Music -- Early works to 1800See also what's at your library, or elsewhere.
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Filed under: Music -- Early works to 1800- Three treatises. The first concerning art. The second concerning music, painting, and poetry. The third concerning happiness. (London : Printed by H. Woodfall, jun. for J. Nourse, without Temple-Bar, and P. Vaillant, facing Southampton-street in the Strand, M.dcc.xliv [1744], 1744), by James Harris, Paul Vaillant, J. Nourse, and H. Woodfall (page images at HathiTrust)
- Cursus seu mundus mathematicus . (Ex officina Anissoniana, 1674), by Claude-François Milliet Dechales (page images at HathiTrust)
- Harris's works, vol. I. (Printed for Iohn Nourse and Paul Vaillant, 1772), by James Harris (page images at HathiTrust)
- Phantasien über die Kunst, von einem kunstliebenden Klosterbruder (In der Realschulbuchhandlung, 1814), by Wilhelm Heinrich Wackenroder and Ludwig Tieck (page images at HathiTrust)
- Ars magna consoni et dissoni (Ex typographia Haeredum Francisci Corbelletti, 1650), by Athanasius Kircher and Jacobus Viva (page images at HathiTrust)
- Phantasien über die Kunst, für Freunde der Kunst (Bey Friedrich Perthes, 1799), by Wilhelm Heinrich Wackenroder, Friedrich Christoph Perthes, Joseph Berglinger, and Ludwig Tieck (page images at HathiTrust)
- Herzensergiessungen eines kunstliebenden Klosterbruders (F. A. Herbig, 1822), by Wilhelm Heinrich Wackenroder and Ludwig Tieck (page images at HathiTrust)
- Monochordon symbolico-biomanticum. Abstrusissimam pulsuum doctrinam, ex harmoniis musicis dilucide, figurisque oculariter demonstrans ... (Typis & impensis Balthasari Kühnen, 1640), by Samuel Hafenreffer (page images at HathiTrust)
- The praise of musicke wherein besides the antiquitie, dignitie, delectation, & vse thereof in ciuill matters, is also declared the sober and lawfull vse of the same in the congregation and church of God. (Printed at Oxenford : By Ioseph Barnes printer to the Vniuersitie, anno 1586), by John Case (HTML at EEBO TCP)
Filed under: Composition (Music) -- Early works to 1800
Filed under: Instrumental music -- Early works to 1800- Lachrimæ, or Seauen teares figured in seauen passionate pauans vvith diuers other pauans, galiards, and almands, set forth for the lute, viols, or violons, in fiue parts: By Iohn Dowland Bacheler of Musicke, and lutenist to the most royall and magnificent, Christian the fourth, King of Denmarke, Norway, Vandales, and Gothes, Duke of Sleswicke, Holsten, Stormaria, and Ditmarsh: Earle of Oldenburge and Delmenhorst. (London : Printed by Iohn Windet, dwelling at the signe of the Crosse Keyes at Povvles Wharfe, and are to be solde at the authors house in Fetter-lane neare Fleet-streete, [1604]), by John Dowland (HTML at EEBO TCP)
- Captaine Humes poeticall musicke Principally made for two basse-viols, yet so contriued, that it may be plaied 8. seuerall waies vpon sundry instruments with much facilitie. 1 The first way or musicke is for one bass-viole to play alone in pares, which standeth alwaies on the right side of this booke. 2 The second musicke is for two basse-viols to play toghether. 3 The third musicke, for three basse-viols to play together. 4 The fourth musicke, for two tenor viols and a basse-viole. 5 The fift musicke, for two lutes and a basse-viole. 6 The sixt musicke, for two orpherions and a basse-viole. 7 The seuenth musicke, to vse the voyce to some of these musicks, but especially to the three basse-viols, or to the two orpherions with one basse-viole to play the ground. 8 The eight and last musicke, in conforting all these instruments together with the virginals, or rather with a winde instrument and the voice Composed by Tobias Hume gentleman. (London : Printed by Iohn VVindet, 1607), by Tobias Hume (HTML at EEBO TCP)
Filed under: Music printing -- Early works to 1800- Manuel typographique, utile aux gens de lettres, & à ceux qui exercent les différentes parties de l'art de l'imprimerie. (imprimé par l'auteur, rue des Postes, & se vend chez Barbou, rue S. Jacques, 1764), by le jeune Fournier, Joseph-Gérard Barbou, M. Gando, Jacques Eustache de Sève, Hubert François Gravelot, and Etienne Fessard (page images at HathiTrust)
Filed under: Music theory -- Early works to 1800- Musicae Compendium (in Latin; Amsterdam: Typ. Blaviana, 1683), by René Descartes
- Utriusque Cosmi Maioris Scilicet et Minoris Metaphysica, Physica atque Technica Historia (2 volumes, in Latin; ca. 1617), by Robert Fludd
- Harmonies of the World, by Johannes Kepler, trans. by Charles Glenn Wallis (HTML with commentary at sacred-texts.com)
- The alliance of musick, poetry and oratory. Under the head of poetry is considered the alliance and nature of the epic and dramatic poem, as it exists in the Iliad, Aeneid and Paradise Lost. (Printed for John Stockdale, 1789), by Anselm Bayly and James E. Matthew (page images at HathiTrust)
- Mémoire sur la musique des anciens, oú l'on expose le principe des proportions authentiques, dites de Pythagore, & de divers systêmes de musique chez les Grecs, les Chinois & les Egyptiens. Avec un parallèle le systême des Egyptiens & celui des modernes. (Lacombe, 1770), by Pierre-Joseph Roussier (page images at HathiTrust)
- Histoire de l'harmonie au moyen âge (V. Didron, 1852), by Charles Edmond Henri de Coussemaker (page images at HathiTrust)
- A treatise of musick, speculative, practical and historical (Printed for the author, 1721), by Alexander Malcolm and Mr. Mitchell (page images at HathiTrust)
- Il mvsico testore (A. Bortoli, 1706), by Zaccaria Tevo (page images at HathiTrust)
- Breue et facile maniera d'essercitarsi a far passaggi, Roma 1593 (? 1603) (M. Breslauer, 1922), by Giovanni Luca Conforti (page images at HathiTrust; US access only)
- Musica practica, Bartolomei Rami de Pareja, Bononiae. Impressa opere et industria ac expensis magistri Baltasaris de Hiriberia MCCCCLXXXII. (Breitkopf & Härtel, 1968), by Bartolomeo Ramos de Pareja and Johannes Wolf (page images at HathiTrust; US access only)
- Die Quaestiones in Musica, ein Choraltraktat des zentralen Mittelalters und ihr mutmasslicher Verfasser (Breitkopf & Härtel, 1911), by Rudolf Steglich and Rodolphe de Saint-Trond (page images at HathiTrust; US access only)
- Elemens de musique, theorique et pratique (Broude Brothers, 1966), by Jean Le Rond d' Alembert (page images at HathiTrust; US access only)
- Breve dichiarazione della battuta musicale (Forni, 1969), by Agostino Pisa (page images at HathiTrust; US access only)
- Die propaedeutik der Araber im zehnten jahrhundert (E.S. Mittler, 1865), by Ikhwān al-Ṣafāʼ and Friedrich Dieterici (page images at HathiTrust)
- Recanetum de musica aurea (Forni, 1969), by Stefano Vanneo (page images at HathiTrust; US access only)
- In hoc opere contenta. Arithmetica decem libris demonstrata. Musica libris demonstrata quattuor. Epitome in libros arithmeticos divi Severini Boetii. Rithmimachie ludus qui et pugna numerorum appellat. (... Joannes Higmanus et Volgangus Hopilius ..., 1496), by Nemorarius Jordanus, Boethius, and Jacques Lefèvre d'Etaples (page images at HathiTrust)
- Ars cantandi, das ist, Richtiger und aussführlicher Weg die Jugend aus dem rechten Grund in der Sing-Kunst zu unterrichten (D. Walder, 1969), by Giacomo Carissimi (page images at HathiTrust; US access only)
- A new system of music, both theorical and practical, and yet not mathematical : written in a manner intirely new, that's to say, in a style plane and intelligible, and calculated to render the art more charming, the teaching not only less tedious, but more profitable, and the learning easier by three quarters... (J.F. de Lafond, 1975), by Jean-François de La Fond (page images at HathiTrust; US access only)
- Andreas Ornithoparcvs his Micrologvs; or Introdvction: containing the art of singing. (T. Adams, 1970), by Andreas Ornithoparchus and John Dowland (page images at HathiTrust; US access only)
- La musique theorique et pratique dans son ordre nature ; nouveaux principes (J.B. Christophe Ballard, 1972), by Mr Borin and Didier Saurin (page images at HathiTrust; US access only)
- Micrologus ad praestantiores codices mss. exactus (Desclée, Lefebvre, 1904), by d'Arezzo Guido and Ambrosia Maria Amelli (page images at HathiTrust; US access only)
- Arte minima : que com semibreve prolaçam tratta em tempo breve, os modos da maxima, & longa sciencia da musica ... (Na. officina de Antonio Manescal, 1725), by Manuel Nunes da Silva (page images at HathiTrust)
- Theorica pratica da musica rythmica (Na officina de Miguel Manescal da Costa, impressor do Santo Officio, 1764), by Francisco Ignacio Solano (page images at HathiTrust)
- Arte de canto llano (En la imprenta de los herederos de Juan Pablo, y Maria Marti, 1739), by Berardo Comes y de Puig (page images at HathiTrust)
- Nouveau systême de musique théorique et pratique (Chez Valade, 1777), by Jean-Baptiste Mercadier (page images at HathiTrust)
- Practica musicae vtriusque cātus excellētis Frāchini Gaffori Laudēsis. (multisque erroribus expurgata per Augustinum de Zannis de Pertesio bibliopolam accuratissimum. Anno dominicæ Incarnationis, 1512), by Franchinus Gaffurius (page images at HathiTrust)
- Utriusque cosmi majoris scilicet et minoris metaphysica, physica atque technica historia (aere Johan-Theodori de Bry, typis Hieronymi Galleri, 1617), by Robert Fludd, Hieronymus Galler, Matthaeus Merian, and Johann Theodor de Bry (page images at HathiTrust)
- Die Calliopea legale des Johannes Hothby. Ein beitrag zur musiktheorie des 15. Jahrhunderts ... (Druck von Hesse & Becker, 1897), by A. W. Schmidt (page images at HathiTrust)
- Rameau : intégrale de l'oeuvre théorique (Éditions J.M. Fuzeau, 2004), by Jean-Philippe Rameau, Jean Saint-Arroman, and Bertrand Porot (page images at HathiTrust; US access only)
- Die Musica figuralis des magister Daniel Friderici. Eine Singefibel des 17. Jahrhunderts (C.G. Röder, 1901), by Daniel Friderici (page images at HathiTrust; US access only)
- Dimostrationi harmoniche, nelle quali realmente si trattano le cose della musica (Per Francesco de i Franceschi senese, 1571), by Gioseffo Zarlino (page images at HathiTrust)
- De usu progressionis geometricae in musica (Arnaldo Forni, 1980), by Giovanni Battista Martini (page images at HathiTrust; US access only)
- Rameau : intégrale de l'oeuvre théorique (Éditions J.M. Fuzeau, 2004), by Jean-Philippe Rameau, Jean Saint-Arroman, and Bertrand Porot (page images at HathiTrust; US access only)
- Essai d'une nouvelle théorie de la musique. (Etablissement Géographique, 1839), by Leonhard Euler (page images at HathiTrust)
- Mvsicae compendivm (Amstelodami : Ex Typographica Blaviana, MDCLXXXIII [1683], 1683), by René Descartes and Typographia Blaviani (page images at HathiTrust)
- Harmonicorum instrumentorum libri IV (Lutetiae Parisiorum : Petri Ballardi typographi regij characteribus harmonicis. Sumptibus Guillielmi Baudry, Via Amygdalina, propè Collegium Grassinorum, M.DC.XXXVI. [1636], 1636), by Marin Mersenne, Pierre Ballard, Henri-Louis Habert de Montmor, and Guillaume Baudry (page images at HathiTrust)
- Musicus danicus; eller, Danske sangmester (H. Hagerup, 1928), by Matthias Henriksen Schacht and Godtfred Skjerne (page images at HathiTrust; US access only)
Filed under: Music therapy -- Early works to 1800
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