| Call number | Item |
| P | Language and literature (Go to start of category) |
| PN | Literature: General, Criticism, Collections (Go to start of category) |
| PN3365 .M3 1950 | ![[Info]](https://onlinebooks.library.upenn.edu/info.gif) Primer of the Novel (New York: Random House, c1950), by Vincent McHugh (page images at HathiTrust) |
| PN3365 .W46 | The Technique of the Mystery Story, by Carolyn Wells (HTML at Gutenberg Australia) |
| PN3365 .W6 1948 | How to Write and Sell a Novel (revised from Why Write a Novel?; New York: Woodford Press, 1948), by Jack Woodford (page images at HathiTrust) |
| PN3373.A V65 | How to Study "The Best Short Stories": An Analysis of Edward J. O'Brien's Annual Volumes of the Best Short Stories of the Year, Prepared for the Use of Writers and Other Students of the Short-Story (Boston: Small, Maynard and Co., c1919), by Blanche Colton Williams (page images at HathiTrust) |
| PN3373 .B15 | The Contemporary Short Story: A Practical Manual (Boston et al.: D. C. Heath and Co., c1916), by Harry Torsey Baker (multiple formats at archive.org) |
| PN3373 .B2 1900 | Short Story Writing: A Practical Treatise on the Art of the Short Story (New York: Baker and Taylor, c1900), by Charles Raymond Barrett (Gutenberg text) |
| PN3373 .B7 | How to Write Short Stories (Cincinnati: The Writer's Digest, 1921), by L. Josephine Bridgart |
| PN3373 .C5 | The Art of Short Story Writing (Cincinnati: Publishers Syndicate, 1910), by George Randolph Chester |
| PN3373 .C54 | Plotting the Short Story: A Practical Exposition of Germ-Plots, What They are and Where to Find Them; The Structure and Development of the Plot; and the Relation of the Plot to the Story (Franklin, OH: James Knapp Reeve, 1922), by Seymour Cunningham Chunn |
| PN3373 .E7 1909 | Writing the Short-Story: A Practical Handbook on the Rise, Structure, Writing, and Sale of the Modern Short-Story (New York: Hinds, Noble and Eldredge, c1909), by J. Berg Esenwein (page images at HathiTrust; US access only) |
| PN3373 .E7 1918 | Writing the Short-Story: A Practical Handbook on the Rise, Structure, Writing, and Sale of the Modern Short-Story (New York: Hinds, Noble and Eldredge, c1918), by J. Berg Esenwein (multiple formats at archive.org) |
| PN3373 .E74 1919 | The Art of Story-Writing (Springfield, MA: Home Correspondence School, c1919), by J. Berg Esenwein and Mary D. Chambers |
| PN3373 .G69 2014 | The Classic Short Story, 1870-1925: Theory of a Genre (Cambridge, UK: Open Book Publishers, 2014), by Florence Goyet (multiple formats with commentary at openbookpublishers.com) |
| PN3373 .L57 2003 | Reading for Storyness: Preclosure Theory, Empirical Poetics, and Culture in the Short Story (Baltimore and London: Johns Hopkins University Press, c2003), by Susan Lohafer (multiple formats with commentary at Project MUSE) |
| PN3373 .M3 | The Short-Story: Specimens Illustrating Its Development (New York: American Book Company, 1907), by Brander Matthews (HTML at Bartleby) |
| PN3373 .N3 1914 | Short Stories in The Making: A Writers' and Students' Introduction to the Technique and Practical Composition of Short Stories, Including an Adaptation of the Principles of the Stage Plot to Short Story Writing (New York: Oxford University Press, 1914), by Robert Wilson Neal |
| PN3373 .N35 | Today's Short Stories Analyzed: An Informal Encyclopedia of Short Story Art as Exemplified in Contemporary Magazine Fiction (New York et al.: Oxford University Press, 1918), by Robert Wilson Neal (page images at HathiTrust) |
| PN3373 .P25 | The Short Story (New York: G. H. Doran Co., ca. 1916), by Barry Pain (page images at HathiTrust) |
| PN3373 .P5 | The Art and Business of Story Writing (New York: Macmillan, c1912), by Walter B. Pitkin |
| PN3373 .P5 | Short-Stories, ed. by Lemuel Arthur Pittenger, contrib. by Bjørnstjerne Bjørnson, Frank R. Stockton, Guy de Maupassant, Rudyard Kipling, Edgar Allan Poe, Nathaniel Hawthorne, and Robert Louis Stevenson (Gutenberg text) |
| PN3373 .W5 | The Stories Editors Buy and Why (Boston: Small, Maynard and Co., c1921), ed. by Jean Wick (multiple formats at archive.org) |
| PN3375 .L3 C11 1918 | Modern Short Stories: A Book for High Schools (New York: The Century Co., 1918), ed. by Frederick Houk Law, contrib. by Joel Chandler Harris, Mary Mapes Dodge, Lafcadio Hearn, Ernest Thompson Seton, Leo Tolstoy, Perceval Gibbon, Richard Harding Davis, Stacy Aumonier, Rudyard Kipling, Walter A. Dyer, Ruth McEnery Stuart, David Gray, J. M. Barrie, Jack London, Morgan Robertson, S. Weir Mitchell, Arthur Conan Doyle, Owen Johnson, O. Henry, Phyllis Bottome, Ian Maclaren, and William Sharp, illust. by Thomas Fogarty, E. W. Kemble, and Wladyslaw T. Benda (page images at HathiTrust) |
| PN3375.L3 C11 1921 | Modern Short Stories: A Book for High Schools (New York: The Century Co., 1921), ed. by Frederick Houk Law, contrib. by Joel Chandler Harris, Mary Mapes Dodge, Lafcadio Hearn, Ernest Thompson Seton, Leo Tolstoy, Perceval Gibbon, Richard Harding Davis, Stacy Aumonier, Rudyard Kipling, Walter A. Dyer, Ruth McEnery Stuart, David Gray, J. M. Barrie, Jack London, Morgan Robertson, S. Weir Mitchell, Arthur Conan Doyle, Owen Johnson, O. Henry, Phyllis Bottome, Ian Maclaren, and William Sharp, illust. by Thomas Fogarty, E. W. Kemble, and Wladyslaw T. Benda |
| PN3375 .Q8 1906 | How to Write a Short Story: An Exposition of the Technique of Short Fiction (New York: Editor Pub. Co., 1906), by Leslie W. Quirk (page images at HathiTrust) |
| PN3377.5 .C57 D68 2000 | The End of Books, or Books Without End? Reading Interactive Narratives (Ann Arbor: University of Michigan Press, c2000), by J. Yellowlees Douglas (page images at HathiTrust) |