| Call number | Item |
| N | Fine Arts (Go to start of category) |
| ND | Painting (Go to start of category) |
| ND1037 .B6 1913 | ![[Info]](https://onlinebooks.library.upenn.edu/info.gif) Painting in the Far East: An Introduction to the History of Pictorial Art in Asia, Especially China and Japan (second edition; London: E. Arnold, 1913), by Laurence Binyon (multiple formats at archive.org) |
| ND1043 .I87 1999 | Issues of Authenticity in Chinese Painting (New York: Metropolitan Museum of Art, 1999), ed. by Judith G. Smith and Wen Fong, contrib. by Richard M. Barnhart, James Cahill, Robert E. Harrist, Maxwell K. Hearn, Hironobu Kohara, Sherman E. Lee, Stephen Little, Qi Gong, Shih Shou-chien, Jerome Silbergeld, and Wango H. C. Weng (page images and PDF with commentary at Metropolitan Museum of Art and Google) |
| ND1043.3 .F66 1992 | Beyond Representation: Chinese Painting and Calligraphy, Eighth-Fourteenth Century (New York: Metropolitan Museum of Art; New Haven and London: Yale University Press, c1992), by Wen Fong (page images and PDF with commentary at metmuseum.org and Google) |
| ND1043.3 .H43 1999 | Along the Riverbank: Chinese Painting From the C. C. Wang Family Collection (New York: Metropolitan Museum of Art, c1999), by Maxwell K. Hearn and Wen Fong (page images and PDF with commentary at metmuseum.org and Google) |
| ND1043.4 .B37 1983 | Along the Border of Heaven: Sung and Yüan Paintings from the C. C. Wang Family Collection (New York: Metropolitan Museum of Art, c1983), by Richard M. Barnhart (page images and PDF with commentary at metmuseum.org and Google) |
| ND1043.4 .B38 1983 | Peach Blossom Spring: Gardens and Flowers in Chinese Painting (New York: Metropolitan Museum of Art, c1983), by Richard M. Barnhart (page images and PDF with commentary at Metropolitan Museum of Art and Google) |
| ND1045 .A53 1994 | Painters and Politics in the People's Republic of China, 1949-1979 (Berkeley: University of California Press, c1994), by Julia Frances Andrews (HTML at UC Press) |
| ND1049 .W363 A4 2008 | Landscapes Clear and Radiant: The Art of Wang Hui (1632-1717) (New York: Metropolitan Museum of Art, 2008), ed. by Maxwell K. Hearn, contrib. by Wen Fong and Chin-Sung Chang (page images and PDF at Metropolitan Museum of Art and Google) |
| ND1130 .P73 | Practical Treatise on Painting in Oil-Colours (London: Printed for B. and J. White ..., 1795), by Thomas Bardwell (page images at HathiTrust) |
| ND1142 .C5 | Painting as a Pastime (with paintings by the author; text based on edition published in 1932), by Winston Churchill (illustrated HTML in Canada; NO US ACCESS) |
| ND1146 | Pictures Every Child Should Know: A Selection of the World's Art Masterpieces for Young People, by Mary Schell Hoke Bacon (Gutenberg text and illustrated HTML) |
| ND1146 .C6 | The Book of Art for Young People, by Agnes Ethel Conway and William Martin Conway (Gutenberg text and illustrated HTML) |
| ND1146 .K43 | The Mysterious Box: Nuclear Science and Art (Oak Ridge, TN: U.S. Atomic Energy Commission, Division of Technical Information, 1970), by Bernard Keisch (PDF at osti.gov) |
| ND1260 .P3 | The Painter in Oil, by Daniel Burleigh Parkhurst (illustrated HTML with commentary at artrenewal.org) |
| ND1260 .S6 | The Practice of Oil Painting and of Drawing As Associated With It, by Solomon J. Solomon |
| ND1265 .D18 | Dada (in French; 1917-1921) (full serial archives) |
| ND1265 .G5 | Du "Cubisme" (6th edition, in French; Paris: E. Figuière et cie, ca. 1912), by Albert Gleizes and Jean Metzinger (page images at HathiTrust; US access only) |
| ND1265 .W7 | Modern Painting: Its Tendency and Meaning (New York: Dodd, Mead and Co., 1922), by Willard Huntington Wright |
| ND1280 .B8 | The Painter's Palette and How to Master It (New York: Baker and Taylor Co., c1913), by Bolton Brown (page images at HathiTrust) |
| ND1280 .B95 | Historical Color Guide: Primitive to Modern Times (New York: W. Helburn, c1938), by Elizabeth Burris-Meyer (page images at HathiTrust) |
| ND1280 .C56 | The Principles of Harmony and Contrast of Colours, and Their Applications to the Arts (third edition; London : H. G. Bohn, 1860), by M. E. Chevreul, trans. by Charles Martel |
| ND1280 .H53 | The Laws of Harmonious Colouring, Adapted to Interior Decorations, Manufactures, and Other Useful Purposes (London: W. S. Orr and Co.; Edinburgh: W. and R. Chambers, 1838), by D. R. Hay (multiple formats at archiuve.org) |
| ND1286 .P6 | Tone Relations in Painting (Cambridge, MA: Harvard University Press, 1922), by Arthur Pope (multiple formats at archive.org) |
| ND1286 .P8 | An Essay on Symbolic Colours, in Antiquity, the Middle Ages, and Modern Times (London: J. Weale, 1845), by Frédéric Portal, ed. by W. S. Inman (page images at HathiTrust) |
| ND1319 .R4513 1999 | The Group Portraiture of Holland (Los Angeles: Getty Research Institute for the History of Art and the Humanities, c1999), by Alois Riegl, trans. by Evelyn Kain and David Britt, contrib. by Wolfgang Kemp (PDF and page images with commentary at getty.edu and Google) |