| Call number | Item |
| N | Fine Arts (Go to start of category) |
| N40 .H8 | ![[Info]](https://onlinebooks.library.upenn.edu/info.gif) Little Journeys to the Homes of Eminent Artists, by Elbert Hubbard (Gutenberg text) |
| N40 .O8 1866 | A Biographical and Critical Dictionary of Recent and Living Painters and Engravers: Forming a Supplement to Bryan's Dictionary of Painters and Engravers As Edited by George Stanley (London: H. G. Bohn, 1866), by Henry Ottley (page images at HathiTrust) |
| N40 .W3 | Painters, Sculptors, Architects, Engravers, and Their Works: A Handbook (New York: Hurd and Houghton, 1874), by Clara Erskine Clement Waters (multiple formats at archive.org) |
| N43 .W3 1905 | Women in the Fine Arts, From the Seventh Century B. C. to the Twentieth Century A. D. (Boston and New York: Houghton, Mifflin and Co., 1905), by Clara Erskine Clement Waters (page images at HathiTrust) |
| N59 .I6 | International Journal for Digital Art History (2015-) (full serial archives) |
| N61 .M3 | Art and Scholasticism, and The Frontiers of Poetry, by Jacques Maritain, trans. by Joseph W. Evans (HTML at Notre Dame) |
| N63 .D88 | Critical Reflections on Poetry, Painting and Music; With an Inquiry into the Rise and Progress of the Theatrical Entertainments of the Ancients (3 volumes; London: Printed for J. Nourse, 1748), by abbé Dubos, trans. by Thomas Nugent |
| N64 .H47 | Hegel's Aesthetics: A Critical Exposition (Chicago: S. C. Griggs and Co., 1885), by Georg Wilhelm Friedrich Hegel, ed. by John Steinfort Kedney (multiple formats at archive.org) |
| N64 .H5 | The Introduction to Hegel's Philosophy of Fine Art (London: Kegan Paul, Trench and Co., 1886), by Georg Wilhelm Friedrich Hegel, ed. by Bernard Bosanquet (multiple formats at archive.org) |
| N64 .H55 | The Philosophy of Art: Being the Second Part of Hegel's Aesthetik, in Which are Unfolded Historically the Three Great Fundamental Phases of the Art-Activity of the World (New York: D. Appleton and Co., c1879), by Georg Wilhelm Friedrich Hegel, trans. by William McKendree Bryant |
| N64 .L74 1887 | Laocoon: An Essay Upon the Limits of Painting and Poetry, With Remarks Illustrative of Various Points in the History of Ancient Art (Boston: Roberts Bros., 1887), by Gotthold Ephraim Lessing, trans. by Ellen Frothingham |
| N64 .V82 | Aesthetik: oder Wissenschaft des Schönen (3 volumes (third in multiple parts), in German; 1846-1857), by Friedrich Theodor Vischer (page images at HathiTrust) |
| N65 .G55 | Essay on the Beautiful, etc.: or, Elements of Aesthetic Philosophy (second edition; London: Simpkin and Marshall, 1860), by Vincenzo Gioberti, trans. by Edward Thomas (page images at HathiTrust) |
| N66 .B3 | Aesthetics: or, The Science of Beauty (New York and Chicago: Potter, Ainsworth, and Co., 1871), by John Bascom (page images at MOA) |
| N66 .B3 | Aesthetics: or, The Science of Beauty (New York and Chicago: Woolworth, Ainsworth, and Co., 1872), by John Bascom (page images at MOA) |
| N66 .H68 | The Psychology of Beauty, by Ethel Puffer Howes (Gutenberg text) |
| N68 .K33 | Concerning the Spiritual in Art, by Wassily Kandinsky, trans. by Michael Sadleir (Gutenberg text) |
| N68 .K33 1946 | On the Spiritual in Art (first complete English translation; New York: Solomon R. Guggenheim Foundation, 1946), by Wassily Kandinsky, ed. by Hilla Rebay (multiple formats at archive.org) |
| N69 .C25 1935 | Philosophia da Arte (Synthese Positiva e Notas á Margem) (in Portguese; Rio de Janeiro: Editora de Leite Ribeiro & Maurillo, 1918), by Vicente Licínio Cardoso |
| N70 .D59 2019 | Dizziness: A Resource (Pub. series of the Academy of Fine Arts Vienna, v24; Berlin: Sternberg Press, c2019), ed. by Ruth Anderwald, Karoline Feyertag, and Leonhard Grond (PDF with commentary in Austria) |
| N70 .K313 1947 | Point and Line to Plane: Contribution to the Analysis of the Pictorial Elements (New York: Solomon R. Guggenheim Foundation, c1947), by Wassily Kandinsky, ed. by Hilla Rebay, trans. by Howard Dearstyne (multiple formats at archive.org) |
| N70 .P6 | The New Tendency in Art: Post Impressionism, Cubism, Futurism (Garden City, NY: Doubleday, Page and Co., 1913), by Henry Rankin Poore (multiple formats at archive.org) |
| N70 .T7 | What is Art? (New York: Funk and Wagnalls, 1904), by Leo Tolstoy, ed. by Aylmer Maude (multiple formats at archive.org) |
| N72 .F45 S55 2003 | Singular Women: Writing the Artist (Berkeley : University of California Press, c2003), ed. by Kristen Frederickson and Sarah E. Webb (frame-dependent illustrated HTML with commentary at UC Press) |
| N72.F45 T6 1993 | The "New Woman" Revised: Painting and Gender Politics on Fourteenth Street (Berkeley: University of California Press, 1993), by Ellen Wiley Todd (HTML at UC Press) |