Vincent d' Indy (page images at HathiTrust; US access only)
- Recit et berceuse. (Choudens, 1906), by Félix Fourdrain (page images at HathiTrust; US access only)
- I have lost my Euridice = Che farò senza Euridice : from Orefeo ed Euridice ([Oliver Ditson], 1909), by Christoph Willibald Gluck (page images at HathiTrust)
- Winterstürme (C. Fischer, 1915), by Richard Wagner (page images at HathiTrust)
- 6 vocal duets with pianoforte accompaniment (Augener, in the 1900s), by Henry Purcell and Alfred Moffat (page images at HathiTrust; US access only)
- 1er acte de l'opera Demofoonte (1742). : Airs et Marche (Breitkopf & Härtel, 1914), by Christoph Willibald Gluck, Julien Tiersot, and Pietro Mestastasio (page images at HathiTrust; US access only)
- Samson and Delilah : opera in 3 acts (G. Schirmer, 1892), by Camille Saint-Saëns, Nathan Haskell Dole, Ferdinand Lemaire, and Werfel Collection (page images at HathiTrust)
- Grand opera with a victrola : containing the stories, the most popular music, and the victor record numbers of Aïda, Faust, Carmen, Tannhäuser, Lohengrin, Cavalleria rusticana, Rigoletto, Il trovatore, The Bohemian girl, Tales of Hoffman, Hansel and Gretel, Lucia di Lammermoor (D. Appleton, 1916), by Albert E. Wier and Victor Talking Machine Company (page images at HathiTrust)
- Sammlung von Gesängen (Breitkopf & Härtel, 1877), by George Frideric Handel and Victorie Gervinus (page images at HathiTrust)
- Anthologie aus Opern und Oratorien : für eine Singstimme (Kistner, 1880), by George Frideric Handel and Robert Franz (page images at HathiTrust)
- Zwölf Alt-Arien aus verschiedenen Opern. (Kistner, 1882), by George Frideric Handel and Robert Franz (page images at HathiTrust)
- Zwölf Sopran-Arien aus verschiedenen Opern. (Kistner, 1882), by George Frideric Handel and Robert Franz (page images at HathiTrust)
- Wagner lyrics for tenor (Ditson, 1904), by Richard Wagner and Carl Armbruster (page images at HathiTrust)
- Cyrano de Bergerac : comic opera in three acts (M. Witmark, 1899), by Victor Herbert, Cyrano de Bergerac, and Harry B. Smith (page images at HathiTrust)
- Songs from the operas for alto (O. Ditson, 1909), by Henry Edward Krehbiel, A. Goring Thomas, Léo Delibes, Amilcare Ponchielli, Charles Gounod, Giuseppe Verdi, Friedrich von Flotow, Ambroise Thomas, M. I. Glinka, Gaetano Donizetti, Saverio Mercadante, Gioacchino Rossini, Giacomo Meyerbeer, Etienne Nicolas Méhul, Giuseppe Giordani, Christoph Willibald Gluck, Johann Adolf Hasse, Leonardo Leo, George Frideric Handel, Alessandro Scarlatti, Henry Purcell, Jean-Baptiste Lully, and Francesco Rossi (page images at HathiTrust)
- Gems from The King's fool. (R.A. Saalfield, 1889), by Adolf Müller, Hugo Wittmann, and Julius Bauer (page images at HathiTrust)
- Tesori antichi; Sammlung altitalienischer Arien und Lieder, neu revidirt (Breitkopf & Härtel, 1893), by Martin Roeder and Raro Miedtner (page images at HathiTrust)
- Bunthorne's bride. (J.M. Stoddart, 1881), by Arthur Sullivan and W. S. Gilbert (page images at HathiTrust)
- The development of opera from its earliest beginnings to the masterworks of Gluck : a practical and entertaining demonstration of musical history in the form of a continuous and diversified concert-program (G. Schirmer ;, 1912), by M. I. Glinka and Kurt Schindler (page images at HathiTrust)
- Songs the whole world sings : containing more than two hundred songs which are dear to the hearts of young and old in every nation : arranged for use as songs or piano pieces (D. Appleton, 1915), by Albert E. Wier (page images at HathiTrust)
- Words of the songs and choruses of the Little Tycoon : an original American-Japanese comic opera (W.H. Keyser], 1886), by Willard Spenser (page images at HathiTrust)
- Opera songs : the choicest selection from all the standard operas, new and old. (J. Church, 1901) (page images at HathiTrust)
- Musical selections from The court of hearts (White Smith Music Pub. Co., 1901), by Mabel W. Daniels, Rebecca L. Hooper, and Radcliffe College (page images at HathiTrust)
- La Navarraise : lyric episode in two acts (F. Rullman, 1895), by Jules Massenet, Henri Cain, Jules Claretie, and F. E. Weatherly (page images at HathiTrust)
- Cavalleria Rusticana (Rustic chivalry). Alfio's entrance song ... (G. Schirmer, 1891), by Pietro Mascagni and Nathan Haskell Dole (page images at HathiTrust)
- Ida Isori-Album : altitalienische Arien aus dem 16ten, 17ten und 18ten Jahrhundert für eine Singstimme mit Klavierbegleitung (Universal Edition, 1912), by Richard Batka and Ida Isori (page images at HathiTrust; US access only)
- Sämtliche Lieder für eine Singstimme mit Klavierbegleitung (Breitkopf & Härtel, 1916), by Richard Wagner and Emil Liepe (page images at HathiTrust; US access only)
- Voi che sapete = Say, ye who borrow : canzone from Le nozze di Figaro (C. Fischer, 1905), by Wolfgang Amadeus Mozart (page images at HathiTrust)
- Indian bell song. (G. Schirmer, 1883), by Léo Delibes (page images at HathiTrust)
- One fine day. (Ricordi, 1908), by Giacomo Puccini and R. H. Elkin (page images at HathiTrust; US access only)
- Madame Butterfly : One fine day (Un bel dì vedremo) (Franco Colombo, 1908), by Giacomo Puccini (page images at HathiTrust)
- Regina Coeli : scena e preghiera = scene and prayer (G. Schirmer, 1891), by Pietro Mascagni (page images at HathiTrust)
- 100 Duette : aus den Opern und Oratorien berühmter Componisten (E. Eulenberg, 1890) (page images at HathiTrust; US access only)
- Fra teatrene : 400 sange, operetter, sangspil, vaudeviller, eventyrkomedier, farcer, etc. (W. Hansen, 1890), by Erik Bøgh (page images at HathiTrust; US access only)
- Songs and airs (O. Ditson, 1905), by George Frideric Handel (page images at HathiTrust)
- Soprano-Arien (Breitkopf & Härtel, 1910), by Karl Schmidt (page images at HathiTrust; US access only)
- Échos de France : recueil des plus célèbres airs, romances, duos, etc. (A. Durand, 1890) (page images at HathiTrust; US access only)
- Operatic gems : a new collection of beautiful melodies from the most popular operas ; First series: for soprano and tenor voices ; arranged expressly for parlor use (Oliver Ditson & Company, 1875), by George W. Tryon (page images at HathiTrust)
- Lustige Witwe (s.n., in the 1900s), by Franz Lehár (page images at HathiTrust; US access only)
- The queen's lace handkerchief : comic opera in three acts as presented by the McCaull Opera Comique Co. (s.n., 1882), by Johann Strauss and Heinrich Bohrmann-Riegen (page images at HathiTrust)
- Lamento di Arianna (C. Schmidl, 1909), by Claudio Monteverdi and Ottavio Rinuccini (page images at HathiTrust; US access only)
- The man with three wives (Chappell, 1913), by Franz Lehár and Julius Bauer (page images at HathiTrust)
- Udvalgte stykker af De to Armringe : opera i 1 act, Op. 12 (Horneman & Erslev (S.A.E. Hagen), 1890), by Axel Karl William Grandjean and Adam Oehlenschläger (page images at HathiTrust; US access only)
- Sobieski. Quatre duos, extraits de Sobieski. (s.n., 1892), by Samuel David (page images at HathiTrust)
- The canary (T. B. Harms and Francis, Day & Hunter, 1918), by Ivan Caryll, Louis Verneuil, and Georges Barr (page images at HathiTrust)
- Voices from the golden age of bel canto : a collection of twenty-six opera-songs of the seventeenth and eighteenth centuries, from rare manuscripts and early prints (Schirmer, 1910), by Henry Edward Krehbiel and Max Spicker (page images at HathiTrust)
- Bohemian cradle-song : (Vendulka's cradle-song) for a high or medium voice with piano accompaniment, from the opera Hubicka (G. Schirmer ;, 1910), by Bedřich Smetana and Eliška Pechová-Krásnohorská (page images at HathiTrust)
- Choeur extrait de l'opéra inachevé Salammbo = Chor aus der unvollendeten Oper Salambo (W. Bessel, 1909), by Modest Petrovich Mussorgsky (page images at HathiTrust; US access only)
- Maids of Athens : an operetta in three acts (Chappell, 1914), by Franz Lehár and Victor Léon (page images at HathiTrust)
- Vocal gems from The fortune teller : comic opera in three acts (Witmark, 1898), by Victor Herbert and Harry B. Smith (page images at HathiTrust)
- Die Königin von Saba : Oper in vier Acten, Op. 27, No. 7 : Scene der Königin im Garten (Verlag von Schweers & Haake, 1878), by Carl Goldmark and S. H. Mosenthal (page images at HathiTrust)
- Lullaby from Jocelyn (Oliver Ditson, 1891), by Benjamin Godard, Alphonse de Lamartine, Victor Capoul, and Armand Silvestre (page images at HathiTrust)
- The girl behind the gun (Chappell, 1918), by Ivan Caryll, P. G. Wodehouse, and Guy Bolton (page images at HathiTrust)
- The most popular songs from the most popular operas (Hinds, Noble & Eldredge, 1909), by E. J. Biedermann and Paolo Gallico (page images at HathiTrust)
- Operatic albums, soprano. (G. Ricordi, 1902) (page images at HathiTrust; US access only)
- Operatic albums, contralto. (Ricordi, 1902) (page images at HathiTrust; US access only)
- Operatic albums, bass. (G. Ricordi, 1902) (page images at HathiTrust; US access only)
- Operatic albums, mezzo-soprano. (G. Ricordi, 1902) (page images at HathiTrust; US access only)
- Operatic albums, tenor. (G. Ricordi, 1902) (page images at HathiTrust; US access only)
- Deh! con te, con te li prendi : duet [for] two sopranos : Norma (G. Schirmer, 1911), by Vincenzo Bellini (page images at HathiTrust)
- Scena e cavatina : Infelice ... e tuo credevi (Silva) (G. Ricordi, 1844), by Giuseppe Verdi (page images at HathiTrust; US access only)
- Oh promise me : song with piano accompaniment (G. Schirmer, 1889), by Reginald De Koven and Clement Scott (page images at HathiTrust)
- Selections (instrumental and vocal) from Robin Hood : a comic opera (G. Schirmer ;, 1891), by Reginald De Koven and Harry B. Smith (page images at HathiTrust)
- Spinning chorus : from the opera "The Flying Dutchman" (G. Schirmer, 1895), by Richard Wagner, Richard Schmidt, and Th Baker (page images at HathiTrust)
- [Collection of songs and arias in French]. (H. Messemaeckers, [etc.], in the 1830s), by F. Masini, Amédée de Beauplan, Charles François Plantade, Antoine Joseph Michael Romagnesi, Auguste-Mathieu Panseron, and Théodore Labarre (page images at HathiTrust)
- I dreamt that I dwelt in marble halls : sung in the opera of Bohemian girl (New York (239 Broadway) : Firth & Hall, [1844 or 1845], 1844), by M. W. Balfe and Alfred Bunn (page images at HathiTrust)
- The power of love (Oliver Ditson & Co., 1858), by M. W. Balfe (page images at HathiTrust)
- Away with melancholy (Published by G.E. Blake, 1810), by Wolfgang Amadeus Mozart (page images at HathiTrust)
- As it fell upon a day : duetto sung by Mrs. Holman & Mr. Pearman (Published by Dubois & Stodart, 126 Broad Way, 1824), by Henry R. Bishop and William Shakespeare (page images at HathiTrust)
- Our cot was shelter'd in a wood (Published by J.A. & W. Geib, 23 Maiden Lane, 1818), by Henry R. Bishop (page images at HathiTrust)
- Our cot was shelter'd in a wood (Engraved, Printed & Sold by E. Riley, 29 Chatham Street, 1818), by Henry R. Bishop (page images at HathiTrust)
- Noble outlaw (Pub. by Dubois & Stodart at their Piano Forte & Music Store No. 126 Broad Way,[1823], 1823), by Henry R. Bishop (page images at HathiTrust)
- Noble outlaw (Published & sold by G. Willig 171 Chesnut St., 1824), by Henry R. Bishop (page images at HathiTrust)
- What e'er my fate, where e'er I roam (Published by Wm. Dubois, No. 127 Broadway, 1817), by Henry R. Bishop (page images at HathiTrust)
- What e'er my fate, where e'er I roam (Published by G.E. Blake, No. 13 south 5th street, 1818), by Henry R. Bishop (page images at HathiTrust)
- Soldier tired (Published by G.E. Blake, No. 13 south 5th Street, 1818), by Thomas Augustine Arne (page images at HathiTrust)
- Soldier tir'd of wars alarms (Published by J.A. & W. Geib at their Piano Forte Warehouse and Wholesale & Retail Music Store, 23 Maiden Lane, 1818), by Thomas Augustine Arne (page images at HathiTrust)
- Go my love : a rondo : sung by Miss Kelly (Published by Dubois & Stodart, 126 Broadway, 1825), by Henry R. Bishop (page images at HathiTrust)
- Dear maid by ev'ry hope of bliss (Published by W. Dubois, No. 127 Broad way, 1817), by Henry R. Bishop (page images at HathiTrust)
- What airy sounds[!] floats sweetly sweetly round. (Published by G.E. Blake, No. 13 South 5h[!] Street, 1818), by Henry R. Bishop (page images at HathiTrust)
- Home, love and liberty (Published by W. Dubois at his Piano Forte & Music Store, No. 126 Broadway, 1818), by Henry R. Bishop (page images at HathiTrust)
- Dear maid by ev'ry hope of bliss (Published by G.E. Blake, No. 13 south 5th street, 1818), by Henry R. Bishop (page images at HathiTrust)
- Farmer's wife (published and sold by G. Graupner at his Music Store, No. 6 Franklin Street, 1815), by Henry R. Bishop and Charles Dibdin (page images at HathiTrust)
- Native land (Published by G.E. Blake, No. 13 south 5th street, 1824), by Henry R. Bishop (page images at HathiTrust)
- What airy sound floats sweetly sweetly round (Published by W. Dubois at his Piano Forte & Music Store, No. 126 Broadway, 1818), by Henry R. Bishop (page images at HathiTrust)
- Mid pleasures and palaces though we may roam (Published by G. E. Blake, No. 13 south Fifth Street, 1823), by Henry R. Bishop (page images at HathiTrust)
- Love's blind they say (Published and sold at G Willig's Musical Magazine, 1815), by Henry R. Bishop and Charles Dibdin (page images at HathiTrust)
- Love unperceiv'd with cautious art (Published by John Paff, 1814), by T. Cooke and John Braham (page images at HathiTrust)
- Swiss patriot (E. Riley, 29 Chatham St., 1818), by William Reeve and John Braham (page images at HathiTrust)
- Swiss patriot (Published by G. Willig, No. 171 Chestnut St., 1819), by William Reeve and John Braham (page images at HathiTrust)
- Swiss patriot (Published by W. Dubois at his Piano Forte & Music Store No. 126 Broadway, 1818), by William Reeve and John Braham (page images at HathiTrust)
- Oh take me to your arms my love. (Published & sold by G. E. Blake, 1808), by John Braham and Thomas Dibdin (page images at HathiTrust)
- Oh take me to your arms my love. (Published by J. Aitken and sold at his Musical Repository, North 2d Street No. 76, 1808), by John Braham and Thomas Dibdin (page images at HathiTrust)
- Deep in a vale a cottage stood (Published by G. E. Blake, 1810), by William Reeve and John Braham (page images at HathiTrust)
- Now hope, now fear, my bosom rending (Published by W. Dubois at his Piano Forte & Music Store, No. 126 Broadway, 1817), by M. P. King and John Braham (page images at HathiTrust)
- Can wealth or friends thy heart incline (Published by Wm. Dubois, 1817), by John Braham (page images at HathiTrust)
- Is there a heart that never loved (Published by Wm. Dubois, 1817), by Charles E. Horn and John Braham (page images at HathiTrust)
- Here mark the poor desolate maid (Published by G.E. Blake, No. 13 South 5h St., 1817), by Charles E. Horn and John Braham (page images at HathiTrust)
- On this cold flinty rock I will lay down my head (Published and sold at G. Willig's Musical Magazine, 1810), by John Braham (page images at HathiTrust)
- Though love is warm a while soon it grows cold (Published and sold at G. Willig's Musical Magazine, 1818), by Charles E. Horn and John Braham (page images at HathiTrust)
- When thy bosom heaves the sigh : duett sung by Mrs. Dickons & Mr. Braham in the opera of Narensky (Published by Wm. Dubois, 1817), by John Braham (page images at HathiTrust)
- Now hope, now fear, my bosom rending. (Sold at I. Paffs, Broad Way, 1812), by M. P. King and John Braham (page images at HathiTrust)
- Can wealth or friends thy heart incline (Published by G.E. Blake, No. 13 South 5th Street, 1814), by John Braham (page images at HathiTrust)
- Is there a heart that never loved (Printed for G. E. Blake, No. 13 South 5h Street, 1814), by Charles E. Horn and John Braham (page images at HathiTrust)
- Here mark the poor desolate maid (Published by Wm. Dubois, 1817), by Charles E. Horn and John Braham (page images at HathiTrust)
- My early day, what joy was thine : a favorite duett sung by Mrs. Dickons & Mr. Braham (Published by John Paff, 1812), by Charles E. Horn and John Braham (page images at HathiTrust)
- Ye gloomy caves, abodes of dark despair (Published by Wm. Dubois, No. 126 Broadway, 1817), by John Braham (page images at HathiTrust)
- When Vulcan forg'd the bolts of Jove in Etnas roaring glow (Publish'd and sold by Wm. Dubois, No. 126 Broadway, 1817), by John Braham (page images at HathiTrust)
- Though love is warm awhile (Published by Wm. Dubois, 1817), by Charles E. Horn and John Braham (page images at HathiTrust)
- When thy bosom heaves the sigh : duett, sung by Mrs. Dickons & Mr. Braham in the comic opera called Narensky, or, The road to Yaroslaf, at the Theatre Royal, Drury Lane (Published by G.E. Blake, No. 13 South 5h Street, 1814), by John Braham (page images at HathiTrust)
- Deep in a vale a cottage stood (Published and sold at G. Willig's Musical Magazine, 1810), by William Reeve and John Braham (page images at HathiTrust)
- My early day, what joy was thine : a favorite duett sung by Mrs. Dickons & Mr. Braham (Published by Wm. Dubois, 1817), by Charles E. Horn and John Braham (page images at HathiTrust)
- Said a smile to a tear : from the new opera of False alarms (Published by Carr & Schetky and sold at the following music stores, J. Carr's, Baltimore ... [and 6 others], 1807), by John Braham (page images at HathiTrust)
- Said a smile to a tear (Pub. and engrav'd by John Aitken, and sold at his Musical Repository, North 2d St. No. 76, and likewise to be had a[t] Charles Taws, Walnute [!] Street No. 60, 1811), by John Braham (page images at HathiTrust)
- When thy bosom heaves the sigh : a duett, from the opera of Narensky (Published and sold at G. Willig's music store, 1816), by John Braham (page images at HathiTrust)
- Deserted by the waning moon (Published by G. E. Blake, 1812), by John Braham (page images at HathiTrust)
- Deserted by the waning moon (Published by J. G. Klemm, 3 So. 3d. St., 1823), by John Braham (page images at HathiTrust)
- Deserted by the waning moon (Engraved, printed & sold by E. Riley, 29, Chatham St., 1819), by John Braham (page images at HathiTrust)
- Behold! Behold! in his soft expressive face (Published and sold at G. Willig's Musical Magazine, 1818), by Charles E. Horn and John Braham (page images at HathiTrust)
- Behold! Behold! in his soft expressive face (Published by J.A. & W. Geib, 23 Maiden Lane, 1818), by Charles E. Horn and John Braham (page images at HathiTrust)
- Slow broke the light and sweet breath'd the morn (Published by G. E. Blake, 1809), by John Braham (page images at HathiTrust)
- De l'amitié daigne entendre la voix (Publié et vendu au Magazin de Musique de G. Willig, 1816), by A. Boieldieu (page images at HathiTrust)
- Deserted by the waning moon (Published by A. Bacon & Co., 1816), by John Braham (page images at HathiTrust)
- Deserted by the waning moon (Published by W. Dubois, at his Piano Forte & Music Store, 126 Broadway, 1818), by John Braham (page images at HathiTrust)
- Behold! Behold! in his soft expressive face (Published by G. E. Blake, 1812), by Charles E. Horn and John Braham (page images at HathiTrust)
- Behold! Behold! in his soft expressive face (Published by Wm. Dubois, 1817), by Charles E. Horn and John Braham (page images at HathiTrust)
- Slow broke the light and sweet breath'd the morn (Engrav'd, printed and sold by E. Riley, 23 Chatham Street, 1818), by John Braham (page images at HathiTrust)
- Come to me come to me dearest maid (Published by Carr & Schetky and sold at the following music stores, J. Carr's Baltimore, G. Blake's Philada., J. Hewitt's New York [and 4 others], 1807), by John Braham (page images at HathiTrust)
- Oh I first saw the youth who to me came a-wooing (Published by G.E. Blake, 1807), by John Braham and Thomas Dibdin (page images at HathiTrust)
- Deep in a vale a cottage stood (Printed & sold by Wm. Dubois, No. 126 Broadway, 1817), by William Reeve and John Braham (page images at HathiTrust)
- Non vi fidate agliuomini : a favorite cavatina, sung by Madame Catalani, in the opera of La Frascatana (Printed for G.E. Blake, No. 13 South 5h. Street, 1814), by G. G. Ferrari and Giovanni Paisiello (page images at HathiTrust)
- Non vi fidate agliuomini : a favorite cavatina, sung by Madame Catalani in the opera of La Frascatana (Printed by G. Willig, 1812), by G. G. Ferrari and Giovanni Paisiello (page images at HathiTrust)
- Tho' I leave thee now in sorrow (Published and sold by G.E. Blake, No. 13 south 5th street, 1820), by John Davy and I. Pocock (page images at HathiTrust)
- Forlorn and broken hearted, I weep (Published by G.E. Blake, at his Piano Forte and Music Store, No. 13 So. 5th Street, 1819), by John Davy and I. Pocock (page images at HathiTrust)
- Be mine dear maid, this faithful heart (Published by A. Bacon, No. 11, S. 4th Street, and sold by Vallote & Lété, New York, and at J. Robinson's Circulating Library, Baltimore, 1817), by Henry R. Bishop and John Davy (page images at HathiTrust)
- Tho' I leave thee now in sorrow (Published by W. Dubois at his Piano Forte and Music Store, No. 126 Broadway, 1819), by John Davy and I. Pocock (page images at HathiTrust)
- Tho' I leave thee now in sorrow (Engrav'd, printed & sold by E. Riley, 29 Chatham Street, 1823), by John Davy and I. Pocock (page images at HathiTrust)
- Be mine dear maid, this faithful heart (Published by J.G. Klemm, No. 3 South Third Street, 1823), by Henry R. Bishop and John Davy (page images at HathiTrust)
- Forlorn and broken hearted, I weep (Published by W. Dubois at his Piano Forte and Music Store, No. 126 Broadway, 1819), by John Davy and I. Pocock (page images at HathiTrust)
- Let others breathe the melting sigh (Published by G.E. Blake, no. 13 South 5th Street, 1817), by T. Cooke and Samuel James Arnold (page images at HathiTrust)
- Our warrior hearts for battle burn. (Published and sold by G. Willig, 1823), by Arthur Clifton (page images at HathiTrust)
- O steal not the ray o'er my fond beating breast (Published and sold by Geo. Willig, 171 Chesnut [!] St., 1824), by Arthur Clifton and W. H. Hamilton (page images at HathiTrust)
- Stay loved Arbina (Published and sold by Geo. Willig, 171 Chesnut [!] St., 1824), by Arthur Clifton and W. H. Hamilton (page images at HathiTrust)
- When I was an infant, gossips would say (Published and sold by G. Willig, 1820), by T. Cooke and Samuel James Arnold (page images at HathiTrust)
- Down the burn & thro' the mead ... (Printed & sold at J. Hewitt's Musical Repository, No 131 William Street. ;, 1797), by William Shield (page images at HathiTrust)
- Non più andrai : from the celebrated opera Marriage of Figaro : with English & Italian words (Pub. & sold by Geo. Willig, 171 Chesnut St, 1819), by Wolfgang Amadeus Mozart (page images at HathiTrust)
- Aurora che sorgerai : cavatina, sung by Signor Curioni, in the opera of La donna del lago (Published & sold by G. Willig, 171 Chesnut St, 1824), by Gioacchino Rossini and Andrea Leone Tottola (page images at HathiTrust)
- Sweet spirit, hear my prayer! (Wm. Hall & Son, 1860), by William Vincent Wallace (page images at HathiTrust)
- In my wild mountain valley : song (Firth, Pond & Co., 1856), by Julius Benedict, John Oxenford, and Dion Boucicault (page images at HathiTrust)
- Spargi d'amaro (Oliver Ditson & Co., 277 Washington St., 1857), by Gaetano Donizetti (page images at HathiTrust)
- My own, my guiding star (Oliver Ditson & Co., 1859), by G. A. Macfarren (page images at HathiTrust)
- Ah! I have sighed to rest me (S.T. Gordon, 1863), by Giuseppe Verdi, Charles William Glover, and Charles Jefferys (page images at HathiTrust)
- All bright as Peri's smile. : Come poteva un angelo. The favorite cavatina in Verdi's opera I Lombardi. (Boston : Oliver Ditson, [1866], 1850), by Giuseppe Verdi (page images at HathiTrust)
- Masnadieri (Koppitz, Prüfer & Co. ;, 1869), by Giuseppe Verdi and Allen A. Brown (page images at HathiTrust)
- When other lips and other hearts their tales (W.A. Pond, 1863), by M. W. Balfe (page images at HathiTrust)
- Puritan's daughter (New York : Firth, Pond & Co., [1869], 1869), by M. W. Balfe (page images at HathiTrust)
- Puritan's daughter (New York : Firth, Pond & Co., [1869], 1869), by M. W. Balfe (page images at HathiTrust)
- Bliss forever past (Wm. A. Pond ;, 1869), by M. W. Balfe, Parepa Rosa, Manufacturing & Lithographic Co Major & Knapp Engraving, and English Opera Co (page images at HathiTrust)
- A loving daughter's heart (New York : Firth, Pond & Co., [1869], 1869), by M. W. Balfe (page images at HathiTrust)
- Enchantress (Oliver Ditson & Co., 277 Washington St. ..., 1861), by M. W. Balfe (page images at HathiTrust)
- On the banks of Guadalquiver : ballad : song in the opera of Loretta (Oliver Ditson, 1866), by Louis Henry Lavenu (page images at HathiTrust)
- Se il fratel stringere (New York : Hamilton S, Gordon, [1865], 1865), by Gaetano Donizetti and William Jarvis Wetmore (page images at HathiTrust)
- Child of the regiment (New York : Wm. A. Pond & Co., [between1863 and 1877], 1863), by Gaetano Donizetti (page images at HathiTrust)
- Figlia dei rè (O. Ditson, 1865), by Giacomo Meyerbeer (page images at HathiTrust)
- My ancestors cup (547 & 865 Broadway, New York : Wm. A. Pond & Co., [1867], 1867), by Jacques Offenbach, R. Teller, and Arthur Matthison (page images at HathiTrust)
- Dites lui (Wm. A. Pond & Co., 1867), by Jacques Offenbach, Lucille Tosteé, and Bateman's Comic Opera Troupe (page images at HathiTrust)
- J'aime les militaires (O. Ditson, 1867), by Jacques Offenbach (page images at HathiTrust)
- Encor une, soldats (Oliver Ditson & Co. ;, 1868), by Jacques Offenbach (page images at HathiTrust)
- Here is the sword my father left us (M. Gray, 1867), by Jacques Offenbach (page images at HathiTrust)
- Au cabaret du labyrinthe = In the labyrinth saloon (Henry Tolman & Co., 1868), by Jacques Offenbach, Henri Meilhac, Ludovic Halévy, and George W. Birdseye (page images at HathiTrust)
- Son giuvin giuliva (O. Ditson, 1867), by Saverio Mercadante and Theodore T. Barker (page images at HathiTrust)
- Ah! quell'amata (Oliver Ditson & Co., 1867), by Saverio Mercadante and Theodore T. Barker (page images at HathiTrust)
- I stand beside my grave (Wm. Hall & Son ;, 1861), by William Vincent Wallace and Henry Fothergill Chorley (page images at HathiTrust)
- Love me and fear not (Wm. Hall & Son ;, 1861), by William Vincent Wallace and Henry Fothergill Chorley (page images at HathiTrust)
- Oh lady moon (Wm. Hall & Son ;, 1861), by William Vincent Wallace and Henry Fothergill Chorley (page images at HathiTrust)
- My long hair is braided (Wm. Hall & Son ;, 1861), by William Vincent Wallace and Henry Fothergill Chorley (page images at HathiTrust)
- Soldier's song (Wm. Hall & Son ;, 1861), by William Vincent Wallace and Henry Fothergill Chorley (page images at HathiTrust)
- Postman's song (Wm. Hall & Son ;, 1861), by William Vincent Wallace and Henry Fothergill Chorley (page images at HathiTrust)
- O never laugh, Sir Knight (Wm. Hall & Son ;, 1861), by William Vincent Wallace and Henry Fothergill Chorley (page images at HathiTrust)
- Adieu mon doux rivage (G. André, 1865), by Giacomo Meyerbeer (page images at HathiTrust)
- Figlia dei rè : aria (Philadelphia : Lee & Walker, 722 Chestnut St. : W.H. Boner & Co., 1102 Chestnut St., [between 1865 and 1869], 1865), by Giacomo Meyerbeer and George F. Swain (page images at HathiTrust)
- Give alms, give alms (New-York : G. Schirmer, [1868], 1868), by Giacomo Meyerbeer and H. Millard (page images at HathiTrust)
- L'Africana : "Addio, terra nativa" : romanza (New York : G. Schirmer, [1866], 1866), by Giacomo Meyerbeer (page images at HathiTrust)
- Presso un ruscello limpido = I saw the moon rise (Lee & Walker, 188 Chesnut St., 1854), by Nicola Vaccai (page images at HathiTrust)
- O jours heureux (William Hall & Son, 543 Broadway;, in the 1860s), by Giacomo Meyerbeer (page images at HathiTrust)
- Parigi, O cara (Firth, Pond & Co., 547 Broadway ..., 1856), by Giuseppe Verdi and John Rogers Thomas (page images at HathiTrust)
- Maometto secondo (Firth, Pond & Co., 1 Franklin Sq., 1850), by Gioacchino Rossini (page images at HathiTrust)
- Pien di contento in seno : nel opera. ([publisher not identified], in the 19th century), by Rossini and J. C. Viereck (page images at HathiTrust; US access only)
- Calm is the glassy ocean (G. Schirmer, 1868), by Wolfgang Amadeus Mozart, Fanny Raymond Ritter, and Frederic Louis (page images at HathiTrust)
- Alfin brillar : cavatina : Oh brightly shines joy's rainbow light (Boston : Oliver Ditson & Co., [between 1863 and 1872], 1863), by Luigi Ricci (page images at HathiTrust)
- In questo semplice (1863), by Gaetano Donizetti and Charles Jefferys (page images at HathiTrust)
- Comé̀ gentil la notte (Firth, Pond & Co., 1848), by Gaetano Donizetti (page images at HathiTrust)
- O mio Fernando (A. Fiot, 196 Chesnut St., importer of Music & Musical Instruments;, 1847), by Gaetano Donizetti (page images at HathiTrust)
- Prophète (William Hall & Son, 1848), by Giacomo Meyerbeer and Eugène Scribe (page images at HathiTrust)
- Upon the hill he turn'd, To take a last fond look (George Willig, Jr., 1831), by Alexander Lee and Thomas Haynes Bayly (page images at HathiTrust)
- Morning its sweets is flinging (Pub. & sold by G. Willig 171 Chesnut St. & to be had of E. Johns & Co. New Orleans, 1827), by M. Rophino Lacy, Emile Johns, George Willig, and Gioacchino Rossini (page images at HathiTrust)
- 'Mid pleasures and palaces though we may roam, be it ever so humble there's no place like home. (Boston : C. Bradlee (107 Washington St.), [1835 or 1836], 1835), by Henry R. Bishop and Charles Bradlee (page images at HathiTrust)
- Soave sia il vento tranquilla sia londa (E.S. Mesier, 1827), by Wolfgang Amadeus Mozart, Lorenzo Da Ponte, and W. Balle (page images at HathiTrust)
- Guillaume Tell (Philadelphia : Geo. Willig, [between 1830 and 1853], 1830), by Gioacchino Rossini and T. Rovedino (page images at HathiTrust)
- Grand chorus of the gipsy's (New York : Atwill, [1844], 1844), by M. W. Balfe (page images at HathiTrust)
- Cinderella (Published by Dubois & Stodart, 1828), by Gioacchino Rossini and M. Rophino Lacy (page images at HathiTrust)
- La grande duchesse de Gérolstein. Billet[s] doux = The letters (F. Blume, 1868), by Jacques Offenbach, Ludovic Halévy, and Henri Meilhac (page images at HathiTrust)
- Then you'll remember me : a ballad : [from] The Bohemian girl (Philadelphia : Lee & Walker, [18--?], in the 1860s), by M. W. Balfe (page images at HathiTrust)
- The judgement of Paris = le jugement de Paris (New York : Wm. A. Pond & Co., [1868], 1868), by Jacques Offenbach (page images at HathiTrust)
- Amours divins (New York : Wm. A. Pond & Co., [1868], 1868), by Jacques Offenbach (page images at HathiTrust)
- Convien partir (Oliver Ditson, 1863), by Gaetano Donizetti and Jenny Lind (page images at HathiTrust)
- Sammlung von Gesängen aus Händel's Opern und Oratorien (Breitkopf & Härtel, 1877), by George Frideric Handel and Victorie Gervinus (page images at HathiTrust; US access only)
- Zwölf Sopran-Arien aus verschiedenen Opern. (Kistner, 1869), by George Frideric Handel and Robert Franz (page images at HathiTrust)
- The royal operatic albums : a collection of ... songs extracted from the most famous operas, with Italian words and an English translation (Boosey & Co., 1880) (page images at HathiTrust)
- Quì m'accolse (G. Ricordi e c. ;, 1901), by Vincenzo Bellini, Carlo Tebaldi-Fores, and Felice Romani (page images at HathiTrust; US access only)
- Vien, Leonora, a' piedi tuoi (G. Ricordi & c. ;, 1901), by Gaetano Donizetti (page images at HathiTrust; US access only)
- Cruda, funesta smania (G. Ricordi & c. ;, 1901), by Gaetano Donizetti and Salvatore Cammarano (page images at HathiTrust; US access only)
- Ruy Blas : aria: Ai mieri rivali cedere (Don Sallustio) (G. Ricordi & Co., 1869), by Filippo Marchetti (page images at HathiTrust; US access only)
- Canzone Ugonotta, Dispersa sen vada (G. Ricordi & c. ;, 1901), by Giacomo Meyerbeer and Eugène Scribe (page images at HathiTrust; US access only)
- Ella giammai m'amò (G. Ricordi & c. ;, 1901), by Giuseppe Verdi, Camille Du Locle, and Joseph Méry (page images at HathiTrust; US access only)
- To! to! offare il mondo (G. Ricordi & c. ;, 1901), by Giuseppe Verdi and Francesco Maria Piave (page images at HathiTrust; US access only)
- Legend of the sage-bush. (Heugel, 1909), by Jules Massenet (page images at HathiTrust; US access only)
- Gesänge für eine Frauenstimme (C.F. Peters, 1915), by George Frideric Handel (page images at HathiTrust; US access only)
- Le nozze di Figaro : melodramma comico in due atti. (Ricordi, 1838), by Luigi Ricci and Gaetano Rossi (page images at HathiTrust)
- Opera songs. Book 4, for bass : the choicest selection from all the standard operas new and old. (J. Church, 1901) (page images at HathiTrust)
- Opera songs. Book 2, for mezzo-soprano & alto : the choicest selections from all the standard operas new and old. (J. Church, 1901) (page images at HathiTrust)
- Opera songs. Book 3 for tenor : the choicest selection from all the standard operas new and old. (J. Church ;, 1901) (page images at HathiTrust; US access only)
- Opera songs. Book 1, for soprano : the choicest selections from all the standard operas new and old. (T. Presser, 1930) (page images at HathiTrust; US access only)
- Songs from the operas : containing 50 favourite songs, extracted from the royal operatic albums ; with Italian and English words, edited by J. Pittman. (Boosey & Co., 1890) (page images at HathiTrust; US access only)
- The most popular songs from the most popular comic operas (Hinds, Noble & Eldredge, 1911), by Paul Gallico, Robert Planquette, Franz Lehár, Jacques Offenbach, Carl Millöcker, Johann Strauss, Arthur Sullivan, Charles Lecocq, Edward Jakobowski, Carl Zeller, Edmond Audran, Franz von Suppé, and Richard Genée (page images at HathiTrust)
- Marmorbraut (Schlesinger'sche Buch- und Musikhandlung, 1830), by Ferdinand Hérold (page images at HathiTrust)
- Manon : opéra comique in 5 actes et 6 tableaux de H. Meilac & Ph. Gille, musique ([s.n.], 1898), by Jules Massenet (page images at HathiTrust)
- Hear me, Norma : the celebrated duett (O. Ditson, 1844), by Vincenzo Bellini, S. Nelson, Charles Jefferys, Oliver Ditson, and Corning Music Collection (page images at HathiTrust)
- Alte Meister des bel canto : eine Sammlung von Arien aus Opern und Kantaten, von Kanzonen, Kanzonetten, Opern- und Kammerduetten (C. F. Peters, 1911), by Ludwig Landshoff (page images at HathiTrust; US access only)
- Les peines & les plaisirs de l'amour : pastorale en 5 actes (T. Michaelis, 1880), by Robert Cambert and Gabriel Gilbert (page images at HathiTrust)
- The overture, songs &c. in the Quaker, a comic opera now performing with universal applause at the Theatre Royal Drury Lane. (Printed and sold by J. Johnston, 1777), by Charles Dibdin (page images at HathiTrust)
- Ouverture und Gesänge aus der komischen Oper Der Ritter Roland (Simrock, in the 1800s), by Joseph Haydn, Lodovico Ariosto, and Nunziato Porta (page images at HathiTrust)
- Tapfere Soldat (New York : Jerome H. Remick, ©1908., 1908), by Oscar Straus and Stanislaus Stange (page images at HathiTrust)
- Oh, promise me : song with piano accompaniment (New York : G. Schirmer, ©1889., 1889), by Reginald De Koven, Florence Wickham, and Clement Scott (page images at HathiTrust)
- Star songs from the grand operas (Jerome H. Remick, 1910), by J. B. Lampe (page images at HathiTrust)
- Les Plus beaux airs de l'opéra françois (J. & W. Chester, Lts., 1923), by Percy Pinkerton and Gabriel Grovlez (page images at HathiTrust; US access only)
- Sammlung von Gesängen (Breitkopf & Härtel, 1877), by George Frideric Handel (page images at HathiTrust)
- Kálmán melodien : die schönsten Melodien aus den Operetten (Weinberger, 1916), by Emmerich Kálmán (page images at HathiTrust; US access only)
- Ballade (Senta) (A. Fürstner, 1880), by Richard Wagner (page images at HathiTrust)
- Arie der Elisabeth (A. Fürstner, 1880), by Richard Wagner (page images at HathiTrust)
- Mack the knife : from "The threepenny opera" (Weill-Brecht-Harms, 1928), by Kurt Weill, Marc Blitzstein, and Bertolt Brecht (page images at HathiTrust)
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