This book displays the uniqueness and creativity of Japan in terms of the interplay between traditional and postmodern perspectives. It deals with the traditional elements in Japanese culture in the light of or in contrast to postmodernism.In this book, each of the chapters offers an analysis of the origins and development of an important aspect of Japanese culture, including religion (Pure Land Buddhism and Zen, Shinto and folk religions, Confucianism and Tokugawa era ideology), philosophy (classical Buddhism and the contemporary Kyoto School), literature and the arts (medieval poetry and drama, modern fiction and films), and social behavior (family system, feminism, nationalism, and economic growth).The central, underlying theme is the uniqueness and creativity of Japan as seen from twentieth century perspectives. One of the fascinating things about Japanese culture is that, on the one hand, it seems to have held onto its traditional foundations with a greater sense of determination and celebration than most societies and, at the same time, it appears to have attained a position at the forefront of international modernist and postmodernist developments. The authors explore several approaches to this issue. One school of thought is influenced by recent Japanese writers and intellectual historians such as Mishima, Tanizaki, Watsuji, and Nakamura. Another approach is influenced by Western poststructuralist commentators such as Barthes, Derrida, and Lyotard. A third approach is to argue against the thesis known as nihonjinron ('Japanism'or cultural exceptionalism), by suggesting that the notion of Japanese uniqueness is itself a cultural myth generated by nationalist and particularist trends originating in the Tokugawa era.The volume features an essay by Kenzaburo Oe, winner of the Nobel Prize for Literature, entitled'Japan, the Dubious, and Myself.'Charles Wei-hsun Fu is Professor of Buddhism and East Asian Thought at Temple University. He is the editor of several book series in America and Taiwan and has authored numerous books and articles and lectured extensively throughout East Asia. Steven Heine is Associate Professor of Religious Studies and History at Pennsylvania State University. His other works include Existential and Ontological Dimensions of Time in Heidegger and Dogen; Dogen and the Koan Tradition: A Tale of Two Shobogenzo Texts; and A Study of Dogen: His Philosophy and Religion; all published by SUNY Press.

The author uses collections of Irish folklore dating from 1860 to 1940 to consider accounts of magic, luck, and women, especially mothers, and their labors to avoid supernatural hazards. Topics considered include changelings, fairies, mothering, and dead mothers. An overview of 19th and 20th century Irish history, include Land Acts transferring land ownership to tenants, education and literacy, and Irish independence, is provided.