Articles

    1. Companion for the videography ‘Monstrous Organizing—The Dubstep Electronic Music Scene’ 2018

      Hietanen, Joel; Rokka, Joonas

      Organization (London, England), Vol. 25, Issue 3, pp. 320 - 334.

      This companion essay contributes to video-based organizational research by critically assessing conventional representational modes of videographic practice and conceptualizing an ‘expressive’ onto... Read more

      This companion essay contributes to video-based organizational research by critically assessing conventional representational modes of videographic practice and conceptualizing an ‘expressive’ ontology for videographic research. We offer an image of thought that foregrounds the creative and powerfully affective potential of both videographic work and spectatorship. To advance this perspective and to inspire future research, we present our videography (length 30 minutes) that integrates various ‘expressive’ elements in montage form. We use the film to scrutinize the potential of video-based research and several methodological considerations tied to it. In doing so, we argue that video-based organizing of research activities can be seen as ‘monstrous’, an entire emergent mode of aesthetic storytelling that comes into being not in ‘capturing’ or ‘recording’, but rather as an affective production of potentialities. Read less

      Journal Article  |  Full Text Online

    2. Value Creation in Scene-based Music Production: The Case of Electronic Club Music in Germany 2013

      Lange, Bastian; Bürkner, Hans-Joachim

      Economic Geography, Vol. 89, Issue 2, pp. 149 - 169.

      The focus of this article is on the variability of value creation in the popular music industry. Recent trends in electronic music have been based on both the valorization of global tastes and of l... Read more

      The focus of this article is on the variability of value creation in the popular music industry. Recent trends in electronic music have been based on both the valorization of global tastes and of local specialities in performance and production. Depending on musical styles and market niches, local scenes have become important forces behind heterogeneous "globalocal" markets. At the same time, technological change and the virtualization of music production and distribution contribute to increasingly differentiated configurations of value creation. It is therefore necessary to reconstruct theoretically and empirically the new interplay among the local music production, digital media markets, and virtual communities that are involved. On the basis of empirical explorations in a German hot spot of electronic club-music production (the city of B erlin), the article indentifies local interaction practice and constellations of stakeholders. The findings show that value creation in these rapidly changing production scenes has moved away from the large-scale distribution of producer-induced media to audience-induced live performance and interactive soundtrack production. This change involves the rising importance of cultural embeddings such as taste building, reputation building among artists and producers, and local community building. Starting from an open theoretical problematization of value creation with regard to fluid scenes and shifting modes of production, the results of first empirical reconstructions are taken as inputs to an evolving discussion on the configurations of value creation in consumer-based strands of music production. Read less

      Journal Article  |  Full Text Online

    3. Editorial: Commercial music and the electronic music studio – influence, borrowings and language 2022

      Fick, Jason; Schedel, Margaret; Vaccaro, Brandon

      Organised Sound : An International Journal Of Music Technology, Vol. 27, Issue 1, pp. 1 - 6.

      The commercial music duo, whose music appeared on the soundtrack of Grand Theft Auto V, convinced IPEM to let them house the institute’s legendary EMS Synthi 100 for a year while the ‘research cent... Read more

      The commercial music duo, whose music appeared on the soundtrack of Grand Theft Auto V, convinced IPEM to let them house the institute’s legendary EMS Synthi 100 for a year while the ‘research center in systematic musicology’ underwent restoration. When we consider and document these influences, we draw on a variety of approaches to analysis that layers the semiotics of music in general with elements particular to electronic music that have emerged and developed in parallel within communities producing electroacoustic music, popular music, audio pedagogy and sound design for film, television and games. [...]each audio subfield has its own vocabulary and canonical references, and there are meaningful differences in the underlying conceptualisations and models of sound and technology and their intersections. [...]in film, the approach of trying to create and match elements that more accurately reflect the experience of a listener is of primary concern to the audio specialist (Holman 2010: 58). Read less

      Journal Article  |  Full Text Online

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    Books & Media

    1. Electronic music

      Nick Collins, Margaret Schedel, and Scott Wilson.

      Online Resources ML1380 .C623 2013 eb ebook | Book

    2. Electronic music

      Xenakis.

      Hunt M1473 .X5 E44 1997 | Music recording

    3. Electronic music; a listener's guide

      Elliott Schwartz.

      Hill ML1092 .S37 | Book

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    1. Ableton Live: Producing Electronic Music

      Learn professional techniques for producing and mixing electronic music with Ableton Live and Ableton Push 2.

      Learn professional techniques for producing and mixing electronic music with Ableton Live and Ableton Push 2. Read less

    2. Logic Pro: Producing Electronic Music

      Learn professional techniques for producing electronic music in Logic Pro.

      Learn professional techniques for producing electronic music in Logic Pro. Read less

    3. Producing Electronic Music in Logic Pro

      Learn professional techniques for producing electronic music in Logic Pro X.

      Learn professional techniques for producing electronic music in Logic Pro X. Read less

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    1. Electronic Resource Trials

      Electronic Resource Trials Current Trials Embase URL: https://proxying.lib.ncsu.edu/index.php?url=https://www.embase.com Expires: August 30, 2023 Contact: Silvia

      Electronic Resource Trials Current Trials Embase URL: https://proxying.lib.ncsu.edu/index.php?url=https://www.embase.com Expires: August 30, 2023 Contact: Silvia Read less

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      Management Department) at ext. 5-3833 or send an e-mail message to john_abbott@ncsu.edu . The 100 Show: The . . . Annual of the American Center for Design 19th Century Music 21C

      Management Department) at ext. 5-3833 or send an e-mail message to john_abbott@ncsu.edu . The 100 Show: The . . . Annual of the American Center for Design 19th Century Music 21C Read less

    3. NCSU Libraries Fellows 2004-2006

      Association.  As an NCSU Libraries Fellow, Meyer will call the Textiles Library his home department, and his project assignment will be the “E-Matrix: Electronic Resource

      Association.  As an NCSU Libraries Fellow, Meyer will call the Textiles Library his home department, and his project assignment will be the “E-Matrix: Electronic Resource Read less

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