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uncomm on vision.
DENNY, PHILLIP
Periodical Periodical | Architectural Digest. Dec2023, Vol. 80 Issue 11, p74-85. 12p. 13 Color Photographs. Please log in to see more details
Dutch architect Rem Koolhaas has designed a minimalist lakeside house in Austria, a de... more
uncomm on vision.
Architectural Digest. Dec2023, Vol. 80 Issue 11, p74-85. 12p. 13 Color Photographs.
Dutch architect Rem Koolhaas has designed a minimalist lakeside house in Austria, a departure from his usual megaprojects. The house, created in collaboration with architect Federico Pompignoli, is Koolhaas's first built house in almost three decades. Situated on a narrow plot, the house is partially buried within the hillside and features a narrow tower rising from the street. The structure is characterized by its white concrete exterior and a lustrous finish that resembles fine porcelain. The house offers stunning views of the Alpine landscape and incorporates elements such as a sauna, a stainless-steel kitchen, and a terrace. This project represents a shift in scale and pace for Koolhaas, who is known for his large-scale buildings in big cities. [Extracted from the article]

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KOOLHAAS, Rem, 1944- - CITIES & towns - MINIMAL design - SAUNA - AUSTRIA

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THE SCAPEGOAT.
LEWIS, HELEN
Periodical Periodical | Atlantic Monthly. Nov2022, Vol. 330 Issue 4, p58-68. 11p. 3 Color Photographs, 1 Cartoon or Caricature. Please log in to see more details
While LaBouvier was tweeting her complaints about the Basquiat show, the senior staff ... more
THE SCAPEGOAT.
Atlantic Monthly. Nov2022, Vol. 330 Issue 4, p58-68. 11p. 3 Color Photographs, 1 Cartoon or Caricature.
While LaBouvier was tweeting her complaints about the Basquiat show, the senior staff had been focused on the next exhibition at the museum, which showcased the work of the architect Rem Koolhaas. She stood up after LaBouvier, and said that the museum "does truly respect and appreciate your work" and that LaBouvier's research had been acknowledged by the panel. Spector's offer led to a high-profile exhibition at one of New York's most prominent art institutions, making LaBouvier a trailblazing Black curator in a white-dominated world. He urged LaBouvier to focus on the importance of the exhibition to Basquiat's and Michael Stewart's legacies, and what it would mean to have a museum as powerful as the Guggenheim address the subject of police racism. [Extracted from the article]

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Koolhaas, Rem, 1944- - Museum studies - Black Lives Matter movement - Cultural pluralism

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1965. Rem Koolhaas in the Soviet Union
Sharapov Ivan A.
Academic Journal Academic Journal | Художественная культура, Iss 1, Pp 306-325 (2024) Please log in to see more details
The article examines the formative interrelations between the phenomenology of impress... more
1965. Rem Koolhaas in the Soviet Union
Художественная культура, Iss 1, Pp 306-325 (2024)
The article examines the formative interrelations between the phenomenology of impressions and the formation of a projective approach to architecture based on the fact of the journey of the Dutch architect R. Koolhaas to the Soviet Union (1965). The conducted research involves a textual analysis of the facts in the architect’s biography, which directionally reveals the specifics of the influence of the “phenomenology of impressions”. The article clarifies the significance of the architect’s visit to the USSR, and establishes the formation features of a design approach to architecture. For the Dutch architect, the avant-garde architecture of the Soviet Russia and, in particular, constructivism, represented the basis and the vector of influences that determined the formation of the professional value orientations reflected in the specific concept of the purified formal aesthetics of architecture. The author of the article determines the factors in the formation of R. Koolhaas’ approach related to the experience of conceptual projects of V. Tatlin, K. Malevich, M. Ginzburg, and I. Leonidov. The cited sources (interviews, statements, and lectures) document the pragmatics of the experience of the Soviet constructivist architecture in the context of modern conceptual reality of the deconstruction movement and global architecture. Conclusions are drawn about the relationship between the phenomenon of the Soviet avant-garde architecture (genetic continuity, reception of ideas) and the modern architecture of the deconstruction movement.

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text in architecture - rem koolhaas - moisei ginzburg - ivan leonidov - peter eisenman - oswald mathias ungers - constructivism - deconstruction - projective approach - Arts in general - NX1-820

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Rem Koolhaas : a kind of architect / ein Film von Heidingsfelder Tesch ; Regie, Markus Heidingsfelder, Min Tesch.
Streaming video | 2008
Available at Available Online Academic Video Online (USU and USU Eastern) (Call number: Streaming Video)
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Rem Koolhaas / Hans Ulrich Obrist.
Obrist, Hans Ulrich.
Book | 2006
Available at Available Merrill-Cazier Fine Arts Area (Lower Level) (Call number: NA 1153 .K64 A35 2006)
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editor’s letter.
ASTLEY, AMY
Periodical Periodical | Architectural Digest. Dec2023, Vol. 80 Issue 11, p16-16. 1p. 3 Color Photographs. Please log in to see more details
Architectural Digest's editor's letter discusses the work of renowned Dutch architect ... more
editor’s letter.
Architectural Digest. Dec2023, Vol. 80 Issue 11, p16-16. 1p. 3 Color Photographs.
Architectural Digest's editor's letter discusses the work of renowned Dutch architect Rem Koolhaas, who has designed very few private residences throughout his career. The article highlights Koolhaas's influential writings and large-scale projects, which have made him a prominent figure in the field. The focus of the letter is on Koolhaas's recently completed Austrian House, a 3,000 square foot structure that embodies his theories of sophisticated machinery and simplicity in harmony with nature. The article also emphasizes the importance of a strong collaboration between designer and client in creating exceptional homes. [Extracted from the article]

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KOOLHAAS, Rem, 1944- - SIMPLICITY - ARCHITECTS - DESIGNERS - MACHINERY

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Dutchtown : a city centre design by OMA/Rem Koolhaas / Michelle Provoost, Bernard Colenbrander, Floris Alkemade.
Provoost, Michelle.
Book | 1999
Available at Available Merrill-Cazier Books (2nd Floor South) (Call number: HT 169 .N42 A45X 1999)
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Spirited Finale: The last piece in the Prada arts complex in Milan opens.
STEPHENS, SUZANNE
Periodical Periodical | Architectural Record. Jun2018, Vol. 206 Issue 6, p99-104. 6p. 9 Color Photographs, 2 Diagrams. Please log in to see more details
The article reviews the architectural design of the Tower exhibition venue of the Prad... more
Spirited Finale: The last piece in the Prada arts complex in Milan opens.
Architectural Record. Jun2018, Vol. 206 Issue 6, p99-104. 6p. 9 Color Photographs, 2 Diagrams.
The article reviews the architectural design of the Tower exhibition venue of the Prada Foundation in Milan, Italy that was designed by Office for Metropolitan Architecture (OMA) founder Rem Koolhaas with partner Christopher van Duijn.

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KOOLHAAS, Rem, 1944- - EXHIBITION building design & construction

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Small, medium, large, extra-large : Office for Metropolitan Architecture, Rem Koolhaas, and Bruce Mau / edited by Jennifer Sigler ; photography by Hans Werlemann.
Book | 1998
Available at Available Merrill-Cazier Fine Arts Area (Lower Level) (Call number: NA 1153 .K64 S63 1998)
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Bangkok: 1999-2542. Evaluando el legado de la Sexta Edición de 'Cities on the Move'
Francisco García-Moro
Academic Journal Academic Journal | Cuadernos de Proyectos Arquitectónicos, Vol 0, Iss 13, Pp 30-43 (2023) Please log in to see more details
“Cities on the Move” fue una exposición itinerante de arte comisariada por Hans-Ulrigh... more
Bangkok: 1999-2542. Evaluando el legado de la Sexta Edición de 'Cities on the Move'
Cuadernos de Proyectos Arquitectónicos, Vol 0, Iss 13, Pp 30-43 (2023)
“Cities on the Move” fue una exposición itinerante de arte comisariada por Hans-Ulrigh Obrist y Hou Hanru dedicada a las emergentes ciudades de Asia. La sexta edición tuvo lugar en 1999 en Bangkok, una ciudad que aún se estaba recuperando de una grave crisis financiera. Por aquel entonces, la capital tailandesa carecía de recintos expositivos aptos para muestras internacionales. Sin embargo, tal inconveniente se convirtió en una oportunidad para exponer las obras de arte en el mismo contexto urbano para el que habían sido concebidas. El acontecimiento tuvo lugar en un contexto no-occidental que se encontraba en el apogeo de su particular encarnación de la Postmodernidad, un período histórico en el que la globalización estaba en una fase incipiente y el ascenso de China era aún una mera promesa. El manifiesto de los comisarios, así como el montaje expositivo de la muestra, estuvieron marcadamente influidos por las visionarias ideas del arquitecto holandés Rem Koolhaas acerca del vertiginoso desarrollo en ciernes de Asia. Este evento no ha recibido hasta la fecha una atención equiparable a la de otras ediciones que contaron con mejores medios y atención por parte7 de la crítica. Casi veinticinco años después, examinamos a través de la lente de la arquitectura las condiciones que acompañaron a la Sexta Edición de “Cities on the Move” en Bangkok, evaluando su legado como un acontecimiento crucial en el arte contemporáneo y los estudios urbanos en Asia. Abstracts “Cities on the Move” was an itinerant art exhibition curated by Hans-Ulrigh Obrist and Hou Hanru that versed about modern urbanity in Asia. The sixth edition took place in 1999 in Bangkok, a city that was still recovering from a severe financial crisis. At that time, the Thai capital lacked exhibition venues fit for international shows. However, such inconvenience turned into an opportunity to display the artworks right at the urban realm for which they had been created. The event took place in a non-Western setting at the cusp of its particular stance of Postmodernity, at a time when globalization was in its nascent stages and the rise of China was a mere promise. The curatorial manifest, as well as the setup of the itinerant show, was markedly influenced by architect Rem Koolhaas and his vision about the upcoming development of Asia. To date, the Bangkok event has not received the same attention as other editions that enjoyed better support and attention by worldwide critics. Almost twenty-five years later, we examine through the lens of architecture the conditions that accompanied the Sixth Edition of “Cities on the Move”, assessing the significance of its legacy as a pivot moment in contemporary art and urban studies in Asia.

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arte contemporáneo tailandés - “cities on the move” - manit sriwanichpoom - postmodernidad en asia - hans-ulrigh obrist - rem koolhaas - thai contemporary art - cities on the move - postmodernity in asia - Fine Arts - Architecture - NA1-9428

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Bangkok: 1999- 2542. Examining the Legacy of the Sixth Edition of 'Cities on the Move'
Francisco García-Moro
Academic Journal Academic Journal | Cuadernos de Proyectos Arquitectónicos, Vol 0, Iss 13, Pp 98-101 (2023) Please log in to see more details
“Cities on the Move” was an itinerant art exhibition curated by Hans-Ulrigh Obrist and... more
Bangkok: 1999- 2542. Examining the Legacy of the Sixth Edition of 'Cities on the Move'
Cuadernos de Proyectos Arquitectónicos, Vol 0, Iss 13, Pp 98-101 (2023)
“Cities on the Move” was an itinerant art exhibition curated by Hans-Ulrigh Obrist and Hou Hanru that versed about modern urbanity in Asia. The sixth edition took place in 1999 in Bangkok, a city that was still recovering from a severe financial crisis. At that time, the Thai capital lacked exhibition venues fit for international shows. However, such inconvenience turned into an opportunity to display the artworks right at the urban realm for which they had been created. The event took place in a non-Western setting at the cusp of its particular stance of Postmodernity, at a time when globalization was in its nascent stages and the rise of China was a mere promise. The curatorial manifest, as well as the setup of the itinerant show, was markedly influenced by architect Rem Koolhaas and his vision about the upcoming development of Asia. To date, the Bangkok event has not received the same attention as other editions that enjoyed better support and attention by worldwide critics. Almost twenty-five years later, we examine through the lens of architecture the conditions that accompanied the Sixth Edition of “Cities on the Move”, assessing the significance of its legacy as a pivot moment in contemporary art and urban studies in Asia.

Subject terms:

thai contemporary art - cities on the move - manit sriwanichpoom - postmodernity in asia - hans-ulrigh obrist - rem koolhaas - Fine Arts - Architecture - NA1-9428

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Reformulating Koolhaas’ strategy of the void
Jason Eugen Giovanni Thuer;Sung-Taeg Nam
Academic Journal Academic Journal | Journal of Asian Architecture and Building Engineering, Vol 0, Iss 0, Pp 1-34 (2023) Please log in to see more details
This article deals with the topic of void as a design instrument and theory in archite... more
Reformulating Koolhaas’ strategy of the void
Journal of Asian Architecture and Building Engineering, Vol 0, Iss 0, Pp 1-34 (2023)
This article deals with the topic of void as a design instrument and theory in architectural design, with a focus on Rem Koolhaas and his specific void design approach. The primary goal is to examine Koolhaas’ perception and usage of void as a design element to continue his theory of the Strategy of the Void I and II by creating some novel design strategies similar to his. To achieve this, the topic of void was broadly analyzed, reaching from the analysis and interpretation of various writings and theoretical works to four pivotal void-projects from Koolhaas. As a result, a genealogy surrounding Koolhaas’ Strategy of the Void I and II has emerged alongside four distinct design strategies which are named after their used void design action of (a) juxtaposition, (b) superposition, (c) cutting, and (d) excavating. Each of these strategies can be used to create a specific design outcome such as (a) an overarching concept, (b) a connection between entities (circulation), (c) architectural spaces, and (d) a contrast. Moreover, it was found that the former two strategies can be categorized as preceding and the latter two as proceeding void design strategies in relation to Koolhaas’ original ones.

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strategy of the void - rem koolhaas - void - cutting - excavating - Architecture - NA1-9428 - Building construction - TH1-9745

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The collage of void versus solid: Ungers and Koolhaas: void as a design element and theory
Jason Eugen Giovanni Thuer;Sung-Taeg Nam
Academic Journal Academic Journal | Journal of Asian Architecture and Building Engineering, Vol 22, Iss 6, Pp 3338-3366 (2023) Please log in to see more details
This article focuses on the potential of void as a design instrument on different leve... more
The collage of void versus solid: Ungers and Koolhaas: void as a design element and theory
Journal of Asian Architecture and Building Engineering, Vol 22, Iss 6, Pp 3338-3366 (2023)
This article focuses on the potential of void as a design instrument on different levels. The goal is to present a conscious void design strategy with void as the driving design element. To achieve this, void as a term and design technique was broadly analyzed. Reaching from its definition, interpretation, perception, and typology to a case study analysis, the focuses is on four projects each from Ungers and Koolhaas. Three topics were synthesized from this analysis concerning the manifestation of the void, its characteristics, and finally its usage as a design strategy. First, it was identified that void can be perceived and interpreted differently, manifesting itself in various ways, such as a one-, two-, or three-dimensional object. Second, the characteristics of void can be termed as programmatic flexibility and incompleteness: the possibility of void to contain multiple programs and to establish relationships with its program to its surroundings. Third, two design strategies were derived: “collaging solid figures” and “collaging void figures.” The first generates void indirectly by collaging solids, whereby the void is generated in between, and the latter generates void directly by collaging the void itself.

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solid - void - collage - o. m. ungers - rem koolhaas - Architecture - NA1-9428 - Building construction - TH1-9745

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LA RELACIÓN ENTRE EL DIBUJO Y LA ESCRITURA EN LA FORMACIÓN COMO ARQUITECTO (1968-1972) DE REM KOOLHAAS.
Ventura Blanch, Ferrán
Academic Journal Academic Journal | Revista de EGA. 2020, Vol. 25 Issue 40, p254-265. 12p. Please log in to see more details
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The Trailblazing Architect Rem Koolhaas Mulls the Empty Spaces In a Suddenly Frozen World.
Luscombe, Belinda
Periodical Periodical | TIME Magazine. 5/25/2020, Vol. 195 Issue 19, p12-13. 2p. 1 Color Photograph. Please log in to see more details
The article shares the views of Dutch architect Rem Koolhaas on a range of issues that... more
The Trailblazing Architect Rem Koolhaas Mulls the Empty Spaces In a Suddenly Frozen World.
TIME Magazine. 5/25/2020, Vol. 195 Issue 19, p12-13. 2p. 1 Color Photograph.
The article shares the views of Dutch architect Rem Koolhaas on a range of issues that concern architecture amidst the COVID-19 pandemic. Topics discussed include his views on the public space and purpose of airports, his views on the importance of architecture that accommodates machines and robots, and his interest in architectural theme that lacks attention like his museum project at Gorky Park in Moscow, Russia.

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KOOLHAAS, Rem, 1944- - ARCHITECTURE - COVID-19 pandemic - AIRPORTS - MUSEUM buildings

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KOOLHAAS BUILDS THE NEXT WORLD WONDER.
DICKEY, CHRISTOPHER
Periodical Periodical | Newsweek. 7/23/2012, Vol. 160 Issue 4/5, p46-51. 6p. 4 Color Photographs, 1 Black and White Photograph, 1 Diagram. Please log in to see more details
The article discusses the architect Rem Koolhaas and the China Central Television (CCT... more
KOOLHAAS BUILDS THE NEXT WORLD WONDER.
Newsweek. 7/23/2012, Vol. 160 Issue 4/5, p46-51. 6p. 4 Color Photographs, 1 Black and White Photograph, 1 Diagram.
The article discusses the architect Rem Koolhaas and the China Central Television (CCTV) headquarters, a building in Beijing, China which Koolhaas designed. The article examines Koolhaas' life and career, his decision to work in China with the Beijing politburo, and the design of the building, which includes a loop. Koolhaas discusses the role of architecture in cities and the energy of Chinese cities.

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KOOLHAAS, Rem, 1944- - ARCHITECTURE - ARCHITECTS - BEIJING (China) - CHINA

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Extra-Large.
Goldhagen, Sarah Williams
Periodical Periodical | New Republic. 7/31/2006, Vol. 235 Issue 5, p21-26. 6p. 2 Color Photographs. Please log in to see more details
The article focuses on the influence of architect Rem Koolhaas on contemporary urban d... more
Extra-Large.
New Republic. 7/31/2006, Vol. 235 Issue 5, p21-26. 6p. 2 Color Photographs.
The article focuses on the influence of architect Rem Koolhaas on contemporary urban design. Influences on Koolhaas, including architects Alison and Peter Smithson, as well as his childhood in Jakarta, Indonesia are discussed. The views of Koolhaas on the function of public space is discussed, as well as architectural philosophy.

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KOOLHAAS, Rem, 1944- - ARCHITECTURAL design - PUBLIC spaces - URBAN planning - AMBIENCE (Environment)

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A Modest Proposal.
McGuigan, Cathleen
Periodical Periodical | Newsweek. 6/21/2010, Vol. 155 Issue 25, p48-51. 4p. 3 Color Photographs. Please log in to see more details
The article discusses a trend in European and American architecture away from flamboya... more
A Modest Proposal.
Newsweek. 6/21/2010, Vol. 155 Issue 25, p48-51. 4p. 3 Color Photographs.
The article discusses a trend in European and American architecture away from flamboyant structures and more toward functional and efficient design. Innovation and creativity are increasingly being directed towards making a building more sustainable. Renzo Piano and Rem Koolhaas are among designers embracing the new ethic.

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ARCHITECTURE - BUILDINGS - PIANO, Renzo, 1937- - KOOLHAAS, Rem, 1944- - SUSTAINABLE architecture

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ZAHA HADID.
GOLDBERGER, PAUL
Periodical Periodical | Architectural Record. May2016, Vol. 204 Issue 5, p98-105. 8p. Please log in to see more details
A biography of Iraqi architect Zaha Hadid is presented. She was born on October 31, 19... more
ZAHA HADID.
Architectural Record. May2016, Vol. 204 Issue 5, p98-105. 8p.
A biography of Iraqi architect Zaha Hadid is presented. She was born on October 31, 1950 in Baghdad, Iraq and arrived at the Architectural Association in London, England in 1972 to study under Rem Kolhaas. She run a 400-person practice in London and her work was described as intellectually ambitious but practical and buildable. She was the first woman to be awarded the Royal Gold Medal for architecture by the Royal Institute of British Architects (RIBA) in 2015. She died on March 31, 2016.

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HADID, Zaha, 1950-2016 - ARCHITECTS - KOOLHAAS, Rem, 1944- - ROYAL Gold Medal - ROYAL Institute of British Architects

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FASHION FORWARD.
BERNSTEIN, FRED
Periodical Periodical | Architectural Record. Jul2015, Vol. 203 Issue 7, p56-62. 7p. Please log in to see more details
The article evaluates the design of the building Prada Foundation in Milan, Italy, a r... more
FASHION FORWARD.
Architectural Record. Jul2015, Vol. 203 Issue 7, p56-62. 7p.
The article evaluates the design of the building Prada Foundation in Milan, Italy, a reuse of a distillery complex, designed by architect Rem Koolhaas and the architectural firm Office for Metropolitan Architecture (OMA).

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FONDAZIONE Prada (Milan, Italy) - OFFICE for Metropolitan Architecture (Company) - KOOLHAAS, Rem, 1944-

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REM AT BOTH SIDES OF THE MIRROR.
Butragueño, Belén
Conference Conference | International Multidisciplinary Scientific Conference on Social Sciences & Arts SGEM. 2017, p693-700. 8p. Please log in to see more details
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An analysis of Rem Koolhaas's discourses on architecture and urban design using a corpus-based model
Melis Yazici;Serap Durmus Ozturk
Academic Journal Academic Journal | Frontiers of Architectural Research, Vol 12, Iss 2, Pp 222-241 (2023) Please log in to see more details
This paper explores the networks of thoughts behind words by reading architectural tex... more
An analysis of Rem Koolhaas's discourses on architecture and urban design using a corpus-based model
Frontiers of Architectural Research, Vol 12, Iss 2, Pp 222-241 (2023)
This paper explores the networks of thoughts behind words by reading architectural texts in the context of linguistics. Using a corpus-based model, our main interest is what the collocational data contribute at an architectural level. The notion of “collocation identification in architecture” was drawn from an analysis of the use of the data for Rem Koolhaas. The data for this study were collected from Rem Koolhaas's articles from 1977 to 2014. An analysis of Koolhaas's ideas about architecture and urban planning was conducted using the AntConc 3.4.4.0 corpus analysis toolkit. The corpus-based model reduced selected articles to words and lexical bundles using the corpus analysis toolkit. This paper explores Koolhaas's thoughts on understanding architecture and the metaphors he uses by analyzing articles using the corpus-based analysis model. The discourse codes in the texts of Koolhaas are examined. A corpus-based model proposal tested on architectural texts has the potential to create new areas of knowledge for architectural discourse. Deciphering the texts and analyzing the codes contribute to the development of new models.

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Architecture - Urban design - Discourse - Rem Koolhaas - Corpus-based model - NA1-9428

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ONE FOR THE BOOKS.
Lacayo, Richard
Periodical Periodical | TIME Magazine. 4/26/2004, Vol. 163 Issue 17, p136-138. 3p. 5 Color Photographs. Please log in to see more details
Offers a look at the architecture of the Seattle Central Library in Washington, design... more
ONE FOR THE BOOKS.
TIME Magazine. 4/26/2004, Vol. 163 Issue 17, p136-138. 3p. 5 Color Photographs.
Offers a look at the architecture of the Seattle Central Library in Washington, designed by Dutch architect Rem Koolhaas. Reference to Koolhaas' Prada store in Beverly Hills, California, and to his McCormick Tribune Campus Center at Chicago's Illinois Institute of Technology; Projects underway at Koolhaas' firm, the Office for Metropolitan Architecture; Reference to his book "Delirious New York"; Desire to promote human interaction through his architecture; Discussion of Koolhaas' commission to build the headquarters in Beijing for China Central Television.

Subject terms:

KOOLHAAS, Rem, 1944- - ARCHITECTURAL design - LIBRARY design & construction - STRUCTURAL design - COMPOSITION in architecture - COMMUNICATION in architectural design - WASHINGTON (State) - UNITED States

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