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Art, English -- 19th century

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• Art, English
• Art, Modern -- 19th Century
• 19th century

• Art, Modern -- 19th century -- England

• Victorian Lessons in Empathy and Difference (Columbus, OH: Ohio State University Press, c2011), by Rebecca N. Mitchell (PDF at Ohio State)

Items below (if any) are from related and broader terms.

• A Companion to the Cavendishes (Leeds: Arc Humanities Press, c2020), ed. by Lisa Hopkins and Tom Rutter (PDF files with commentary at Project MUSE)

• Circulation and Control: Artistic Culture and Intellectual Property in the Nineteenth Century (Cambridge, UK: Open Book Publishers, c2021), ed. by Marie-Stephanie Delamaire and Will Slauter (multiple formats with commentary at Open Book Publishers)

• The New Nineteenth-Century European Paintings and Sculpture Galleries (New York: The Metropolitan Museum of Art, c1993), by Gary Tinterow, contrib. by Susan Alyson Stein and Barbara Burn (page images and PDF with commentary at metmuseum.org and Google)

• L'Arte Mondiale a Venezia (in Italian; Naples: L. Pierro, 1897), by Vittorio Pica
  • multiple formats at Google; US access only
  • multiple formats at archive.org
  • page images at HathiTrust; US access only

• The Private Collection of Edgar Degas (New York: Metropolitan Museum of Art, c1997), by Ann Dumas, Colta Feller Ives, Susan Alyson Stein, and Gary Tinterow, trans. by Mark Polizzotti, contrib. by Françoise Cachin, Caroline Durand-Ruel Godfroy, Richard Kendall, Mari Kálmán Meller, Juliet Wilson-Bareau, Rebecca A. Rabinow, Theodore Reff, and Barbara Stern Shapiro (page images and PDF with commentary at metmuseum.org and Google)
• The Private Collection of Edgar Degas: A Summary Catalogue (New York: Metropolitan Museum of Art, c1997), by Colta Feller Ives, Susan Alyson Stein, and Julie A. Steiner, contrib. by Ann Dumas, Rebecca A. Rabinow, and Gary Tinterow (page images and PDF with commentary at metmuseum.org and Google)
• The Arts Under Napoleon (New York: Metropolitan Museum of Art, c1978), by James David Draper (page images and PDF with commentary at metmuseum.org and Google)

• Origins of Impressionism (New York: Metropolitan Museum of Art, c1994), by Gary Tinterow and Henri Loyrette (page images and PDF at Metropolitan Museum of Art and Google)
• Impressionism: A Centenary Exhibition (New York: Metropolitan Museum of Art, 1974), by Anne Distel, Michel Hoog, and Charles S. Moffett (page images and PDF with commentary at Metropolitan Museum of Art and Google)
• Degas, 1834-1917 (New York: Metropolitan Museum of Art; Ottawa: National Gallery of Canada, 1988), by Jean Sutherland Boggs, Douglas W. Druick, Henri Loyrette, Michael Pantazzi, and Gary Tinterow, illust. by Edgar Degas (page images and PDF with commentary at metmuseum.org and Google)
• L'Exposition de 1900 et l'Impressionnisme (in French; Paris: H. Floury, 1900), by André Mellerio
  • multiple formats at archive.org
  • page images at HathiTrust; US access only
• Monet's Years at Giverny: Beyond Impressionism (New York: Metropolitan Museum of Art, c1978), by Daniel Wildenstein, contrib. by Philippe De Montebello, James N. Wood, and Charles S. Moffett, illust. by Claude Monet (page images and PDF at Metropolitan Museum of Art and Google)

• American Impressionism and Realism: The Painting of Modern Life, 1885-1915 (New York: Metropolitan Museum of Art, c1994), by H. Barbara Weinberg, Doreen Bolger, and David Park Curry (PDF with commentary at metmuseum.org)

• Caricaturisti e Caricaturati al Caffè "Michelangiolo" (in Italian; Florence: G. Civelli, 1893), by Telemaco Signorini
  • page images at Gallica
  • page images at HathiTrust

• Painted Love: Prostitution in French Art of the Impressionist Era (second edition; Los Angeles: Getty Research Institute, c2003), by Hollis Clayson (PDF and page images with commentary at getty.edu and Google)

• Claudius Lavergne: Peintre d'Histoire et Peintre Verrier (in French; Paris: Bloud et cie, ca. 1910), by Georges Claudius Lavergne, contrib. by Claudius Lavergne (page images at HathiTrust; US access only)

• Nineteenth Century (Victorian Society in America, 1975-) (partial serial archives)

• Nineteenth Century (Victorian Society in America, 1975-) (partial serial archives)

• In Pursuit of Beauty: Americans and the Aesthetic Movement (New York: Metropolitan Museum of Art, 1986), by Doreen Bolger (page images and PDF with commentary at Metropolitan Museum of Art and Google)

• Modern Painting: Its Tendency and Meaning (New York: Dodd, Mead and Co., 1922), by Willard Huntington Wright
  • multiple formats at archive.org
  • Gutenberg text and illustrated HTML
• Reminiscences of the Impressionist Painters (Tower Press booklet #3; Dublin: Maunsel and Co., 1906), by George Moore
  • multiple formats at archive.org
  • page images at HathiTrust; US access only
• New Paths: Verse, Prose, Pictures, 1917-1918, ed. by Cyril W. Beaumont and Michael Sadleir, illust. by Anne Estelle Rice (multiple formats at archive.org)

• Painted Love: Prostitution in French Art of the Impressionist Era (second edition; Los Angeles: Getty Research Institute, c2003), by Hollis Clayson (PDF and page images with commentary at getty.edu and Google)
• The Great Wave: The Influence of Japanese Woodcuts on French Prints (New York: Metropolitan Museum of Art, 1974), by Colta Feller Ives (page images and PDF with commentary at metmuseum.org and Google)

• Impressionist and Post-Impressionist Paintings in The Metropolitan Museum of Art (New York: Metropolitan Museum of Art and Harry N. Abrams, 1985), by Charles S. Moffett (page images and PDF with commentary at Metropolitan Museum of Art and Google)
• Pissarro: Critical Catalogue of Paintings (3 volumes; Skira: Wildenstein Institute Publications, c2005), by Joachim Pissarro and Claire Durand-Ruel Snollaerts (page images with commentary at wpi.art)

• American Impressionist and Realist Paintings and Drawings from the Collection of Mr. and Mrs. Raymond J. Horowitz, Exhibited at the Metropolitan Museum of Art, 19 April through 3 June 1973 (New York: Metropolitan Museum of Art, c1973), by Dianne H. Pilgrim, contrib. by John K. Howat (page images and PDF with commentary at metmuseum.org and Google)

• The New Tendency in Art: Post Impressionism, Cubism, Futurism (Garden City, NY: Doubleday, Page and Co., 1913), by Henry Rankin Poore (multiple formats at archive.org)
• Modern Painting: Its Tendency and Meaning (New York: Dodd, Mead and Co., 1922), by Willard Huntington Wright
  • multiple formats at archive.org
  • Gutenberg text and illustrated HTML
• Since Cézanne (ca. 1922), by Clive Bell (Gutenberg text)

• Impressionist and Post-Impressionist Paintings in The Metropolitan Museum of Art (New York: Metropolitan Museum of Art and Harry N. Abrams, 1985), by Charles S. Moffett (page images and PDF with commentary at Metropolitan Museum of Art and Google)

• Monet's Years at Giverny: Beyond Impressionism (New York: Metropolitan Museum of Art, c1978), by Daniel Wildenstein, contrib. by Philippe De Montebello, James N. Wood, and Charles S. Moffett, illust. by Claude Monet (page images and PDF at Metropolitan Museum of Art and Google)

• The Pageant, ed. by Charles Shannon and Gleeson White (partial serial archives)

• Mimic Life, or, Before and Behind the Curtain: A Series of Narratives (Boston: Ticknor and Fields, 1856), by Anna Cora Mowatt Ritchie (page images at MOA)

• Fact Into Figure: Typology in Carlyle, Ruskin, and the Pre-Raphaelite Brotherhood (Columbus, OH: Ohio State University Press, c1979), by Herbert L. Sussman (PDF at Ohio State)
• The Aesthetic and Critical Theories of John Ruskin, by George P. Landow (HTML at Victorian Web)

• The Chain of Things: Divinatory Magic and the Practice of Reading in German Literature and Thought, 1850-1940 (Ithaca and London: Cornell University Press and Cornell University Library, c2018), by Eric Downing
  • Epub with commentary at Cornell University Press
  • PDF files with commentary at Project MUSE
• Nietzsche and Art (London: Constable and Co., 1911), by Anthony M. Ludovici
  • Gutenberg text and illustrated HTML
  • multiple formats at archive.org
  • page images at HathiTrust; US access only
  • illustrated HTML at anthonymludovici.com
• Nietzsche and Art (Boston: J. W. Luce and Co., 1912), by Anthony M. Ludovici (page images at HathiTrust)

• Cities Built to Music: Aesthetic Theories of the Victorian Gothic Revival (Columbus, OH: Ohio State University Press, c1984), by Michael Bright
  • PDF at Ohio State
  • PDF files with commentary at Ohio State Press
• Flight From Eden: The Origins of Modern Literary Criticism and Theory (Berkeley: University of California Press, 1990), by Steven Cassedy (HTML at UC Press)

• Connecting Histories in Afghanistan: Market Relations and State Formation on a Colonial Frontier (c2008), by Shah Mahmoud Hanifi (HTML and PDF files at gutenberg-e.org)

• The First Book of the Authors Club: Liber Scriptorum (New York: Authors Club, 1893) (page images at CMU)
• Tales and Sketches for the Fireside, by the Best American Authors: Selected from Putnam's magazine (New York: A. Dowling, 1857) (page images at HathiTrust)
• A Cyclopedia of the Literature of Amateur Journalism (Hartford: T. J. Spencer, 1891), by T. J. Spencer (page images at HathiTrust)

• The North American Review (partial serial archives)

• Leaves of Grass, by Walt Whitman (multiple editions)
• An American Anthology, 1787-1900: Selections Illustrating the Editor's Critical Review of American Poetry in the Nineteenth Century (Boston: Houghton Mifflin, 1900), ed. by Edmund Clarence Stedman (HTML at Bartleby)
• An American Anthology, 1787-1900: Selections Illustrating the Editor's Critical Review of American Poetry in the Nineteenth Century (Boston and New York: Houghton, Mifflin and Co., 1901), ed. by Edmund Clarence Stedman
  • multiple formats at archive.org
  • page images at HathiTrust
• The Man with the Hoe and Other Poems (New York: Doubleday and McClure Co., 1900), by Edwin Markham (multiple formats at archive.org)
• A Masque of Poets: Including Guy Vernon, a Novelette in Verse, ed. by George Parsons Lathrop (page images at MOA)
• Modern American Poetry: An Introduction (1919 edition), ed. by Louis Untermeyer (HTML at Bartleby)
• The Single Hound: Poems of a Lifetime (Boston: Little, Brown, and Co., 1914), by Emily Dickinson, contrib. by Martha Dickinson Bianchi (HTML at Celebration of Women Writers)
• The Single Hound: Poems of a Lifetime (Boston: Little, Brown, and Co., 1915), by Emily Dickinson, contrib. by Martha Dickinson Bianchi
  • multiple formats at archive.org
  • page images at HathiTrust
• The Ladies' Vase of Wild Flowers: A Collection of Gems From the Best Authors (Auburn, MA: J. M. Alden, 1850), ed. by Miss Colman (page images at HathiTrust)
• Southern Poems, ed. by Charles W. Kent (HTML and TEI at UNC)

More items available under broader and related terms at left.