A biography of the woman who risked her success in the male-dominated literary world of nineteenth-century America to become a passionate advocate for the abolition of slavery.

"Lydia Maria Child (1802-1880) was for a time one of America's most beloved authors, known for household manuals and children's poems, including the immortal "Over the River and Through the Wood." But in 1833, having converted to the abolitionist cause, Child published An Appeal in Favor of that Class of Americans Called Africans, the first book-length condemnation of slavery printed in the United States. Child's book created an immediate uproar and catapulted her into the life of an activist. Lydia Maria Child became one of the most consequential radicals of nineteenth-century America. In this biography of Child, Lydia Moland foregrounds Child's struggles of conscience and the meaning they held for her life-and, potentially, for ours. In her first career, Lydia Maria Child achieved what almost no woman in history had before-she was a self-sufficient female author. What, then, made her throw it all away to write An Appeal? The scandal of that book caused sales of her other books to plummet, polite society to cast her out, her beloved husband David to be jailed for libel, and the two rendered penniless. Yet Child soon drew untold numbers to the cause of abolition with her writings and her deeds. Thomas Wentworth Higginson and Charles Sumner both credit her with their conversion. During the Civil War, the Union Army distributed her words to 300,000 troops to help weary soldiers justify their sacrifice. She spirited endangered abolitionists out of the country, protected activists from angry pro-slavery mobs with her own body, and helped Harriet Jacobs edit Jacobs's autobiography, the most influential slave narrative by a woman in American history. Moland's biography restores this brave and brilliant woman to her proper place in American history while showing how her example answers these urgent questions: When confronted by sanctioned evil or systematic injustice, how should a citizen live? What prompts moral change? When do we have a duty to disobey unjust laws? Child's story is one from the past with much to teach us about our present"--

A biography of the popular writer who, in the mid-nineteenth century, gave up her literary success to fight for the abolition of slavery, for women's rights, and for the fair treatment of American Indians.

"Amelia Norman challenged the idea that the fallen woman of the nineteenth century was inevitably 'ruined.' This book shows how the desperate act of this aspiring murderess came to momentarily embody the anger and anxiety felt by many people at a time of economic depression and expanding expectations for equal rights"--

"On the evening of November 1, 1843, a young household servant named Amelia Norman attacked Henry Ballard, a prosperous merchant, on the steps of the new and luxurious Astor House hotel. Agitated and distraught, Norman followed Ballard down Broadway before confronting him at the door to the Astor House. Taking out a folding knife, she stabbed him, just missing his heart. Ballard survived the attack, and the trial that followed created a sensation. Newspapers in New York and beyond followed the case eagerly, and crowds filled the courtroom every day. Prominent author and abolitionist Lydia Maria Child championed Norman and later included her story in her fiction and her writing on women's rights. The would-be murderer also attracted the support of politicians, journalists, and legal and moral reformers who saw her story as a vehicle to change the law as it related to 'seduction,' and advocate for the rights of workers. Cry of Murder on Broadway describes how New Yorkers, besotted with the drama of the courtroom and the lurid stories of the penny press, followed the trial for sensation. Throughout all this, Norman gained the sympathy of New Yorkers, in particular the jury, which acquitted her in less than ten minutes."--