Musicals

This heading is assigned to music for theatrical productions consisting of musical numbers (songs, ensembles, and dances) integrated into a dramatic framework. Music for theatrical productions featuring a series of songs, dances, and other entertainments without any unifying dramatic element is entered under Revues.

See also what's at Wikipedia, your library, or elsewhere.

• Dramatic music

• Musicals -- Fiction
• Musicals -- Librettos

• Musical comedies
• Musical plays
• Musical revues, comedies, etc.
• Musical shows
• Operettas
• Shows, Musical

• Jill the Reckless, by P. G. Wodehouse (Gutenberg text)

• The Sultan of Sulu: An Original Satire in Two Acts (New York: R. H. Russell, 1903), by George Ade (multiple formats at archive.org)

Items below (if any) are from related and broader terms.

• The New German Cinema: Music, History, and the Matter of Style (Berkeley: University of California Press, c2004), by Caryl Flinn (frame-dependent HTML with commentary at UC Press)

• The Art-Work of the Future, by Richard Wagner, trans. by William Ashton Ellis (HTML at belgacom.net)
• Old Scores and New Readings: Discussions on Music and Certain Musicians, by John F. Runciman (Gutenberg text)
• Opera and Drama, by Richard Wagner, trans. by William Ashton Ellis (HTML at belgacom.net)
• The Ultimate Art: Essays Around and About Opera (Berkeley: University of California Press, 1992), by David Littlejohn (HTML at UC Press)

• Panther's Cub (Garden City, NY: Doubleday, Page and Co., 1911), by Agnes Castle and Egerton Castle, illust. by Florence R. A. Wilde (multiple formats at archive.org)
• The Song of the Lark, by Willa Cather
  • HTML at Virginia
  • Gutenberg text
• The Young Prima Donna: A Romance of the Opera (2 volumes; Philadelphia: Lea and Blanchard, 1840), by Mrs. Grey (page images at HathiTrust)

• Art in Costume Design: Practical Suggestions for Those Interested in Art, Sewing, History and Literature (Springfield, MA: Milton Bradley Co., 1920), by Edna Mann Shover (page images at Wisconsin)
• Dressmaking: A Manual for Schools and Colleges (New York: Charles Scribner's Sons, c1917), by Jane Fales (page images at Wisconsin)
• Fancy Dresses Described: or, What to Wear at Fancy Balls, by Ardern Holt, illust. by Lilian Young (page images at Wisconsin)
• Female Costumes, Historical, National, and Dramatic, in 200 Plates (London: Lacy, 1865), by Thomas Hailes Lacy (DjVu at uga.edu)
• Instructive Costume Design (first edition; Pelham, NY: Edward C. Bridgman, c1922), by Emil Alvin Hartman (page images at Wisconsin)
• Male Costumes, Historical, National, and Dramatic, in 200 Plates (London: Lacy, 1868), by Thomas Hailes Lacy (DjVu at uga.edu)
• The Quaker: A Study in Costume (Philadelphia: Ferris and Leach, 1901), by Amelia M. Gummere (multiple formats at archive.org)
• Woman as Decoration: A Costume Book (New York: Dodd, Mead, 1920), by Emily Burbank (page images at Wisconsin)

• Comic Tragedies: Written by "Jo" and "Meg" and Acted by "The Little Women" (Boston: Roberts Brothers, 1893), by Louisa May Alcott and Anna Bronson Alcott Pratt (multiple formats at archive.org)

• Ages Ago (libretto, music, and commentary), by W. S. Gilbert and Frederic Clay (multimedia at Boise State)
• The Beauty Stone (libretto, vocal score, and commentary), by Arthur Wing Pinero, J. Comyns Carr, and Arthur Sullivan (multimedia at Boise State)
• Cox and Box (libretto, music, and commentary), by F. C. Burnand and Arthur Sullivan (multimedia at Boise State)
• Fallen Fairies: or, The Wicked World (libretto and some music), by W. S. Gilbert and Edward German (multimedia at Boise State)
• The Gondoliers (libretto, music, and commentary), by W. S. Gilbert and Arthur Sullivan (multimedia at Boise State)
• The Grand Duchess of Gerolstein (libretto, music, and commentary), by Adrian Ross, Charles H. E. Brookfield, and Jacques Offenbach (multiple formats at Boise States)
• The Grand Duke (libretto, music, and commentary), by W. S. Gilbert and Arthur Sullivan (multimedia at Boise State)
• H. M. S. Pinafore (libretto, music, and commentary), by W. S. Gilbert and Arthur Sullivan (multimedia at Boise State)
• Haddon Hall (libretto, music, and commentary), by Sydney Grundy and Arthur Sullivan (multimedia at Boise State)
• Haste to the Wedding (libretto, music and commentary), by W. S. Gilbert and George Grossmith (multimedia at Boise State)
• Il Matrimonio Segreto (various editions of scores and arrangements), by Domenico Cimarosa and Giovanni Bertati (PDF files with commentary at imslp.org)
• Iolanthe (libretto, music, and commentary), by W. S. Gilbert and Arthur Sullivan (multimedia at Boise State)
• Ivanhoe (libretto, some music, and commentary), by Julian Sturgis and Arthur Sullivan (multimedia at Boise State)
• Jane Annie (libretto, music files, and commentary), by J. M. Barrie, Arthur Conan Doyle, and Ernest Ford (multimedia at Boise State)
• La Spia (The Spy): A Grand Opera in Three Acts (libretto in Italian and English, with piano arrangements of selected portions; New York: J. Darcie, c1856), by Luigi Arditi and Filippo Manetta, contrib. by James Fenimore Cooper (page images at HathiTrust)
• The Mikado (libretto, music, and commentary), by W. S. Gilbert and Arthur Sullivan (multimedia at Boise State)
• Mirette (libretto, music, and commentary), by F. E. Weatherly, Harry Greenbank, Adrian Ross, André Messager, and Hope Temple (multimedia at Boise State)
• The Nautch Girl: or, The Rajah of Chutneypore (libretto and music files), by George Dance, Frank Desprez, and Edward Solomon (multimedia at Boise State)
• New Version of Les Contes d'Hoffmann (The Tales of Hoffman): Opera in Four Acts, With an Original and Novel First Act and Other Important Changes (with libretto in English and French, and encoded music; New York: Charles E. Burden, 1907), by Jacques Offenbach and Jules Barbier, trans. by Charles Alfred Byrne, contrib. by E. T. A. Hoffmann (Gutenberg text and multimedia Web presentation)
• Patience (libretto, music, and commentary), by W. S. Gilbert and Arthur Sullivan (multimedia at Boise State)
• The Pirates of Penzance (libretto, music, and commentary), by W. S. Gilbert and Arthur Sullivan (multimedia at Boise State)
• Princess Ida (libretto, music, and commentary), by W. S. Gilbert and Arthur Sullivan (multimedia at Boise State)
• Princess Toto (libretto, vocal score, and commentary), by W. S. Gilbert and Frederic Clay (PDF and Word at Boise State)
• Ruddigore (libretto, music, and commentary), by W. S. Gilbert and Arthur Sullivan (multimedia at Boise State)
• Selected Works (words, music, and commentary), by W. S. Gilbert and Arthur Sullivan (multimedia at Boise State)
• The Sorcerer (libretto, music, and commentary), by W. S. Gilbert and Arthur Sullivan (multimedia at Boise State)
• Thespis (libretto, music (original and added), and commentary), by W. S. Gilbert and Arthur Sullivan (multimedia at Boise State)
• Trial By Jury (libretto, music, and commentary), by W. S. Gilbert and Arthur Sullivan (multimedia at Boise State)
• Utopia, Limited (libretto, music, and commentary), by W. S. Gilbert and Arthur Sullivan (multimedia at Boise State)
• The Vicar of Bray (libretto, music, and commentary), by Sydney Grundy and Edward Solomon (multimedia at Boise State)
• The Yeomen of the Guard (libretto, music, and commentary), by W. S. Gilbert and Arthur Sullivan (multimedia at Boise State)
• The Zoo (libretto, music, and commentary), by Benjamin C. Stephenson and Arthur Sullivan (multimedia at Boise State)

More items available under broader and related terms at left.