The Online Books Page

Bop (Music)

This heading is assigned to bop music for two or more performers.

See also what's at your library, or elsewhere.

• Jazz

• Bop (Music) -- Exhibitions
• Bop (Music) -- History and criticism

• Be-bop (Music)
• Bebop (Music)
• Bop (Music) -- United States
• Rebop (Music)

• The bebop revolution in words and music (Harry Ransom Humanities Research Center, The University of Texas at Austin, 1994), by Dave Oliphant and Harry Ransom Humanities Research Center (page images at HathiTrust)

• The bebop revolution in words and music (Harry Ransom Humanities Research Center, The University of Texas at Austin, 1994), by Dave Oliphant and Harry Ransom Humanities Research Center (page images at HathiTrust)

Items below (if any) are from related and broader terms.

• Miller's Yearbook of popular music (PEM publications, 1943), by Paul Eduard Miller (page images at HathiTrust)
• The Negro and his music (The Associates in Negro Folk Education, 1936), by Alain Locke (page images at HathiTrust)
• Blues; an anthology. (A. & C. Boni, 1926), by W. C. Handy, Miguel Covarrubias, and Abbe Niles (page images at HathiTrust)
• The kingdom of swing (F. Ungar Pub. Co., 1961), by Benny Goodman and Irving Kolodin (page images at HathiTrust)
• Jazz, New Orleans, 1885-1963 : an index to the Negro musicians of New Orleans. (Oak Publications, 1963), by Samuel Charters (page images at HathiTrust)
• Le jazz. (C. Aveline, 1926), by André Cœuroy and André Schaeffner (page images at HathiTrust; US access only)
• Jazz (J. H. Sears & company, inc., 1926), by Paul Whiteman and Mary Margaret McBride (page images at HathiTrust)
• So this is jazz. (Little, Brown, and company, 1926), by Henry Osborne Osgood (page images at HathiTrust; US access only)
• Jazz, New Orleans, 1885-1957 : an index to the Negro musicians of New Orleans (W. C. Allen, 1958), by Samuel Barclay Charters (page images at HathiTrust; US access only)
• Jazz. (Roy Publishers, 1963), by R. P. Jones (page images at HathiTrust)
• Jazz cavalcade; the inside story of jazz (Criterion, 1946), by Dave Dexter (page images at HathiTrust)
• Tin Pan Alley in gaslight; a saga of the songs that made the gray nineties "gay." (Century House, 1959), by Maxwell F Marcuse (page images at HathiTrust)
• Cinq études de jazz (Universal-Edition, 1927), by Ervín Schulhoff (page images at HathiTrust; US access only)
• American Jazz Masters Fellowships, 1982-2002 (National Endowment for the Arts, 2001), by Lee Tanner, Bob Parent, Ray Avery, and National Endowment for the Arts (page images at HathiTrust)
• Jazz masters (National Endowment for the Arts, 2006), by National Endowment for the Arts (page images at HathiTrust)
• 2009 fellows (National Endowment for the Arts, 2008), by National Endowment for the Arts (page images at HathiTrust)
• The American Bicentennial Jazz Celebration : [a plan developed by and sponsored jointly with the American Revolution Bicentennial Administration (U.S. American Revolution Bicentennial Administration : for sale by the Supt. of Docs., U.S. Govt. Print. Off, 1976), by American Revolution Bicentennial Administration and Alex Mattison (page images at HathiTrust)
• Jazz masters (Washington, D.C. : National Endowment for the Arts, 2012., 2012), by National Endowment for the Arts (page images at HathiTrust)
• NEA (Washington, D.C. : National Endowment for the Arts, [2007], 2007), by National Endowment for the Arts (page images at HathiTrust)
• 2005 fellows (Washington, D.C. : National Endowment for the Arts, 2005., 2005), by National Endowment for the Arts (page images at HathiTrust)
• The great revival on long play. (Carleton Jazz Club, Carleton College, 1957), by John Lucas (page images at HathiTrust; US access only)
• The story of the Original Dixieland Jazz Band. (Louisiana State University, 1960), by H. O. Brunn, Dominic James LaRocca, and La.) Howard-Tilton Memorial Library. William Ransom Hogan Jazz Archive (New Orleans (page images at HathiTrust; US access only)
• Basic jazz on long play. The great soloists: ragtime, folk-song, blues, jazz, swing, and the great bands: New Orleans, swing, dixieland. (Carleton Jazz Club, Carleton College, 1954), by John Lucas (page images at HathiTrust; US access only)
• Jazz, where it came from where it's at. (United States Information Agency, in the 1970s), by John Steuart Wilson (page images at HathiTrust)
• Esquisses de jazz : six pièces faciles pour piano = sechs leichte Klavierstücke für die obere Mittelstufe (Wien : Universal-Edition A.G., [1928], 1928), by Ervín Schulhoff (page images at HathiTrust; US access only)

• A bibliography of jazz. (American Folk-lore Society, 1954), by Alan P. Merriam (page images at HathiTrust)
• Jazz, New Orleans, 1885-1963 : an index to the Negro musicians of New Orleans. (Oak Publications, 1963), by Samuel Charters (page images at HathiTrust)
• Jazz, New Orleans, 1885-1957 : an index to the Negro musicians of New Orleans (W. C. Allen, 1958), by Samuel Barclay Charters (page images at HathiTrust; US access only)

• Jazz. (Roy Publishers, 1963), by R. P. Jones (page images at HathiTrust)
• The great revival on long play. (Carleton Jazz Club, Carleton College, 1957), by John Lucas (page images at HathiTrust; US access only)
• Helpful hints to jazz collectors ; combined with Jazz men and their records. (Andoll Pub. Co., 1957), by Andy Anderson (page images at HathiTrust; US access only)
• Basic jazz on long play. The great soloists: ragtime, folk-song, blues, jazz, swing, and the great bands: New Orleans, swing, dixieland. (Carleton Jazz Club, Carleton College, 1954), by John Lucas (page images at HathiTrust; US access only)

• Preserving and interpreting the origin, development, and progression of jazz in the United States : hearing before the Subcommittee on Public Lands, National Parks, and Forests of the Committee on Energy and Natural Resources, United States Senate, One Hundred First Congress, second session, on S. 2846 ... New Orleans, LA, July 27, 1990. (U.S. G.P.O. :, 1990), by National Parks United States. Congress. Senate. Committee on Energy and Natural Resources. Subcommittee on Public Lands (page images at HathiTrust)

• Make It New: Reshaping Jazz in the 21st Century (Amherst, MA: Lever Press, c2019), by Bill Beuttler
  • HTML and Epub with commentary at Lever Press
  • HTML and PDF at JSTOR
  • HTML at Project MUSE
• The André Hodeir jazz reader (University of Michigan Press, 2006), by André Hodeir and Jean-Louis Pautrot (page images at HathiTrust; US access only)
• New Orleans jazz study newsletter (The Center, 1991), by United States. Preservation of Jazz Advisory Commission and United States. National Park Service. Denver Service Center (page images at HathiTrust)
• Jazz masters (Washington, D.C. : National Endowment for the Arts, 2012., 2012), by National Endowment for the Arts (page images at HathiTrust)

• A Jazz Improvisation Primer, by Marc Sabatella (HTML at outsideshore.com)
• One hundred jazz breaks (Alfred, 1926), by Rube Bloom (page images at HathiTrust)

• Voicing the modern dance orchestra (Modern music publications, 1946), by Otto Cesana (page images at HathiTrust; US access only)
• Complete course in modern harmony, composition and orchestration, for dance band, radio and motion pictures. ([publisher not identified], 1948), by Lyle Murphy (page images at HathiTrust; US access only)

• Air Force Airmen of Note, 50th anniversary (U.S. Air Force, 2000), by Rich Mittelstadt and United States. Dept. of the Air Force (page images at HathiTrust)
• United States Air Force Airmen of Note : 50th anniversary : yesterday, today and tomorrow (U.S. Air Force, 2000), by United States. Dept. of the Air Force (page images at HathiTrust)
• Hello central! give me Doctor Jazz (Melrose Bros. Music Co., 1927), by King Oliver and Walter Melrose (page images at HathiTrust)

• Head Hunters: The Making of Jazz's First Platinum Album (Ann Arbor: University of Michigan Press, c2005), by Steven F. Pond (page images at HathiTrust)

• In a mist (Robbins Music Corp., 1928), by Bix Beiderbecke and William H. Challis (page images at HathiTrust)
• You tell 'em, ivories (J. Mills, 1921), by Zez Confrey (page images at HathiTrust)
• Six studies in modern syncopation : for piano. (Robbins Music Corp., 1926), by Willard Robison (page images at HathiTrust)
• Cinq études de jazz (Universal-Edition, 1927), by Ervín Schulhoff (page images at HathiTrust; US access only)
• Caramel Mou (Max Eschig, 1921), by Darius Milhaud (page images at HathiTrust; US access only)
• The Carolina shout : negro classic. (Clarence Williams Music Pub. Co., 1926), by James P. Johnson and Leff (page images at HathiTrust)
• Cushion foot stomp (Clarence Williams Music Pub. Co., 1927), by Clarence Williams (page images at HathiTrust)
• Doin' things : a modern piano solo (Robbins Music Corp., 1928), by Joe Venuti and Eddie Lang (page images at HathiTrust)
• Deep Henderson : blues song & piano solo (Ted Browne Music Co., 1926), by Fred Rose (page images at HathiTrust)
• Esquisses de jazz : six pièces faciles pour piano = sechs leichte Klavierstücke für die obere Mittelstufe (Wien : Universal-Edition A.G., [1928], 1928), by Ervín Schulhoff (page images at HathiTrust; US access only)
• Clarinet marmalade : one step (Leo. Feist, Inc., 1918), by Larry Shields and Henry Ragas (page images at HathiTrust)

More items available under broader and related terms at left.