This comprehensive and beautifully illustrated collection of essays conveys a vivid picture of a fascinating and hugely significant period in history, the Fin de Siècle. Featuring contributions from over forty international scholars, this book takes a thematic approach to a period of huge upheaval across all walks of life, and is truly innovative in examining the Fin de Siècle from a global perspective. The volume includes pathbreaking essays on how the period was experienced not only in Europe and North America, but also in China, Japan, the Middle East, Latin America, Africa, India, and elsewhere across the globe. Thematic topics covered include new concepts of time and space, globalization, the city, and new political movements including nationalism, the'New Liberalism', and socialism and communism. The volume also looks at the development of mass media over this period and emerging trends in culture, such as advertising and consumption, film and publishing, as well as the technological and scientific changes that shaped the world at the turn of the nineteenth century, such as the invention of the telephone, new transport systems, eugenics and physics. The Fin-de-Siècle World also considers issues such as selfhood through chapters looking at gender, sexuality, adolescence, race and class, and considers the importance of different religions, both old and new, at the turn of the century. Finally the volume examines significant and emerging trends in art, music and literature alongside movements such as realism and aestheticism. This volume conveys a vivid picture of how politics, religion, popular and artistic culture, social practices and scientific endeavours fitted together in an exciting world of change. It will be invaluable reading for all students and scholars of the Fin-de-Siècle period.

A History of Cookbooks provides a sweeping literary and historical overview of the cookbook genre, exploring its development as a part of food culture beginning in the Late Middle Ages. Studying cookbooks from various Western cultures and languages, Henry Notaker traces the transformation of recipes from brief notes with ingredients into detailed recipes with a specific structure, grammar, and vocabulary. In addition, he reveals that cookbooks go far beyond offering recipes: they tell us a great deal about nutrition, morals, manners, history, and menus while often providing entertaining reflections and commentaries. This innovative book demonstrates that cookbooks represent an interesting and important branch of nonfiction literature.

Narratives come in many forms, fall into many genres, and tell the stories of an endless assortment of characters. Despite recurring themes and conceits in works from around the world, each story—from biography to science fiction—is singular and designed to elicit a distinct emotional response from its readers. The rhetorical tools and literary styles that have helped reinvent the art and study of storytelling over time are surveyed in this captivating volume.

Europa vor dem Ersten Weltkrieg: Im Zentrum der internationalen und globalen Beziehungen agiert die Weltmacht Großbritannien. Auf allen Ebenen der Diplomatie versucht es die alten Bündnisse der europäischen Staaten aufzubrechen. Die Geschichtswissenschaft hat diese Bemühungen bisher als Reaktionen auf die aggressive Außenpolitik des Deutschen Kaiserreiches interpretiert. Andreas Rose kann dagegen aufzeigen, wie sehr die englische Außenpolitik von ganz anderen Interessen getrieben wurde: innerbritischen, kontinentalen und imperialen. Der Autor entwirft den politischen Raum Londons, in dem über außen- und sicherheitspolitische Maßnahmen intensiv diskutiert wurde und aus dem heraus Entscheidungen getroffen wurden. Auf breiter Quellenlage bezieht er damit erstmals systematisch die komplexe Innenseite britischen Außenverhaltens mit ein und betrachtet darüber hinaus das Spannungsverhältnis imperialer und europäischer Interessen und Motive. Dabei wird deutlich, dass von einer parteiübergreifenden Kontinuität ebenso wenig die Rede sein kann, wie von einer überwiegend altruistischen Balancepolitik. Gerade die zunehmende Unterstützung Russlands, namentlich auf dem Balkan, brachte keine gleichgewichtspolitische Entlastung, sondern schuf ein zusätzliches Gefahrenpotential, welches sich bis 1914 nicht mehr beruhigen sollte.

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Das Deutsche Historische Institut in London wurde 1976 eröffnet und unterstützt Forschungen zur Neueren Geschichte, besonders zur vergleichenden Geschichte von Großbritannien und Deutschland, zur Geschichte des Britischen Empires und zu den deutsch-englischen Beziehungen. Die'Veröffentlichungen'publizieren entsprechend maßgebliche Forschungen zu diesen Themengebieten. Weitere Informationen unter: http://www.ghil.ac.uk

In addition to its more well known literary and artistic origins, the French surrealist movement drew inspiration from currents of psychological anxiety and rebellion running through a shadowy side of mass culture, specifically in fantastic popular fiction and sensationalistic journalism. The provocative nature of this insolent mass culture resonated with the intellectual and political preoccupations of the surrealists, as Robin Walz demonstrates in this fascinating study. Pulp Surrealism weaves an interpretative history of the intersection between mass print culture and surrealism, re-evaluating both our understanding of mass culture in early twentieth-century Paris and the revolutionary aims of the surrealist movement.Pulp Surrealism presents four case studies, each exploring the out-of the-way and impertinent elements which inspired the surrealists. Walz discusses Louis Aragon's Le paysan de Paris, one of the great surrealist novels of Paris. He goes on to consider the popular series of Fantômes crime novels; the Parisan press coverage of the arrest, trial, and execution of mass-murderer Landru; and the surrealist inquiry'Is Suicide a Solution?', which Walz juxtaposes with reprints of actual suicide faits divers (sensationalist newspaper blurbs).Although surrealist interest in sensationalist popular culture eventually waned, this exploration of mass print culture as one of the cultural milieux from which surrealism emerged ultimately calls into question assumptions about the avant-garde origins of modernism itself.

What do Pamela, Shamela, and Evelina have in common? Who is Coningsby? Where is The Moonstone? When does one need A Room of One's Own? Why is it that Oranges Are Not the Only Fruit? And just how good is the British novel? These are just a few of the questions answered in The Columbia History of the British Novel. John Richetti's comprehensive history takes us from the birth of the novel in the eighteenth century through its social and culture-conscious growing pains in the nineteenth century to its angst-ridden maturity in the twentieth century. Concise, cohesive, and complementary to any collection of must-read classics, The Columbia History of the British Novel challenges and enlightens us by examining canonical writers as well as women and postcolonial novelists. Discover the origins of the novel in the'scandalous'books of Aphra Behn, Eliza Haywood, and Delarivier Manley and follow its development through Samuel Richardson, Henry Fielding, and Laurence Sterne against the backdrop of the novel's meteoric rise in the 1700s. Follow Frances Burney and the rise of the woman novelist, and the gothic novel as invented by Horace Walpole and perfected by Mary Shelley and Matthew Lewis. Remember remarkable reunions in Jane Austen; the bond between chivalry, Waverley, and Sir Walter Scott; the Brontes, Amelia Opie, Maria Edgeworth, and the tradition of Romantic women's fiction; Charles Dickens and the professionalization of literature; George Eliot and the novel of ideas; and Wilkie Collins and the sensation mania of the 1860s. Continue through the nineteenth century with the'Condition of England'novels of Benjamin Disraeli and Elizabeth Gaskell, Hardy's tales of class and sexual difference, and Anglo-Indian perspectives on the empire from Rudyard Kipling and Philip Meadows Taylor. Enter the twentieth century and examine the modern novel with Joseph Conrad, James Joyce, and Virginia Woolf. Then trace the anti-modernist movement with Kingsley Amis, C.P. Snow, and Angus Wilson and, finally, keep up with contemporaries - Doris Lessing, A.S. Byatt, Anita Brookner, Julian Barnes, Kazuo Ishiguro, and Jeanette Winterson. The Columbia History of the British Novel lets us do all these things as it presents literary critics: Toni Bowers on early amatory fiction; James Thompson on Jane Austen; Ina Ferris on William Thackeray; David Trotter on Arnold Bennett, George Moore, and George Gissing; Michael Gorra on colonial and postcolonial novels from Rudyard Kipling to Salman Rushdie; Michael Seidel on James Joyce; and Carol McGuirk on postwar feminisms from Margaret Drabble to Angela Carter. The Columbia History of the British Novel examines classics in light of the critical theories of Bakhtin, Lukacs, and Foucault, among others, as well as a panoply of such subgenres as picaresque fiction, adventures, travelogues, utopian and dystopian prose, historical romances, detective novels, sentimental novels, and the Bildungsroman. This superb history also includes brief biographies of novelists discussed and lists of further reading.

During the Great War many elementary schoolteachers volunteered. Some were outstanding sportsmen. The search for these 'insignificant' men has only just begun. Rescued from Obscurity is a tribute to and an as yet far from complete record of these forgotten of the conflict, trained in denominational and non-denominational colleges and inculcated in both with a period belief in the moral qualities allegedly inherent in games playing. Within the college system, incidentally, not all were loyal to the crown. Some had a different allegiance, a fact that to date has received virtually no attention. [ABSTRACT FROM AUTHOR]

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