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Memento Mori / Preparation -- 2014: Moscow / c. 823: Chang'an / 1854: London / c. 560 BC: Sardus / 1977: Hull / 1947: Brooklyn / 1623: London / c. 325 BC: Meng / c. 1600: Denmark / c. 58 BC: Rome / 1982: Mexico city / c. 1820: Japan / 1952: Northampton, MA / c. 1573: Aquitaine / 1951: Wales / 1647: Santiago / 1927: Charlestown, MA / c. 1360: Shiraz / c. 64: Campania / 1995: New Jersey / c. 500 BC: Teos / c. 1820: Japan / 1944: Zurich / c. 1200 BC: Aulis / 1603: Richmond / Expiration -- 2013: Phoenix / c. 64: Rome / 1882: Russia / 1390: Japan / 1936: London / 1890: Trieste / 1944: Pianosa / 8: Tomis / 1842: Philadelphia / c. 1345: Java / 1962: Los Angeles / 1918: Yekaterinburg / c. 300: Silena / 1953: New Haven / 1862: Virginia / c. 500 BC: Ephesus / c. 1980: Tsuchiura / c. 1862: Amherst, MA / 1892: Iran / c. 1870: South Africa / 1926: New York City / 1968: Khe Sanh / 1833: London / 1944: Saipan / 1957: Paris / 1836: London / 1889: United States / 1849: Cape Cod / Postmortem -- c. 2001: Knoxville / 922: Volga River / 1915: Knoxville / 1437: Hanyang / c. 90: Tanagra / 1960: Oxford / 1849: Filey / c. 300 BC: Tegea / c. 1180 BC: Argos / c. 1948: Sichuan Province / c. 1246: Mongol Empire / 1986: Turin / c. 58 BC: Egypt / 1986: New York City / 1942: Saratov / 1863: Gettysburg / c. 710: Kyushu / c. 1917: Seattle / 1363: Venice / c. 1924: Berlin / c. 500: Persia / 2001: Cape Cod / Last Meals / Squeak and Gibber / Mournful creatures / Virginia Morell -- Conversations / Duels, Fresh Oysters, Black Death -- Reconsideration: the American way of death /
Alice Adams (1926-1999) / Betty Adcock (1938-) / James Agee (1909-1955) / Conrad Aiken (1889-1973) / James Lane Allen (1849-1925) / Dorothy Allison (1949-) / Washington Allston (1779-1843) / George Alsop (1636?-1673?) / Lisa Alther (1944-) / A. R. Ammons (1926-2001) / Raymond Andrews (1934-1991) / Maya Angelou (1928-) / Tina McElroy Ansa (1949-) / James Applewhite (1935-) / Harriette Arnow (1908-1986) / Daphne Athas (1923-) / Marilou Awiakta (1936-) / Thomas Bacon (1700?-1768) / George William Bagby (1828-1883) / Joseph Glover Baldwin (1815-1864) / Benjamin Banneker (1731-1806) / Gerald W. 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Chesnutt (1858-1932) / Alice Childress (1916-1994) / Mark Childress (1957-) / Thomas Holley Chivers (1809-1858) / Kate Chopin (1850-1904) / Emily Tapscott Clark (1893-1953) / John Henrik Clarke (1915-1998) / John Bell Clayton (1906-1955) / Pearl Cleage (1948-) / Irvin Shrewsbury Cobb (1876-1944) / Pat Conroy (1945-) / Moncure Daniel Conway (1832-1907) / J. Gordon Coogler (1865-1901) / Ebenezer Cooke [Cook] (1667?-post-1732) / John Esten Cooke (1830-1886) / Philip Pendleton Cooke (1816-1850) / Anna J. Cooper (1858?-1964) / Patricia Cornwell (1956-) / John William Corrington (1932-1988) / John Cotton of Queen's Creek, Va. (1643?-post-1680) / Vicki Covington (1952-) / Alfred Leland Crabb (1884-1979) / Thomas Cradock (1718-1770) / Hannah Crafts (18?-?) / William Crafts (1787-1826) / Hubert Creekmore (1907-1966) / Harry Crews (1935-) / Davy Crockett (1786-1836) / Hal Crowther (1945-) / George Washington Parke Custis (1781-1857) / James McBride Dabbs (1896-1970) / Richard Dabney (1787-1825) / Thomas Dale (1700-1750) / Danske Dandridge (1854-1914) / Olive Tilford Dargan (1869-1968) / Guy Davenport (1927-2005) / Donald Davidson (1893-1968) / Samuel Davies (1723-1761) / James Paxton Davis, Jr. (1925-1994) / Ossie Davis (1917-2005) / Rebecca Harding Davis (1831-1910) / William Dawson (1704-1752) / James Dunwoody Brownson De Bow (1820-1867) / Edwin De Leon (1818-1891) / Thomas Cooper De Leon (1839-1914) / Babs H. Deal (1929-2004) / Borden Deal (1922-1985) / James Dickey (1923-1997) / Samuel Henry Dickson (1798-1872) / R. H. W. Dillard (1937-) / Thomas Dixon (1864-1946) / J. 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Fernandez (1952-) / Julia Fields (1938-) / John Finlay (1941-1991) / Zelda Fitzgerald (1900-1948) / George Fitzhugh (1806-1881) / William Fitzhugh (1651-1701) / Fannie Flagg (1941-) / Inglis Fletcher (1879-1969) / John Gould Fletcher (1886-1950) / Horton Foote (1916-) / Shelby Foote (1916-2005) / Jesse Hill Ford (1928-1996) / Richard Ford (1944-) / Alcee Fortier (1856-1914) / John Fox, Jr. (1862 or 1863-1919) /
Up to speed / The pearl fishers / The Golgotha local / 12² / from Zero Star Hotel / Injunction / The body / Ballad of the comely woman / What I threw into the grave / Opposed glimpse of Alice James, Garth James, Henry James, Robertson James and William James / Lullaby for cuckoo / Traced red dot / Midsummer / Moon cornering / O Patriarchy / Animals out of the snow / Drones and chants / To a student who reads "The second coming" as sexual autobiography / Independence Day / Surreal love life / Carried across / Beginning with a phrase from Simone Weil / Reunion / The gold star / Affirmation / TCAT serenade: 4 4 98 (New Haven) / you: should be shoo be / 9-11-01 / Poem (across dark stream) / Flying Maxine Kumin -- Great / Broken world (for James Assatly) / Felix culpa / On Antiphon Island / And even you elephants? (Stein 139/Titles 35) / Perfect front door / Address to Winnie in Paris / Butter & eggs / The quarry (1-13) / Ashberries: letters / Trail /Mong-Lan -- Behind the orbits / Sympathy / Sunday night / Sonnet / Haunt / Snapshot from Niagara / Frontis nulla fides / Twenty-six fragments / Starred together / Fretwork / A roof is no guarantee / Ends of the earth / Les demoisells dÁvignon / Tenets of roots and trouble / Self-Portrait with critic / I do not know myself / You also, nightingale / For Larry Eigner, Silent / Poem after Haniel Long / In way of introduction / Some of we and the land that was never ours / Call / from Raton Rex, part I / Do flies remember us / Eye contact / Return to Saint Odilienberg, Easter 2000 / In charge / Illumined with the light of fitfully burning censers / Nostalgia II / A sheath of pleasant voices /
Introduction -- Classical Greek and Roman -- Electra Electra / Polyxena Hecuba / Creusa Ion / Ismene Thebans / Palaestra Rudens / Elizabethan and Jacobean -- Alice Arden Arden of Faversham / Margaret of Anjou Henry III / Julia The two gentlemen of Verona / Lady Anne Richard III / Adriana The comedy of errors / Lady Constance King John / Tamyra Bussy D'Ambois / Bellafront The honest whore / Beatrice The Dutch courtesan / Crispinella The Dutch courtesan / Mother A mad world, my masters / Lucretia Borgia The devil's charter / Hermione The winter's tale /
Cambridge, Mass. : Belknap Press of Harvard University Press, [2012]
9780674065680 (alkaline paper)
Confessio amantis / The vision of Piers Plowman / The Canterbury tales / La male regle de T. Hoccleue / King Henry VI's triumphal entry into London / London lickpenny / Collyn Clout / "London, thou art of townes a per se" / "Tagus, farewell, that westward with thy streams" / "Who list his wealth and ease retain" / "London, hast thou accusèd me" / The ballad which Anne Askew made and sang when she was in Newgate / The lover to the Thames of London, to favour his lady passing thereon / The manner of her will, and what she left to London and to all those in it, at her departing / Prothalamion / King Edward the First / Tichborne's elegy / Poly-olbion / Henry VI, part II / Henry V / Henry VIII / Summer's last will and testament / Skialetheia / The devil is an ass / On the famous voyage / Satire 1 / To Mr. E.G. / Epithalamion made at Lincoln's Inn / Satire 4 / Twickenham Garden /
Settler Colonialism and Resistance / Introducing the Narratives / Monique Woroniak / Murray Angus / Steve Heinrichs / Franklin Jones / Orienting Toward Indigenous Sovereignty / Joy Eidse / Adam Barker / Susanne McCrea McGovern / Kathi Avery Kinew / Rick Wallace / What Indigenous Peoples Have Asked of Us / John Doe / Silvia Straka / Dave Bleakney / Victoria Freeman /
New York, New York : The Library of America, [2011]
1598530887 (alk. paper)
Calling a Secession Convention, November 1860. What Shall the South Carolina Legislature Do? November 3, 1860 / "Alarms from the South" : Illinois, November 1860. Memoranda Regarding Abraham Lincoln, November 5-6, 1860 / The Threat of Secession, November 1860. Going to Go, November 9, 1860 / The Need for Southern Cooperation, November 1860 / Debating Secession, Georgia, November 1860. Speech at Milledgeville, November 15, 1860 / "States cannot exist disunited," November 1860. The Right of States to Secede, November 16, 1860 / "I am for the Union as it is," Texas, November 1860 / "Our sore national sickness : New York, November 1860. Diary, November 20, November 26-December 1, 1860 / "This dangerous game" : Missouri, November 1860. Diary, November 22, 1860 / The "Wicked Spirit" of Secession : Tennessee, November 1860 / Lincoln, and Slavery : December 1860. The Late Election, December 1860 / Secessionism in Louisiana, December 1860. William T. Sherman to Thomas Ewing Sr. and to John Sherman, December 1, 1860 -- Washington, D.C., December 1860. From the Annual Message to Congress, December 3, 1860 / The Benefits of Slavery : December 1860. The Non-Slaveholders of the South, December 5, 1860 / Advocating Secession : Georgia, December 1860 / Restating Positions on Slavery : December 1860 / Rejecting Coercion : December 1860. The Right of Secession, December 17, 1860 / "I stand by the Union" : December 1860. Remarks in the U.S. Senate, December 17, 1860 / A Compromise over Slavery, December 1860. Remarks in the U.S. Senate, December 18, 1860 / "Meanness and rascality" : Washington, D.C., December 1860 / A Confidential Message : Illinois, December 1860. Memorandum Regarding Abraham Lincoln, December 22, 1860 / Charleston, December 1860. South Carolina Declaration of the Causes of Secession, December 24, 1860 -- Occupying Fort Sumter : South Carolina, December 1860. From Reminiscences of Forts Sumter and Moultrie in 1860-'61 / "A terrible revulsion of feeling" : South Carolina, December 1860. Diary, December 26-27, 1860 / Urging Kentucky to Secede: December 1860 / "The tempest bursting" : 1860. Misgivings / "Sad foreboding": Georgia, January 1861 / "All depends on Virginia" : Washington, D.C., January 1861 / Jackson, January 1861. Mississippi Declaration of the Causes of Secession, January 9, 1861 -- "A warlike aspect." Washington, D.C., January 1861 / The "Star of the West" : South Carolina, January 1861. Diary, January 9-13, 1861 / Washington, D.C., January 1861. Farewell Address in the U.S. Senate, January 21, 1861 / The Evils of Anarchy and Civil War: January 1861 / Montgomery, Alabama, February 1861. Inaugural Address, February 18, 1861 / Hopes for Lincoln's Administration: March 1861. The New President, March 1861 / Washington, D.C., March 1861. First Inaugural Address, March 4, 1861 / "That wretch Abraham Lincoln" : North Carolina, March 1861. Diary, March 4, 1861 / Vindicating Slavery: Georgia, March 1861. "Corner-Stone" Speech, March 21, 1861 / Relieving Fort Sumter: Washington, D.C., March-April 1861. Diary, March 9-April 8, 1861 / Seward and Fort Sumter: Washington, D.C. March 1861. Memoir of Events, March 1861 / Challenging Lincoln: Washington, D.C., April 1861. Memorandum for the President, April 1, 1861 / "I must do it": Washington, D.C., April 1861 / The War Begins: South Carolina, April 1861. Diary, April 7-15, 1861 / Bombardment and Surrender: South Carolina, April 1861. From Reminiscences of Forts Sumter and Moultrie in 1860-'61 / New Yorkers Respond : April 1861. Diary, April 13-16, 1861 / Vindicating National Honor: April 1861. The People and the Issue, April 15, 1861 / Fighting "the mad rebellion": April 1861. The War Begun-The Duty of American Citizens, April 15, 1861 / Celebration in Charleston: South Carolina, April 1861. From My Diary North and South, April 17, 1861 / "Infidel" Enemies : Georgia, April 1861 / Secessionism in Richmond: Virginia, April 1861. Diary, April 15-22, 1861 /
Part one: Introduction to methods for community-based participatory research for health 1 -- Introduction to Methods for CBPR for Health 3 / Partnership formation and maintenance -- Developing and Maintaining Partnerships with Communities / Strategies and Techniques for Effective Group Process in CBPR Partnerships / Infrastructure for Equitable Decision Making in Research / Community assessment and diagnosis -- Insiders and Outsiders Assess Who Is "The Community": Participant Observation, Key Informant Interview, Focus Group Interview, and Community Forum / Using Ethnography in Participatory Community Assessment / Define the issue, design and conduct the research -- Community-Based Participation in Survey Design and Implementation: The Healthy Environments Partnership Survey / Using a CBPR Approach to Develop an Interviewer Training Manual with Members of the Apsálooke Nation / The Application of Focus Group Methodologies to CBPR / Development, Evolution, and Implementation of a Food Environment Audit for Diverse Neighborhoods / CBPR and Ethnography: The Perfect Union / What's with the Wheezing?: Methods Used by the Seattle-King County Healthy Homes Project to Assess Exposure to Indoor Asthma Triggers / Documentation and evaluation of partnerships -- Documentation and Evaluation of CBPR Partnerships: The Use of In-Depth Interviews and Closed-Ended Questionnaires / Feedback, interpretation, dissemination, and application of results -- Developing and Implementing Guidelines for Dissemination: The Experience of the Community Action Against Asthma Partnership / Collaborative Data Collection, Interpretation, and Action Planning in a Rural African American Community: Men on the Move / Collaborative Mapping for Health Equity: Making Place Visible / Photovoice as a CBPR Method: A Case Study with African American Breast Cancer Survivors in Rural Eastern North Carolina / Methods for Community-Based Participatory Policy Work to Improve Food Environments in New York City / Citizens, Science, and Data Judo: Leveraging Secondary Data Analysis to Build a Community-Academic Collaborative for Environmental Justice in Southern California / Instructions for Conducting a Force Field Analysis / Full Value Contract / Collaborative Revised Bylaws: Adopted/Amended: (Month, Day, Year) / Community Member Key Informant Interview Guide / Selected Healthy Environments Partnership Measures by Survey Categories, Indicating Source of Identification for Inclusion and Scale Items / Promoting Healthy Lifestyles Among Women: Focus Group Summary Analysis Form: Eastside and Southwest Detroit-Procedures and Example Questions / Field Notes Guide / In-Depth, Semi-structured Interview Protocol: Detroit Community-Academic Urban Research Center, Detroit URC Board Evaluation 1996-2002 / Closed-Ended Survey Questionnaire: Detroit Community-Academic Urban Research Center, Detroit URC Board Evaluation 1997-2007 / Philosophy and Guiding Principles for Dissemination of Findings of Community Action Against Asthma Including Authorship of Publications and Presentations, Policies and Procedures, Access to Data, and Related Matters / Inspirational Images Project: Fact Sheet and Informed Consent Form for Study Participants / Inspirational Images Project: Informed Consent Form for Adults Who May Appear in Photographs / Southern California Environmental Justice Collaborative: Partnership Agreed-Upon Mechanism for Deciding on Research Activities.
The Mayflower Compact, 1620 / John Winthrop, A modell of Christian charity, 1630 / Mary Easty, Petition of an accused witch, 1692 / Gabriel Thomas, An account of Pennsylvania, 1698 / Benjamin Franklin, Father Abraham's speech, or, the way to wealth, 1757 / Logan's speech, 1774 / Thomas Jefferson, the Declaration of Independence / Benjamin Franklin, Address to the Federal Convention, 1787 / The Constitution of the United States of America, 1787, The preamble / Article I / Article II / Article III / Article IV / Article V. and the amending process / Article VI and VII / The Bill of Rights: amendments, I-X / The Civil War amendments: XIII-XV / George Washington, first inaugural address, 1789 / Alexander Hamilton, Report on manufactures, 1791 / George Washington, farewell address, 1796 / Thomas Jefferson, first inaugural address, 1901 / Jacob Henry, On religion and elective office, 1809 / John Adams, What do we mean by the American Revolution? 1818 / John Marshall, M'Culloch v. Maryland, 1819 / James Monroe, the Monroe Doctrine, 1823 / Andrew Jackson, The majority is to govern, 1829 / William Lloyd Garrison, Prospectus for the "Liberator," 1831 / Ralph Waldo Emerson, the American Scholar, 1937 / Lemuel Shaw, Commonwealth v. Hunt, 1842 / Henry David Thoreau, Civil disobedience, 1846 / Horace Mann, Report of the Massachusetts Board of Education, 1848 / The Seneca Falls Declaration of Sentiments and Resolutions, 1848 / Elizabeth Cady Stanton, Address on the divorce bill, 1861 / Julia Ward Howe, The Battle Hymn of the Republic, 1861 / The Homestead Act, 1862 / Abraham Lincoln, Second annual message to congress, 1862 / Abraham Lincoln, The Emancipation Proclamation, 1863 / Abraham Lincoln, The Gettysburg Address, 1863 / Abraham Lincoln, Second Inaugural Address, 1865 / Ulysses S. Grant, Terms of surrender for the army of northern Virginia, 1865 / The oath of office, 1868 / The ballad of John Henry, c. 1872 / Mary Baker Eddy, Science and health, 1875 / Emma Lazarus, The new colossus, 1883 / Henry W. Grady, the new south, 1886 / James Cardinal Gibbons, The question of the "Knights of Labor," 1887 / Thomas Alva Edison, On the industrial research laboratory, 1887 / Andrew Carnegie, Wealth, 1889 / People's party platform, 1892 / Frederick Jackson Turner, The significance of the frontier in American history, 1893 / Richard Warren Sears, Cheapest supply house on earth, 1894 / Louis H. Sullivan, The tall office building artistically considered, 1896 / William Jennings Bryan, "Cross of gold" speech, 1896 / William Allen White, What's the matter with Kansas? 1896 / Oliver Wendell Homes, Jr., The path of the law, 1897 / John Dewey, My pedagogic creed, 1897 / Albert J. Beveridge, The march of the flag, 1898 / John Wanamaker, On the department store, 1900 / Jacob Riis, Introduction to "The Battle with the Slum," 1902 / Lincoln Steffens, The shame of the cities, 1902-1904 / Oliver Wendell Holmes, Jr., Two dissenting opinions, 1904-1919 / William L. Riordon, Plunkitt of Tammany Hall, 1905 / William James, Pragmatism, 1907 / Theodore Roosevelt, The new nationalism, 1910 / Walter Rauschenbusch, Prayers of the social awakening, 1910 / Frederick W. Taylor, On scientific management, 1912 / Calvin Coolidge, Have faith in Massachusetts, 1914 / Louis D. Brandeis, The curse of bigness, 1915 / Woodrow Wilson, "Fourteen points" address, 1918 / Henry Cabot Lodge, Speech on the League of Nations, 1919 / H.L. Mencken, Preface to "The American language," 1919 / Herbert Hoover, on American individualism, 1928 / Sinclair Lewis, The American fear of literature, 1930 / Franklin D. Roosevelt, first inaugural address, 1933 / Franklin D. Roosevelt, "Quarantine" address, 1937 / Albert Einstein, Letter to Franklin D. Roosevelt, 1939 / Wendell L. Wilkie, One world, 1943 / George C. Marshall, the Marshall Plan, 1947 / Harry S. Truman, the Point IV program, 1949 / William Faulkner, Speech on acceptance of the Nobel Prize, 1950 / The United States Supreme Court, Brown v. Board of Education of Topeka, 1954 / John F. Kennedy, Inaugural address, 1961 / Lyndon B. Johnson, Address on voting rights, 1965 /
The woman who fell from the sky (Iroquois) -- The origin of corn (Eastern Cherokee) -- The chief's daughters : an Otoe tale (Otoe) -- The ghost wife (Pawnee) -- Changing woman and white shell woman (Navajo) -- Bluejay and the well-behaved maiden (Nez Percé).
Ojibwe love-charm songs / From Minnesota : Then and Now / wood spirits and the maiden ; From Jenny Wade of Gettysburg / From Ta-Gosh : an Indian idyl / Black crows ; In time ; passing of the Indian, from Radisson, The Voyager; A Verse in Four Acts / Christmas carol ; cross and the pagan / Connecting stars / path of the Moon on Mille Lac / Blossom time / Farewell to autumn / Dandelions ; Kitchen tea ; Mande (myself) / lovely loneliness ; Love ; nude / Irina ; Make no vows ; From The Miller's Youngest Daughter / Bobbed hair / girl that I used to be ; White fire / Strike tents ; En route again / Crosses ; Imprisoned womanhood / I lie quite still ; O bright, bright king tomorrow ; price / Silver land ; trees ; weaver /
Fear of Change -- Resistance to a Healthier Way -- Evolution -- Photopolymer Film -- ImagOn ULTRA -- The Non-Toxic Journey -- New Printmaking Terminology -- Contemporary Printmaking Survey -- A Contemporary Printmaking Renaissance -- Safer Intaglio Studio Setup -- Disposal of Toxic Materials -- Etching Press -- Designing Work Stations -- ImagOn Laminating Area -- ImagOn Processing -- Area -- Plate Finishing Area -- Soda Ash Measuring Station -- Plate Drying Station -- ImagOn Plate Reclaiming Station -- Ferric Chloride & Edinburgh Etch Etching Station -- ImagOn Exposure Area -- Acrylic Aquatint Spray Booth -- Hard & Soft-Ground Area -- Acrylic Aquatint Spray Booth -- Hard & Soft-Ground Area -- Paper Soaking & Preparation -- Hot-Plate Area -- Inking Stations -- Large Plate Wash-Out Area -- Print Drying & Paper Flattening -- Layout Table -- Intaglio Type Exposure Systems -- The Least Expensive Exposure System -- The Vacuum Frame -- Timing the Light Exposure -- What is a Light Integrator? -- The Photocell -- Calibrating the Photocell -- Connecting the Photocell to the Integrator -- Upgrading to a Better Lamp -- Olec DEC 22 x 28 Exposure Unit -- Setting up the DEC 22 x 28 -- Operating the DEC 22 x 28 -- Making Step Tests with the DEC -- Portable Exposure Unit -- Exposure Guide: Aquatint Screen -- Flash -- Mylar -- Gouache -- Toner -- Oiled Photocopies -- Digital Halftone -- Intaglio-Type Introduction -- Intaglio-Type Terminology -- Other Photopolymer Films -- ImagOn ULTRA -- The Importance of Testing -- How to Proceed -- Intaglio-Type Plates -- Plate Making Materials -- Small Plate Preparation & ImagOn Lamination -- Copper -- Plastic Plates -- Zinc -- Aluminum -- Steel Plates -- Starting Equipment -- Testing the Working Time -- In Your Studio -- For ImagOn ULTRA -- Safe Handling -- Method for removing Inside Peel-Back Layer -- Small Plate Lamination -- Large Plate Preparation & ImagOn Lamination -- Submersion Lamination for Large Plates or for more than Two Layers of ImagOn -- Troubleshooting -- ImagOn Developer Testing the Developer -- Materials for Mixing Developer -- The ImagOn Developer -- Mixing ImagOn Developer: Testing the ImagOn Developer -- WHY is this test so Important? -- Testing Materials Testing Procedure -- The test is now ready to commence -- Reading the Test Plate -- Test Shows Soda Ash is Too Weak -- Test Shows Soft-Water -- This is a One Time Test -- Etched Intaglio-Type Test Plate -- ImagOn Plate Development -- ImagOn Plate Development -- Development Materials -- ImagOn ULTRA Standard Development Final Edge Preparation (optional) Trouble Shooting -- Guide to Problem Free Plate-Making -- Aquatint Screen & Image Exposure Test -- Why the Aquatint Screen? -- Different Exposure Units -- Aquatint Screen Exposure Test -- Two Tests in One -- Aquatint Screen Step Test & Image Exposure Test -- The Flash Exposure -- Flash Exposure Set-up -- Flash Test Exposure Step-by-Step -- Troubleshooting -- Duo-Tone Intaglio-Type -- Damaged Aquatint Screens -- Intaglio Paper & Preparation -- Preparing Intaglio Paper -- Hahnemuhle Paper Dampening -- Cutting or Ripping Paper -- Final Print Preparation -- Removing Unwanted Marks -- Signing Off a Print -- Intaglio Printing -- Materials for Inking -- Before Proceeding -- Intaglio Printing Final Plate Edge Wipe -- The Plate is Now Ready to Print -- Cleaning the Plate -- Keeping the Ink off Your Fingers -- Akua Intaglio Ink Troubleshooting Guide Directly from the Manufacturer -- How to Mix Akua Intaglio -- Mixing Loose colors -- Mixing Stiff colors -- Ink Consistency -- To Stiffen Ink -- To Loosen Ink -- After Mixing -- Wiping the plate -- Paper -- Re-Soaking Prints -- Drying Time -- Cleaning Up -- Toner-Wash: Mix & Test -- Toner-Wash Materials -- Drawing and Wash Media -- Toner-Wash Step-by-Step -- Tonerwash Formula -- Recycling Used Photocopy Toner -- Wash-Drawing Intaglio-Type -- Wash-Drawing Intaglio-Type -- Other Wash-Drawing Media -- Multi-Plate Wash-Drawing Intaglio-Type -- Multi-Plate Wash-Drawing Intaglio-Type Step-by-Step -- Pastel Intaglio-Type -- Pastel Intaglio-Type Step-by-Step -- Spit-Bite Intaglio-Type -- Quick Look -- Spit-Bite Intaglio-Type Step-by-Step -- Re-work the plate with Construction Intaglio-Type -- Troubleshooting -- Maximum Working Time for Soda Ash Developing Solutions -- Mezzo Intaglio-Type -- Stencil Intaglio-Type -- Stencil Intaglio-Type Step-by-Step -- Mix three batches of different strength soda ash developer -- Line/Aquatint Intaglio-Type -- Materials Line Intaglio-Type Step-by-Step -- Line-Etch Intaglio-Type -- Combining Line Intaglio-Type with Aquatint Intaglio-Type -- Line & Aquatint Intaglio-Type Step-by-Step -- Making a Registration Templet -- Layered Intaglio-Type -- Ink-Emboss with Intaglio-Type -- Layered Image with Intaglio-Type -- Layered Intaglio-Type Layered Intaglio-Type -- Troubleshooting -- Construction Intaglio-Type -- Construction Intaglio-Type -- Combination Techniques -- Direct Intaglio-Type -- Quick Look -- Direct Intaglio-Type -- Crackle Intaglio-Type -- Materials & Equipment -- Crackle Intaglio-Type Step-by-Step -- Combination Techniques -- Wrinkled Intaglio-Type -- Beyond the Basic Concept -- Wrinkled Intaglio-Type Step-by-Step -- Etched Intaglio-Type -- The Most Important Step Test -- Etched Intaglio-Type Step-by-Step -- Etched Intaglio-Type for Hand-Made Stencils -- Digital Halftone -- Quick Look -- Using the EPSON Stylus 7600 with UltraChrome inks -- Making a Digital Halftone on the Epson 7600 -- UltraChrome -- ImagOn Plate Making with the Digital Halftone -- Digital Halftone Test -- Using the EPSON Color Stylus 3000 -- Mac OS and Adobe Photoshop version 7 -- Making a Digital Halftone with the Epson 3000 InkJet Printer -- Process Color Intaglio-Type (Dot-Test) By David Jay Reed -- What is a Process Color Intaglio-Type? -- Equipment -- Finding the correct dot density -- Importing the Image -- Creating a Test Image -- Converting the image to grayscale -- Sizing the image -- Finding the darkest area -- Creating the First Test Area -- Creating the Second Test Area -- Creating the Fourth Test Area -- Printing the Transparency -- Assessing the Dot Structure -- Process Color Intaglio-Type (Sampling) By David Jay Reed -- Creating the Transparencies -- Importing the Image -- Sizing the Image -- Converting the Image to CMYK -- Displaying the Info Palette -- Sampling the Cyan Channel -- Sampling the Magenta Channel -- Sampling the Yellow Channel -- Sampling the Black Channel -- Adjusting the channel Levels -- Adjusting the Cyan Channel -- Adjusting the other Channels -- Preparing the Channels Blurring the Cyan Channel Adding Noise to the Cyan Channel -- Printing the Channels -- Printing the Cyan Channel -- Assessing the Dot Structure -- Printing the other channels -- Process Color Intaglio-Type (Printing) By David Jay Reed -- Cutting the Plates -- Preparing the Plates with ImagOn ULTRA -- Exposing the Images on to the plates -- Aligning the Transparency to the Plate -- Exposing the Black Plate -- Exposing the Cyan Plate -- Exposing the Remaining Two Plates -- Developing the Plates -- Preparing the plates and paper registration -- Mixing Inks -- Oil based inks (Graphic Chemical) -- Water-based Inks (Rostow & Jung) -- Printing -- 4 -- Color Intaglio-Type / 4-color Intaglio-Type Step-by-Step -- Reworking the Intaglio-Type Plate -- Reworking the Intaglio-Type Plate -- Screen Filler and Liquid Aquatint -- Mixing the Liquid Aquatint.
Exploring justice as healing / The healing process : speaking the truth -- Naming realities of life / Engaging a healing context / Warriors of justice and healing / Calls to reclaim our circles -- Treaty-making from an indigenous perspective : a Ned'u'ten-Canadian treaty model / Residential schools and the intergenerational legacy of abuse / Decolonizing "truth" : restoring more than justice / Hearing the hard stuff / Wicakute omanikiyapi : Dakota death march, November 7-13, 1862 / Indigenous peoples and human rights / Resisting justice as force -- Aboriginal notions of justice : questioning relationships of force / Promises worth keeping / Punishment vs. healing : how does traditional Indian law work? / The "one law for all" myth / The healing process : being a good relative -- Reweaving the fabrics of life / Healing worldviews -- Teachings of the seven prophets : the seven fires / Defining traditional healing / Indigenous justice systems and tribal society / Healing as justice : the Navajo response to crime / Maori justice : the marae as a forum for justice / Aboriginal justice : a Haudenosaunee approach / Respecting community -- From the power to punish to the power to heal / Evaluating the quality of justice / Throwing the baby eagle out of the nest / Community peacemaking -- A healing circle in the Innu community of Sheshashit / Aboriginal community healing in action : the Hollow Water approach / The sentencing circle : seeds of a community healing process / Community-based justice initiatives of the Saskatoon tribal council / Alternative justice : testing the waters / The healing process : relying on our own ways -- Healing in rough waters / Responding to harm's legacy -- Invoking international law / Protecting knowledge-- traditional resource rights in the new millennium : defending indigenous peoples' heritage / Protecting indigenous knowledge and heritage : a global challenge / The United States Supreme Court and indigenous peoples : still a long way to go toward a therapeutic role / Denial, acknowledgment, and peace-building through reconciliatory justice / Shape-shifting systems -- Thinking about change / Sentencing within a restorative justice paradigm : procedural implications of R. v. Gladue / Restorative justice and the Youth Criminal Justice Act / Alter-natives to non-violence report : aboriginal youth gangs exploration-- a community development process / The newest old gem : family group conferencing / Family group conferencing : the myth of indigenous empowerment in New Zealand / Commission on first nations and metis peoples and justice reform : 2003 interim report and 2004 final report / Aboriginal legal theory and restorative justice / Honoring healing paths -- Indian justice : our vision / Saskatchewan holds court in Cree / Peacemaking and the Tsuu T'ina court / Implementation of alternative structures for dispute resolution / Mapping the healing journey : first nations research project on healing in Canadian aboriginal communities / Digging deeper : challenges for restorative justice /
Foreword / Preface -- Ko e tukutukulaumea fungani ʼa Kuini Sālote maʼa Tonga = Queen Sālote’s enduring gift to Tonga / Queen Sālot’s poetry as works of art, history, politics and culture = Ko e ʼū taʼanga ʼa Kuini Sālote Fekauʼaki mo e hisitōlia tukufakaholó, tūkunga ʼo e fofoʼmo e ngaahi faiva faka-Tongá / Ko e histōlia ʼi he māʼimoa ʼa Kuini Sālote = Living in history through Queen Sālot’s poetry / Ko e heliaki ʼi he ngaahi māʼimoa ʼa Kunin Sālote = Queen Sālote's use of heliaki / NGAAHI HIVA =SONGS -- Ngaahi fuofua hiva (hiva kakala) = Early songs -- Loka siliva = Silver lock -- Hiva ʼo ʼElisiva Fusipala = Song for ʼElisiva Fusipala -- ʼIkale oma ʼo pau = Swift eagle of Bau --
Foreword / Preface -- Ko e tukutukulaumea fungani ʼa Kuini Sālote maʼa Tonga = Queen Sālote’s enduring gift to Tonga / Queen Sālot’s poetry as works of art, history, politics and culture = Ko e ʼū taʼanga ʼa Kuini Sālote Fekauʼaki mo e hisitōlia tukufakaholó, tūkunga ʼo e fofoʼmo e ngaahi faiva faka-Tongá / Ko e histōlia ʼi he māʼimoa ʼa Kuini Sālote = Living in history through Queen Sālot’s poetry / Ko e heliaki ʼi he ngaahi māʼimoa ʼa Kunin Sālote = Queen Sālote's use of heliaki / NGAAHI HIVA =SONGS -- Ngaahi fuofua hiva (hiva kakala) = Early songs -- Loka siliva = Silver lock -- Hiva ʼo ʼElisiva Fusipala = Song for ʼElisiva Fusipala -- ʼIkale oma ʼo pau = Swift eagle of Bau -- Saute ʼo ʼailani = South of the island -- Ko e matangi = The wind -- ʼOiauē ʼa e maili = Oh , how the maile -- Pōpaki ʼofa ʼa ʼene ʼafio = Her majesty’s message of love -- Tataki e singa pea u ofó = Near daylight I woke -- Fonuamotu = Fomuanotu -- Tokelau tō ʼi muifonua = Northerlies falling at Land’s End -- Kakala ʼo e loto koló = Kakala of the heart of the town -- Lili lūpū = Budding lily -- Mapa ʼo e Funga ʼAlakifonua = Mapa of Funga ʼAlakifonua -- Ngaahi hiva ʼe nima maʼa e kau kiva Loipeaú, Lapaha = Five songs for the Lomipeau singers, Lapaha -- Longovuka = Flying news -- Siʼa fine taukei = Dear resident woman -- Hala kuo papa = Path that has been trodden -- ʼOut motu = Row of islands -- Ipu koula = Gold cup (1935) -- Ngaahi hiva moʼo Tungī Mailefihi= Songs for and about Tungī Mailefihi -- Fanga he Sia-ko-Veiongó = Beach at Sai-ko-Veiongo -- Matangi ka tonga pea tolelau = Winds blowing from the south and then the north -- Leiola = Leiola -- Kātiania = Gardenia -- Toli fisi = Picking the blossoming flowers -- ʼŌketi = Orchid -- Tali sola = Welcome of strangers -- Ko e hā nai ha tatua = What can be its equal -- Tahi mate = Sea of death -- Hiva fakamāvae ki he kātoanga senituli, 1945 = Farewell song for the 1945 celebrations -- Angi mai sʼii matangi he tonga = Dear wind blowing from the south (1945) -- Ngaahi hiva ʼe fā ki he taʼane māhanga = Four songs for the double wedding 1947 -- Siʼi fisiʼi Liliō = Sweet buds of the liliō (1947) -- Manako he kukuvalu = Savouring the kukuvalu (1947) -- He ʼuhila naʼe tapa ʼi he Tongá= Lightning that flashed in the south (1947) -- Matangi ne ake mei he moana = Wind that rose from the deep (1947) -- Ngaahi kiva kimui = Later songs -- Tangitangi = Wafting fragrance -- ʼOfa me Pelehake = Love from Pelehake -- Fuiva, uasi ʼo e Fangatapu = Fuiva, clock of Fangatapu -- ʼOfa mei nuli ʼa Fusipala = Fuispala’s love from overseas -- Hāʼele ki Pilitānia = Her majesty’s trip to Britain (1953) -- Siueli ʼo e Pasifiki = Jewel of the Pacific -- Munilaiti ʼi Vavaʼu = Moonlight in Vavaʼu -- ʼEte lata noa he hifó mo e haké = Longing for the hills of Vavaʼu -- Manu ʼo Palataisi = Brids of Paradise (c. 1953) -- Siʼi matangi kuo māʼili noa = Oh, the breeze passes by unaware -- Hiva afā ʼo Veae : Fanagi-i-Lifuka = Hurrican song of Vaea : Fanga-i-Lifuka (1961) -- Lea ʼa e Fiuva = The Fuiva speaks -- Sei ʼo fafine = Sei of women -- NGAAHI ʼŪPĒ = LULLABIES -- Fakanaʼanaʼa ʼo Uiliami Tukuʼaho = Lullaby of Uiliami Tukuʼaho (b. 1919) -- ʼŪpē ʼo Tāufaʼāhau = Lullaby of Tāufaʼāhau (b.1948) -- ʼŪpē ʼa Lavinia Veiongo kai Manumataongo = Lullaby of Lavinia Veiongo for Manumataongo (b. 1948) -- ʼŪpē ʼa Palu Vavaʼu kai Siuʼilikutapu = Lullaby of Palu Vavau for Siuʼilikutapu (b. 1948) -- ʼŪpē ʼa Tuʼilokamana kai Fusipala = Lullaby of Tuʼilokamana for Fusipala (b. (1949) -- ʼŪpē ʼo ʼUluvalu = Lullaby of ʼUluvalu (b. 1950) -- ʼŪpē ʼa Pilolevu = Lullaby of Pilolevu (b.1951) -- Hiva ʼo Tāone = Song of Tāone (b.1952) -- Hiva ʼo ʼAhoʼeitu : ko e tavake = Song of ʼAhoʼeitu (b. 1951) : The tropic bird -- NGAAHI LAULAU = RECITALS -- Laulau ʼo Tongaleva = Recital of Tongaleva -- Laulau ʼo ʼAnamatangi = Recital of ʼAnamatangi -- Fau folau ʼa Tāufaʼāhau ki Senē mo e Kau Konisetiʼa e Koliski ko Tupu = Firt voyage of Tāufaʼāhau to Sydney with the Tupaou College Choir (1928) -- Laulau ʼo Tāufaʼāhau = Recital of Tāufaʼāhau (1930s) -- NGGAHI TUTULU = LAMENTS -- Tangi ʼa Tuʼifua ʼia Alaiahamamaʼo = Lament by Tuʼifua for Alaiahamamaʼo (c. 1924) -- Tutulu ʼa ʼene afió ʼi he pekia ʼa Fusipalá = The Queen’s tears at the passing of Fusipala (d. 1933) -- Lolo teuteu ʼo Taukiʼonetuku ki Pulotu = Taukiʼonetuku’s oils and perfumes to wear to Pulotu (d. 1933) -- Tutulu ʼa ʼene afió i he pekia ʼa Tukuʼahó = The Queen’s tears at the passing of Tukuʼaho (d. 1936) -- Laulau ʼo Tungī mailefihi = The eulogy for Tungī Mailefihi (d. 1941) -- Hiva ʼo Makahokovalu = Song of Makahakovalu (d. 1948) -- Hiva ʼo Siaosi ʼUlukivaiola = Song of Siaosi ʼUlukivaiola (d. 1949) -- Tutulu ʼa ʼene ʼafió ʼi he pekia ʼa Tangata ʼo Haʼamea̋ = The Queen’s tears at the passing of Tangata ʼo Haʼamea (d. 1960) -- MĀʼULUʼULU -- Taʼanga maʼa e Kāinga Mataʼahó he Taʼane Māhangá = For the Mataʼaho People in the Royal Double Weeding (1947) -- Taʼanga ki he Hāʼele ʼa Kuini ʼIlisapesi II ki Tonga = Royal visit of Queen Elizabeth II to Tonga (December 1953) -- Taʼana maƠa e Kolisi ko Kuini Sāloté = Composition of Queen Sālote College (1956) -- Holo pē mua ʼa e takaaki = Let the bystanders be at ease -- Hakohako ̄a e Tonga hakaké = The south-easterly wind is gusty (1965) -- LAKALAKA -- Taʼanga maʼa Niuafoʼou i he kātoanga Senituliʼo e Lotú = Composition for Niuafoʼou in the Centenary of Christianity (1927) -- Taʼanga fakamavāe maʼa Niuafoʼou : ngahau tā = Farewell composition for Niuafoʼou : arrow that strikes (1927) -- Kakato ʼa e taʼu uofulu ʼene pulē : Laione, Kolofoʼou = Twentieth anniversary of her reign : Laione, Kolofoʼou (1938) -- Ngaahi lakalaka ʼe hiva maʼa e kau Faiva Lomipeaú, Lapaha = Nine lakalaka for the Lomipeau Dancers, Lapaha -- Takafalu (Lomipeau fika 1) = The Monarch’s back (Lomipeau no. 1) -- Sinaʼe (Lomipeau fika 2) = Sinaʼe (Lomipeau no. 2) -- Maile (Lomipeau fika 3) = Maile (Lomipeau no.3) -- Nailasikau (Lomipeau fika 4) = Nailasikau (Lomipeau no. 4) -- Kalauni (Lomipeau fika 5) = Crown (Lomipeau no. 5) -- Hau e fonua (Lomipeau fika 6) = Ruler of the land (Lomipeau no. 6) -- Sāngone (Lomipeau fika 7) = Sāngone (Lomipeau no. 7) -- Tali Ơo Tāufaʼāhau (Lomipeau fika 8) = Welcome for Tāufaʼāhau (Lomipeau no. 8) -- ʼOtu Langi (Lomipeau fika 9) = Row of Langi (Lomipeau no. 9) -- Ngaahi lakalaka ʼe valu ki h Senituli ʼo e Tuʼi Kanikupolu ʼa Tupou I = Eight lakalaka for the Centenary of Tupou I as Tuʼi Kanakupolu (1845-1945) -- Taʼanga maʼa e ʼIkale, Kolomotuʼa = Composition for the ʼĪkale, Kolomotuʼa (1945, 1962) -- Taʼanga maʼa e Laioné, Kolofoʼou = Composition for the Laione, Kolofoʼou (1945)
Idyll VIII / Idyll XI / The Pastoral Wooing / Fragments Theocritus and Virgil, tr. 'T.B.' -- Epitaph on Bion / Eclogue I / Eclogue II / Eclogue IV / Eclogue X / Georgic II. 458-542 / Georgic III. 295-9, 322-38, 404-7, 440 ff. / Epode II / On the Rustic Life Anonymous / The Consolation of Philosophy, Book II, Poem 5 / Eclogue IV. 1-75 / Eclogue VI. 54-105 / Eclogue VII. 1-50 / Robene and Makyne / From Of Gentleness and Nobility / To His Little Field / Kala's Complaint / 'O eyes, that see not him' / 'Passed contents' / 'I pray thee keep my kine' / Prologue to the Eclogues / Eclogue I.175-304 / Eclogue III.455-524 / Eclogue IV.37-66, 93-232 / 'Oh! Shepherd, Oh! Shepherd' Anonymous -- 'Hey, troly loly lo, maid, whither go you?' Anonymous -- Harpelus' Complaint Anonymous -- Eclogue II: Dametas / Golden Age Chorus / Golden Age Chorus / 'Along the verdant fields' / Song / 'There where the pleasant Eske' / The Shepherd's Calendar, 'April' / 'O ye nymphs most fine' / The Shepherd's Calendar, 'June' / The Shepherd's Calendar, 'July' / From Colin Clout's Come Home Again / Astrophel / The Faerie Queene VI.ix.5-36 / The Faerie Queene VI.x.5-30 / From The Lady of May Philip Sidney -- 'Come, shepherd's weeds...' Philip Sidney -- 'My sheep are thoughts' / 'And are you there Old Pas?' / 'O sweet woods' / 'You goat-herd gods' / 'Since that to death' / 'Philisides, the shepherd good and true' / Of the Quietness That Plain Country Bringeth / From A Revelation of the True Minerva / Argentile and Curan / Amyntas: The Second Lamentation / Amyntas: The Last Lamentation / An Old-Fashioned Love, Epistle 1 / The Argument of Amyntas / 'Arcadian Syrinx' / A Tale of Robin Hood Anonymous -- From Daphnis and Chloe Angel Day -- An Eclogue Gratulatory to Robert Earl of Essex / From Descensus Astraeae / Apollo and Daphne, from the Bisham Entertainment Anonymous -- An Eclogue Between a Shepherd and a Herdman / The Country Lass / The Herdman's Happy Life / 'Though Amarillis dance in green' / The Shepherd's Ode / Doron's Jig / Doron's Eclogue Joined with Carmela's / The Description of the Shepherd and his Wife / The Shepherd's Wife's Song / The Song of a Country Swain at the Return of Philador / Of the Vanity of Wanton Writings / Old Damon's Pastoral / Coridon's Song / A Pleasant Eclogue between Montanus and Coridon / Phillis, Sonnet 4 / Phillis, Sonnet 12 / To Reverend Colin / The Passionate Shepherd to his Love / The Nymph's Reply to the Shepherd / Another of the Same Nature Anonymous -- Psalm 23 tr. Sir form Davies -- On Lazy and Sleeping Shepherds / Coridon to his Phillis / 'One night I did attend my sheep' / 'Sing sing (Parthenophil)' / From Oenone and Paris / From Amphrisa the Forsaken Shepherdess / Mercury's Song / From The Affectionate Shepherd, The Second Day / From 'The Shepherd's Content' / Cynthia, Sonnet XV / Cynthia, Sonnet XVIII / From Moderatus / Damon's Ditty / 'Shepherd, i'faith now say' / 'Day which so bright didst shine' / Chloris, Sonnet 3 / Chloris, Sonnet 5 / Description of Arcadia, from The Shepherd's Complaint / From The Shepherd's Complaint / 'In a field full fair of flowers' Anonymous -- The Unknown Shepherd's Complaint Anonymous -- To Thomas Strangways / Sonnet from Sundry Christian Passions / "The Lord he is my shepherd' / 'Upon a dainty hill' / 'In time of yore' / 'Fair in a morn' / 'Fair Phillis is the shepherds' queen' / A Pastoral of Phillis and Coridon / 'In the merry month of May' / 'The fields are green' / A Shepherds Dream / Coridon's Supplication to Phillis / The Second Shepherd's Song / A Farewell to the World / 'Peace, Shepherd' Anonymous -- 'When I was a little swain' / A Pastoral Riddle Anonymous -- Upon a Kiss Given / The Shepherdess Her Reply / An Excellent Pastoral Ditty / On the Reported Death of the Earl of Essex Anonymous -- Votum Primum / The Pages Pleasant Rustick Anonymous -- Theorello. A Shepherd's Idyllion / The Shepherds' Song for Christmas /
