| Call number | Item |
| M | Music (Go to start of category) |
| MT | Musical Instruction and Study (Go to start of category) |
| MT95 .A613 1934 | ![[Info]](https://onlinebooks.library.upenn.edu/info.gif) The Standard Operaglass: Detailed Plots of the Celebrated Operas With Critical and Biographical Remarks and Dates (revised edition; New York: Tudor Pub. Co, 1934), by Charles Annesley, contrib. by James Huneker (page images at HathiTrust) |
| MT95 .D2 | Two Hundred Opera Plots, by Gladys Davidson (PDF at mdc.edu) |
| MT95 .K52 | The Complete Opera Book: The Stories of the Operas, Together With 400 of the Leading Airs and Motives in Musical Notation (New York and London: G. P. Putnam's Sons, 1919), by Gustav Kobbé, contrib. by Katharine Wright |
| MT95 .K85 | A Second Book of Operas, by Henry Edward Krehbiel (Gutenberg text) |
| MT95 .K87 1910 | A Book of Operas: Their Histories, Their Plots, and Their Music (New York: Macmillan, 1910), by Henry Edward Krehbiel (Gutenberg text) |
| MT95 .M4 1921 | The Opera Goer's Complete Guide: Comprising Two Hundred and Sixty-Eight Opera Plots With Musical Numbers and Casts (revised edition, c1921), by Leo Melitz, ed. by Louise Wallace Hackney, trans. by Richard Salinger (multiple formats at Google; US access only) |
| MT100 .W2 F7 | The Wagner Story Book: Firelight Tales of the Great Music Dramas, by William Henry Frost (Gutenberg text) |
| MT100 .W2 G9 | Stories of the Wagner Opera (New York: Dodd, Mead and Co., 1905), by H. A. Guerber (Gutenberg text and illustrated HTML) |
| MT100 .W24 C54 | Tristan and Isolde: An Interpretation, Embodying Wagner's Own Explanations (London: Methuen and Co., c1905), by Alice Leighton Cleather and Basil Woodward Crump |
| MT100 .W25 S5 | The Perfect Wagnerite: A Commentary on the Niblung's Ring, by Bernard Shaw (Gutenberg text) |
| MT125 .S77 | Stadium Concerts Review (select "Explore Document" (Javascript required) to view selected issues of this series of concert programs, 1943-1964) (partial serial archives) |
| MT130 .A53 | Analytic Symphony Series, ed. by Percy Goetschius (partial serial archives) |
| MT140 .A85 1925 | Violin Master Works and Their Interpretation (New York et al.: C. Fischer, c1925), by Leopold Auer, contrib. by Frederick Herman Martens (page images at HathiTrust) |
| MT145 .B25 S89 1956 | Guide to the Mikrokosmos of Béla Bartók (Silver Spring, MD: Music Services Corp. of America, c1956), by Benjamin Suchoff (page images at HathiTrust) |
| MT145 .B42 G8 1922 | Las Sonatas para Piano de Beethoven: Su Historia y Analisis (in Spanish; Buenos Aires: Asociación Wagneriana, 1922), by Ernesto de la Guardia (page images at HathiTrust; US access only) |
| MT145 .B42 L9 | La Sonate Pathétique de L. van Beethoven, Op. 13: Edition Rythmée et Annotée (extensive analysis of the sonata in French, with a piano score; Paris: Costallat et cie, 1912), by Mathis Lussy, contrib. by Ludwig van Beethoven |
| MT145 .B42 R4 | L. van Beethovens Sämtliche Klavier-Solosonaten: Ästhetische und Formal-Technische Analyse mit Historischen Notizen (3 volumes in German; Berlin: M. Hesse, 1918-1919), by Hugo Riemann (page images at HathiTrust; US access only) |
| MT162 .B27 | School of Organ Playing: Based Upon the Course of Instruction of the Schola Cantorum, Paris (op. 31; Boston et al.: Boston Music Co., c1921), by Edward Shippen Barnes |
| MT182 .E22 | A Method for Pipe Organ: A Series of One Hundred Graded Lessons in Two Volumes (Cincinnati et al.: J. Church Co., c1917), by Clarence Eddy |
| MT220 .B895 | Piano Mastery: Talks with Master Pianists and Teachers (first series; New York: F. A. Stokes Co., 1915), by Harriette Brower (Gutenberg text and illustrated HTML) |
| MT220 .B896 | Piano Mastery, Second Series: Talks with Master Pianists and Teachers (first series; New York: F. A. Stokes Co., c1917), by Harriette Brower (multiple formats at archive.org) |
| MT220 .C474 2009 | Fundamentals of Piano Practice (electronic edition, c2009), by Chuan C. Chang (PDF with commentary at pianopractice.org) |
| MT220 .C9813 | Briefe Über den Unterricht auf dem Pianoforte vom Anfange bis zur Ausbildung als Anhang zu Jeder Clavierschule (in German; Vienna: A. Diabelli, ca. 1839?), by Carl Czerny (page images at HathiTrust) |
| MT220 .C9813 E5 | Letters to a Young Lady, on the Art of Playing the Pianoforte, From the Earliest Rudiments to the Highest State of Cultivation: Written as an Appendix to Every School for That Instrument (London: R. Cocks and Co., ca. 1840), by Carl Czerny, trans. by James Alexander Hamilton (multiple formats at archive.org) |
| MT220 .M384 1910 | Master Rules for Successful Piano Practice (Philadelphia: T. Presser Co., c1910), ed. by James Francis Cooke, contrib. by Fannie Bloomfield-Zeisler, Amy Fay, John J. Hattstaedt, Emil Liebling, Louis G. Heinze, Perlee V. Jervis, Ernest R. Kroeger, Alexander Lambert, B. J. Lang, F. H. Shepard, William H. Sherwood, Marie von Unschuld, Charles E. Watt, Leopold Winkler, Francis L. York, J. De Zielinski, Robert Schumann, and Ernest Lent (page images at HathiTrust) |