Arts -- Great Britain

See also what's at your library, or elsewhere.

• Arts
• Great Britain

• Art -- Great Britain

• Did We Do That? An Evaluation of the Calouste Gulbenkian Foundation's Rural Arts Agency Scheme (London: Calouste Gulbenkian Foundation, c1996), by Tess Hurson (PDF with commentary in the UK)

• Useful Architecture (London: Robert Sayer, 1760), by William Halfpenny (page images at Wisconsin)

• The Rookeries of London: Past, Present, and Prospective (second edition; London: Thomas Bosworth, 1852), by Thomas Beames (HTML at victorianlondon.org)

• The House of Arden (London: T. Fisher Unwin, 1923), by E. Nesbit, illust. by H. R. Millar (illustrated HTML at Celebration of Women Writers)

• An English Murder (c1951), by Cyril Hare (HTML in Canada; NO US ACCESS)

• Kenilworth, by Walter Scott (Gutenberg text)

• The Castle of Tynemouth: A Tale (2 volumes; London: Printed for Vernor, Hood, and Sharpe, et al., 1806), by Jane Harvey (page images at HathiTrust)
• The Castle of Tynemouth: A Tale (second edition, 2 volumes; Newcastle Upon Tyne: Printed by E. Mackenzie Jr., 1830), by Jane Harvey (PDF at Chawton House Library)

• Literary Geography and Travel-Sketches (New York: Duffield and Company, 1912), by William Sharp, ed. by Elizabeth A. Sharp (HTML at pair.com)

• Jane Austen: Her Homes and Her Friends (third edition), by Constance Hill, illust. by Ellen G. Hill (illustrated HTML at Celebration of Women Writers)

• Dickens' London (Boston: L. C. Page and Co., c1903), by Francis Miltoun (Gutenberg text and illustrated HTML)

• Old England: A Pictorial Museum of Regal, Ecclesiastical, Municipal, Baronial, and Popular Antiquities (2 volumes; London: James Sangster and Co., ca. 1860), ed. by Charles Knight
  • Volume I: multiple formats at archive.org
  • Volume II: multiple formats at archive.org

• Survey of London (ongoing series of volumes on the city's architecture and topography, begun in 1900) (partial serial archives)

• Survey of London (ongoing series of volumes on the city's architecture and topography, begun in 1900) (partial serial archives)

• The Dukeries (London, Glasgow, and Bombay: Blackie and Son, 1913), by Murray Gilchrist, illust. by E. W. Haslehust
  • multiple formats at archive.org
  • Gutenberg text, illustrated HTML, and page images

• The Country Gentleman's Pocket Companion, and Builder's Assistant, for Rural Decorative Architecture (second edition; London: Robert Sayer, 1756), by William Halfpenny and John Halfpenny (page images at Wisconsin)

• Stonehenge and Other British Stone Monuments Astronomically Considered (1906), by Norman Lockyer (illustrated HTML with commentary at sacred-texts.com)
• Stonehenge: Plans, Description, and Theories (London: E. Stanford, 1880), by W. M. Flinders Petrie
  • multiple formats at Google; US access only
  • page images at HathiTrust; US access only

• Stonehenge, A Temple Restor'd to the British Druids (1740), by William Stukeley (HTML with commentary at sacred-texts.com)

• Jedburgh Abbey: The Archaeology and Architecture of a Border Abbey (Edinburgh: Society of Antiquaries of Scotland, 1995), by John H. Lewis and Gordon Ewart (PDF files at AHDS)

• English Coloured Books, by Martin Hardie (page images at CMU)

• Charles Dickens and His Original Illustrators (Columbus: Ohio State University Press, c1980), by Jane M. Rabb (PDF files at Ohio State Press)

• The Owl (1919-1923; only ran three issues), ed. by Robert Graves (full serial archives)

• A History of English Romanticism in the Nineteenth Century (New York: Henry Holt and Company, 1918), by Henry A. Beers (Gutenberg text)
• The Pre-Raphaelite Brotherhood: A Critical Monograph (London, Duckworth and Co., 1920), by Ford Madox Ford (multiple formats at archive.org)
• Pre-Raphaelitism and the Pre-Raphaelite Brotherhood (2 volumes; New York and London: Macmillan, 1905), by William Holman Hunt
  • Volume I: multiple formats at archive.org
  • Volume II: multiple formats at archive.org

• Bernard Shaw and the Aesthetes (Columbus: Ohio State University Press, c1971), by Elsie Bonita Adams (PDF files with commentary at Ohio State Press)
• Memories and Impressions: A Study in Atmospheres (New York and London: Harper and Bros., 1911), by Ford Madox Ford (multiple formats at archive.org)
• Replete with Meaning: William Holman Hunt and Typological Symbolism, by George P. Landow (illustrated HTML at Victorian Web)

• La Galleria dei Gonzaga, Venduta all'Inghilterra nel 1627-28 (in Italian; Milan: L. F. Cogliati, 1913), by Alessandro Luzio (page images at HathiTrust; US access only)
• New Paths: Verse, Prose, Pictures, 1917-1918, ed. by Cyril W. Beaumont and Michael Sadleir, illust. by Anne Estelle Rice (multiple formats at archive.org)

• London As an Art City (London: A. Siegle, 1904), by Mrs. Steuart Erskine (multiple formats at archive.org)

• John William Godward: The Eclipse of Classicism, by Vern G. Swanson (illustrated HTML at artrenewal.org)

• Antiquities and Curiosities of the Church (London: W. Andrews and Co., 1897), ed. by William Andrews (illustrated HTML with commentary at elfinspell.com)

• The Gentleman and Cabinet-Maker's Director: Being a Large Collection of the Most Elegant and Useful Designs of Household Furniture in the Gothic, Chinese and Modern Taste (London: Thomas Chippendale, 1754), by Thomas Chippendale (page images at Wisconsin)

• Replete with Meaning: William Holman Hunt and Typological Symbolism, by George P. Landow (illustrated HTML at Victorian Web)

• The Law of Artistic Copyright: A Handy Book for the Use of Artists, Publishers, and Photographers, With Explanatory Dialogues (London: Remington and Co., 1881), by Martin Routh (multiple formats at archive.org)

Items below (if any) are from related and broader terms.

• Supporting Art and Culture: 1001 Questions on Policy, by Alfred De Grazia (HTML at grazian-archive.com)

• Bright Stars: Charting the Impact of the Arts in Rural Minnesota (Minneapolis: McKnight Foundation, c2005), by Carlo M. Cuesta, Dana M. Gillespie, and Padraic Lillis (PDF with commentary at mcknight.org)

• 291 (full serial archives)
• The Atlantic Monthly (partial serial archives)
• Blackbird: An Online Journal of Literature and the Arts (full serial archives)
• Journal of Arts and Ideas (partial serial archives)

• What is Art? (New York: Funk and Wagnalls, 1904), by Leo Tolstoy, ed. by Aylmer Maude (multiple formats at archive.org)

• The South African Tradition: A Brief Survey of Culture and Art in the Republic of South Africa (1963), by South African Information Service (multiple formats at archive.org)

• Adventures in the Arts: Informal Chapters on Painters, Vaudeville, and Poets (New York: Boni and Liveright, c1921), by Marsden Hartley (Gutenberg text and page images)
• The Aesthetic and Miscellaneous Works of Friedrich von Schlegel: Comprising Letters on Christian Art; An Essay on Gothic Architecture; Remarks on the Romance-Poetry of the Middle Ages and on Shakspere; On the Limits of the Beautiful; On the Language and Wisdom of the Indians (London: H. G. Bohn, 1860), by Friedrich von Schlegel, trans. by E. J. Millington
  • page images at HathiTrust
  • multiple formats at Google
• Art (New York: F. A. Stokes Co., ca. 1914), by Clive Bell (Gutenberg text and illustrated HTML)
• Art and Socialism, by William Morris (HTML at marxists.org)
• Barbaren und Klassiker: Ein Buch von der Bildnerei Exotischer Völker (in German; title page appears to be missing; Munich: R. Piper and Co., 1922), by Wilhelm Hausenstein (page images at HathiTrust; US access only)
• A Course of Lectures Delivered at the New York School of Applied Design for Women (New York: Irving Press, 1912), ed. by Mrs. Dunlap Hopkins, contrib. by Frank Edwin Elwell, Henry Reuterdahl, Louis R. Metcalfe, H. K. Kevorkian, and Albert Sterner (page images at HathiTrust)
• The Creative Will: Studies in the Philosophy and the Syntax of Aesthetics (New York and London: J. Lane, 1916), by Willard Huntington Wright (multiple formats at archive.org)
• Elements of Art Criticism, by G. W. Samson (page images at MOA)
• Guide to Art (1996; with other Bloomsbury references), by Shearer West (searchable JavaScript-dependent HTML at bloomsbury.com)
• Hopes and Fears for Art, by William Morris (Gutenberg text)
• Kunst ("Art" translated into German; Dresden: Sibyllenverlag, 1922), by Clive Bell, ed. by Paul Westheim (page images at HathiTrust; US access only)
• L'Art et le Geste (in French; Paris: F. Alcan, 1910), by Jean d' Udine (page images at HathiTrust)
• Lectures on Art, and Poems, by Washington Allston (page images at MOA)
• Pot-Boilers (London: Chatto and Windus, 1918), by Clive Bell (Gutenberg text)
• Questioni Pratiche di Belle Arti: Restauri, Concorsi, Legislazione, Professione, Insegnamento (in Italian; Milano: U. Hoepli, 1893), by Camillo Boito (page images at HathiTrust)
• The Sanity of Art: An Exposure of the Current Nonsense about Artists being Degenerate (London: The New Age Press, 1908), by Bernard Shaw (PDF at Brown)
• Seven Discourses on Art, by Joshua Reynolds (Gutenberg text)
• Signs of Change, by William Morris (Gutenberg text)
• Since Cézanne (ca. 1922), by Clive Bell (Gutenberg text)
• Sketches of Art, Literature, and Character (Boston and New York: Houghton, Mifflin, 1885), by Mrs. Jameson (multiple formats at archive.org)
• The Two Paths, by John Ruskin (Gutenberg text)

More items available under broader and related terms at left.