Art, Greek

See also what's at your library, or elsewhere.

• Classical antiquities
• Art, Aegean
• Art

• Art, Greek -- History
• Art, Greek -- Study and teaching

• Greek art

• Archaistische Kunst in Griechenland und Rom (in German; Munich: B. Heller, 1922), by Eduard Schmidt (page images at HathiTrust; US access only)
• Greek Athletics (New York: The Metropolitan Museum of Art, 1925), by Christine Alexander (page images at Chicago)
• Greek Studies: A Series of Essays, by Walter Pater (Gutenberg text)
• The Queen of the Air, Being a Study of the Greek Myths of Cloud and Storm, by John Ruskin (Gutenberg text)

• A History of Greek Art, With an Introductory Chapter on Art in Egypt and Mesopotamia, by Frank Bigelow Tarbell (Gutenberg text)

• Greek Art, From Prehistoric to Classical: A Resource for Educators (New York: Metropolitan Museum of Art, c2000), by Michael Norris (PDF with commentary at metmuseum.org)

Items below (if any) are from related and broader terms.

• Ancient Journeys: A Festschrift in Honor of Eugene Numa Lane (2002), ed. by Cathy Callaway and P. A. Draper (HTML at stoa.org)
• The Princeton Encyclopedia of Classical Sites (1976), ed. by Richard Stillwell, William L. MacDonald, and Marian Holland McAllister (HTML at Perseus)

• "Rome Wasn't Digitized in a Day": Building a Cyberinfrastructure for Digital Classicists (Washington: Council on Library and Information Resources, 2011), by Alison Babeau (PDF with commentary at clir.org)

• The Middle Ages in the Athenian Agora (Princeton: American School of Classical Studies at Athens, 1961), by Alison Frantz (page images at Google)

• Probestücke von Städtemauern des Alten Griechenlands (in German; Munich et al.: J. G. Cotta, 1831), by William Gell (page images at HathiTrust)

• Buried Cities, by Jennie Hall (Gutenberg text and illustrated HTML)

• The Via Gabina Villas: Sites 10, 11, and 13, ed. by Walter M. Widrig (illustrated HTML at Rice)

• The Via Gabina Villas: Sites 10, 11, and 13, ed. by Walter M. Widrig (illustrated HTML at Rice)

• An Architecture for Our Time: The New Classicism (2008), by Charles Siegel (HTML and PDF with commentary at preservenet.com)

• Ancient Journeys: A Festschrift in Honor of Eugene Numa Lane (2002), ed. by Cathy Callaway and P. A. Draper (HTML at stoa.org)

• Greek Art, From Prehistoric to Classical: A Resource for Educators (New York: Metropolitan Museum of Art, c2000), by Michael Norris (PDF with commentary at metmuseum.org)

• Archaistische Kunst in Griechenland und Rom (in German; Munich: B. Heller, 1922), by Eduard Schmidt (page images at HathiTrust; US access only)

• Roman Art: A Resource for Educators (New York: Metropolitan Museum of Art, c2007), by Nancy L. Thompson (PDF with commentary at metmuseum.org)

• Bibliotheca Classica: or, A Classical Dictionary (4th edition; London: Printed by A. Strahan for T. Cadell..., 1801), by John Lemprière (page images at Google)
• A Dictionary of Greek and Roman Antiquities (London: John Murray, 1890), ed. by William Smith, William Wayte, and G. E. Marindin (HTML with commentary at Perseus)

• Roman Coins: Elementary Manual (London: Spink and Son, 1903), by Francesco Gnecchi, ed. by Alfred Watson Hands (page images at inumis.com)

• A Dictionary of Roman Coins, Republican and Imperial (London: G. Bell and Sons, 1889), by Seth William Stevenson, Charles Roach Smith, and Frederic W. Madden, illust. by F. W. Fairholt (multiple formats at Google)

• Adventures in the Arts: Informal Chapters on Painters, Vaudeville, and Poets (New York: Boni and Liveright, c1921), by Marsden Hartley (Gutenberg text and page images)
• The Aesthetic and Miscellaneous Works of Friedrich von Schlegel: Comprising Letters on Christian Art; An Essay on Gothic Architecture; Remarks on the Romance-Poetry of the Middle Ages and on Shakspere; On the Limits of the Beautiful; On the Language and Wisdom of the Indians (London: H. G. Bohn, 1860), by Friedrich von Schlegel, trans. by E. J. Millington
  • page images at HathiTrust
  • multiple formats at Google
• Art (New York: F. A. Stokes Co., ca. 1914), by Clive Bell (Gutenberg text and illustrated HTML)
• Art and Socialism, by William Morris (HTML at marxists.org)
• Barbaren und Klassiker: Ein Buch von der Bildnerei Exotischer Völker (in German; title page appears to be missing; Munich: R. Piper and Co., 1922), by Wilhelm Hausenstein (page images at HathiTrust; US access only)
• A Course of Lectures Delivered at the New York School of Applied Design for Women (New York: Irving Press, 1912), ed. by Mrs. Dunlap Hopkins, contrib. by Frank Edwin Elwell, Henry Reuterdahl, Louis R. Metcalfe, H. K. Kevorkian, and Albert Sterner (page images at HathiTrust)
• The Creative Will: Studies in the Philosophy and the Syntax of Aesthetics (New York and London: J. Lane, 1916), by Willard Huntington Wright (multiple formats at archive.org)
• Elements of Art Criticism, by G. W. Samson (page images at MOA)
• Guide to Art (1996; with other Bloomsbury references), by Shearer West (searchable JavaScript-dependent HTML at bloomsbury.com)
• Hopes and Fears for Art, by William Morris (Gutenberg text)
• Kunst ("Art" translated into German; Dresden: Sibyllenverlag, 1922), by Clive Bell, ed. by Paul Westheim (page images at HathiTrust; US access only)
• L'Art et le Geste (in French; Paris: F. Alcan, 1910), by Jean d' Udine (page images at HathiTrust)
• Lectures on Art, and Poems, by Washington Allston (page images at MOA)
• Pot-Boilers (London: Chatto and Windus, 1918), by Clive Bell (Gutenberg text)
• Questioni Pratiche di Belle Arti: Restauri, Concorsi, Legislazione, Professione, Insegnamento (in Italian; Milano: U. Hoepli, 1893), by Camillo Boito (page images at HathiTrust)
• The Sanity of Art: An Exposure of the Current Nonsense about Artists being Degenerate (London: The New Age Press, 1908), by Bernard Shaw (PDF at Brown)
• Seven Discourses on Art, by Joshua Reynolds (Gutenberg text)
• Signs of Change, by William Morris (Gutenberg text)
• Since Cézanne (ca. 1922), by Clive Bell (Gutenberg text)
• Sketches of Art, Literature, and Character (Boston and New York: Houghton, Mifflin, 1885), by Mrs. Jameson (multiple formats at archive.org)
• The Two Paths, by John Ruskin (Gutenberg text)

• Apollo: An Illustrated Manual of the History of Art Throughout the Ages (new edition; New York: Charles Scribner's Sons; London: William Heinemann, 1917), by Salomon Reinach, trans. by Florence Simmonds (PDF at djm.cc)

• Guggenheim International Award, 1958 (New York: Solomon R. Guggenheim Museum, 1958), ed. by Louise Averill Svendsen
  • Flash with commentary at guggenheim.org
  • multiple formats at archive.org
• Guggenheim International Award, 1960 (New York: Solomon R. Guggenheim Museum, 1960), ed. by Louise Averill Svendsen
  • Flash with commentary at guggenheim.org
  • multiple formats at archive.org
• Guggenheim International Award, 1964 (New York: Solomon R. Guggenheim Museum, 1963), ed. by Lawrence Alloway
  • Flash with commentary at guggenheim.org
  • multiple formats at archive.org
• Questioni Pratiche di Belle Arti: Restauri, Concorsi, Legislazione, Professione, Insegnamento (in Italian; Milano: U. Hoepli, 1893), by Camillo Boito (page images at HathiTrust)

• Negro Art in Belgian Congo (third edition; New York: Belgian Government Information Center, 1952), by Léon Kochnitzky (multiple formats at archive.org)
• Negro Art in the Belgian Congo (fourth edition; New York: Belgian Government Information Center, 1958), by Léon Kochnitzky (multiple formats with rotated pages at archive.org)

More items available under broader and related terms at left.