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Works
Shelley, Percy Bysshe,
10 volumes
ISBN/ISSN:
Original poetry by Victor and Cazire, 1810 -- Posthumous fragments of Margaret Nicholson, 1810 -- The devil's walk: a ballad, 1812 -- Queen Mab, 1813 -- Alastor, or, the spirit of solitude, and other poems, 1816 -- Mont Blanc -- Laon and Cythna (the revolt of Islam) -- Rosalind and Helen, a modern eclogue; with other poems -- The Cenci: a tragedy in five acts -- Prometheus unbound: a lyrical drama in four acts; with other poems -- Œdipus Tyrannus, or Swellfoot the tyrant: a tragedy in two acts -- Epipsychidion: verses addressed to the noble and unfortunate lady, Emilia V-- -- Adonais: an elegy on the death of John Keats -- Hellas: a lyrical drama -- Early poems, 1802-1813 -- Poems written in 1814-1815 -- Poems written in 1816 -- Poems written in 1817 -- Poems written in 1818 -- Poems written in 1819 -- Poems written in 1820 -- Poems written in 1821 -- Poems written in 1822 -- Zastrozzi: a romance, 1810 -- St. Irvyne: or the Rosicrucian, 1811 -- The necessity of atheism, 1811 -- An address to the Irish people, 1812 -- Proposals for an association, 1812 -- Declaration of rights, 1812 -- A letter to Lord Ellenborough, 1812 -- A vindication of natural diet -- A refutation of deism -- A proposal for putting reform to the vote throughout the kingdom -- An address to the people on the death of the Princess Charlotte -- History of a six weeks' tour -- Journal at Geneva -- The assassins -- Review of Hogg's "Memoirs of Prince Alexy Haimatoff" -- On the punishment of death -- On life -- On love -- On a future state -- On the revival of literature -- On Godwin's "Mandeville" -- Essay on Christianity -- On the moral teaching of Christ -- Preface to "Frankenstein; or, the Modern Prometheus" -- On "Frankenstein; or, the Modern Prometheus" -- The Elysian fields: a Lucianic fragment -- On "Rhododaphne, or the Thessalian spell" -- Una favola -- A fable (translation by Richard Garnett of "Una Favola") -- A system of government by juries -- Fragments on reform -- The Coliseum -- Note on sculptures in Rome and Florence -- On the vegetable system of diet -- A philosophical view of reform -- Speculations on metaphysics -- Speculations on morals -- On the devil and devils -- A defence of poetry -- Prose fragments -- The banquet of Plato -- A discourse on the manners of the ancients, relative to the subject of love. By Shelley -- The ion, or, of the Iliad. Translated from Plato -- Menexenus, or the funeral oration. A fragment. Translated from Plato -- Fragments of The Republic. Translated from Plato -- On a passage in Crito -- On the dæmon of Socrates -- On the Jews: translated from Tacitus -- Shelley's comment on Spinoza's definition of justice -- On prophecy. Translated from Spinoza -- Passages from Goethe's Faust -- Early letters, July 18, 1803, to March 2, 1811 -- Poland Street and Field Place, March 29 to July 4, 1811 -- Harriet Westbrook, July 15 to Nov. 1, 1811 -- Harriet Westbrook, July 15 to Nov. 1, 1811 -- Keswick, November 6, 1811, to January 29, 1812 -- Shelley's Irish campaign, February 3 to March 20, 1812 -- Nantgwillt, April 16 to June 18, 1812 -- Lynmouth, Tanyrallt, and second visit to Dublin, June 30, 1812, to April 3, 1813 -- Last days with Harriet, April 5, 1813, to May 14, 1814 -- First visit to the continent, August 13, 1814, to June 22, 1815 -- Bishopgate--"Alastor," August, 1815, to April 24, 1816 -- Second visit to the continent, May 3 to August 2, 1816 -- Marlow, September 8, 1816, to September 22, 1817 -- Marlow--the revolt of Islam, September 24, 1817, to March 12, 1818 -- Early Italian impressions--"Rosalind and Helen," March 13 to November 10, 1818 -- Rome and Naples--"Prometheus Unbound," November 20, 1818, to June 8, 1819 -- Villa Valsovano--"The Cenci," June 20 to September 27, 1819 -- Florence, October 13, 1819, to January 25, 1820 -- Pisa and Leghorn, February 9 to July 12, 1820 -- Pisa--the baths of San Giuliano--"Epipsychidion," "Adonais," July 20, 1820, to July 27, 1821 -- The Pisan circle--"Hellas." August 1, 1821, to April 12, 1822 -- Last days, April 28 to July 4, 1822.
Corn riggs an' barley rigs ; To a mouse ; Green grown the rashes ; Holy Willie's prayer ; Willie brewed a peck o' maut ; Tam o' shanter ; Afton Water ; Ae fond kiss ; Ye flowery banks ; Scots, what hae ; For a' that and a' that ; A red, red rose ; Auld lang syne /
Baltimore, Md. : Johns Hopkins University Press, [2000-2012]
9780801861192 (v. 1 ; alkaline paper)
Original Poetry: by Victor and Cazire -- Letter [1] ("Here I sit with my paper, my pen and my ink") -- Letter [2] (To Miss -- From Miss -- ) -- Song. ("Cold, cold is the blast when December is howling") -- Song. ("Come! sweet is the hour") -- Song. Despair -- Song. Sorrow -- Song. Hope -- Song. Translated from the Italian -- Song. Translated from the German -- The Irishman's Song -- Song. ("Fierce roars the midnight storm") -- Song. ("Ah! sweet is the moonbeam that sleeps on yon fountain") -- Song. ("Stern, stern is the voice of fate's fearfull command") -- Saint Edmond's Eve -- Revenge -- Ghasta; or, The Avenging Demon!!! -- Fragment, or The Triumph of Conscience -- The Wandering Jew; or, The Victim of the Eternal Avenger -- Posthumous Fragments of Margaret Nicholson; Being Poems Found Amongst the Papers of that Noted Female who Attempted the Life of the King in 1786 -- "Ambition, power, and avarice, now have hurl'd" -- Fragment. Supposed to be an Epithalamium of Francis Ravaillac and Charlotte Corde -- Despair -- Fragment. ("Yes! all is past--swift time has fled away") -- The Spectral Horseman -- Melody to a Scene of Former Times -- Poems from St. Irvyne; or, The Rosicrucian: A Romance -- "'T was dead of the night, when I sat in my dwelling" -- "Ghosts of the dead! have I not heard your yelling" -- Ballad. ("The death-bell beats!--") -- Song. ("How swiftly through heaven's wide expanse") -- Song. ("How stern are the woes of the desolate mourner") -- Song. ("Ah! faint are her limbs, and her footstep is weary") -- The Devil's Walk.
Eighteenth century forerunners. The tree ; from The petition for an absolute retreat ; To the nightingale ; A nocturnal reverie / A fairy tale ; A night-piece on death ; A hymn to contentment / The highland laddie ; My Peggy ; Sweet William's ghost ; Through the wood laddie ; An thou were my ain thing ; from The gentle shepherd. Patie and Peggy / Preface to the evergreen / The braes of Yarrow / William and Margaret ; The Birks of Endermay / Grongar Hill ; The fleece. from Book I / The seasons. from Winter ; from Summer ; from Autumn ; A hymn on the seasons ; The castle of indolence, from Canto I ; Tell me, thou soul of her I love ; To Amanda ; Preface to winter /
The use of force / An episode of war / The fir tree / The three strangers / Flight / John Steinbeck -- Clay / I'm a fool / Spotted horses / Wet Saturday / The lottery ticket / Legal aid / The jar / The valiant woman / Keela, the outcast indian maiden / The horse dealer's daughter / Araby / La mere Sauvage / In another country / The killers / Noon wine / The rich boy / Kronkin's prisoner / La Lupa / Tomorrow and tomorrow and so forth / The Apostate / Daddy wolf / The lagoon / Jerico, Jerico, Jerico / O youth and beauty! / In dreams begin responsibilities / Disorder and early sorrow / A wife of Nashville / Sir Patrick Spens / Frankie and Johnny / The star-splitter / Edward / Lord Randall / The Bonny Earl of Murray / Danny Deever / My last duchess / Lucinda Matlock / Bredon Hill / The true lover / The farmer's bride / Love on the farm / The eagle / Silver / The red wheelbarrow / Inscription for a fountain / A complaint / Monody / Sonnet 18 / Sonnet 73 / Sonnet 97 / To daffadills / Song / The bugle song / The lotos eaters / The tree of man / Nulla fides / A passer-by / The wild swans at Coole / Hymn to Diana / The night-piece to Julia / The mower to the glow-worms / God's grandeur / The lamb / The tiger / Ode to the west wind / That the night come / Come down, o maid / Neutral tones / The parting / Rose Aylmer / A slumber did my spirit seal / On the late massacre in Piedmont / The day of judgment / The Ianthe / Hymn of Apollo / Sonnet 87 / Come up from the fields, father / On an invitation to the United States / His books / On a young heir's coming of age / Philomela / The grasshopper / Fidele's dirge / Bells for John Whiteside's daughter / At her window / Commemorative of a naval victory / The college colonel / The need of being versed in country things / Sonnet 104 / In memory of Major Robert Gregory / Lay your sleeping head / They flee from me / Ode on melancholy / To Marguerite / Very like a whale / You, Andrew Marvell / Spring and fall / Song / Death the leveler / Experience of the west / For Rhoda / Burning the letters / A prayer for my daughter / Hamlet soliloquizes / Macbeth thinks of murdering the king / The leg in the subway / The good-morrow / My pictures blacken / A serenade at the villa / Kubla Khan: or a vision in a dream / A valediction: forbidding mourning / The abyss / The force that through the green fuse / The convergence of the Twain / Sonnet 55 / Elegy / I walked out to the graveyard / Dover Beach / The secular masque / London / London, 1802 / Composed upon Westminster Bridge / West London / An elementary school classroom in a slum / A refusal to mourn / The lie / To his coy mistress / Sonnet 129 / Sonnet 146 / Sonnets at Christmas / Christmas Eve under Hooker's Statue / A Psalm of life / The funeral / Eighty air force / Hollywood / Colonel Shaw and the Massachusetts' 54th / The little black boy / From "Song of Myself" / The idea of order at Key West / Lines / Ode to a nightingale -- What the Thrush said -- Why did I laught to-night? -- Ode on a Grecian urn -- To autumn / The wood-pile -- A leaf treader -- To earthward -- Come in -- The oven bird / These are the days when birds come back -- The sky is low--the clouds are mean -- The mountains stood in haze -- I could not prove the years had feet -- Hope' is the thing with feathers -- Success in counted sweetest -- Our journey had advanced -- I years had been from home -- Her final summer was it -- Because I could not stop for death -- I heard a fly buzz--when I died / The personal essays -- Dream children / Farewell, my lovely / Wild bird Hickock and his friends / Let's see who salutes / En route to Chicago / The stars / Pulvis et umbra / Freedom and the control of men / On Walden two / Culture and anarchy / Literature and the modern world / From hero to celebrity / Daniel Boorstin -- The meaning of treason / The death-in-life of Benjamin Reid / In favor of capital punishment / Artists in uniform / The deliverance of Dunkirk / Homage to Hemingway / Ernest Hemingway / Some line from Whitman / Robert Frost / Why do we read fiction? / Lady Olga / The young man Washington / The life of Samuel Johnston / The life of Marcus Antonius / Hedda Gabler / Oediupus Rex / Antony and Cleopatra / Saint Joan / Murder in the cathedral / The circle / The skin of our teeth /
At the birth of travel writing -- Germany: a new word for an old place -- Letters / Itinerary / Coryat's crudities / Taylor his travels / Men of letters -- Petty princes and courageous kings -- Letters / Letters / Letters / Journal of his German and Swiss travels / Letters / Memoirs of the courts of Berlin, Dresden, Warsaw and Vienna / View of society and manners in France, Switzerland and Germany / First germanophiles -- Great men in mediocre surroundings -- Letters / Letters / Letters / History of a six weeks' tour / Frankenstein; or, the modern Prometheus /
The Theatrical Context -- the Georgian Theatre in England -- Shelley's Theatregoing, Playreading and Criticism -- Practical Technique -- The Cenci -- Turning History into Art -- Charles the First -- Ideal Drama -- Prometheus Unbound -- Drama for a Purpose -- Hellas & Fragments of an Unfinished Drama -- Satirical Comedy -- Swellfoot the Tyrant -- List of Performances Seenby Shelley -- The Programme of Songs with the Performance of Douglas
Introduction --STORIES AND BALLADS -- Lord Randal / Lochinvar / Abou Ben Adhem / La Belle Dame Sans Merci / Casablanca / The Raven / The Wreck of the Hesperus -- Paul Revere's Ride / My Last Duchess / The Deacon's Masterpiece, or the Wonderful :"One-Hoss Shay" / The Mills of the Gods / Danny Deever -- Mandalay -- Gunga Din / Abdullah Bulbul Amir / The Face upon the Floor / Casey at the Bat / Miniver Cheevy -- Richard Cory / The Shooting of Dan McGrew / The Highwayman / Alumnus Football/ My Love Is Like to Ice / Now What Is Love / Sonnet XVII -- Sonnet XXX -- Sonnet CIV -- Sonnet CXVI / The Passionate Shepherd to His Love / The Good Morrow -- The Ecstasy / To Celia / To the Virgins -- Whenas in Silks My Julia Goes / The Constant Lover -- Why So Pale and Wan / To Althea from Prison / To His Coy Mistress / Woman / My Luve / Believe Me, If All Those Endearning Young Charms / Jenny Kissed Me / She Walks In Beauty -- When We Two Parted / The Flight of Love / Give All to Love / How Do I Love Thee / To Helen / Longing / Sudden Light / Remember / I Had No Time to Hate / An Old Sweetheart of Mine / A Mile with Me / When I Was One and Twenty / Non Sum Qualis Eram Bonae Sub Regno Cynarae / To a Friend / The Great Lover / You Kissed Me / Ad Finem -- I Love You / Love Is Not All /
Oxford [Oxfordshire] ; New York : Oxford University Press, 1985.
0192820737 (paperback)
'Fowls in the frith' -- 'Lord, Thou Clèpedest me' -- 'When I see on Rood' -- 'Why have you no ruth?' -- Roundel ('Now welcome, summer') from The Parliament of Fowls -- Unto Adam, His Own Scrivèyn -- Roundel ('Since I from Love escapèd am') from Merciless Beauty -- 'I shall say what inordinate love is' -- 'Onmes gentes plaudite!' -- 'Blessed Mary' -- 'Peace maketh plenty' -- 'Hail, Queen of Heaven' -- 'I have been a foster' -- 'Western wind' -- 'Though ye suppose' -- 'Madam, withouten many words' -- 'Who hath heard' -- 'The enemy of life' -- 'Sighs are my food' -- 'Lux, my fair falcon' -- 'Throughout the world' -- The Spouse to the Younglings -- 'Thou sleepest fast' -- To an Old Gentlewoman that Painted Her Face -- 'The lowest trees have tops' -- Epigram ('Were I a king') -- To His Son -- 'What is our life?' -- 'Even such is time' -- 'Sleep, baby mine, Desire' -- 'Like those sick folks' -- 'Whenas man's life' -- Bathsabe's Song ('Hot sun, cool fire') from David and Bethsabe -- Bridal Song ('Now, Sleep, bind fast') from The Masque of the Middle Temple and Lincoln's Inn -- 'Thyrsis, sleepest thou?' -- 'A sparrow-hawk proud' -- 'Thule' -- 'My love in her attire' -- 'Since first I saw your face' -- 'Love me not' -- 'Sweet, let me go!' -- 'He that hath no mistress' -- 'Sweet Cupid, ripen her desire' -- To His Wife, for Striking Her Dog -- Song ('O mistress mine') from Twelfth Night -- Song ('When daffodils begin to peer') from The Winter's Tale -- song ('Jog on, jog on') from The Winter's Tale -- Song ('Full fathom five') from The Tempest -- Song ('The master, the swabber, the boatswain and I') from The Tempest -- Song ('Where the bee sucks') from The Tempest -- A Remembrance of My Friend Mr. Thomas Morley -- 'Happy were he' -- 'Happy were he' -- De Puero Balbutiente -- 'Fair summer droops' -- 'When thou must home' -- 'Never weather-beaten sail' 'Thrice toss these oaken ashes in the air' -- 'Thus I resolve' -- 'Sleep, angry beauty' -- Think'st thou to seduce me then' -- Song ('In a maiden-time professed') from The Witch -- Melancholy Conceit -- Song ('Care-charming sleep') from The Tragedy of Valentinian --
Fayetteville : University of Arkansas Press, [2005]
1557287910 (cloth ; alkaline paper)
Preface / Introduction : poets on poetics -- To my muse, upon her return / from Book two, Epistle III, to the Pisos / Madly singing in the mountains / No room for grief / from Astrophil and Stella / Invocation to the Faerie Queene / from The marriage of heaven and hell / author to her book / On imagination / from Preface to Kubla Khan / from The letters / from The poet / from Letters to a young poet / Tradition and the individual talent / from Play and theory of Duende / from Fending off the Duende / from Goatfoot, milktongue, twinbird : infantile origins of poetic form /
