Notice bibliographique
- Notice
Type(s) de contenu et mode(s) de consultation : Texte noté. Image fixe : sans médiation
Auteur(s) : Biltereyst, Daniel (1962-....). Éditeur scientifique
Titre(s) : Mapping movie magazines [Texte imprimé] : digitization, periodicals and cinema history / Daniël Biltereyst, Lies Van de Vijver, editors
Publication : Cham : Palgrave Macmillan, copyright 2020
Description matérielle : 1 vol. (xxv, 342 pages) : illustrations ; 22 cm
Collection : Global Cinema
Lien à la collection : Global cinema
Note(s) : "Mapping Movie Magazines is an exciting and timely collection on uncharted regions
and approaches, richly demonstrating that movie magazines are emphatically not a secondary
or peripheral part of cinema history but are woven into its very fabric."--Michael
Williams, Professor in Film Studies, University of Southampton "This reader brings
what was once regarded as a peripheral aspect of cinema culture and scholarship back
to the center of analysis through an international collection of engaging and revealing
essays. This volume will be a model for further research, as the digitization of these
fascinating materials proceeds apace." - - Robert C. Allen, Professor in American
Studies, University of North Carolina at Chapel Hill "Mapping Movie Magazines reveals
how the increased accessibility through digitization of fan magazines and film trade
papers presents exciting new opportunities for research." - - Annette Kuhn, Emeritus
Professor in Film Studies, Queen Mary University of London Movie magazines are crucial
but widely underused sources for writing the history of films and cinema. This volume
brings together for the first time a wide variety of historic research of movie magazines
and film trade journals, reflecting on the issue of using these sources for film/cinema
historiography and on the impact of digitization processes. Mapping Movie Magazines
explores this debate from different disciplinary perspectives, enlightened by case
studies from the use of early film trade press to pedagogical uses of digitized periodicals.
The volume explores Hollywoods grip on movie magazines, gender in film journalism,
typologies of unknown trade press and movie magazine markets, and subversive Tijuana
bibles
Autre(s) auteur(s) : Van de Vijer, Lies. Éditeur scientifique
Sujet(s) : Cinéma -- Périodiques -- Histoire
Cinéma -- Périodiques -- Numérisation
Indice(s) Dewey :
791.430 5 (23e éd.) = Cinéma - Publications en série
Identifiants, prix et caractéristiques : ISBN 9783030332778. - ISBN 3030332772. - ISBN 9783030332761 (erroné)
Identifiant de la notice : ark:/12148/cb466127228
Notice n° :
FRBNF46612722
(notice reprise d'un réservoir extérieur)
Table des matières : Chapter 1: Introduction:. Movie Magazines, Digitization and New Cinema History / /
Daniel Biltereyst and Lies Van de Vijver ; Magazines, Digitization and Cinema Historiography
; Magazines, the Film Industry and the Cultural Economy ; Authors, Stars and Fans
; gPart I: Magazines, Digitization and Cinema Historiography ; gChapter 2: ; Part
I: Magazines, Digitization and Cinema Historiography -- ; Chapter 2:. Variety's Transformations:
Digitizing and Analyzing the First 35 Years of the Canonical Trade Paper / / Eric
Hoyt, Derek Long, Tony Tran, and Kit Hughes ; The Digitization Process: Post-Production
Labor as Philology ; Computational Analysis: Using Scaled Entity Search ; Distant
Reading with Quantitative Content Analysis ; Synthesizing Methods and Understanding
Variety's Shifts Toward Film and Radio ; Conclusion ; gChapter 3: ; Chapter 3:.
Who Knew? Using Digital Trade Papers to Explore Ethnic Programming in American Picture
Palaces / / Judith Thissen and Paula Eisenstein Baker ; A New Jewish Patronage
; Before Broadway ; Broadway Discovers the Jewish Passover Crowds ; Vaudeville Stars
and Sacred Songs for the High Holidays ; Competition for the High Holiday Public
; Methodological Reflection: The Needle and the Haystack ; gChapter 4: ; Chapter
4:. Periodical Studies, Intermediality, and Cinema: Film in The Listener / / Birgit
Van Puymbroeck ; Intermedial Periodical Studies ; The Listener ; Film Criticism
in The Listener ; Conclusion.
Part II: Magazines, the Film Industry and the Cultural Economy -- ; Chapter 5:. Gross
"Inaccuracies, Misrepresentations, and Exaggerations": The Motion Picture Industry's
Clean-up of Movie Fan Magazines in 1934 / / Mary Desjardins ; The Association of
Motion Picture Producers, Studio Publicity Directors and Fan Magazines in the 1930s
; Hollywood Discourses: Mainstream Journalism vs. Fan Magazines ; "Inaccuracies,
Misrepresentations, and Exaggerations": Fan Magazines in 1933-1934 ; Conclusion
; gChapter 6: ; Chapter 6:. "The Great and Important Thing in Her Life": Depicting
Female Labor and Ambition in 1920s and 1930s US Movie Magazines / / Kathleen A. Feeley
; "Boadiceas of Big Business": The Hollywood Women's Press Club and Female Wage Labor
; "Her Consuming Ambition and Burning Desire": Joan Crawford and Gender Identity in
the Movie Magazines ; gChapter 7: ; Chapter 7:. "The Girl Friend in Canada": Ray
Lewis and Canadian Moving Picture Digest (1915-1957) / / Jessica L. Whitehead, Louis
Pelletier, and Paul S. Moore ; Women Editors of Movie Magazines ; Ray Lewis: Genesis
of a Character ; Canadian Moving Picture Digest ; The White Commission ; Ray Lewis
Versus the World ; Tireless Advocate for a Domestic Industry ; Industry Honors Lewis
as Pioneer ; gChapter 8: ; Chapter 8:. Drumming up Readers: Zonk! African People's
Pictorial and Films for African Audiences in South Africa in 1949 and the Early 1950s
/ / Jacqueline Maingard ; Access, Archives and Cinema History in the "Global South"
; Zonk! African People's Pictorial and African Jim ; The Magazine, and the Film Zonk!
; Zonk! African People's Pictorial and The Magic Garden (1951) ; "Two Famous Films"
; African Film Production's Film Song of Africa (1951) ; Drum Arrives on the Scene
; Conclusions ; gChapter 9: ; Chapter 9:. Mapping the Dutch Film Magazine Market,
1920-1960 / / Thunnis van Oort ; Pre-War Era: Westerbaan as a Key Figure ; The
Cinephile Niche ; Movie Magazines During Occupation ; After the War: A Challenging
Market ; Conclusions.
Part III: Authors, Stars, and Fans -- ; Chapter 10:. Looking at Movie Fans: On Pictures
Published in French Film Magazines of the Interwar Years / / Myriam Juan ; Dreaming
of Being a Star: Pictures Sent in a 'Search for a Star' Contest ; Being a Member
of a Cinephilic Society: Pictures in the Mail Section of Pour Vous ; Pictures of
Stars Side by Side with Spectators: The Movie Family Gathered ; Conclusion: They
Had Faces Too ; gChapter 11: ; Chapter 11:. Between Hollywood and Babelsberg: Popular
Cinephilia in a Dutch Movie Magazine of the 1920s / / André van der Velden ; Running
a Movie Magazine in an Underdeveloped Market ; Modes of Interactive Fandom ; Engaging
Dutch Movie Fans ; "Do You Want to Go to Berlin?" ; The Dutch Clara Bow ; gChapter
12: ; Chapter 12:. Hollywood Imaginaries at the End of the World: Ecran and the Construction
of the International Industry from the Periphery / / María Paz Peirano ; Chilean
Film Magazines ; Ecran Magazine ; Ecran as a Mediator Between Hollywood and Chile
; Hollywood Between Modernity and Mistrust ; Ecran and Hollywood es así (1944)
; Conclusion ; gChapter 13: ; Chapter 13:. "How's Your Sense of Direction?" Using
Movie Magazines to Study Audiences' Perception of Classical Hollywood Directors, 1934-
1943 / / Dominic Topp ; "Pantheon Directors" ; "The Far Side of Paradise" ; Other
Directors ; Conclusion ; gChapter 14: ; Chapter 14:. "Coming Attractions": Tijuana
Bibles and the Pornographic Reimagining of Hollywood / / Ellen Wright and Phyll Smith
; Histories of the Tijuana Bible ; Tijuana Bibles as Bridging Episode ; Tijuana
Bibles as an Object and Generic Category ; Tijuana Bibles Go to Hollywood ; Tijuana
Bibles and Moral Panic ; Conclusion.
