| Call number | Item |
| N | Fine Arts (Go to start of category) |
| N4500 .W34 | ![[Info]](https://onlinebooks.library.upenn.edu/info.gif) Art and Architecture (2 volumes; Philadelphia: G. Barrie, 1893), by William Walton (HTML and page images at iit.edu) |
| N4762 1898 .A5 | Offizieller Katalog der Internationalen Kunst-Ausstellung des Vereins Bildender Künstler Münchens (A. V.), "Secession", 1898 im Kgl. Kunstausstellungsgebäude am Königsplatz gegenüber der Glyptothek (4th edition, in German; Munich: F. Bruckmann A.-G., 1898), by Internationale Kunst-Ausstellung |
| N4802 .A9 | The Illustrated Catalogue of the Paris International Exhibition, 1878 (London: Virtue and Co., ca. 1878) (page images at HathiTrust) |
| N4874 .B3 | The City of Domes: A Walk with an Architect About the Courts and Palaces of the Panama Pacific International Exposition, by John D. Barry (Gutenberg text) |
| N4874 .C5 | An Art-Lover's Guide to the Exposition (Berkeley, 1915), by Sheldon Cheney (Gutenberg text) |
| N4874 .N4 | The Art of the Exposition: Personal Impressions of the Architecture, Sculpture, Mural Decorations, Color Scheme and Other Aesthetic Aspects of the Panama-Pacific International Exposition, by Eugen Neuhaus (Gutenberg text) |
| N4874 .N5 | The Galleries of the Exposition: A Critical Review of the Paintings, Statuary and the Graphic Arts in the Palace of Fine Arts at the Panama-Pacific International Exposition, by Eugen Neuhaus (Gutenberg text) |
| N4874 .P4 | The Sculpture and Mural Decorations of the Exposition: A Pictorial Survey of the Art of the Panama-Pacific International Exposition, by Stella G. S. Perry, contrib. by Alexander Stirling Calder (Gutenberg text) |
| N5020 .B275 | American Paintings and Historical Prints From the Middendorf Collection (New York: Metropolitan Museum of Art, 1967), by Metropolitan Museum of Art (New York, N.Y.), contrib. by Stuart P. Feld (page images and PDF with commentary at metmuseum.org and Google) |
| N5020 .B875 N4 | Masterpieces of Painting in the Metropolitan Museum of Art (Greenwich, CT: Dist. by the New York Graphic Society, 1970), by Edith Appleton Standen and Thomas M. Folds, contrib. by Claus Virch (page images and PDF with commentary at metmuseum.org and Google) |
| N5020 .N45 1881 | American Academy Notes, by National Academy of Design (U.S.), ed. by Charles M. Kurtz (full serial archives) |
| N5020 .N45 1882 | Illustrated Art Notes upon the Annual Exhibition of the National Academy of Design, by National Academy of Design (U.S.), ed. by Charles M. Kurtz (full serial archives) |
| N5020 .N45 1884 | National Academy Notes, by National Academy of Design (U.S.), ed. by Charles M. Kurtz (full serial archives) |
| N5020 .N52 S683 1958 | Guggenheim International Award, 1958 (New York: Solomon R. Guggenheim Museum, 1958), ed. by Louise Averill Svendsen (multiple formats at archive.org) |
| N5020 .N52 S683 1960 | Guggenheim International Award, 1960 (New York: Solomon R. Guggenheim Museum, 1960), ed. by Louise Averill Svendsen (multiple formats at archive.org) |
| N5020 .N52 S683 1964 | Guggenheim International Award, 1964 (New York: Solomon R. Guggenheim Museum, 1963), ed. by Lawrence Alloway (multiple formats at archive.org) |
| N5020 .N641 1961 | Modern Masters from the Collection of the Solomon R. Guggenheim Museum (1961), by Solomon R. Guggenheim Museum, contrib. by Thomas M. Messer (multiple formats at archive.org) |
| N5020 .P6 P5 2012 | Crime Against Nature: A More Accurate Telling of What's Natural (2012), by Gwenn Seemel, contrib. by Joan Roughgarden (page images with commentary at gwennseemel.com) |
| N5020 .S8 1892 | Fifteenth Annual Exhibition of American Paintings at Gill's Art Galleries, Springfield, Mass., 1892 (c1892), by James Dwyer Gill |
| N5051 .G7 | A Century of Loan Exhibitions, 1813-1912 (5 volumes; London: A. Graves, 1913-1915), by Algernon Graves (page images at HathiTrust; some volumes US access only) |
| N5220 .G9 1936 | Solomon R. Guggenhaim Collection of Non-Objective Paintings, On Exhibition From March 1, 1936 Through April 12, 1936: Presented by the Carolina Art Association at the Gibbes Memorial Art Gallery, Charleston, South Carolina (c1936), contrib. by Hilla Rebay (multiple formats at archive.org) |
| N5220 .G9 1937 | Second Enlarged Catalogue of the Solomon R. Guggenhaim Collection of Non-Objective Paintings, On Exhibition From February 8, 1937 Through February 28, 1937: Presented by the Philadelphia Art Alliance, Philadelphia, Pennsylvania (c1937), contrib. by Hilla Rebay and Yarnall Abbott (multiple formats at archive.org) |
| N5220 .G9 1938 | Third Enlarged Catalogue of the Solomon R. Guggenhaim Collection of Non-Objective Paintings: March 7 Until April 17th, 1938, Gibbes Memorial Art Gallery, Charleston, South Carolina (c1938), by Solomon R. Guggenheim Foundation, contrib. by Hilla Rebay (multiple formats at archive.org) |
| N5220 .G9 1939 | Art of Tomorrow: Fifth Catalogue of the Solomon R. Guggenheim Collection of Non-Objective Paintings, Part of Which is Temporarily Exhibited at 24 East 54th Street, New York City, Opening June 1st, 1939 (c1939), by Solomon R. Guggenheim Foundation, contrib. by Hilla Rebay (multiple formats at archive.org) |
| N5220 .H453 1941 | Selected Art Objects from the William Randolph Hearst Collection, for the Benefit of the New York Infirmary for Women and Children (auction catalog; New York: Hammer Galleries, 1941), by Hammer Galleries (PDF at inha.fr) |