The Online Books Page

Regicides -- Drama

See also what's at your library, or elsewhere.

• Regicides
• Drama

• Macbeth, by William Shakespeare (multiple editions)

Items below (if any) are from related and broader terms.

• The Descent of Bolshevism (Boston: The Stratford Co., 1920), by Ameen Fares Rihani (multiple formats at archive.org)

• Of Dramatic Poesie, by John Dryden (HTML at Toronto)
• Opera and Drama, by Richard Wagner, trans. by William Ashton Ellis (HTML at belgacom.net)
• Our Stage and its Critics (1910), by Edward Fordham Spence (Gutenberg text)

• Musical Design in Sophoclean Theater (Hanover, NH: Dartmouth College Press; University Press of New England, c1996), by William C. Scott (multiple formats at Dartmouth Digital Publishing)
• Musical Design in Aeschylean Theater (Hanover, NH: Dartmouth College Press; Published by University Press of New England, 1984), by William C. Scott (multiple formats at Dartmouth Digital Publishing)

• Three Tragedies: Bertram; Bellamira; The Apostate (London:, 1818), by Charles Robert Maturin and Richard Lalor Sheil (multiple formats at archive.org)

• Lectures on Dramatic Art and Literature, by August Wilhelm von Schlegel, trans. by John Black (Gutenberg text)
• The Theory of the Theatre, and Other Principles of Dramatic Criticism (New York: Henry Holt and Co., 1910), by Clayton Meeker Hamilton (Gutenberg text)

• Annual Magazine Subject-Index (including a dramatic index for most years) (partial serial archives)

• The Dramatic Index (partial serial archives)

• Shakespeare's Patterns of Self-Knowledge (Columbus, OH: Ohio State University Press, c1972), by Rolf Soellner
  • PDF files with commentary at Ohio State Press
  • PDF at Ohio State
• Psychoanalysis and Shakespeare (New York et al: McGraw-Hill Book Co., c1966), by Norman Norwood Holland (page images at ufl.edu)

• The Social Significance of the Modern Drama, by Emma Goldman (HTML at pitzer.edu and Berkeley)

• The Science of Playwriting (New York: Brentano's, c1925), by Moses L. Malevinsky, contrib. by Owen Davis (page images at HathiTrust)
• How's Your Second Act? (New York: P. Goodman Co., 1918), by Arthur Hopkins, contrib. by George Jean Nathan (multiple formats at archive.org)
• Play-Making: A Manual of Craftsmanship (1912), by William Archer (Gutenberg text)
• Playwriting: A Handbook for Would-Be Dramatic Authors, by A Dramatist (second edition; London: The Stage Office, n.d.), by Jerome K. Jerome (multiple formats at archive.org)
• Shakspere's Five-Act Structure: Shakspere's Early Plays on the Background of Renaissance Theories of Five-Act Structure From 1470 (Urbana: University of Illinois Press, 1947), by Thomas Whitfield Baldwin (page images at HathiTrust)
• The Thirty-Six Dramatic Situations (Franklin, OH: James Knapp Reeve, 1921), by Georges Polti, trans. by Lucille Ray, contrib. by James Knapp Reeve (multiple formats at archive.org)
• Lectures on Dramatic Art and Literature, by August Wilhelm von Schlegel, trans. by John Black (Gutenberg text)

• Drawing-Room Plays and Parlour Pantomimes (London: S. River and Co., 1870), ed. by Clement Scott, contrib. by E. L. Blanchard, J. Palgrave Simpson, W. S. Gilbert, Tom Hood, Charles Smith Cheltnam, Robert Reece, Arthur Sketchley, Alfred Thompson, Thomas Archer, John C. Brough, J. Ashby-Sterry, Sidney Daryl, and A. B. (multiple formats at Google)
• Festival Plays: One-Act Pieces for New Year's Day, St. Valentine's Day, Easter, All Hallowe'en, Christmas and a Child's Birthday (New York: Duffield and Co., 1913), by Marguerite Merington (page images at HathiTrust)

• Children's Classics in Dramatic Form: A Reader for the Fourth Grade (1908), by Augusta Stevenson (Gutenberg text and illustrated HTML)
• Dramatized Scenes From American History (Boston et al.: Houghton Mifflin Co., c1916), by Augusta Stevenson, illust. by Frank T. Merrill
  • multiple formats at Indiana
  • page images at HathiTrust

• The Peace Egg and a Christmas Mumming Play (London; Brighton: Society for Promoting Christian Knowledge; New York: E and J. B. Young & Co., 1887), by Juliana Horatia Ewing, illust. by Gordon Browne (illustrated HTML at Celebration of Women Writers)

• An Essay on Comedy and the Uses of the Comic Spirit, by George Meredith (Gutenberg text)
• The Dramatic Values in Plautus (1918), by Wilton W. Blancké (Gutenberg text)
• Laughter: An Essay on the Meaning of the Comic, by Henri Bergson, trans. by Cloudesley Brereton and Fred Rothwell (Gutenberg text)

• The Betrothal, A Sequel to The Blue Bird: A Fairy Play in Five Acts and Eleven Scenes (New York: Dodd, Mead and Co., 1919), by Maurice Maeterlinck, trans. by Alexander Teixeira de Mattos (page images at HathiTrust)
• The Blue Bird: A Fairy Play in Five Acts, by Maurice Maeterlinck, trans. by Alexander Teixeira de Mattos
  • PDF at astorialand.com
  • Gutenberg text
• The Blue Bird; A Fairy Play in Six Acts (Act IV added in 1910; New York: Dodd, Mead and Co., 1920), by Maurice Maeterlinck, trans. by Alexander Teixeira de Mattos (page images at HathiTrust)

• Die Sezession in der Dramatischen Kunst und das Volksfestspiel, Mit Einem Rückblick auf die Passion von Oberammergau (in German; Munich: G. Müller, 1911), by Georg Fuchs (page images at HathiTrust; US access only)

• Leisure Hours: or, Entertaining Dialogues, Between Persons Eminent for Virtue and Magnanimity (fifth edition; London: Darton, Harvey and Darton, 1812), by Priscilla Wakefield (multiple formats at archive.org)

• Masques and Entertainments (London et al.: G. Routledge and Sons, 1890), by Ben Jonson, ed. by Henry Morley
  • page images at HathiTrust
  • multiple formats at archive.org

• Comic Tragedies: Written by "Jo" and "Meg" and Acted by "The Little Women" (Boston: Roberts Brothers, 1893), by Louisa May Alcott and Anna Bronson Alcott Pratt (multiple formats at archive.org)

• The Joycean Monologue (revised edition, with added articles; 2010), by Constantin-George Sandulescu (PDF with commentary in Romania)

• Everyman, ed. by A. C. Cawley (HTML at Michigan)
• Everyman, ed. by John Skot (illustrated HTML at Renascence Editions)

• Six Screenplays (Berkeley: University of California Press, c1997), by Robert Riskin, ed. by Patrick McGilligan (HTML at UC Press)
• The Art of Sound Pictures (New York and London: D. Appleton and Co., c1930), by Walter B. Pitkin and William Moulton Marston, contrib. by Jesse L. Lasky (page images at HathiTrust)
• Der Film: Seine Mittel, Seine Ziele (In German; Berlin: Schuster und Loeffler, 1921), by Urban Gad (page images at HathiTrust; US access only)

• The Ultimate Art: Essays Around and About Opera (Berkeley: University of California Press, 1992), by David Littlejohn (HTML at UC Press)
• Opera and Drama, by Richard Wagner, trans. by William Ashton Ellis (HTML at belgacom.net)
• Old Scores and New Readings: Discussions on Music and Certain Musicians, by John F. Runciman (Gutenberg text)
• The Art-Work of the Future, by Richard Wagner, trans. by William Ashton Ellis (HTML at belgacom.net)

• A Yaqui Easter (c1971), by Muriel Thayer Painter (illustrated HTML with commentary at Arizona)
• Die Sezession in der Dramatischen Kunst und das Volksfestspiel, Mit Einem Rückblick auf die Passion von Oberammergau (in German; Munich: G. Müller, 1911), by Georg Fuchs (page images at HathiTrust; US access only)

• Plotto: A New Method of Plot Suggestion for Writers of Creative Fiction (Battle Creek, MI: Ellis Pub. Co., c1928) (multiple formats at archive.org)
• The Thirty-Six Dramatic Situations (Franklin, OH: James Knapp Reeve, 1921), by Georges Polti, trans. by Lucille Ray, contrib. by James Knapp Reeve (multiple formats at archive.org)
• The Universal Plot Catalog: An Examination of the Elements of Plot Material and Construction, Combined with a Complete index and a Progressive Category in Which the Source, Life, and End of All Dramatic Conflict and Plot Master are Classified (Springfield, MA: Home Correspondence School, c1920), by Henry Albert Phillips (page images at HathiTrust)
• Plotting the Short Story: A Practical Exposition of Germ-Plots, What They are and Where to Find Them; The Structure and Development of the Plot; and the Relation of the Plot to the Story (Franklin, OH: James Knapp Reeve, 1922), by Seymour Cunningham Chunn
  • multiple formats at archive.org
  • page images at HathiTrust; US access only

More items available under broader and related terms at left.