Exiles -- Drama

See also what's at your library, or elsewhere.

• Exiles
• Drama

• As You Like It, by William Shakespeare (HTML at MIT)
• As You Like It (London: Oxford University Press, 1914), by William Shakespeare, ed. by W. J. Craig (HTML at Bartleby)
• The Two Gentlemen of Verona, by William Shakespeare (HTML at MIT)
• The Two Gentlemen of Verona (London: Oxford University Press, 1914), by William Shakespeare, ed. by W. J. Craig (HTML at Bartleby)

Items below (if any) are from related and broader terms.

• The Adventures of Ralph Rashleigh, A Penal Exile in Australia, 1825-1844 (1929 text), by James Rosenberg Tucker (text at Gutenberg Australia)
• The Prisoners of Australia: A Narrative (London: J. Hatchard and Son, 1841), by Charlotte Anley (multiple formats at Google)
• Ralph Rashleigh (1952 text), by James Rosenberg Tucker (text at Gutenberg Australia)

• Letters From an Exile at Botany-Bay, To His Aunt in Dumfries, by Thomas Watling
  • PDF at SETIS
  • text at Gutenberg Australia

• Buried Alive: or, Ten Years Penal Servitude in Siberia (translation of the novel also known as "The House of the Dead"; London: Longmans, Green, and Co., 1881), by Fyodor Dostoyevsky, trans. by Marie von Thilo
  • multiple formats at Google; US access only
  • multiple formats at archive.org
  • page images at HathiTrust; US access only
• The House of the Dead: or, Prison Life in Siberia (London: J. M. Dent and Sons; New York: E. P. Dutton and Co., 1914), by Fyodor Dostoyevsky (multiple formats at archive.org)
• Israel Potter: His Fifty Years of Exile, by Herman Melville (Gutenberg text)
• The Man Without a Country, by Edward Everett Hale, contrib. by Henry Seidel Canby (HTML with commentary at Bartleby)
• The Man Without a Country, and Other Tales (Boston: Roberts Brothers, 1891), by Edward Everett Hale (Gutenberg text)
• Memoiren aus einem Totenhaus (in German; translation of the novel known in English as "The House of the Dead"; Leipzig: P. Reclam, ca. 1890), by Fyodor Dostoyevsky, trans. by Hans Moser (page images at HathiTrust; US access only)

• Exiled to Siberia, by William Murray Graydon (HTML in Canada)

• La Lucha for Cuba: Religion and Politics on the Streets of Miami (Berkeley: University of California Press, c2003), by Miguel A. De La Torre (frame-dependent illustrated HTML with commentary at UC Press)

• La Lucha for Cuba: Religion and Politics on the Streets of Miami (Berkeley: University of California Press, c2003), by Miguel A. De La Torre (frame-dependent illustrated HTML with commentary at UC Press)

• La Lucha for Cuba: Religion and Politics on the Streets of Miami (Berkeley: University of California Press, c2003), by Miguel A. De La Torre (frame-dependent illustrated HTML with commentary at UC Press)

• The Secret Drawer (London: Sunday School Union; New York: T. Nelson and Sons, 1872), by Isabella Fyvie Mayo (illustrated HTML in the UK)

• La Déportation de 1871: Souvenirs d'un Évadé de Nouméa (in French; Paris: G. Charpentier et cie, 1889), by Achille Ballière (page images at HathiTrust)

• Memoirs and Travels of Mauritius Augustus, Count de Benyowsky (Dublin: Printed by W. Porter for P. Wogan et al., 1790), by Maurice Auguste Benyowsky, trans. by William Nicholson (page images with commentary at wdl.org)

• The Life-Story of a Russian Exile: The Remarkable Experience of a Young Girl, Being an Account of Her Peasant Childhood, Her Girlhood in Prison, Her Exile to Siberia, and Escape From There (New York: The Century Co., 1915), by Marie Sukloff, trans. by Gregory Yarros (page images at HathiTrust)

• Of Dramatic Poesie, by John Dryden (HTML at Toronto)
• Opera and Drama, by Richard Wagner, trans. by William Ashton Ellis (HTML at belgacom.net)
• Our Stage and its Critics (1910), by Edward Fordham Spence (Gutenberg text)

• Three Tragedies: Bertram; Bellamira; The Apostate (London:, 1818), by Charles Robert Maturin and Richard Lalor Sheil (multiple formats at archive.org)

• Lectures on Dramatic Art and Literature, by August Wilhelm von Schlegel, trans. by John Black (Gutenberg text)
• The Theory of the Theatre, and Other Principles of Dramatic Criticism (New York: Henry Holt and Co., 1910), by Clayton Meeker Hamilton (Gutenberg text)

• Annual Magazine Subject-Index (including a dramatic index for most years) (partial serial archives)

• Psychoanalysis and Shakespeare (New York et al: McGraw-Hill Book Co., c1966), by Norman Norwood Holland (page images at ufl.edu)
• Shakespeare's Patterns of Self-Knowledge (Columbus: Ohio State University Press, c1972), by Rolf Soellner (PDF files with commentary at Ohio State Press)

• The Social Significance of the Modern Drama, by Emma Goldman (HTML at pitzer.edu and Berkeley)

• Lectures on Dramatic Art and Literature, by August Wilhelm von Schlegel, trans. by John Black (Gutenberg text)
• Play-Making: A Manual of Craftsmanship (1912), by William Archer (Gutenberg text)
• Playwriting: A Handbook for Would-Be Dramatic Authors, by A Dramatist, by Jerome K. Jerome (HTML at Gaslight)
• The Thirty-Six Dramatic Situations (Franklin, OH: James Knapp Reeve, 1921), by Georges Polti, trans. by Lucille Ray, contrib. by James Knapp Reeve (multiple formats at archive.org)

• Drawing-Room Plays and Parlour Pantomimes (London: S. River and Co., 1870), ed. by Clement Scott, contrib. by E. L. Blanchard, J. Palgrave Simpson, W. S. Gilbert, Tom Hood, Charles Smith Cheltnam, Robert Reece, Arthur Sketchley, Alfred Thompson, Thomas Archer, John C. Brough, J. Ashby-Sterry, Sidney Daryl, and A. B. (multiple formats at Google)
• Festival Plays: One-Act Pieces for New Year's Day, St. Valentine's Day, Easter, All Hallowe'en, Christmas and a Child's Birthday (New York: Duffield and Co., 1913), by Marguerite Merington (page images at HathiTrust)

• Children's Classics in Dramatic Form: A Reader for the Fourth Grade (1908), by Augusta Stevenson (Gutenberg text and illustrated HTML)

• The Peace Egg and a Christmas Mumming Play (London; Brighton: Society for Promoting Christian Knowledge; New York: E and J. B. Young & Co., 1887), by Juliana Horatia Gatty Ewing, illust. by Gordon Browne (illustrated HTML at Celebration of Women Writers)

• The Dramatic Values in Plautus (1918), by Wilton W. Blancké (Gutenberg text)
• An Essay on Comedy and the Uses of the Comic Spirit, by George Meredith (Gutenberg text)
• Laughter: An Essay on the Meaning of the Comic, by Henri Bergson, trans. by Cloudesley Brereton and Fred Rothwell (Gutenberg text)

• Die Sezession in der Dramatischen Kunst und das Volksfestspiel, Mit Einem Rückblick auf die Passion von Oberammergau (in German; Munich: G. Müller, 1911), by Georg Fuchs (page images at HathiTrust; US access only)

• Masques and Entertainments (London et al.: G. Routledge and Sons, 1890), by Ben Jonson, ed. by Henry Morley
  • page images at HathiTrust; US access only
  • multiple formats at archive.org

• Comic Tragedies: Written by "Jo" and "Meg" and Acted by "The Little Women" (Boston: Roberts Brothers, 1893), by Louisa May Alcott and Anna Bronson Alcott Pratt (multiple formats at archive.org)

• The Joycean Monologue (revised edition, with added articles; 2010), by Constantin-George Sandulescu (PDF with commentary in Romania)

• Everyman, ed. by A. C. Cawley (HTML at Michigan)
• Everyman, ed. by John Skot (illustrated HTML at Renascence Editions)

• Six Screenplays (Berkeley: University of California Press, c1997), by Robert Riskin, ed. by Patrick McGilligan (HTML at UC Press)

• The Art-Work of the Future, by Richard Wagner, trans. by William Ashton Ellis (HTML at belgacom.net)
• Old Scores and New Readings: Discussions on Music and Certain Musicians, by John F. Runciman (Gutenberg text)
• Opera and Drama, by Richard Wagner, trans. by William Ashton Ellis (HTML at belgacom.net)
• The Ultimate Art: Essays Around and About Opera (Berkeley: University of California Press, 1992), by David Littlejohn (HTML at UC Press)

More items available under broader and related terms at left.