Time in music
Here are entered works on time as a structural component of musical compositions and works on the depiction of the passage of time in musical compositions. Works on rhythm and tempo in music are entered under Musical meter and rhythm or Tempo (Music).
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Pulse and Rhythm (reprinted from the Popular Science Monthly, 1903), by Mary Elizabeth Hallock Greenewalt- Les Agréments et le Rythme: Leur Représentation Graphique dans la Musique Vocale française du XVIIIe Siècle (in French; Paris: Rouart, Lerolle, et cie, ca. 1917), by Jane Arger (page images at HathiTrust; US access only)
- A Briefe Discourse of the True (But Neglected) Use of Charact'ring the Degrees, by Thomas Ravenscroft (HTML and page images at pbm.com)
- Phonophotography in Folk Music: American Negro Songs in New Notation (Chapel Hill, NC: University of North Carolina Press, 1928), by Milton Metfessel, contrib. by Carl E. Seashore (page images at HathiTrust)
- Die Harmonikale Symbolik des Alterthums (2 volumes in German; Cologne: M. Du Mont-Schauberg, 1868-1876), by Albert Thimus (page images at HathiTrust)
- Latin Zenei Paleográfia és a Pray-Kódex Zenei Hangjelzései (in Hungarian; Budapest: Kiadja a Budavári Tudományos Társaság, 1922), by Isoz Kálmán (page images at HathiTrust; US access only)
- A New Booke of Tabliture, Containing Sundrie Easie and Familiar Instructions (1596), by William Barley (PDF at shipbrook.net)
Items below (if any) are from related and broader terms.
Filed under: Composition (Music)- Die Lehre von der Musikalischen Komposition, Praktisch Theoretisch (4 volumes (various editions) in German; Leipzig: Breitkopf und Härtel, 1847-1879), by Adolf Bernhard Marx (page images at HathiTrust)
- Theory and Composition of Music: A Manual of Advanced Harmony, Melody Writing, Practical Composition and Musical Form, for Class, Private and Self Instruction (Philadelphia: T. Presser Co., c1924), by Preston Ware Orem (page images at HathiTrust)
- Theory and Practice of Musical Composition (5th American edition, based on a translation of the 3rd German edition; New York: Mason Bros., c1854), by Adolf Bernhard Marx, ed. by Herrman S. Saroni, contrib. by Emilius Girac (page images at HathiTrust)
- Harmonielehre (4th revised edition, in German; Stuttgart: C. Grüninger, ca. 1915), by Rudolf Louis and Ludwig Thuille (page images at HathiTrust; US access only)
- Harmonielehre (7th edition, in German; Stuttgart: C. Grüninger, ca. 1920), by Rudolf Louis and Ludwig Thuille (multiple formats at archive.org)
- Principles of Orchestration, With Musical Examples Drawn From His Own Works (2 volumes in 1; New York: E. F. Kalmus Orchestral Scores, n.d.), by Nikolay Rimsky-Korsakov, ed. by Maksimilian Shteĭnberg, trans. by Edward Agate (multiple formats at archive.org)
- The Well-Tempered Accompanist (Bryn Mawr, PA: T. Presser Co., c1949), by Coenraad Valentyn Bos, contrib. by Ashley Pettis (page images at HathiTrust)
- Die Anfänge des Basso Continuo und Seiner Bezifferung (title page missing; in German; 1918), by Max Schneider
- Musical Accompaniment of Moving Pictures: A Practical Manual for Pianists and Organists, and an Exposition of the Principles Underlying the Musical Interpretation of Moving Pictures (Boston: Boston Music Co.; et al., c1920), by Edith Lang and George West
- Patterns of Invariance and Repetition as Structural Functions in Schoenberg's Op. 36 (Cornell doctoral thesis, 1983), by Mark Stevens Laporta (page images at HathiTrust)
- Curiosités Musicales: Notes, Analyses, Interprétation de Certaines Particularités Contenues dans les Oeuvres des Grands Maîtres (in French; Paris: Firmin Didot Frères, Fils et cie., 1873), by Édouard Marie Ernest Deldevez (multiple formats at archive.org)
- Digital Mozart Edition (comprehensive set of his musical compositions, with German commentary and English and German user interfaces), by Wolfgang Amadeus Mozart, ed. by Internationale Stiftung Mozarteum Salzburg (searchable page images in Austria)
- How to Appreciate Music (New York: Moffat, Yard and Co., 1912), by Gustav Kobbé (Gutenberg text and illustrated HTML)
- The Merry-Go-Round (New York: A. A. Knopf, 1918), by Carl Van Vechten (Gutenberg text and page images)
- Old Scores and New Readings: Discussions on Music and Certain Musicians, by John F. Runciman (Gutenberg text)
- Richard Wagner's Prose Works (8 volumes; London: K. Paul, Trench, Trubner and Co., 1895-1907), by Richard Wagner, trans. by William Ashton Ellis
- Volume I (The Art-Work of the Future, etc., second edition): multiple formats at archive.org
- Volume II (Opera and Drama, second edition): multiple formats at archive.org
- Volume III (The Theatre, second impression): multiple formats at archive.org
- Volume IV (Art and Politics): multiple formats at archive.org
- Volume V (Actors and Singers): page images at HathiTrust; US access only
- Volume VI (Religion and Art): multiple formats at archive.org
- Volume VII (In Paris and Dresden): page images at HathiTrust; US access only
- Volume VIII (Posthumous, etc.): multiple formats at archive.org
- Prose Miscellany (Cincinnati: R. Clarke and Co., 1881), by Horace P. Biddle (HTML and page images at Indiana)
- Mozart, Weber and Wagner, With Various Essays on Musical Subjects (London: W. Reeves, ca. 1918), by Hector Berlioz, trans. by Edwin Evans (multiple formats at archive.org)
- Mathematics of the Discrete Fourier Transform (DFT), With Audio Applications (second edtion, c2007), by Julius O. Smith (illustrated HTML with commentary at dsprelated.com)
- Harmonics: or, The Philosophy of Musical Sounds (second edition; London: Printed for T. and J. Merrill, et al., 1759), by Robert Smith
- Musical Instruments and Their Homes (New York: Dodd, Mead and Co., 1888), by Mary Elizabeth Brown and William Adams Brown
- Bluebeard: A Musical Fantasy, by Kate Douglas Wiggin
- Musical Instruments and Their Homes (New York: Dodd, Mead and Co., 1888), by Mary Elizabeth Brown and William Adams Brown
- Bibliotheca Musico-Liturgica, a Descriptive Handlist of the Musical and Latin-Liturgical Mss. of the Middle Ages Preserved in the Libraries of Great Britain and Ireland: Volume I, Fascicles I and II (Lambeth and Oxford) (only volume known to be in the public domain; 1901), by W. H. Frere (page images at HathiTrust)
- Deutsche Tonkünstler und Musiker in Wort und Bild (second edition, in German; Leipzig: F. Jansa, 1911), ed. by Friedrich Jansa (page images at HathiTrust; US access only)
- Music Lovers' Cyclopedia (New York: Pub. by Doubleday, Doran and Co. for U.S. School of Music, c1912), ed. by Rupert Hughes (page images at HathiTrust)
- China and the West: Music, Representation, and Reception (Ann Arbor: University of Michigan Press, c2017), ed. by Hon-Lun Yang and Michael Saffle (PDF files with commentary at Project MUSE)
- Music Lovers' Cyclopedia (New York: Pub. by Doubleday, Doran and Co. for U.S. School of Music, c1912), ed. by Rupert Hughes (page images at HathiTrust)
- Aventures et Voyages (in French; Nice: Typ. S. C. Cauvin, 1876), by P. Seligmann (page images at HathiTrust)
- The First Violin (New York: Brentano's, 1910), by Jessie Fothergill, illust. by G. W. Brenneman (illustrated HTML with commentary at fiftywordsforsnow.com)
- The Story of Marco (New York: A.L. Burt Co., c1911), by Eleanor H. Porter, illust. by Laura Miller (page images at HathiTrust)
- The Vocal Companion: Containing a Concise Introduction to the Practice Of Music, and a Set of Tunes of Various Metres, Arranged Progressively for the Use of Learners (Exeter, NH: N. Sawyer, 1897), by Samuel Holyoke (multiple formats at archive.org)
- The Academic Manual of the Rudiments of Music (London: Weekes and Co., 1915), by G. Augustus Holmes (page images at HathiTrust)
- Theft! A History of Music (2017), by Keith Aoki, James Boyle, and Jennifer Jenkins (PDF with commentary at Duke)
- Music: Its Language, History, and Culture (c2014), by Ray Allen, Douglas Cohen, Nancy Barnes Hager, and Jeffrey Taylor (illustrated HTML with commentary at cuny.edu)
- An Outline-History of Music (New York: Barnes and Noble, c1947), by Hugh Milton Miller (page images at HathiTrust)
- The Art Melodious (third edition, augmented; London and New York: F. Tennyson Neely, c1897), by Louis Lombard (page images at HathiTrust)
- Chopin, and Other Musical Essays (New Yor: C. Scribner's Sons, 1894), by Henry T. Finck (Gutenberg text)
- The History of Music: A Handbook and Guide for Students (New York: G. Schirmer, c1907), by Waldo Selden Pratt (PDF at djm.cc)
- The Magic of Tone and the Art of Music, by Dane Rudhyar (HTML at khaldea.com)
- Critical Reflections on Poetry, Painting and Music; With an Inquiry into the Rise and Progress of the Theatrical Entertainments of the Ancients (3 volumes; London: Printed for J. Nourse, 1748), by abbé Dubos, trans. by Thomas Nugent
- Plays, Acting and Music: A Book of Theory (revised edition; London: Constable and Co., 1909), by Arthur Symons (Gutenberg text)
- Bluebeard: A Musical Fantasy, by Kate Douglas Wiggin
- Music: Its Language, History, and Culture (c2014), by Ray Allen, Douglas Cohen, Nancy Barnes Hager, and Jeffrey Taylor (illustrated HTML with commentary at cuny.edu)
- Elements of Music and of Fingering the Harpsichord; To Which is Added a Collection of Airs and Lessons for the Harpsichord or Piano Forte (Glasgow: Pub. for the author, ca. 1802), by Anne Gunn, contrib. by Joseph Haydn (page images at HathiTrust)
- The Rural Harmony: Being an Original Composition in Three and Four Parts, for the Use of Singing Schools and Musical Societies (Boston: I. Thomas and E. T. Andrews, 1793), by Jacob Kimball (multiple formats at archive.org)
- Harmonia Americana: Containing a Concise Introduction to the Grounds of Music, With a Variety of Airs, Suitable for Divine Worship, and the Use of Musical Societies, Consisting of Three and Four Parts (Boston: Printed by I. Thomas and E. T. Andrews, 1791), by Samuel Holyoke (multiple formats at archive.org)
More items available under broader and related terms at left.