| Call number | Item |
| M | Music (Go to start of category) |
| MT | Musical Instruction and Study (Go to start of category) |
| MT145 .B14 R44 | ![[Info]](https://onlinebooks.library.upenn.edu/info.gif) Handbuch der Fugen-Komposition (3 volumes (third and second editions) in German; Leipzig and Berlin: M. Hesse, 1914-1917), by Hugo Riemann (page images at HathiTrust; US access only) |
| MT145 .B25 S89 1956 | Guide to the Mikrokosmos of Béla Bartók (Silver Spring, MD: Music Services Corp. of America, c1956), by Benjamin Suchoff (page images at HathiTrust) |
| MT145 .B42 G8 1922 | Las Sonatas para Piano de Beethoven: Su Historia y Analisis (in Spanish; Buenos Aires: Asociación Wagneriana, 1922), by Ernesto de la Guardia (page images at HathiTrust; US access only) |
| MT145 .B42 L9 | La Sonate Pathétique de L. van Beethoven, Op. 13: Edition Rythmée et Annotée (extensive analysis of the sonata in French, with a piano score; Paris: Costallat et cie, 1912), by Mathis Lussy, contrib. by Ludwig van Beethoven |
| MT145 .B42 R4 | L. van Beethovens Sämtliche Klavier-Solosonaten: Ästhetische und Formal-Technische Analyse mit Historischen Notizen (3 volumes in German; Berlin: M. Hesse, 1918-1919), by Hugo Riemann (page images at HathiTrust; US access only) |
| MT162 .B27 | School of Organ Playing: Based Upon the Course of Instruction of the Schola Cantorum, Paris (op. 31; Boston et al.: Boston Music Co., c1921), by Edward Shippen Barnes |
| MT182 .E22 | A Method for Pipe Organ: A Series of One Hundred Graded Lessons in Two Volumes (Cincinnati et al.: J. Church Co., c1917), by Clarence Eddy |
| MT220 .B895 | Piano Mastery: Talks with Master Pianists and Teachers (first series; New York: F. A. Stokes Co., 1915), by Harriette Brower (Gutenberg text and illustrated HTML) |
| MT220 .B896 | Piano Mastery, Second Series: Talks with Master Pianists and Teachers (first series; New York: F. A. Stokes Co., c1917), by Harriette Brower (multiple formats at archive.org) |
| MT220 .C474 2009 | Fundamentals of Piano Practice (electronic edition, c2009), by Chuan C. Chang (PDF with commentary at pianopractice.org) |
| MT220 .C9813 | Briefe Über den Unterricht auf dem Pianoforte vom Anfange bis zur Ausbildung als Anhang zu Jeder Clavierschule (in German; Vienna: A. Diabelli, ca. 1839?), by Carl Czerny (page images at HathiTrust) |
| MT220 .C9813 E5 | Letters to a Young Lady, on the Art of Playing the Pianoforte, From the Earliest Rudiments to the Highest State of Cultivation: Written as an Appendix to Every School for That Instrument (London: R. Cocks and Co., ca. 1840), by Carl Czerny, trans. by James Alexander Hamilton (multiple formats at archive.org) |
| MT220 .M384 1910 | Master Rules for Successful Piano Practice (Philadelphia: T. Presser Co., c1910), ed. by James Francis Cooke, contrib. by Fannie Bloomfield-Zeisler, Amy Fay, John J. Hattstaedt, Emil Liebling, Louis G. Heinze, Perlee V. Jervis, Ernest R. Kroeger, Alexander Lambert, B. J. Lang, F. H. Shepard, William H. Sherwood, Marie von Unschuld, Charles E. Watt, Leopold Winkler, Francis L. York, J. De Zielinski, Robert Schumann, and Ernest Lent (page images at HathiTrust) |
| MT222 .M15 1974 | Class Piano (Bloomington, IN and London: Indiana University Press, c1969), by Margaret Starr McLain (HTML at Indiana) |
| MT235 .K842 | The Aesthetics of Pianoforte-Playing (translated from the third German edition; New York: G. Schirmer, 1907), by Adolf Kullak, ed. by Hans Bischoff, trans. by Theodore Baker (page images at HathiTrust) |
| MT259 .C66 | Concepts in String Playing: Reflections by Artist-Teachers at the Indiana University School of Music (Bloomington and London: Indiana University Press, c1979), ed. by Murray Grodner (HTML and Epub at Project MUSE) |
| MT260 .R77 | Basic Principles of Violin Playing: A Report Prepared for the MENC Committee on String Instruction in the Schools (Washington: Music Educators National Conference, c1959), by Paul Rolland (page images at HathiTrust) |
| MT262 .E5 1879 | Eichberg's Complete Method for the Violin (revised edition; Boston: White, Smith and Company, c1879), by Julius Eichberg (page images at HathiTrust) |
| MT265 .D68 O12 | The Artist's Technique of Violin Playing: A New Scientific Method for Obtaining, in the Shortest Possible Time, an Absolute Mastery of the Higher Technical Difficulties of the Left Hand and of the Bow (with parallel texts in English, French, and German; op. 12; New York: C. Fischer, c1921), by Demetrius Constantine Dounis (page images at HathiTrust) |
| MT265 .K64 | Advanced Exercises for the Violin (New York: G. Schirmer, c1912), by Franz Kneisel (page images at HathiTrust) |
| MT265 .R49 S31 1917 | Scale and Chord Exercises for the Violin (Boston: Boston Music Co., c1917), by Eugene W. Ritter and Albert Stoessel (page images at HathiTrust; pages may be in reverse order) |
| MT267 .C24 | La Technique Superieure de l'Archet, Pour Violon (in French; Paris and New York, Salabert, 1916), by Lucien Capet, contrib. by Henry Expert (page images at HathiTrust; US access only) |
| MT267 .S73 1907 | Die Physiologie der Bogenführung auf den Streich-Instrumenten (second revised edition, in German; Leipzig: Breitkopf and Härtel, 1907), by F. A. Steinhausen (page images at HathiTrust; US access only) |
| MT267 .S73 1920 | Die Physiologie der Bogenführung auf den Streich-Instrumenten (fourth edition, in German; Leipzig: Breitkopf and Härtel, 1920), by F. A. Steinhausen, ed. by Arnold Schering (multiple formats at archive.org) |
| MT267 .Y66 S75 1949 | The Spivakovsky Way of Bowing for Violinists and Violists (Pittsburgh: Volkwein Bros., c1949), by Gaylord Yost (page images at HathiTrust) |