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• Music publishing -- England -- London

• A short history of cheap music as exemplified in the records of the house of Novello, Ewer & Co. : with especial reference to the first fifty years of the reign of Her Most Gracious Majesty, Queen Victoria; with three portraits and a preface by Sir George Grove ... (Novello, Ewer and Co., 1887), by Dance and Music Fredric Woodbridge Wilson Collection of Theater (page images at HathiTrust)

Items below (if any) are from related and broader terms.

• Quelques souvenirs d'un éditeur de musique : 2e série (1910-1924). (A. Durand et fils, 1925), by Jacques Durand (page images at HathiTrust)
• Quelques souvenirs d'un ʹediteur de musique. (A. Durand et fils, 1924), by Jacques Durand (page images at HathiTrust)
• A short history of cheap music as exemplified in the records of the house of Novello, Ewer & Co. : with especial reference to the first fifty years of the reign of Her Most Gracious Majesty, Queen Victoria (Novello, Ewer, 1887), by Joseph Bennett (page images at HathiTrust)

• New music : published by Geo. Dunn & Co., Richmond, Va. and Julian A. Selby, Columbia S.C. (s.n., 1863) (page images at HathiTrust)

• Breitkopf & Härtel; Gedenkschrift und Arbeitsbericht (Breitkopf & Härtel, 1917), by Oskar von Hase and Hellmuth von Hase (page images at HathiTrust; US access only)

• British music publishers, printers and engravers : London, provincial, Scottish, and Irish, from Queen Elizabeth's reign to George the Fourth's, with select bibliographical lists of musical works printed and published within that period (W.E. Hill & Sons, 1900), by Frank Kidson, W. C. Smith, and Dance and Music Fredric Woodbridge Wilson Collection of Theater (page images at HathiTrust)

• How to write songs that sell (Boston Music Co., 1961), by Arthur Korb (page images at HathiTrust)
• Inside Tin Pan Alley (F.Fell, 1948), by Trudi Michel (page images at HathiTrust)
• How to publish your own music successfully (Jack Gordon pub. co. (not inc.), 1925), by Jack Gordon (page images at HathiTrust)
• How to write a popular song. (Harris, 1906), by Charles Kassell Harris (page images at HathiTrust)
• How to publish your own music successfully : explaining in detail every phase of marketing musical compositions (Jack Gordon Pub., 1919), by Jack Gordon (page images at HathiTrust)
• Essays on song-writing (R. H. Evans, 1810), by John Aiken and Robert Harding Evans (page images at HathiTrust)
• Writing the popular song (The Home Correspondence School, 1916), by E. M. Wickes, Harry Von Tilzer, and J. Berg Esenwein (page images at HathiTrust)
• Song writing and composition. (Cromat publishing co.], 1935), by Jack McMahon (page images at HathiTrust)
• Song-writing and song-making : a book of advice for the amateur composer (G. Schirmer, 1923), by Lucien G. Chaffin (page images at HathiTrust)
• Songwriter's chord progression system. (Progress Music, 1962) (page images at HathiTrust; US access only)

• The gay young swell (Molter & Wurlitzer, 1868), by Rollin Howard and Chicago Lithographing Co (page images at HathiTrust)
• Vocal beauties of Flotow's opera of Martha (F.A. North & Co., 1865), by Friedrich von Flotow and M. L. L. (page images at HathiTrust)
• Chinaman's farewell (S. Brainard's Sons, 1869), by Ching Foo and S. Brainard's Sons (page images at HathiTrust)
• A soldier boy from Bourbon lay gasping on the field (Louisville, Ky. : D.P. Faulds, [1863], 1863), by T. E. Bayley (page images at HathiTrust)
• Hail gentle sleep : ballad (Wm. A. Pond & Co., 1869), by M. W. Balfe and Euphrosyne Parepa-Rosa (page images at HathiTrust)
• The green flag : Fenian war echoes no. 3 (John J. Daly, 1866), by M. J. Barry (page images at HathiTrust)
• The patriot's grave (Oliver Ditson & Co., 1863), by M. G. Farmer, Oliver Ditson & Co, and J.H. Bufford's Lith (page images at HathiTrust)
• Queen of the roses (J. Henry Whittemore & Co., 1869), by J. Hazelton and Forbriger & Co Ehrgott (page images at HathiTrust)
• "Oh Give Me Back Those Good Old Times" (H.N. Hempsted, 1864), by Frank Howard (page images at HathiTrust)
• Christmas carol : as sung in Dora (Koppitz, Prüfer & Co., 1869), by C. Koppitz and Mass.) Selwyn's Theatre (Boston (page images at HathiTrust)
• Indian girl's song (Boston : G.P. Reed & Co., [1869], 1869), by E. A. Hosmer, J. M. Fletcher, and G.P. Reed & Co (page images at HathiTrust)
• Birdie in heaven (Lee & Walker, 1868), by H. P. Danks and J. B. C. Alden (page images at HathiTrust)
• Kiss me before you go : ballad (E.A. Benson, 1866), by Alfred Langley (page images at HathiTrust)
• National war song : solo & chorus (Albany, N.Y. : J.H. Hidley, [1863], 1863), by Margaret J. Lennox (page images at HathiTrust)
• That golden lock of hair : song (J. Starr Holloway, 1867), by Elliot Linwood (page images at HathiTrust)
• My bosom friend (Wm. A. Pond & Co., 1868), by Wm. Horace Lingard (page images at HathiTrust)
• Everybody's friend (Wm. A. Pond & Co., 1868), by Wm. Horace Lingard (page images at HathiTrust)
• Everybody's friend (Wm. A. Pond & Co., 1868), by Wm. Horace Lingard (page images at HathiTrust)
• Ringlet, o ringlet! (Wm. A. Pond & Co. ;, 1869), by E. W. Buckley and Alfred Lord Tennyson (page images at HathiTrust)
• Something Susie said (Wm. A. Pond & Co., 1869), by T. M. Brown (page images at HathiTrust)
• Robin and I : ballad (St. Joseph, Mo. : P.L. Huyett & Son, [1868], 1868), by George H. Briggs, S. C. Eagny, and Chicago Lithographing Co (page images at HathiTrust)
• Washington and our country : a patriotic song dedicated to Genl. McClellan and the United States Army. (Firth, Pond & Co., 1862), by George B. McClellan and Pond & Co Firth (page images at HathiTrust)
• The maiden at the spring (Jas. A. McClure, 1866), by Henry Weber (page images at HathiTrust)
• One little curl of auburn hair (Wm. A. Pond & Co., 1868), by John Hugh McNaughton (page images at HathiTrust)
• Sleep my darling, thou art weary : a mother's lullaby (McCarrell & Meininger, 1865), by J. C. Meininger (page images at HathiTrust)
• Freedom to all (Wamelink & Barr, 1864), by J. T. Wamelink, C. B. Barr, and Krebs & Bro. Lith (page images at HathiTrust)
• Nerve ev'ry arm and strike a deadly blow (Published for the author by Firth, Pond & Co., 1861), by Adam D. Logan (page images at HathiTrust)
• What should make thee sad my darling (S. Brainard's Sons, 1868), by C. T. Lockwood (page images at HathiTrust)
• The darling of the camp (Henry Tolman & Co., 1863), by B. Litz and Henry Tolman (Firm) (page images at HathiTrust)
• Our country's flag : patriotic song (A.E. Blackmar, 1867), by Harry Macarthy (page images at HathiTrust)
• The empty cradle : a beautiful ballad (Lee & Walker, 922 Chestnut St., 1867), by Edward Mack (page images at HathiTrust)
• The hour of love : Venus au fond (C.M. Tremaine, 1868), by Jacques Offenbach and William Jarvis Wetmore (page images at HathiTrust)
• Dashing little widow (John Church & Co., 1866), by Geo. F. Williams, Geo. W. Hooper, and Billy Emerson (page images at HathiTrust)
• Prima donna valse (William Hall & Son ;, 1854), by Louis Antoine Jullien (page images at HathiTrust)
• Skedaddle galop (Oliver Ditson & Co., 277 Washington St., 1858), by G. Haghar and Oliver Ditson & Co (page images at HathiTrust)
• Twilight musings : Original theme with brilliant variations (Lee & Walker ;, 1850), by J. J. Haman (page images at HathiTrust)
• Swiss boy. (New York : William Hall & Son, [between 1859 and 1870], 1859) (page images at HathiTrust)
• The little one at home : sequel to The little homeless one (Chas. W.A. Trumpler, 1867), by J. J. Haman and Elmer Ruan Coates (page images at HathiTrust)
• Flag of the constellation : a national song (John Church Jr., 1863), by Charles R. Crosby and Thomas Buchanan Read (page images at HathiTrust)
• The estrangement : song (A.E. Blackmar, 1869), by A. E. Blackmar and F. H. Stauffer (page images at HathiTrust)
• Left all alone (J.L. Peters, 1869), by John S. Cox, E. A. Warden, and Frank Leslie (page images at HathiTrust)
• General McClellan's farewell (Lee & Walker, 1863), by H. Coyle (page images at HathiTrust)
• Kiss (Beer & Schirmer, 1861), by Luigi Arditi (page images at HathiTrust)
• Isabella and her gingham umbrella (G.D. Russell & Co., 1864), by Harry Clifton and Billy Morris (page images at HathiTrust)
• Waiting at the gate (Burlington, Vt. : H.B. Story, [1869], 1869), by Geo. M. Clark (page images at HathiTrust)
• Christmas hymn (Wm. A. Pond & Co., 1865), by E. Miller and E. H. Chapin (page images at HathiTrust)
• All quiet! Hark, no cannons roar (New York : Firth, Pond & Co., [1863], 1863), by J. S. Reed and Pond & Co Firth (page images at HathiTrust)
• Volunteer yankee doodle of 61 (New York : Horace Waters, [1861], 1861), by Louis Selle (page images at HathiTrust)
• I'm such a winning man (Jos. P. Shaw, 1869), by Edgar H. Sherwood (page images at HathiTrust)
• Lettie Moore, or, The good bye at the cottage door : song and chorus (Toledo : W.W. Whitney's Palace of Music, [1869], 1869), by C. F. Shattuck, A. G Chore, and Chicago Lithographing Co (page images at HathiTrust)
• I fancied her an angel (Cincinnati : John Church & Co., [1869], 1869), by C. F. Shattuck, George Warren, and Newcomb's Minstrels (page images at HathiTrust)
• I feel I'm growing auld gude wife : Scotch ballad (W.W. Whitney's Palace of Music, 1869), by C. F. Shattuck and James Linen (page images at HathiTrust)
• Come to me angel of sleep : song & chorus (New York : Wm. A. Pond & Co., [1866], 1866), by James Ernest Perring and Frances A. Baker (page images at HathiTrust)
• All Europe's standing armies are at present standing still (Thaddeus Firth, 1866), by Howard Paul and George Pope Morris (page images at HathiTrust)
• Sound the loud timbrel (Baltimore : G. Willig, 1869), by John Stevenson (page images at HathiTrust)
• Rosa Belle of Lindendell (C.M. Tremaine, 1867), by Wm. H. Stevens (page images at HathiTrust)
• We arm by thousands strong (Wm. Hall & Son, 1864), by Jennie M. Torry, Emma Norton, and William Hall & Son (page images at HathiTrust)
• Darling how can I forget thee? (New York : Published by Wm. A. Pond & Co., [1863], 1863), by Henry Tucker and Bryant's Minstrels (page images at HathiTrust)
• In this world abideth sorrow (Oliver Ditson & Co., 277 Washington St., 1863), by Stephen Glover and Oliver Ditson & Co (page images at HathiTrust)
• Bow of promise. Song and chorus. Words by Josiah D. Canning. (Published by William Hall & Son, 543 Broadway. Chicago, Root & Cady. Sawyer & Thompson, Brooklyn. New Haven, Skinner & Sperry. Philadelphia, Lee & Walker. Cincinnati. ..., 1863), by Henry Tucker, W. D. White, Josiah D. Canning, Emma W. Turner, Thomas & Eno, and William Hall & Son (page images at HathiTrust)
• My good for nothing (Wm. A Pond & Co., 1866), by J. R. Thomas and Emily H. Miller (page images at HathiTrust)
• Oh! could we meet! (Wm. A. Pond & Co., 1864), by J. R. Thomas, Willm Berge, and Wm. Downing Evans (page images at HathiTrust)
• The girl with the golden switch (White, Smith & Perry, 1869), by J. Tannenbaum and Samuel N. Mitchell (page images at HathiTrust)
• Psi upsilon polka (William Hall & Son, 1852), by Albert W. Berg (page images at HathiTrust)
• Auld Robin Gray. (Boston : Oliver Ditson & Co., No. 277 Wash. St., [between 1858 and 1876], 1858), by Oliver Ditson & Co (page images at HathiTrust)
• Rochester Union Grays review march : composed & dedicated to the corps, by their fellow soldier (Boston : Geo. P. Reed, [1844], 1844), by Charles Willson, George P. Reed, and B.W. Thayer & Co (page images at HathiTrust)
• The white squall (New York : William Hall & Son, [between 1848 and 1858], 1848), by George Barker and Barry Cornwall (page images at HathiTrust)
• Aimon polka (A. Fiot ;, 1844), by Aug. M. Canthal and M. W. Balfe (page images at HathiTrust)
• The amadora waltz (William Vanderbeek, 1846), by J. F. Hanff (page images at HathiTrust)
• Lucrezia Borgia (Baltimore : Lee & Walker, [between 1845 and 1848], 1845), by G. Piccioli and Gaetano Donizetti (page images at HathiTrust)
• Flirtation polka : a burlesque musicale (G.P. Reed & Co. ;, 1849), by Moritz Strakosch (page images at HathiTrust)
• Lucrezia Borgia (Wm. Hall & Son ;, 1846), by William Vincent Wallace and Gaetano Donizetti (page images at HathiTrust)
• Come wander forth with me : serenade (Samuel C. Jollie, 1850), by Anna M. Heffernan (page images at HathiTrust)
• Then a good bye, Jeff (S. Brainard's Sons, 1865), by P. P. Bliss and S. Brainard's Sons (page images at HathiTrust)
• Katy McFerran : a beautiful song and chorus (Saint Louis : J.L. Peters, [1867], 1868), by Will. S. Hays (page images at HathiTrust)
• Freedman's, or, Negro boatman's song (Firth, Pond & Co., 1862), by Robert Goldbeck (page images at HathiTrust)
• Mère du sud (A.E. Blackmar, 1865), by Jules Norès, G. M. Wickliffe, and Alcibiade de Blanc (page images at HathiTrust)
• Grant-ed : campaign song (Wm. A. Pond & Co., 1868), by E. A. Parkhurst and Wm. A. Pond & Co (page images at HathiTrust)
• Dreaming eyes of long ago : ballad introduced in Formosa (William A. Pond & Co. ;, 1869), by G. Operti, Lina Edwin, and Edward Coleman (page images at HathiTrust)
• Norah, the pride of Dundee : song and chorus (Toledo : W.W. Whitney, [1867], 1867), by W. A. Ogden (page images at HathiTrust)
• How dear to me the hour (Wm. Hall & Son, 1864), by Stephen C. Massett and Thomas Moore (page images at HathiTrust)
• Somebody's child (St. Louis [Missouri] : Compton & Doan, 1868., 1869), by G. Estabrook and John W. Butler (page images at HathiTrust)
• Only a baby small : song (C.M. Tremaine, 1867), by Clara Ellwood (page images at HathiTrust)
• What care I for lilies pale : vocal polonaise (A.E. Blackmar, 1868), by E. O. Eaton and Harry L. Flash (page images at HathiTrust)
• William Stickers, a gent, in the springtime of life (G.D. Russell & Company, 1865), by John Caulfield and Billy Morris (page images at HathiTrust)
• Darling Minnie Lee (Cleveland ; Chicago : S. Brainard's Sons, [1866], 1866), by E. N. Catlin, Dexter Smith, and S. Brainard's Sons (page images at HathiTrust)
• Dandy pat : song and dance (Frederick Blume, 1867), by William Carleton (page images at HathiTrust)
• Joys that we've tasted : ballad arranged for the Spanish guitar (F.D. Benteen, 1866), by Samuel Carusi (page images at HathiTrust)
• The old flag (Firth, Pond & Co., 1862), by W. L. Hobbs, James Mortimer, and S. C. Campbell (page images at HathiTrust)
• "Oh I'd be a soger boy." : Marching song, and chorus (Published by Henry Tolman & Co. 291 Washington St. Entered according to act of Congress in the year 1862 by Henry Tolman & Co. in the Clerk's Office of the District Court of Massachusetts, 1863), by T. H. Hinton (page images at HathiTrust)
• Nellie and I : ballad (Lee & Walker, 1865), by George Barker (page images at HathiTrust)
• La clochette : polka-mazurka (A.E. Blackmar, 1869), by Alexandre Scola (page images at HathiTrust)
• Six in hand lanciers (J. Schuberth & Co., 1867), by Ernst Grill, Schuberth & Co. Music Store, and N.Y.) Academy of Music (New York (page images at HathiTrust)
• Marian Gray : song and chorus (D.P. Faulds, 1863), by Will. S. Hays (page images at HathiTrust)
• General Banks' grand march (Philadelphia : Lee & Walker, [1862], 1862), by Edward Mack (page images at HathiTrust)
• General Rosecrans' grand marche (Philadelphia : Lee & Walker, [1863], 8787), by Edward Mack (page images at HathiTrust)
• Merry school-girl march (W.W. Whitney's Palace of Music, 1869), by Jas. H. Kellogg (page images at HathiTrust)
• Geraldine : waltz (Wm. A. Pond & Co. ;, 1863), by Charles Godfrey (page images at HathiTrust)
• Poor oppressed, or, the contraband schottisch (C.D. Benson, 1862), by E. A. Benson and Dinah Dobson (page images at HathiTrust)
• "Barbe bleue" lancers (Wm. Hall & Son, 1868), by Julius Bernstein and Charles Perrault (page images at HathiTrust)
• Complimentary march (C.F. Escher, 1867), by C. F. Escher (page images at HathiTrust)
• Long Branch galop : introducing the popular melody 'On the beach at Brighton' (Boston : Oliver Ditson & Co., [1868], 1868), by J. S. Knight (page images at HathiTrust)
• Fair grounds polka. (A.E. Blackmar, 1869), by Alfred Schwartz (page images at HathiTrust)
• Selma : polka mazurka (Blackmar & Co., 1865), by J. Schrenk (page images at HathiTrust)
• Ulysses waltzes (Molter & Wurlitzer, 1868), by John Molter (page images at HathiTrust)
• Lancier polka (Louis Grunewald, 1863), by J. C. Viereck (page images at HathiTrust)
• General Lyon's funeral march (G. André & Co., 1861), by G. J. Kredel (page images at HathiTrust)
• Adèl galop : as played by Wahle's orchestra (Wahle & Sons, 1869), by Emil Wahle, Adèl A. Taylor, and N.Y.) Wahle & Sons (Buffalo (page images at HathiTrust)
• Christmas eve : nocturno (C.W. Harris, 1868), by Nathan Boughton Warren (page images at HathiTrust)
• The Henrietta galop (C.M. Tremaine, 1867), by L. Conterno (page images at HathiTrust)
• Jerome Park galop : op. 35 (New York (543 Broadway) : Wm. Hall & Son, [1869], 1869), by Paul Steinhagen and Jerome Park Racetrack (page images at HathiTrust)
• Une fleurette (Jewett & Mischka, 1869), by Emil Wahle, Louise Beyer, and N.Y.) Jewett & Mischka (Buffalo (page images at HathiTrust)
• Borne on the breeze's pinions (W.W. Whitney, 1864), by H. Gordon, James B. Steedman, Maggie Kilmer, Johnson & Co Spear, and Corning Music Collection (page images at HathiTrust)
• Flirtation mazurka (Louis Grunewald, 1874), by J. W. H. Eckert (page images at HathiTrust)
• Through the woods (Philip Werlein, 1879), by Edouard Déjan and P. P. Werlein (page images at HathiTrust)
• Crimson blushes : mazurka brillante (New York : R.H. Macy & Co., [1879], 1879), by Frank Conway (page images at HathiTrust)
• Crimson blushes : mazurka brillante (New York : New York Music Pub. Co., [1879], 1879), by Frank Conway (page images at HathiTrust)
• The Lover and the bird : mazurka (New Orleans : Louis Grunewald, [1872], 1872), by Auguste Davis and Auguste Davis (page images at HathiTrust)
• Variétés des opéras bouffes (New Orleans : Louis Grunewald, [1878], 1878), by Auguste Davis (page images at HathiTrust)
• Victoria waltz (New Orleans (Nos. 78, 80, 82 & 90 Baronne St., New Orleans) : Philip Werlein, [1875], 1875), by Auguste Davis (page images at HathiTrust)
• Violet lancers (New Orleans : Louis Grunewald, [1871], 1871), by Auguste Davis (page images at HathiTrust)
• I'm left alone to weep waltz (Chas. F. Escher Jr., 1877), by Valjean and Henri Dora (page images at HathiTrust)
• Tarentelle, op. 85, no. 2 (F.A. North ;, 1872), by Stephen Heller (page images at HathiTrust)
• Shakespeare march (Kunkel Bros., 1871), by Charles Kunkel and Jacob Kunkel (page images at HathiTrust)
• Jolly utter galop (Oliver Ditson & Co., 1877), by O. Heyer and Oliver Ditson & Co (page images at HathiTrust)
• Serenade to Columbia : for piano (F.A. North & Co., 1876), by F. Langguth (page images at HathiTrust)
• Zeta Phi march (Kunkel Bros., 1874), by J. L. Hickok (page images at HathiTrust)
• Tuberose polka (W.F. Shaw, 1878), by Charles Kinkel (page images at HathiTrust)
• Holiday quickstep : little folks' portfolio no. 4 (W.W. Whitney's Palace of Music, 1871), by Horace E. Kimball and Chicago Lithographing Co (page images at HathiTrust)
• Eight hands : a collection of music well arranged for two pianos-four performers (Boston : Oliver Ditson, [between 1877 and 1891], 1877), by Gioacchino Rossini and Gustav Martin Schmidt (page images at HathiTrust)
• Coliseum Grand March : as performed at the World's Peace Jubilee. Boston, 1872 (G.D. Russell & Co., 1872), by Adolph Schmidt and P. S. Gilmore (page images at HathiTrust)
• Dancing in the moonlight : schottische (Oliver Ditson & Co., 1877), by J. S. Knight, William H. Delehanty, and Oliver Ditson & Co (page images at HathiTrust)
• Hotel Brighton waltz (Wm. A. Pond & Co., 1878), by J. Levy, G. Operti, and Wm. A. Pond & Co (page images at HathiTrust)
• Grand ma's polonaise (T.A. Bacher, 1877), by Edward Mack (page images at HathiTrust)
• Governor Hoyt's grand march (Lee & Walker, 1878), by Edward Mack (page images at HathiTrust)
• Dream land (J.L. Peters, 1874), by H. Maylath and N.Y.) Endicott & Co. (New York (page images at HathiTrust)
• Capt. Folsom's march (Oliver Ditson & Co., 1875), by David Wallis Reeves, A. A. Folsom, and Oliver Ditson (page images at HathiTrust)
• Remembrance waltzes (White, Smith & Co., 1878), by R. H. Phippen and Smith & Co White (page images at HathiTrust)
• Bum! bum! galop ([W.F. Shaw], 1879), by J. Resch (page images at HathiTrust)
• Lion's march (G. André & Co., 1876), by Jacques Mittler and Charles Kreutzberg (page images at HathiTrust)
• Our guardian angel : idyl (Philadelphia : F.A. North & Co., [1873], 1873), by Julius E. Müller (page images at HathiTrust)
• Phi Kappa Psi march (Wm. A. Pond & Co., 1873), by Florian Müller and Wm. A. Pond (page images at HathiTrust)
• Templar's parade grand march (W.L. Thompson & Co., 1875), by Will L. Thompson (page images at HathiTrust)
• The sweetest of the sweet (Mrs. Pauline Lieder, 1879), by Charles E. Pratt, Pauline Lieder, and George Cooper (page images at HathiTrust)
• Ball and pin (Philadelphia : Lee & Walker, [between 1872 and 1875], 1872), by Friedrich Zikoff (page images at HathiTrust)
• Postal card galop (Wm. A. Pond & Co., 1875), by Wm. A. Pond and Donaldson Brothers (Firm) (page images at HathiTrust)
• Happier days galop (F.A. North & Co., 1877), by C. Wonnberger (page images at HathiTrust)
• Dress parade march (F.A. North & Co., 1879), by Louis Meyer, Theodore Oesten, and Corning Music Collection (page images at HathiTrust)
• My mother's gentle,gentle prayer she taught me when a simple boy (Lee & Walker, 1869), by J. L. Woolsey and Wm. C. Grover (page images at HathiTrust)
• Bowery buck : rag-time two-step (Will Rossiter, 1899), by Tom Turpin, Will Rossiter, E. J. Morgan, and D. S. DeLisle (page images at HathiTrust)
• Have you struck ile? : song and chorus (S. Brainard & Co., 1865), by Joseph B. Quinby (page images at HathiTrust)
• Requiem for Jeff. Davis (Published by order of the Bohemian Club, 1862), by Bohemia, Samuel Silsbee, Corning Music Collection, and Bohemian Club (page images at HathiTrust)
• We'll gladly hail the happy day (John Church, Jr., 1863), by Philip Phillips and A. W. Livingston (page images at HathiTrust)
• Jenny Wade, the heroine of Gettysburg (William R. Smith, 1864), by Rudolph Wittig, George Gordon Meade, Albert G. Anderson, and Corning Music Collection (page images at HathiTrust)
• Richmond has fallen! (H. M. Higgins, 1865), by A.E. Wimmerstedt, F. S. Chandler, and Corning Music Collection (page images at HathiTrust)
• Artisan quadrilles (John Church & Co., 1871), by James W. Long and John Henry Bufford (page images at HathiTrust)
• Bertie's galop (F.A. North & Co., 1877), by Edward Mack (page images at HathiTrust)
• Galatea waltz : on melodies from Pygmalion and Galatea (Wm. A. Pond & Co., 1872), by Thomas Baker and William A. Pond (page images at HathiTrust)
• Donna Ada's polka : for pianoforte (Wm. A. Pond & Co. ;, 1873), by T. M. Brown (page images at HathiTrust)
• March : impromptu (Louis P. Goullaud, 108 Tremont St., 1879), by R. A. Burgess (page images at HathiTrust)
• Salutation (George Willig & Co., 1877), by James E. Magruder (page images at HathiTrust)
• New York seventh regiment march (Oliver Ditson & Co., 1882), by S. Markstein, Oliver Ditson & Co, and Corning Music Collection (page images at HathiTrust)
• King of the air : grand ascension march. (S. Brainard's Sons, 1875), by Albert H. Martin (page images at HathiTrust)
• Robin Adair : transcription facile (L. Meyer, 1873), by Leopold von Meyer (page images at HathiTrust)
• Hall's quick step : as performed by the Boston Brigade Band (Geo. P. Reed, 1840), by T. Bricher, George P. Reed, Robert Cooke, Corning Music Collection, B.W. Thayer & Co, and Boston Brigade Band (page images at HathiTrust)
• Round Hill quick step (Wm. H. Oakes, 1840), by Francis H. Brown, William H. Oakes, Robert Cooke, Corning Music Collection, New England Guards, and B.W. Thayer & Co (page images at HathiTrust)
• Col. J.S. Amory's quick-step : as performed by the Boston Brigade Band, January 1st, 1840 (Published for the author by H. Prentiss, 1840), by B. A. Burditt, Henry Prentiss, Corning Music Collection, Massachusetts. Militia. Independent Company of Cadets (1741-1799), B.W. Thayer & Co, and Boston Brigade Band (page images at HathiTrust)
• Far, far o'er the waves of the blue glancing waters (Wm. H. Oakes, 1840), by William R. Dempster, Catharine H. Waterman, and William H. Oakes (page images at HathiTrust)
• Oh! fill, Oh! fill your glasses boys, with nectar sparkling bright (Atwill's Music Saloon, in the 1840s), by L. Devereaux and J.H. Bufford & Co (page images at HathiTrust)
• Eagle gallopade (George Willig, 1840), by John Endlich, George Willig, and Corning Music Collection (page images at HathiTrust)
• Wrecker's daughter : a quick step (Henry Prentiss, 1840), by Conrad Fay, Henry Prentiss, Robert Cooke, and B.W. Thayer & Co (page images at HathiTrust)
• The royal waltzes : composed & dedicated by special permission to her most gracious majesty (Hewitt & Jaques, in the 19th century), by A. Fleche, George Willig, and N. Currier’s Lith (page images at HathiTrust)
• Massachusetts quick step (Henry Prentiss, 1840), by D. T. Haraden, Henry Prentiss, John Henry Bufford, and B.W. Thayer & Co (page images at HathiTrust)
• Freemens' quick step : as performed on the "glorious 10th of September" (Parker & Ditson, 1840), by George Hews, William Sharp, Sharp & Michelin & Co, and Parker & Ditson (page images at HathiTrust)
• Ladies cavalcade : quick step : composed and respectfully dedicated to Miss Susan w. Bartlett (Geo. P. Reed, 1840), by James Hooton, George P. Reed, and B.W. Thayer & Co (page images at HathiTrust)
• The Moorish maid : from the Musical souvenir (Firth & Hall, No. 1 Franklin Square, 1840), by Charles E. Horn and Firth & Hall (page images at HathiTrust)
• Highland quick step (Oakes & Swan, 1840), by Simon Knaebel, Benjamin Champney, and Sharp & Michelin & Co (page images at HathiTrust)
• Arouse ye gay comrades : a song and chorus dedicated to the Tiger Boat Club (Parker & Ditson, 1840), by Joseph Philip Knight, Thomas E. Power, Parker & Ditson, and B.W. Thayer & Co (page images at HathiTrust)
• The prairie lea : a song (Oakes & Swan, 1840), by Joseph Philip Knight, C. H. Stedman, Benjamin Champney, and Sharp & Michelin & Co (page images at HathiTrust)
• Worcester Guards quick step (Henry Prentiss, 1840), by S. R. Leland, B.W. Thayer & Co, and Boston Brigade Band (page images at HathiTrust)
• Did you ever hear of the farmer whose cabin's in the west (Parker & Ditson, 1840), by Parker & Ditson and B.W. Thayer & Co (page images at HathiTrust)
• Hewitt's quick step : as performed by the Jefferson Guards Band (Hewitt& Jacques, 1840), by T. Rebhun, George W. Quidor, and James Hewitt (page images at HathiTrust)
• The Winnisimmet quick step : as performed by the Boston Brigade Band (Henry Prentiss, 1840), by J. H. Seipp, Corning Music Collection, and Boston Brigade Band (page images at HathiTrust)
• In days of old, as we've been told (Parker & Ditson, 1840), by N. J. Sporle, Thomas Powers, and B.W. Thayer & Co (page images at HathiTrust)
• Tarentule (Atwill's Music Saloon, in the 19th century), by Fanny Elssler and Atwill's Music Saloon (page images at HathiTrust)
• And wilt thou weep when I am low? (Atwill, 1840), by W. H. Weiss, George Byron, and Lith. of G.W. Lewis (Firm) (page images at HathiTrust)
• Baltimore Whig Convention quick step : as performed with great success by the Boston Brigade Band (Henry Prentiss, 1840), by Zaleucus, Henry Prentiss, John Henry Bufford, Whig Party (U.S.). National Convention, Boston Brigade Band, and B.W. Thayer & Co (page images at HathiTrust)
• Quick step (Henry Prentiss, 1840), by Henry Prentiss, Ferdinand Hérold, and B.W. Thayer & Co (page images at HathiTrust)
• Downes' quick step : respectfully dedicated to Commodore John Downes (Henry Prentiss, 1841), by H. Berlin, Joseph Fairfield Atwill, John Downes, and B.W. Thayer & Co (page images at HathiTrust)
• Saratoga galop (George Willig, 1841), by Gustav Blessner, George Willig, Jas. Queen, and P.S. Duval & Son (page images at HathiTrust)
• O think of me ever : a ballad (Henry Prentiss, 1841), by Henry L. Brasche, John Henry Bufford, and B.W. Thayer & Co (page images at HathiTrust)
• What a merry life does a hunter lead (Atwill, 1841), by Francis H. Brown, George Pope Morris, Francis H. Brown, Arthur Edward Sheldon Seguin, Henry Russell, and Lith. of G.W. Lewis (Firm) (page images at HathiTrust)
• Washington artillery quick step (Henry Prentiss, 1841), by B. A. Burditt, Henry Prentiss, B.W. Thayer & Co, and La.) Confederate States of America. Army. Washington Artillery Battalion (New Orleans (page images at HathiTrust)
• Prize banner quick step (Henry Prentiss, 1841), by D. H. Haskell and Corning Music Collection (page images at HathiTrust)
• I never have been false to thee (Henry Prentiss, 1841), by Charles E. Horn, Henry Prentiss, George Pope Morris, and B.W. Thayer & Co (page images at HathiTrust)
• Here upon this mountain side (Atwill, 1838), by Charles E. Horn, George Pope Morris, and N.Y.) Endicott & Co. (New York (page images at HathiTrust)
• Fly away to my native land (Atwill, 1841), by Daniel Johnson and Miss Watson (page images at HathiTrust)
• Marsh's quick step (Henry Prentiss, 1841), by A. F. Knight, Loring Bradlee Marsh, Corning Music Collection, B.W. Thayer & Co, and Boston Brigade Band (page images at HathiTrust)
• I'd be a butterfly (Geo. Willig, 171 Chesnut St., 1819), by Thomas H. Bailey and George Willig (page images at HathiTrust)
• Sweet the hour when freed from labor (Bourne, 1827), by T. W. H. B. B., Samuel Woodworth, George Melksham Bourne, Thomas Birch, and Pendleton's Lithography (page images at HathiTrust)
• Oh what patience at will (Bourne, 1829), by D. F. E. Auber, William Ball, and Pendleton's Lithography (page images at HathiTrust)
• O'er the waters, by moonlight, Our barque gaily rides For soft are the breezes, And smooth are the tides (E. Riley, 1830), by Wm. Grossé and Charles Jefferys (page images at HathiTrust)
• The sun his parting ray had cast (J.L Hewitt, 137 Broadway, 1830), by Charles E. Horn, Harry Stoe Van Dyk, and James L. Hewitt & Co (page images at HathiTrust)
• The rose that all are praising (John Cole, 1830), by Edward J. Loder and Thomas Haynes Bayly (page images at HathiTrust)
• While all on land are soundly sleeping (J. L. Hewitt, 1832), by D. F. E. Auber and Pendleton's Lithography (page images at HathiTrust)
• As the robin when once fondly cherish'd : ballad : sung by Miss Shirreff (Firth & Hall, No. 1 Franklin Squ, 1832), by Henry R. Bishop, Jane Shirreff, Firth & Hall, and Corning Music Collection (page images at HathiTrust)
• The queen of the roses : ballad : sung by Miss Shirreff (Firth & Hall, No. 1 Franklin Sq., 1832), by Charles Blondel, Jane Shirreff, and Firth & Hall (page images at HathiTrust)
• Centennial dirge (Pub. & sold by the author, 1832), by Francis Johnson (page images at HathiTrust)
• Twas long, long ago by the Lake of Killarney (Geo. Willig Junr, 1833), by Stephen Glover, Edwin Gillingham, and Eliza Cook (page images at HathiTrust)
• La cracovienne, : pas dansé dans la Gipsy, (A. Fiot, in the 19th century), by L. Gomion, A. Fiot, and Fanny Elssler (page images at HathiTrust)
• When I was a girl of eighteen years old. (Geo. Willig, 171 Chesnut St., 1826), by George Willig (page images at HathiTrust)
• All along the way, from my own native home, With spirits gay, to Columbia I come (Bourne, Depository of Arts, 1830), by John Barnett, Emma Sarah Love, and Pendelton's Lithography (page images at HathiTrust)
• I plant my guard just where I please (Engd. Printed & Sold by E. Riley, 29 Chatham St., 1828), by E. C. Riley and Clara Fisher (page images at HathiTrust)
• Celebrated ballad of I'll tell nobody (Bourne, Broadway, 1830), by Edward Knight, Thomas Birch, and Pendleton's Lithography (page images at HathiTrust)
• President Jackson's grand march (J.L. Hewitt, 1830), by Mr Peile, James Hewitt, and Boston Brigade Band (page images at HathiTrust)
• Fra Diavolo cotillions : arranged for the piano forte and respectfully dedicated to Miss Hughes (Kretschmar & Nunns, 1833), by C. F. Hausman and D. F. E. Auber (page images at HathiTrust)
• O ole Zip Coon he is a larned skoler (J.L. Hewitt & Co., 1834), by George Washington Dixon and N.Y.) Endicott & Co. (New York (page images at HathiTrust)
• One little word my love whisper'd to me (Endicott, 1834), by W. Kirby, George Endicott, C. Watson, and Edw. Lancaster (page images at HathiTrust)
• Ye Sons of Gallia wake to Freedom (E. Riley, 1828), by Robert Nicolas Charles Bochsa and Gustavus Kramm (page images at HathiTrust)
• Come away then, away then, my merry Swiss girl (G.M. Bourne, 1829), by Thomas Valentine, Thomas Birch, and Richard Ryan (page images at HathiTrust)
• When hope her cheering smile supplies = Quand tout renait à l'espèrance (G. Willig Jr., 1830), by Frédéric Bérat, George Willig, and Corning Music Collection (page images at HathiTrust)
• How young! How bright! How beautiful! (James L. Hewitt & Co., 137 Broadway, 1830), by Henry R. Bishop, F. W. N. Bayley, and James L. Hewitt & Co (page images at HathiTrust)
• Grand centennial march : as performed by the Boston bands (C. Bradlee, 1830), by Charles Zeuner, Mannevillette Elihu Dearing Brown, and Pendleton's Lithography (page images at HathiTrust)
• My bark is my courser (Bourne, 1831), by J. Jones, William R. Browne, New York Boat Club, N.Y.) International Theatre (New York, and Pendleton's Lithography (page images at HathiTrust)
• I would not live always (Parker & Ditson, 1833), by George Kingsley and B.W. Thayer & Co (page images at HathiTrust)
• Day is closing o'er the billow : sung by Mrs. Morley (Published by G. Endicott, 1834), by Clerc W. Beames and Jonas B. Phillips (page images at HathiTrust)
• The Cachucha : a celebrated castanet dance (Atwill, 1834), by Fanny Elssler and Joseph Fairfield Atwill (page images at HathiTrust)
• She is thine, the word is spoken, Hand to hand, and heart to heart (Geo. Endicott, 1834), by Théodore Labarre (page images at HathiTrust)
• Mona Macree (Atwill, 201 Broadway, 1834), by George Linley and Joseph Fairfield Atwill (page images at HathiTrust)
• Oh merrily one morn I heard the pealing bells (Endicott, 359 Broadway, 1834), by Edward J. Loder, George Endicott, and Thomas Haynes Bayly (page images at HathiTrust)
• Who'd a thought of seeing you? : comic song (Atwill, in the 19th century), by N.Y.) Endicott & Co. (New York (page images at HathiTrust)
• Still so gently o'er me stealing (Atwill's Music Saloon, 1835), by Vincenzo Bellini, Joseph Wood, Richard B. Taylor, N.Y.) Abbey's Park Theatre (New York, and N.Y.) Endicott & Co. (New York (page images at HathiTrust)
• Repose my love a lover's eye = Dermez donc mes chères amours. (Endicott, 1834), by Vincenzo Bellini, Joseph Wood, George Endicott, and N.Y.) Endicott & Co. (New York (page images at HathiTrust)
• Orphean lyre (Oliver Ditson, 1835), by Oliver Ditson (page images at HathiTrust)
• I met my Willy late yestreen, upon the banks of Dee (Endicott, 1836), by Bob Allan, Miss Watson, and W. Endicott & Co (page images at HathiTrust)
• The cutter Hamilton quick step (Parker & Ditson, 1836), by T. Comer and Parker & Ditson (page images at HathiTrust)
• Corn cobs twist your hair (Published by Endicott, 1836) (page images at HathiTrust)
• Bunker Hill quick step (H. Prentiss, 1836), by J. Friedheim, Charles Zeuner, Henry Prentiss, and Pendleton's Lithography (page images at HathiTrust)
• Soldier's serenade, a favorite ballad, written by a young lady (Endicott, 1836), by Jupiter Zeus Hesser (page images at HathiTrust)
• Poor Bessy was a sailor's wife (James L. Hewitt & Co., 1836), by G. A. Hodson, William Keesey Hewitt, John Thomas Pocock, and N. Currier (Firm) (page images at HathiTrust)
• The mechanick's quick step : respectfully dedicated to Capt. N.P. Snelling and the officers and members of the Mechanicks Rifle Company (John Ashton & Co., 1836), by John Holloway, John Ashton, Pendelton's Lithography, and Boston Brass Band (page images at HathiTrust)
• Hark! Hark! The soft bugle (G. Willig, Jr., 1837), by M. S., Moses Swett, George Willig, and J. Hewitt (page images at HathiTrust)
• We wept when we remembered Zion (Firth & Hall, 1837), by Sylvanus Billings Pond and Nathaniel Strong (page images at HathiTrust)
• A Yankee ship and a Yankee crew (Parker & Ditson, 1837), by C. M. King, T. Comer, Massachusetts. Militia. Boston Light Infantry, Boston Brigade Band, and T. Moore's Lithography (page images at HathiTrust)
• Hark! o'er the stilly lake the convent chime is sounding (Fiot, Meignen & Co., 217 Chesnut St., 1837), by G. A. Hodson and Meignen & Co Fiot (page images at HathiTrust)
• My nose is very aquiline, my eyes are very grand (James L. Hewitt & Co., 1837), by J. Blewitt, John Francis, and N. Currier (Firm) (page images at HathiTrust)
• Oh! calmly may the waves flow (Atwill's Music Saloon, 1836), by John Watson, Miss Watson, Jonas B. Phillips, N.Y.) Abbey's Park Theatre (New York, and Atwill's Music Saloon (page images at HathiTrust)
• John Anderson my Jo John (Endicott, 1836), by John Watson, Robert Burns, and Mrs Watson (page images at HathiTrust)
• Hero's quick step : composed and respectfully dedicated to the New York Light Guards and Boston Light Infantry (Henry Prentiss, 1836), by Henry Schmidt, Henry Prentiss, B.W. Thayer & Co, and Massachusetts. Militia. Boston Light Infantry (page images at HathiTrust)
• The New York quadrilles : arranged for the piano forte or harp. (Atwill's Music Saloon, 1836), by J.H. Bufford & Co and Atwill's Music Saloon (page images at HathiTrust)
• The warrior cross'd the ocean's foam, for the story my fields of war (G. Willig Jr., 1836), by C. Meineke, George Willig, and Mrs. Hemans (page images at HathiTrust)
• Tucker's quick step : as performed by the Boston Brass Band : composed & dedicated to Capt. Alanson Tucker Jr., officers and members of the New England Guards (Parker & Ditson, 1836), by Simon Knaebel, Pendelton's Lithography, Parker & Ditson, and New England Guards (page images at HathiTrust)
• Pulaski Guards quick step. (Parker & Ditson, 1836), by James Hooton, J. L. C. Amee, T. Moore's Lithography, Parker & Ditson, and Boston Brigade Band (page images at HathiTrust)
• The Blue's quick step : as performed by the Boston Brass Band : composed & respectfully dedicated to Capt. James Hunt, officers and members of the Light Infantry Company Winslow Blues (E.H. Wade, 1836), by John Holloway, George Loring Brown, Edward H. Wade, James L. Hunt, and Massachusetts. Militia. Winslow Blues (page images at HathiTrust)
• A new waltz cotillion : danced by nine ([A. Engel], 1838), by A. Engel (page images at HathiTrust)
• The silver moon is in the sky (Firth & Hall, 1838), by J. Chadwick, Maria Caradori-Allan, and N.Y.) Endicott & Co. (New York (page images at HathiTrust)
• Sutton's quick step (Parker & Ditson, 1837), by J. H. Walch, A. F. Knight, Massachusetts. Militia. Salem Independent Cadets, Jenkins & Colburn's Lithy, and Boston Brigade Band (page images at HathiTrust)
• A lake and a fairy boat : a favorite ballad (Endicott, 359 Broadway, 1834), by Robert Guylott and Thomas Hood (page images at HathiTrust)
• Augusta waltzes (Atwill's Music Saloon, 1837) (page images at HathiTrust)
• La gitana (Saml. Carusi, 1837), by Charles William Glover (page images at HathiTrust)
• Come and take tea in the arbour (Geo. W. Hewitt & Co., 70 South 3rd St., 1839), by J. Beuler and Geo. W. Hewitt & Co (page images at HathiTrust)
• Father look up and see that flag (J.G. Osbourn's Music Saloon, 1835), by Francis Johnson and James Page (page images at HathiTrust)
• Philadelphia Gray's quick step (Fiot, Meignen & Co., 1837), by Vincenzo Bellini, Francis Johnson, and Pa.) Johnson's Brass Band (Philadelphia (page images at HathiTrust)
• Bird of the greenwood (John Cole & Son, 1836), by C. Meineke, Mrs. Hemans, John Cole, and T. Campbell (page images at HathiTrust)
• Sweet bird that shuns't the noise of folly : sung by Miss Gillingham from the L'allegro ed il penseroso of Handel for the piano forte. (Firth & Hall, 358 Pearl Street, 1823), by George Frideric Handel and Firth & Hall (page images at HathiTrust)
• Hull Street Guards quick step (H. Prentiss, 1838), by John Holloway, W. E. Millet, T. Moore’s Lithography, and Boston Brass Band (page images at HathiTrust)
• Oh! Father lov'd, the storm is raging (Millets Music Saloon, 375 Broadway, 1838), by George Lindley (page images at HathiTrust)
• My boat's by the tow'r (Henry Prentiss, 1838), by John Thomson, J. H. Horncastle, R. Cook, and T. Moore’s Lithography (page images at HathiTrust)
• Grant's Reel (Firth & Hall, 1838), by W. W. and N.Y.) Endicott & Co. (New York (page images at HathiTrust)
• Warren Phalanx quick step : Composed & dedicated to Capt. Jos. F. Boyd and the officers & members of the corps (H. Prentiss, 1838), by Robert Cooke, T. Moore’s Lithography, and Boston Brass Band (page images at HathiTrust)
• Greys quick step (Henry Prentiss, 1839), by B. A. Burditt, Henry Prentiss, W. Lydston, T. Moore's Lithography, and Boston Brigade Band (page images at HathiTrust)
• Mammoth cod quick step (Henry Prentiss, 1839), by B. A. Burditt, Henry Prentiss, T. Moore's Lithography, and Boston Brigade Band (page images at HathiTrust)
• Governor Morton's grand march (Henry Prentiss, 1839), by J. Friedheim, Henry Prentiss, Marcus Morton, and T. Moore's Lithography (page images at HathiTrust)
• The grand waltz (Jos. P. Atwill, 1839), by J. Z. Hesser, A. Wolfe, and Atwill's Music Saloon (page images at HathiTrust)
• Bigelow's quick step : dedicated to Capt. George Tyler Bigelow, the officers & members of the New England Guards by the Boston Brass Band (Henry Prentiss, 1839), by John Holloway, George Tyler Bigelow, T. Moore's Lithography, and Boston Brass Band (page images at HathiTrust)
• Fly away pretty moth (published & sold by Geo. Willig, 171 Chesnut St., 1830), by Thomas Haynes Bayly and George Willig (page images at HathiTrust)
• The Phantom Ship : from Legendary ballads by Thomas Moore : arranged for one or three voices (E. Riley, 1830), by Henry R. Bishop (page images at HathiTrust)
• Rangers encampment quick step (Henry Prentiss, 1839), by John Holloway, Henry Prentiss, and T. Moore's Lithography (page images at HathiTrust)
• Buffalo City Guards parade march (Osbourn's Music Saloon, 30 S. Fourth St., 1839), by Francis Johnson, S. Daniels, and N.Y.) Buffalo City Guards (Buffalo (page images at HathiTrust)
• Col. S.B. Grant's parade march : for the piano forte with flute accompt. (Osbourn's Music Saloon, 30 So. Fourth St., 1839), by Francis Johnson, George Willig, and Samuel B. Grant (page images at HathiTrust)
• Pedestrian quick step : from a Tyrolean air (Henry Prentiss, 1839), by Simon Knaebel and Henry Prentiss (page images at HathiTrust)
• Where Hudson's wave o'er silv'ry sands (Firth & Hall, 1839), by Joseph Philip Knight, George Pope Morris, and N.Y.) Endicott & Co. (New York (page images at HathiTrust)
• The grasshopper waltz (Prentiss, 1839), by Charles Nolcini, Henry Prentiss, and Charles. 1839 Nolcini (page images at HathiTrust)
• Come, come my children, I must see, how you can say your A B C (Parker & Ditson, 1839), by T. Moore's Lithography and Parker & Ditson (page images at HathiTrust)
• The coronation waltzes (Hewitt & Jaques, in the 19th century), by Johann Strauss and N. Currier (Firm) (page images at HathiTrust)
• Dim night is gath'ring o'er the waves : a song (Published for the author by Wm. H. Oakes, 1840), by T. Bricher, William H. Oakes, J. R. Foster, and B.W. Thayer & Co (page images at HathiTrust)
• Temperance quick step : composed and respectfully dedicated to the Washington Total Abstinence Society : performed with great success by the Mill Dam Vulcan Band (Henry Prentiss, 1841), by A. F. Knight, Henry Prentiss, and Mass.) Washington Total Abstinence Society (Boston (page images at HathiTrust)
• Answer to the carrier dove (Henry Prentiss, 1841), by J. Gaspard Maeder, Daniel Johnson, Julia M. Pearse, John Henry Bufford, Henry Prentiss, Croswell & Jewett, and B.W. Thayer & Co (page images at HathiTrust)
• Military recreations [no. 6] : a collection of marches, quicksteps, and waltzes. (John F. Nunns, 1841), by Charles Zeuner (page images at HathiTrust)
• Military recreations [no. 8] : a collection of marches, quicksteps, and waltzes. (John F. Nunns, 1841), by Charles Zeuner (page images at HathiTrust)
• Malibran waltz (Henry Prentiss, 1841), by Mrs Parker, Henry Prentiss, and Maria Malibran (page images at HathiTrust)
• The Colonel! such a creature! (Henry Prentiss, 1841), by Austin Phillips, Henry Prentiss, George Morris Pope, and B.W. Thayer & Co (page images at HathiTrust)
• Twenty years ago : a ballad (Atwill, 1841), by Austin Phillips and George Morris Pope (page images at HathiTrust)
• Columbus quick step (Henry Prentiss, 1841), by Christian Rimbach, Joseph Smith, Henry Prentiss, Atwill's Music Saloon, and B.W. Thayer & Co (page images at HathiTrust)
• O would that she were here (Henry Prentiss, 1841), by F. W. Rosier, Henry Prentiss, George Pope Morris, and B.W. Thayer & Co (page images at HathiTrust)
• The alpine horn (Oliver Ditson, 1841), by Thomas E. Power, Oliver Ditson, J.H. Bufford & Co, and Rainer Family (Musical group) (page images at HathiTrust)
• New England, New England, my home o'er the sea (F. D. Benteen, 1841), by I. T. Stoddard, Anna Maria Wells, and Edward Weber & Co (page images at HathiTrust)
• The cot beneath the hill : a ballad (Millet's Music Saloon, 1841), by William Jarvis Wetmore and James F. Otis (page images at HathiTrust)
• The fair of our own native land (Millets Music Saloon, 1841), by William Jarvis Wetmore, Corning Music Collection, and N.Y.) Endicott & Co. (New York (page images at HathiTrust)
• Fairest maid on Devon's banks (Henry Prentiss, 1841), by John M. White and William Sharp (page images at HathiTrust)
• Macomber's grand march (Wm. H. Oakes, 1841), by Edward L. White, Charles A. Macomber, and William Sharp (page images at HathiTrust)
• The "table d'hote" : a comic song (James L. Hewitt & Co., No. 239 Broadway, 1842), by D. F. E. Auber, C. Hill, and N. Currier (Firm) (page images at HathiTrust)
• He led her to the altar : ballad (A Fiot, 1842), by B. S. Barclay, A. Fiot, and Bouvé & Sharp (page images at HathiTrust)
• The pretty flower girl : song (Firth & Hall, 1842), by Giuseppe De Begnis, Eugène-Germain Roche, Ferdinand Hérold, and B.W. Thayer & Co (page images at HathiTrust)
• Texas quick step (George Willig, 1842), by Gustav Blessner and George Willig (page images at HathiTrust)
• Trull's quick step (Parker & Ditson, 1842), by T. Bricher, Ezra Trull, Corning Music Collection, Parker & Ditson, B.W. Thayer & Co, and Boston Brigade Band (page images at HathiTrust)
• The Washingtonian quick step (Geo. P. Reed, 1842), by B. A. Burditt, George P. Reed, Samuel F. Holbrook, and B.W. Thayer & Co (page images at HathiTrust)
• Oh, tell me the form of the soft summer air (Oliver Ditson, 1842), by William R. Dempster, Hannah Flagg Gould, Oliver Ditson, and B.W. Thayer & Co (page images at HathiTrust)
• Bayeaux's quick step (Boardman & Gray, 1842), by William C. Glynn, Thomas Bayeaux, Corning Music Collection, and B.W. Thayer & Co (page images at HathiTrust)
• My pretty gazelle : composed and dedicated to Miss A. Richardson (Ld. Meignen & Co., Chesnut St., 1842), by G. A. Hodson and Leopold Meignen (page images at HathiTrust)
• Celebrated Croton ode (Atwill, 1842), by Sidney Pearson, George Pope Morris, Gioacchino Rossini, N.Y.) Sacred Music Society (New York, and Atwill's Music Saloon (page images at HathiTrust)
• The review quick step (Atwill, 1842), by J. Rebhun, George Pope Morris, Joseph Fairfield Atwill, and Lith. of G.W. Lewis (Firm) (page images at HathiTrust)
• The State Street quick step (Atwill, 1842), by Oliver J. Shaw, John H. Wardwell, and Joseph Fairfield Atwill (page images at HathiTrust)
• Sledge quadrilles. (Henry Prentiss, 1842), by Henry Prentiss and B.W. Thayer & Co (page images at HathiTrust)
• Clay's quick step : from a favorite French air (Oliver Ditson, 1842), by Edward L. White, Oliver Ditson, and Henry Clay (page images at HathiTrust)
• Glenmary waltzes [No. 1] (Oliver Ditson, 1842), by Richard Storrs Willis, Cornelia Grinnel Willis, Oliver Ditson, and B.W. Thayer & Co (page images at HathiTrust)
• Glenmary waltzes [No. 2] (Oliver Ditson, 1842), by Richard Storrs Willis, Cornelia Grinnell Willis, Oliver Ditson, and B.W. Thayer & Co (page images at HathiTrust)
• John Anderson's gane : ballad (Firth & Hall, 1843), by G. J. Bennet, G. A. Prince, and B.W. Thayer & Co (page images at HathiTrust)
• I love to watch the moonbeams play, by night, upon the trembling lake (Oliver Ditson, 1843), by L. Thayer Chadwick, Oliver Ditson, and B.W. Thayer & Co (page images at HathiTrust)
• Friendship, love, and truth : a dedication ode (Geo. P. Reed, 1843), by T. Comer, George P. Reed, Independent Order of Odd Fellows, and B.W. Thayer & Co (page images at HathiTrust)
• I'm with you once again, my friends (Oliver Ditson, 1843), by William R. Dempster, George Pope Morris, William Milnor, and Oliver Ditson (page images at HathiTrust)
• We have come from the mountains (Oliver Ditson, 1843), by Hutchinson Family (Singers), Jesse Hutchinson, J. J. Hutchinson, and Ephraim W. Bouvé (page images at HathiTrust)
• Monument quick step (Henry Prentiss, 1843), by Simon Knaebel, B.W. Thayer & Co, and Boston Brigade Band (page images at HathiTrust)
• State street grand march : as performed by the Boston Brass Band (Chas. H. Keith, 1843), by Simon Knaebel, Charles H. Keith, and James Heath (page images at HathiTrust)
• Music at nightfall : duett (Firth & Hall, 1843), by S. Nelson, Charles Jefferys, and B.W. Thayer & Co (page images at HathiTrust)
• A health! to the farmer who follows the plough (J.G. Osbourn, 1843), by Philadelphian, Thomas S. Sinclair, M. S. Schmitz, and J. G. Osbourn (page images at HathiTrust)
• Columbia the land of the brave (Lee & Walker, 1843), by David T. Shaw, E. P. Jones, John S. Du Solle, and Lee & Walker (page images at HathiTrust)
• Yale College quick step : composed and dedicated to Miss Olivia Day (F. Riley, 1843), by P. A. Smith, F. Riley, and N.Y.) Endicott & Co. (New York (page images at HathiTrust)
• Quadrilles from Balfe's opera of the Bohemian girl (Atwill, 1844), by M. W. Balfe, Thomas Yours Chubb, Edward Seguin, Anne Seguin, J. J. Frazer, Joseph Fairfield Atwill, and Lewis & Brown (page images at HathiTrust)
• Then you'll remember me : a ballad sung by Mr. J.J. Frazer in the opera The Bohemian girl (Firth & Hall, No. 1 Franklin Square and 239 Broadway, 1844), by M. W. Balfe (page images at HathiTrust)
• The merry sleigh bells (Osbourn's Music Saloon, 1844), by B. S. Barclay and J. G. Osbourn (page images at HathiTrust)
• Hear me, Norma : the celebrated duett (O. Ditson, 1844), by Vincenzo Bellini, S. Nelson, Charles Jefferys, Oliver Ditson, and Corning Music Collection (page images at HathiTrust)
• Norma's song (Oliver Ditson, 1844), by Vincenzo Bellini, S. Nelson, Charles Jefferys, Oliver Ditson, and B.W. Thayer & Co (page images at HathiTrust)
• Three polkas : (camelia, alpenhorn, und teufels polka) : pour le piano (Oliver Ditson, 115 Washington Street, 1844), by Ferdinand Beyer (page images at HathiTrust)
• Reply to The lament of the Irish emigrant (Keith's Music Publishing House, 1844), by T. Bissell, John S. Murphy, Charles H. Keith, William R. Dempster, Keith's Music Publishing House, and B.W. Thayer & Co (page images at HathiTrust)
• Reply to the Old arm-chair (Keith's Music Publishing House, 1844), by T. Bissell, Henry Russell, John Henry Warland, Stephen C. Massett, Charles H. Keith, and B.W. Thayer & Co (page images at HathiTrust)
• O whistle and I'll come to you my lad : a favorite Scotch song (Oliver Ditson, 1844), by John Bruce and Robert Burns (page images at HathiTrust)
• Phillisae Charcoal. (Firth & Hall, 1844), by James Buckley, Mass.) Thayer & Co. (Boston, Firth & Hall, and Buckley's New Orleans Serenaders (page images at HathiTrust)
• The redowa waltz : a new Bohemian waltz (A. Fiot, 1844), by Friedrich Burgmüller, Albert Newsam, Jules Martin, and P.S. Duval & Co (page images at HathiTrust)
• Voice of the people (B. Cahill, 1844), by Benjamin Cahill and B.W. Thayer & Co (page images at HathiTrust)
• Long time ago I used to lib in state ob Tuskaloo (Keith's Publishing House, 1844), by J. P. Carter, J. W. Turner, Charles H. Keith, Virginia Serenaders, and B.W. Thayer & Co (page images at HathiTrust)
• The celebrated polkas : as danced at the soirees du haut-ton in London, Paris, Vienna &c. (Millett's Music Saloon, 1844), by Jacques Offenbach, Louis Antoine Jullien, Henri Herz, and Lewis & Brown (page images at HathiTrust)
• Ocean wave quick step (Firth, Hall & Pond, 1843), by Allen Dodworth, Augustine P. Kimball, Corning music collection, and N.Y.) Endicott & Co. (New York (page images at HathiTrust)
• Maxwelton's banks are bonny (Oliver Ditson, 115 Washington St., 1844), by John Scott and Winslow Homer (page images at HathiTrust)
• Summerfield march : duett (Wm. Adrian Smith, 1878), by Wm. Adrian Smith (page images at HathiTrust)
• The Serious family polka : danced nightly at Burton's Theatre with the figure invented by M. Frederick (S.C. Jollie, 1850), by George Loder, Corning Music Collection, and N.Y. : 624 Broadway) Winter Garden Theatre (New York (page images at HathiTrust)
• The willow bank waltz (Firth, Pond & Co., 1845), by L. Thayer Chadwick, Caroline Amelia Birchard, Corning Music Collection, and N.Y.) Endicott & Co. (New York (page images at HathiTrust)
• Miss Adele Hohnstock's favorite polka (Schuberth & Co., 1849), by Adele Hohnstock (page images at HathiTrust)
• I'll pray for thee : from Lucia di Lammermoor with variation (Oliver Ditson, 1863), by Charles Grobe (page images at HathiTrust)
• Fare thee well, sweet forest fountain! (F.D. Benteen, 1844), by Felice Romani and Edward J. Porter (page images at HathiTrust)
• Bunch o' blackberries : cake-walk & two-step (Feist & Frankenthaler, 1899), by Abe Holzmann and Feist & Frankenthaler (page images at HathiTrust)
• The express galop (Wm. Hall & Son, 239 Broadway, 1848), by Charles d' Albert and William Hall & Son (page images at HathiTrust)
• Why do I weep, to leave the vine (William Hall & Son, 239 Broadway, 1848), by John Barnett, Mrs. Hemans, and William Hall & Son (page images at HathiTrust)
• They say my sons are sleeping (William Hall & Son, 1848), by John Barton and Anne Seguin (page images at HathiTrust)
• Is it a dream? or am I still a child (William Hall & Son, 1848), by Vincenzo Bellini, Charles Jefferys, and Jenny Lind (page images at HathiTrust)
• The very last polka (William Hall & Son, 1848), by François Bernard, Fannie Williams, and William Hall & Son (page images at HathiTrust)
• The very last polka (F.D. Benteen ;, 1839), by François Bernard and P. H. Taylor (page images at HathiTrust)
• Lament of the Alpine shepherd boy : as sung by Miss Mary Taylor (Firth, Pond & Co., 1848), by Francis H. Brown (page images at HathiTrust)
• Blue Ridge quick step (P.H. Taylor, 1848), by Francis Buck, James A. Cowardin, and Sarony & Major (page images at HathiTrust)
• The new six figures (A. Fiot ;, 1848), by Aaron J. R. Connor, Jules Martin, M. S. Schmitz, and Henri Cellarius (page images at HathiTrust)
• Woodman spare that tree! : quick step (Firth, Pond & Co., 1848), by Allen Dodworth, George Pope Morris, Sarony & Major, Pond & Co Firth, and Dodworth's Cornet Band (page images at HathiTrust)
• The Massapoag march (Geo. P. Reed, 1848), by Gaetano Donizetti, Francis H. Brown, and J.H. Bufford & Co (page images at HathiTrust)
• The America schottisch (Wm. Hall & Son, 239 Broadway, New York, 1848), by William Dressler, Sarony & Major, and William Hall & Son (page images at HathiTrust)
• Way down in Alabama (Wm. Hall & Son, 1848), by Sarony & Major and Campbell Minstrels (page images at HathiTrust)
• Belle of Baltimore (A & J.P. Ordway, 1848), by J. G. Evans (page images at HathiTrust)
• Oh come my boys attention give (A & J.P. Ordway, 1848), by J. G. Evans (page images at HathiTrust)
• Song of the gipsy (Firth, Pond & Co., No. 1 Franklin Square, 1848), by Charles William Glover, Charles Jefferys, Sarony & Major, and Pond & Co Firth (page images at HathiTrust)
• The murmuring sea (William Hall & Son ;, 1848), by Stephen Glover, Mrs. Crawford, and William Hall & Son (page images at HathiTrust)
• They grew in beauty side by side (Firth Pond & Co., 1848), by Nathan Barker, Sarony & Major, and Barker Family (Singers) (page images at HathiTrust)
• A home that I love (Firth, Pond & Co., 1 Franklin Square, 1848), by Stephen Glover, Charles Jefferys, Pond & Co Firth, and Corning Music Collection (page images at HathiTrust)
• Little Blossom : subject from David Copperfield : ballad (Firth, Pond & Co., 1 Franklin Sq., 1848), by Stephen Glover, Charles Dickens, Charlotte Young, and Pond & Co Firth (page images at HathiTrust)
• The last rose of summer : with an introduction and brilliant variations for the piano forte, as performed in all his concerts in the United States (Firth, Son & Co., 1848), by Henri Herz (page images at HathiTrust)
• The sigma waltz (Luke F. Newland, 1848), by Josephine Hutet and Sigma Phi (page images at HathiTrust)
• The New England factory girl : a ballad (C. Holt Jr., 1848), by Jacob and Orphean Family (Singers) (page images at HathiTrust)
• The elephant polka (Firth, Pond & Co., 1848), by Louis Antoine Jullien, William Skinner, S. Lee Perkins, and Serrell & Perkins (page images at HathiTrust)
• Oh! don't you remember (W.C. Peters & Sons, 1848), by Nelson Kneass, Clara Bruce, and Thomas Dunn English (page images at HathiTrust)
• Thou art gone from my gaze like a beautiful dream (Jacques & Brother, 385 Broadway :, 1848), by George Linley, William Hall & Son, and Jacques & Brother (page images at HathiTrust)
• From sweet Tipperary, see lighthearted Mary (William Hall & Son, 239 Broadway, 1848), by Samuel Lover and Major & Knapp Lith Sarony (page images at HathiTrust)
• Tom Thumb polka : as performed by the Steyermarkische Company (Peters, Field & Co. ;, 1848), by Francis Rziha and Steyermarkische Musical Company (page images at HathiTrust)
• The awakening of Italy (William Hall & Son, 1848), by Herrman S. Saroni and G. F. Secchi de Casali (page images at HathiTrust)
• Vive la Republique : an offering from the United States to the National Republic of France (Wm. Hall & Son, 1848), by Herrman S. Saroni and Claude Joseph Rouget de Lisle (page images at HathiTrust)
• O come to de husking (Oliver Ditson ;, 1848), by Frank Spencer, Oliver Ditson, United States. Massachusetts (Boston), Pond & Co Firth, and Christy Minstrels (page images at HathiTrust)
• Brightly the moon shines on Lake Mahopac, o'er its wave skims the fairy like skiff (Atwill, 1848), by Leander J. Starr and Caroline Amelia Birchard (page images at HathiTrust)
• Reverie (Wm. Hall & Son, 1848), by Moritz Strakosch and Queen Olga (page images at HathiTrust)
• Tis sunrise now on the mountain's brow, And the air is cool and clear (W.H. Oakes :, 1848), by H. K. Sweetland (page images at HathiTrust)
• They that sow in tears shall reap in joy (Oliver Ditson, 1848), by Horace Waters, William B. Tappan, and B.W. Thayer & Co (page images at HathiTrust)
• Though now I leave thee : a favorite song (Jaques & Brother, 1849), by Franz Abt and George Henry Curtis (page images at HathiTrust)
• Howard's quick step : performed by the Boston Brass Band and respectfully dedicated to E. Flagg Esq. (Stephen W. Marsh, 1848), by Frank Howard, Dumbolton's Ethiopian Serenaders, Boston Brass Band, and J.H. Bufford & Co (page images at HathiTrust)
• Jennie with her boonnie blue eye (Wm. Hall & Son, 1849), by John C. Andrews (page images at HathiTrust)
• The Guadalquiver waltz : founded on Madame Anna Bishop's favorite ballad On the banks of Guadalquiver (A. Fiot, 1849), by Robert Nicolas Charles Bochsa, Peter Kramer, Louis Henry Lavenu, A. Fiot, Anna Bishop, and P.S. Duval & Co (page images at HathiTrust)
• I'd offer thee this hand of mine (Firth, Pond & Co., 1849), by L. Thayer Chadwick and Pond & Co Firth (page images at HathiTrust)
• Last adieu (Jaques & Brother, 1849), by Giuseppe Concone (page images at HathiTrust)
• Leggat's march : composed for the Junior Bachelor's Association of New York (Firth & Co., 1849), by Allen Dodworth (page images at HathiTrust)
• Warrior's dream quick step (S.P. Hinds ;, 1849), by H. Feigl, Sarony & Major, and Corning Music Collection (page images at HathiTrust)
• Evening breeze ([William Hall & Son, 239 Broadway], 1849), by Stephen Glover, Marietta Alboni, Jenny Lind, and J. E. Carpenter (page images at HathiTrust)
• The Prima donna waltz (Sarles & Adey, 1849), by Louis Antoine Jullien, Sarles & Adey, and Bufford's Lith (page images at HathiTrust)
• Oh, they tell me thou art dead, Katy Darling (Searles & Adeys, 629 Broadway, 1849), by J. C. Greenham, Searles & Adey, and Sarony & Major (page images at HathiTrust)
• I had a bud widin my garden growing (Firth, Pond & Co., 1849), by Nelson Kneass, Buckley's New Orleans Serenaders, and Sarony & Major (page images at HathiTrust)
• Betty polka (G. Willig Jr., 1849), by C. Lenschow and George Willig (page images at HathiTrust)
• Yes! The die is cast (Edward L. Walker, 160 Chesnut St., 1849), by J. R. Ling, Napoleon Sarony, Pavel Ivanovich Pestelʹ, Mrs. Crawford, John Melton, and Johann Wenzel Kalliwoda (page images at HathiTrust)
• Mine own : ballad (Wm. Hall & Son, 1849), by J. Gaspard Maeder and Sarony & Major (page images at HathiTrust)
• Fashionable dances (P. Saracco, 1849), by Ch. Nolff, L. Nagel, and Francis D'Avignon (page images at HathiTrust)
• Benedetta sia la madre (Wm. Hall & Son, 1849), by W. C. Peters, Amelia, and Couse's Bazaar (page images at HathiTrust)
• Jeannette & Jeannot quick step (Wm. Vanderbeek, 1849), by John C. Scherpf (page images at HathiTrust)
• The phoenix hose quick step : for the piano (Edward L. Walker, 1849), by Victor Vallue (page images at HathiTrust)
• The dying soldier of Buena Vista (O. Whittlesey, 1849), by Orramel Whittlesey, Charles J. McCurdy, and N.Y.) Endicott & Co. (New York (page images at HathiTrust)
• The deserted wife : descriptive ballad (A. & J.P. Ordway, 1849), by I. B. Woodbury (page images at HathiTrust)
• Pretty lady, pretty gentleman (G. Willig, 1827), by Edward Knight, Anthony Imbert, and George Willig (page images at HathiTrust)
• I come to town de oder night (Geo. P. Reed, 1843), by Daniel Decatur Emmett, T. Comer, and Virginia Serenaders (page images at HathiTrust)
• We live mid the bounding : with variations as sung by Jenny Lind. (Oliver Ditson, in the 1850s), by Gaetano Donizetti and Jenny Lind (page images at HathiTrust)
• I'm a merry, merry, merry Zingara (Geo. P. Reed & Co., 17 Tremont Row, 1850), by M. W. Balfe, Auber, Anna Thillon, Edward Fitzball, J.H. Bufford's Lith, and Geo. P. Reed & Co (page images at HathiTrust)
• Lay her where the woodbine clingeth to the dark magnalia tree (Sarles & Adey, 1850), by Nathan Barker, Sarony & Major, and Barker Family (Singers) (page images at HathiTrust)
• Oh woo me not from my cottage home (Lee & Walker, 1850), by J. C. Beckel and Amanda M. Douglass (page images at HathiTrust)
• By the sad sea waves : as sung by Mlle. Jenny Lind at her concerts in America (Saml. C. Jollie :, 1850), by Julius Benedict, Jenny Lind, and H. D. Norrell (page images at HathiTrust)
• Euretta polka (Jaques & Brother, 1850), by E. L. Bloomfield (page images at HathiTrust)
• La pasadita : a Mexican national air (A. Fiot ;, 1850), by Robert Nicolas Charles Bochsa, Peter S. Duval, and City Music Store (page images at HathiTrust)
• Pride polka (William Hall & Son, 1850), by Francis H. Brown and E. Brown (page images at HathiTrust)
• Mocking bird schottisch ([publisher not identified], in the 19th century), by N. P. B. Curtiss (page images at HathiTrust)
• Ellens waltz (Geo. Willig Junr, 1850), by Richd Davis and George Willig (page images at HathiTrust)
• City guard quick step : as performed by Bloomfield's U.S. Band (Jaques & Brother ;, 1850), by George DeLuce (page images at HathiTrust)
• Oh, come with me in my little canoe (Oliver Ditson, 1850), by Ossian E. Dodge (page images at HathiTrust)
• Ask me not why (William Hall & Son, 1848), by Gaetano Donizetti, Jenny Lind, Charles Jefferys, and G. W. Glover (page images at HathiTrust)
• France I adore thee (William Hall & Son, 1845), by Gaetano Donizetti (page images at HathiTrust)
• Ask me not why my heart with fond emotion (Oliver Ditson & Co., in the 0s), by Gaetano Donizetti, Jenny Lind, Charles William Glover, and Charles Jefferys (page images at HathiTrust)
• What a charm has the drum. (Oliver Ditson, in the 1850s), by Gaetano Donizetti, Jenny Lind, Charles William Glover, and Charles Jefferys (page images at HathiTrust)
• Ah! tender flow'ret : a favorite song (Jacques & Brother, 1850), by Gaetano Donizetti and Henri (page images at HathiTrust)
• Beautiful isle where the wild waves frown (Peters, Webb & Co., 1850), by James G. Drake (page images at HathiTrust)
• Grasshopper polka (Samuel C. Jollie, 1850), by J. A. Fowler (page images at HathiTrust)
• Fowler's lily waltz (Samuel C. Jollie, 1850), by J. A. Fowler and James Ackerman (page images at HathiTrust)
• The adieu (Lee & Walker, 1850), by J. A. Getze, P. Horr, Thomas J. Diehl, and Wagner & M'Guigan (page images at HathiTrust)
• Cheer up! Cheer up! my own Jeannette (William Hall & Son, 1850), by Charles William Glover, Charles Jefferys, and William Hall & Son (page images at HathiTrust)
• La syrene (Wm. Hall & Son, 1850), by Horatio D. Hewitt (page images at HathiTrust)
• Hommage à Madame Sontag : fantaisie sur des chants favoris de Madame Sontag (Schuberth & Co., 1850), by Diederich Krug (page images at HathiTrust)
• The wedding polka (W.C. Peters, 1850), by C. Lenschow and Germania Musical Society (page images at HathiTrust)
• Lovely boy, with eye of gladness (Jaques & Brother, 1850), by George Linley and Henri (page images at HathiTrust)
• I've left the snow clad hills ([publisher not identified], in the 19th century), by George Linley and Jenny Lind (page images at HathiTrust)
• I've left the snow clad hills : sung by Mlle. Jenny Lind (William Vanderbeek, 1850), by George Linley, P. K. Weizel, and Jenny Lind (page images at HathiTrust)
• Jenny Lind's serenade (Firth, Pond & Co., 1850), by Adolf Fredrik Lindblad, E. Brown, and Jenny Lind (page images at HathiTrust)
• Thy parting tear to day (Saml. C. Jollie, 1850), by J. Gaspard Maeder and J. S. Foster (page images at HathiTrust)
• La galante : les mignonnettes no. 2 (Lee & Walker, 1850), by Gatien Marcailhou and Lee & Walker (page images at HathiTrust)
• The Grays quick step : composed for the piano forte and respectfully dedicated to Capt. J.V. Scott (of the Petersburg Grays) (published by F.D. Benteen ;, 1850), by Wm. A. Marks, George H. James, and Joseph V. Scott (page images at HathiTrust)
• The officer's funeral (Lee & Walker, 1850), by Caroline Sheridan Norton, Francis Weiland, and Corning Music Collection (page images at HathiTrust)
• Hyperion polka : composed and respectfully dedicated to Prof. Henry Wadsworth Longfellow (George Oates, 1850), by Henry T. Oates and Henry Wadsworth Longfellow (page images at HathiTrust)
• When twilight is closing (Wm. Hall & Son ;, 1850), by W. C. Peters, F. Cosby, De Meyer, and Sarony & Major (page images at HathiTrust)
• Irene waltz : composed & respectfully dedicated to Miss Irene L. White (of New York) (Firth, Pond & Co., 1850), by A. S. Pfister and Irene L. White (page images at HathiTrust)
• Sweet morn of life (Jaques & Brother, 1850), by Carl Gottlieb Reissiger and Henri (page images at HathiTrust)
• Home waltzes : as played by the Germania Society (Vanderbeek's, 1850), by Francis Rziha and Germania Musical Society (page images at HathiTrust)
• Silver lake quick step (Russell & Tolman, 1850), by Frances C. Thomas and Boston Charlestown Female Seminary (Charlestown (page images at HathiTrust)
• The world's fair polka (G. André :, 1851), by J. C. Beckel (page images at HathiTrust)
• The violet polka : as performed by Bloomfield's U.S. Band (William Hall & Son, 1851), by W. L. Bloomfield (page images at HathiTrust)
• The amaranthus polka : as performed by Bloomfield's U.S. Band. (William Hall & Son, 1851), by W. L. Bloomfield, Sarony & Major, and William Hall & Son (page images at HathiTrust)
• The laburnum polka : as performed by Bloomfield's U.S. Band (William Hall & Son, 1851), by W. L. Bloomfield (page images at HathiTrust)
• The oleander polka : as performed by Bloomfield's U.S. Band (William Hall & Son, 1851), by W. L. Bloomfield (page images at HathiTrust)
• Snowflake polka (G.P.Reed & Co., 1851), by Francis H. Brown and Corning Music Collection (page images at HathiTrust)
• Oh, who will strike the recreant blow (Lee & Walker, 1851), by Charles Collins, Henry Clay, and T. Sinclair's Lith (page images at HathiTrust)
• Kathleen Mavourneen! the grey dawn is breaking ([Oliver Ditson?], 1851), by F. Nicholls Crouch (page images at HathiTrust)
• The bloomer schottisch (William Hall & Son, 1851), by William Dressler, Sarony & Major, and William Hall & Son (page images at HathiTrust)
• Coming through the rye (W. Hall & Son, 1851), by William Dressler, Hattie Stevens, Robert Burns, and Jenny Lind (page images at HathiTrust)
• Low-back'd car (William Hall & Son, 1851), by William Dressler and Sarony & Major (page images at HathiTrust)
• The sea steamer schottisch (Firth, Pond & Co., 1851), by William Dressler (page images at HathiTrust)
• The World's Fair quick step (William Hall & Son, 1851), by William Dressler (page images at HathiTrust)
• A Good Man Is Hard To Find. (New York : Pace & Handy Music Co., 1918., 1918), by Eddie Green, William Austin Starmer, and Frederick Waite Starmer (page images at HathiTrust)
• Admiral Dewey’s Grand Triumphal March. (Boston : F. Triflet, 1898., 1898), by Paul Marcel (page images at HathiTrust)
• Afghanistan. (New York : Gilbert and Friedland Inc. Publishers, 1920., 1920), by William Wilander, Harry Donnelly, William Austin Starmer, and Frederick Waite Starmer (page images at HathiTrust)
• Ain’t We Got Fun. (New York, Detroit : Jerome H. Remick & Co., 1921., 1921), by Richard A. Whiting, Gus Kahn, and Raymond B. Egan (page images at HathiTrust)
• Alexander’s Ragtime Band. (New York : Ted Snyder Co., 1911., 1911), by Irving Berlin and Frew (page images at HathiTrust)
• All Alone. (New York : Harry Von Tilzer Music Publishing Co., 1911., 1911), by Harry Von Tilzer and Will Dillon (page images at HathiTrust)
• All By Myself. (New York : Irving Berlin Inc. Music Publishers, 1921., 1921), by Irving Berlin (page images at HathiTrust)
• All the Quakers Are Shoulder Shakers : (Down in Quaker Town). (New York : Waterson, Berlin & Snyder Co., 1919., 1919), by Pete Wendling, Edgar Leslie, Bert Kalmar, and Albert Wilfred Barbelle (page images at HathiTrust)
• Along the Way to Waikiki. (New York, Detroit : Jerome H. Remick & Co., 1917., 1917), by Richard A. Whiting, Gus Kahn, and Albert Wilfred Barbelle (page images at HathiTrust)
• Always Take a Girl Named Daisy : (’Cause Daisies Won’t Tell). (New York : Geo. W. Meyer Music Co., 1912., 1912), by George W. Meyer, Sam M. Lewis, and Alfred Bryan (page images at HathiTrust)
• Araby. (New York : Waterson, Berlin & Snyder Co., 1915., 1915), by Irving Berlin and Albert Wilfred Barbelle (page images at HathiTrust)
• Are You From Dixie? : (’Cause I’m From Dixie Too). (New York, Chicago, San Francisco, London : M. Witmark & Sons, 1915., 1915), by George L. Cobb, Jack Yellen, William Austin Starmer, and Frederick Waite Starmer (page images at HathiTrust)
• At Dawning : (I Love You). (Boston : Oliver Ditson Company, 1906., 1906), by Charles Wakefield Cadman and Nelle Richmond Eberhart (page images at HathiTrust)
• Avalon. (New York, Detroit : Jerome H. Remick & Co., 1920., 1920), by Al Jolson, Vincent Rose, and Frederick Stewart Manning (page images at HathiTrust)
• Beatrice Fairfax, Tell Me What to Do. (New York : Leo. Feist, Inc., 1915., 1915), by James V. Monaco, Joseph McCarthy, and Grant Clarke (page images at HathiTrust)
• Bring Back My Daddy To Me. (New York : Leo. Feist, Inc., 1917., 1917), by George W. Meyer, William Tracey, and Howard E. Johnson (page images at HathiTrust)
• By the Sapphire Sea. (New York : Waterson, Berlin & Snyder Co., 1922., 1922), by Ted Snyder, Francis Wheeler, Harry B. Smith, and Albert Wilfred Barbelle (page images at HathiTrust)
• Can’t You Love Me Like You Do In My Dreams?. (San Francisco : Sherman, Clay & Co., 1918., 1918), by Harold Taylor Weeks (page images at HathiTrust)
• Charley My Boy. (New York : Irving Berlin Inc. Music Publishers, 1924., 1924), by Gus Kahn, Ted Fiorito, Gus Kahn, and May Singhi Breen (page images at HathiTrust)
• Checkers. (New York : McCarthy & Fisher, Inc., 1919., 1919), by Leo Edwards and Edgar G. Allen (page images at HathiTrust)
• Chinatown, My Chinatown. (New York, Detroit : Jerome H. Remick & Co., 1910., 1910), by Jean Schwartz, William Jerome, and Florence E. Cooney (page images at HathiTrust)
• Ching-a Ling's Jazz Bazaar. (New York : Leo. Feist, Inc., 1920., 1920), by Ethel Bridges, Lionel S. Reiss, and Howard E. Johnson (page images at HathiTrust)
• Chong : (He Come from Hong Kong). (New York : Leo. Feist, Inc., 1919., 1919), by Harold Taylor Weeks (page images at HathiTrust)
• Come On Papa. (New York : Waterson, Berlin & Snyder Co., 1918., 1918), by Edgar Leslie, Harry Ruby, and Albert Wilfred Barbelle (page images at HathiTrust)
• Dardanella. (New York : McCarthy & Fisher Inc., 1919., 1919), by Felix W. Bernard, Johnny S. Black, Fred Fisher, and Andre De Takacs (page images at HathiTrust)
• Dixie Lullaby. (Chicago, St. Louis : Dixon-Lane Publishing Co.; Tell Taylor Music Corporation, 1919., 1919), by Harold Dixon and David Portnoy (page images at HathiTrust)
• Don’t Blame Me For What Happens In the Moonlight : (Blame the Moon). (New York : Waterson, Berlin & Snyder Co., 1915., 1915), by Bert Grant, Joe Young, and Albert Wilfred Barbelle (page images at HathiTrust)
• Don’t Take My Darling Boy Away. (New York : Broadway Music Corporation, 1915., 1915), by Albert von Tilzer, Will Dillon, and Andre De Takacs (page images at HathiTrust)
• Down in Jungle Town. (New York : F.B. Haviland Pub. Co., Inc., 1908., 1908), by Theodore Morse and Edward Madden (page images at HathiTrust)
• Down Old Virginia Way. (New York, Detroit : Jerome H. Remick & Co., 1922., 1922), by Gladys Gilette, Abe Olman, Jack Yellen, Vernon T. Stevens, and Frederick Stewart Manning (page images at HathiTrust)
• Dusky Dudes. (New York, Chicago : Shapiro, Bernstein & Von Tilzer, 1899., 1899), by Jean Schwartz (page images at HathiTrust)
• Ev’ry Time You’d Do It in a Country Town. (New York : F. B. Haviland Publishing Co., 1912., 1912), by Malvin M. Franklin, Edward Henry Pfeiffer , and Ned Moray (page images at HathiTrust)
• Every Dollar Carries Trouble of Its Own. (New York : Helf & Hager Co., 1905., 1905), by Leighton & Leighton (page images at HathiTrust)
• Everybody Twostep. (New York, Detroit : Jerome H. Remick & Co., 1911., 1911), by Wallie Herzer (page images at HathiTrust)
• Everybody's Doin' It Now. (New York : Ted Snyder Co., 1911., 1911), by Irving Berlin and Edward Eugene Buck (page images at HathiTrust)
• Everybody’s Happy Now. (New York: Kendis-Brockman Music Co., 1918., 1918), by James Kendis and James Brockman (page images at HathiTrust)
• Fairy Kisses. (Chicago : Harold Rossiter Music Co., 1913., 1913), by Charles Leslie Johnson and Harrison Crockett Henrich (page images at HathiTrust)
• For One Sweet Day. (New York, Detroit : Jerome H. Remick & Co., 1917., 1917), by Harry Tierney, Lou Mayer, and Alfred Bryan (page images at HathiTrust)
• Freckles. (New York : Leo. Feist, Inc., 1919., 1919), by Cliff Hess and Howard E. Johnson (page images at HathiTrust)
• Golden Gate : (Open For Me). (New York : Leo. Feist Inc., 1919., 1919), by James Kendis and James Brockman (page images at HathiTrust)
• Good-bye Broadway, Hello France!. (New York : Leo. Feist, Inc., 1917., 1917), by Billy Baskette, C. Francis Reisner, and Benny Davis (page images at HathiTrust)
• Good-Bye Dolly Gray. (New York : Howley, Haviland & Dresser, 1900., 1900), by Paul Barnes and Will D. Cobb (page images at HathiTrust)
• Grieving for You. (New York : Leo. Feist, 1920., 1920), by Joe Gibson, Joe Riboud, and John V. Ranck (page images at HathiTrust)
• Hail! Hail! The Gang’s All Here : (What the Deuce Do We Care?). (New York : Leo Feist, Inc., 1917., 1917), by Theodore Morse, Arthur Seymour Sullivan, and D.A. Esrom (page images at HathiTrust)
• Hawaiian Butterfly. (New York : Leo. Feist, Inc., 1917., 1917), by Billy Baskette, Joseph H. Santly, and George A. Little (page images at HathiTrust)
• Hiawatha’s Melody of Love. (New York, Detroit : Jerome H. Remick & Co., 1920., 1920), by George W. Meyer, Artie Mehlinger, Frederick Stewart Manning, and Alfred Bryan (page images at HathiTrust)
• How ‘Ya Gonna Keep ‘Em Down on the Farm : (After They’ve Seen Paree?). (New York : Waterson, Berlin & Snyder Co., 1919., 1919), by Walter Donaldson, Joe Young, Sam M. Lewis, and Albert Wilfred Barbelle (page images at HathiTrust)
• A Hundred Years from Now. (Boston, Mass. : O.E. Story, 1914., 1914), by Brennan & Story Caddigan, William Austin Starmer, and Frederick Waite Starmer (page images at HathiTrust)
• I Didn’t Raise My Boy To Be a Soldier. (New York : Leo. Feist, Inc., 1915., 1915), by Al Piantadosi and Alfred Bryan (page images at HathiTrust)
• I Don’t Want To Get Well. (New York : Leo. Feist, Inc., 1917., 1917), by Harry Jentes, Harry Pease, and Howard E. Johnson (page images at HathiTrust)
• I Had a Gal, I Had a Pal : (He Stole My Gal Away). (New York : F.A. Mills, 1914., 1914), by Louis F. Muir, L. Wolfe Gilbert, and Andre De Takacs (page images at HathiTrust)
• That's the best day of the year (New York : M. Witmark & Sons, 1918., 1918), by Clarence Gaskill (page images at HathiTrust)
• I Want a Girl : (Just Like the Girl That Married Dear Old Dad). (New York : Harry Von Tilzer Music Publishing Co., 1911., 1911), by Harry Von Tilzer and Will Dillon (page images at HathiTrust)
• I Want To Be in Dixie. (New York : Ted Snyder Co. / Waterson, Berlin & Snyder Co., 1912., 1912), by Irving Berlin, Ted Snyder, and Edward Eugene Buck (page images at HathiTrust)
• I Wonder If She’s Waiting. (New York : T.B. Harms & Co., 1899., 1899), by Harry Von Tilzer and Andrew B. Sterling (page images at HathiTrust)
• I’ll Be In My Dixie Home Again To-Morrow. (New York : Waterson, Berlin & Snyder Co., 1922., 1922), by Roy Turk, J. Russel Robinson, J Robinson, and Albert Wilfred Barbelle (page images at HathiTrust)
• I’m Always Chasing Rainbows. (New York : McCarthy & Fisher Inc., 1918., 1918), by Harry Carroll, Joseph McCarthy, and Andre De Takacs (page images at HathiTrust)
• I’m Forever Blowing Bubbles. (New York, Detroit : Jerome H. Remick & Co., 1921., 1921), by Jaan Kenbrovin, John William Kellette, and John William Kellette (page images at HathiTrust)
• I’m Going Back To Carolina. (Chicago : Harold Rossiter Music Company, 1913., 1913), by Billy Downs, Ernie Erdman, and Bescardi (page images at HathiTrust)
• I’m Sorry I Made You Cry. (New York : Leo. Feist, Inc., 1918., 1918), by N. J. Clesi (page images at HathiTrust)
• I’m the Only Star That Twinkles on Broadway. (New York : Harry Von Tilzer Music Publishing Co., 1905., 1905), by Harry Von Tilzer and Andrew W. Sterling (page images at HathiTrust)
• I’ve Always Been a Good Old Sport. (New York : Cohan & Harris Publishing Co., 1909., 1909), by George M. Cohan (page images at HathiTrust)
• If He Can Fight Like He Can Love, Good Night Germany!. (New York : Leo. Feist, Inc., 1918., 1918), by George W. Meyer, Howard E. Rogers, and Grant Clarke (page images at HathiTrust)
• If I Only Had a Happy Home to Go To. (Erie, Pennsylvania : Brehm Bros., 1900., 1900), by Pete Detzel (page images at HathiTrust)
• If I’m Not at the Roll Call : (Kiss Mother Good-bye for Me). (New York : Leo. Feist, Inc., 1918., 1918), by George L. Boyden and Edward Henry Pfeiffer (page images at HathiTrust)
• If You Only Had My Disposition : (My Daddy Came from Paree). (New York : Broadway Music Corporation, 1915., 1915), by Albert von Tilzer, Charles Russell McCarron, and Andre De Takacs (page images at HathiTrust)
• In Room Two Hundred Two (New York : Waterson, Berlin & Snyder Co., 1920., 1920), by Dave Harris, Edgar Leslie, Bert Kalmar, and Albert Wilfred Barbelle (page images at HathiTrust)
• In the Land Where Poppies Bloom. (New York, Detroit : Jerome H. Remick & Co., 1918., 1918), by Gus Van, Joe Schenck, and Billy Baskette (page images at HathiTrust)
• In the Shade of the Old Apple Tree. (New York, Detroit, Chicago: Jerome H. Remick and Company, 1905., 1905), by Egbert Van Alstyne and Harry H. Williams (page images at HathiTrust)
• In the Shade of the Old Apple Tree. (New York, Detroit, Chicago : Jerome H. Remick and Company, 1905., 1905), by Egbert Van Alstyne and Harry H. Williams (page images at HathiTrust)
• In the Shadows. (New York : Jos. W. Stern & Co., 1911., 1911), by Herman Finck and E. Ray Goetz (page images at HathiTrust)
• In the Sweet Long Ago. (New York : Joe Morris Music Co., 1916., 1916), by Alfred Solman, Arthur Lange, Bobby Heath, and Andre De Takacs (page images at HathiTrust)
• It’s a Long Way To Tipperary. (New York : Chappell & Co., Ltd., 1912., 1912), by Jack Judge and Harry Williams (page images at HathiTrust)
• Jack Rabbit Rag. (Williamsport, PA : Vendersloot Music Pub. Co., 1910., 1910), by Donald Gardia and W.J. Dittmar (page images at HathiTrust)
• Japanese Sailor. (Williamsport, Pennsylvania: Vandersloot Music Publishing Company, 1922., 1922), by Thomas Hughes and C. P. McDonald (page images at HathiTrust)
• The Japanese Sandman. (New York, Detroit : Jerome H. Remick & Co., 1920., 1920), by Richard A. Whiting, Frederick Stewart Manning, and Raymond B. Egan (page images at HathiTrust)
• Just Because My Face Ain’t White. (New York : Howley, Haviland & Dresser, 1901., 1901), by Thurland Chattaway (page images at HathiTrust)
• K-K-K-Katy. (New York : Leo. Feist, Inc., 1918., 1918), by Geoffrey O’Hara (page images at HathiTrust)
• Karavan. (Chicago : Forster Music Publisher Inc., 1919., 1919), by Abe Olman, Rudy Wiedoeft, and J. H. Dulin (page images at HathiTrust)
• Kiss a Miss. (Chicago : Forster Music Publisher Inc., 1920., 1920), by Maurice Baron, Jack Yellen, Helen Van Doorn Morgan, and Cal De Voll (page images at HathiTrust)
• Lady Angeline. (New York : M. Witmark & Sons, 1912., 1912), by George Christie, David Reed, and Andre De Takacs (page images at HathiTrust)
• Lazy Mississippi. (New York : Shapiro, Bernstein & Co., 1920., 1920), by Ballard MacDonald, Robert Levenson, and Albert Wilfred Barbelle (page images at HathiTrust)
• Lemons and Limes : (A Sour Rag). (Chicago : Will Rossiter, 1909., 1909), by Cora Salisbury (page images at HathiTrust)
• Let Me Call You Sweetheart. (Chicago : Harold Rossiter Music Co., 1910., 1910), by Leo Friedman, Beth Slater Whitson, and Mary R. Kidder (page images at HathiTrust)
• Let Me Call You Sweetheart : (I’m in Love with You). (Chicago : Harold Rossiter Music Company, 1910., 1910), by Leo Friedman, Beth Slater Whitson, and Brotts-Crews Studios (page images at HathiTrust)
• Let the Rest of the World Go By. (New York : M. Witmark & Sons, 1919., 1919), by Ernest R. Ball, Philip Caminoni, and J. Keirn Brennan (page images at HathiTrust)
• Liberty Bell : (It’s Time to Ring Again). (New York : Shapiro, Bernstein & Co. Music Publishers, 1917., 1917), by Halsey K. Mohr, Joe Goodwin, and Albert Wilfred Barbelle (page images at HathiTrust)
• Louisiana. (San Francisco : Sherman, Clay & Co., 1920., 1920), by Oliver Wallace and Arthur Freed (page images at HathiTrust)
• Love’s Rosary (New York : Leo. Feist, Inc., 1919., 1919), by Jennie Innella, Dawson Dumont, and George Buxton (page images at HathiTrust)
• Lucky Lindy. (New York : Leo. Feist, Inc., 1927., 1927), by Abel Baer and L. Wolfe Gilbert (page images at HathiTrust)
• Ma! : (He’s Making Eyes at Me). (New York : Fred Fisher, Inc., 1921., 1921), by Con Conrad, Sidney Clare, and Wohlman Studios (page images at HathiTrust)
• “Maine” March : two step. (Madison, Wis. : J. W. & A. E. Groves, 1898., 1898), by Orin W. Joslin and Fred. H. Hartwell (page images at HathiTrust)
• Margie. (New York : Waterson, Berlin & Snyder Co., 1920., 1920), by Con Conrad, J. Russel Robinson, Benny Davis, and Albert Wilfred Barbelle (page images at HathiTrust)
• Melody of Love. (Philadelphia : Theodore Presser Co., 1903., 1903), by H. Engelmann (page images at HathiTrust)
• Mickey. (San Francisco : Daniels & Wilson, Inc., 1918., 1918), by Neil Moret, Harry H. Williams, and Albert Wilfred Barbelle (page images at HathiTrust)
• Missouri Rag. (Philadelphia, PA : Joseph Morris Co., 1907., 1907), by W. C. Powell, William Austin Starmer, and Frederick Waite Starmer (page images at HathiTrust)
• Mister Gallagher and Mister Shean. (New York : Jack Mills Inc., 1922., 1922), by Ed Gallagher and Al Shean (page images at HathiTrust)
• Mocking Bird Rag. (New York : M. Witmark & Sons, 1907., 1907), by Charles T. Straight and J. Brandon Walsh (page images at HathiTrust)
• Moonlight Bay. (New York, Detroit : Jerome H. Remick & Co., 1912., 1912), by Edward Madden, Percy Wenrich, William Austin Starmer, and Frederick Waite Starmer (page images at HathiTrust)
• My Fox-Trot Girl. (Chicago, New York : Frank K. Root & Co./McKinley Music Co., 1907., 1907), by Paul Biese, F. Henri Klickmann, and Jack Frost (page images at HathiTrust)
• My Hero. (New York, Detroit : Jerome H. Remick & Co., 1908, 1909., 1909), by Oscar Straus, Stanislaus Strange, and Eunice Mahoney (page images at HathiTrust)
• My Little Girl. (New York : Broadway Music Corporation, 1915., 1915), by Albert von Tilzer, Sam M. Lewis, Will Dillon, and Andre De Takacs (page images at HathiTrust)
• My Mammy. (New York : Irving Berlin Inc. Music Publishers, 1921., 1921), by Walter Donaldson, Joe Young, and Sam M. Lewis (page images at HathiTrust)
• My Mammy : the Sun Shines East -- the Sun Shines West. (New York : Irving Berlin Inc. Music Publishers, 1921., 1921), by Walter Donaldson, Joe Young, and Sam M. Lewis (page images at HathiTrust)
• My Man : (Mon Homme). (New York : Leo. Feist, Inc., 1920., 1920), by Maurice Yvain, Lionel S. Reiss, and Channing Pollock (page images at HathiTrust)
• My Own Iona : (Moi-One-Ionae). (New York : Jos. W. Stern & Co., 1916., 1916), by Anatol Friedland, Carey Morgan, and L. Wolfe Gilbert (page images at HathiTrust)
• My Rose of Palestine. (Chicago : Forster Music Publisher, Inc., 1917., 1917), by Abe Olman, William Austin Starmer, Frederick Waite Starmer, and Dave Radford (page images at HathiTrust)
• My Sahara Rose. (New York : Irving Berlin Inc. Music Publishers, 1920., 1920), by Walter Donaldson and Grant Clarke (page images at HathiTrust)
• My Sunny Tennessee. (New York : Waterson, Berlin & Snyder Co., 1921., 1921), by Bert Kalmar, Harry Ruby, and Albert Wilfred Barbelle (page images at HathiTrust)
• My Sweet Egyptian Rose. (New York : Jos. W. Stern & Co., 1917., 1917), by Anatol Friedland, Edgar Allan Woolf, William Austin Starmer, and Frederick Waite Starmer (page images at HathiTrust)
• My Turkish Opal from Contantinople. (New York : Jos. W. Stern & Co., 1912., 1912), by Edna Williams and Arthur Gillespie (page images at HathiTrust)
• Napoleon’s Last Charge. (New York : E. T. Paull Music Co., 1910., 1910), by Edward Ellis (page images at HathiTrust)
• Navaho (New York : Shapiro, Bernstein & Co., 1903., 1903), by Egbert Van Alstyne (page images at HathiTrust)
• Nestle in Your Daddy’s Arms. (New York: Leo. Feist, Inc., 1921., 1921), by Lou Herscher, Joe Burke, John V. Ranck, and Joe Burke (page images at HathiTrust)
• Nobody Knows: (And Nobody Seems To Care). (New York : Irving Berlin Inc. Music Publishers, 1919., 1919), by Irving Berlin (page images at HathiTrust)
• Oh By Jingo! Oh By Gee! : You’re the Only Girl for Me. (New York : Broadway Music Corporation, 1919., 1919), by Albert von Tilzer, E. E. Walton, and Lew Brown (page images at HathiTrust)
• Oh, You Beautiful Doll. (New York, Detroit : Jerome H. Remick & Co., 1911., 1911), by Nat Ayer, William Austin Starmer, Frederick Waite Starmer, and A. Seymour Brown (page images at HathiTrust)
• Oh! How I Hate to Get Up in the Morning. (New York : Waterson, Berlin & Snyder Co. Music Publishers, 1918., 1918), by Irving Berlin and Albert Wilfred Barbelle (page images at HathiTrust)
• Oh! What a Pal Was Mary. (New York : Waterson, Berlin & Snyder Co., 1919., 1919), by Pete Wendling, Edgar Leslie, Bert Kalmar, and Fred E. Ahlert (page images at HathiTrust)
• Oh! You Sweet Little Lady. (New York : Nonpareil Music Publishing Co., 1917., 1917), by Lew Weissman, Mac Stich, and M Brisman (page images at HathiTrust)
• Oh! Frenchy. (New York : Broadway Music Corporation, 1918., 1918), by Con Conrad, E. E. Walton, and Sam Erlich (page images at HathiTrust)
• Old Black Joe. (Philadelphia : Eclipse Publishing Co., 1906., 1906), by Stephen Collins Foster, Louis A. Drumheller, William Austin Starmer, and Frederick Waite Starmer (page images at HathiTrust)
• On the Mississippi. (New York : Shapiro Music Publishing Co., 1912., 1912), by Harry Carroll, Arthur Fields, William Austin Starmer, Frederick Waite Starmer, and Ballard MacDonald (page images at HathiTrust)
• Only a Message from Home Sweet Home. (New York : M. Witmark & Sons, 1905., 1905), by Edmond N. Florant and Carroll Fleming (page images at HathiTrust)
• Over There. (New York : Leo. Feist, Inc., 1917., 1917), by George M. Cohan (page images at HathiTrust)
• Panazon. (New York : Leo. Feist, Inc., 1914., 1914), by Milton H. Kohn (page images at HathiTrust)
• Pick Me Up and Lay Me Down in Dear Old Dixieland. (New York : Waterson, Berlin & Snyder Co., 1922., 1922), by Bert Kalmar, Harry Ruby, and Albert Wilfred Barbelle (page images at HathiTrust)
• The Preacher and the Bear. (Philadelphia : Morris Music Publishing Co., 1904., 1904), by Joe Arzonia (page images at HathiTrust)
• Pretty Baby. (New York, Detroit : Jerome H. Remick & Co., 1916., 1916), by Egbert Van Alstyne, Tony Jackson, William Austin Starmer, Frederick Waite Starmer, and Gus Kahn (page images at HathiTrust)
• Pretty Little Rainbow. (New York : Joe Morris Music Co., 1919., 1919), by Vincent C. Plunkett and Robert Levenson (page images at HathiTrust)
• Rag Bag Rag : a rag-time galop. (Williamsport, PA : Vanderloop Music Pub. Co., 1909., 1909), by Harry J. Lincoln (page images at HathiTrust)
• Rio Nights. (New York : A. J. Stasny Music Co., 1922., 1922), by Fisher Thompson, Elmer Vincent, and Malcolm Perret (page images at HathiTrust)
• Rio Nights. (New York : Fisher Thompson Music Publishing Co., 1920., 1920), by Elmer Vincent and Fisher Thompson (page images at HathiTrust)
• Rose. (New York, Detroit : Jerome H. Remick & Co., 1920., 1920), by Frank Magine, Paul Biese, Arthur Sizemore, and Frederick Stewart Manning (page images at HathiTrust)
• Silver Bell. (New York, Detroit : Jerome H. Remick & Co., 1910., 1910), by Percy Wenrich and Edward Madden (page images at HathiTrust)
• So Long, Mother. (New York, Detroit : Jerome H. Remick & Co., 1917., 1917), by Egbert Van Alstyne, Gus Kahn, and Raymond B. Egan (page images at HathiTrust)
• Soko. (Detroit, Michigan : Whitney Warner Publishing Co., 1903., 1903), by John Arnold (page images at HathiTrust)
• Some Sunny Day. (New York, Detroit : Jerome H. Remick & Co., 1919., 1919), by Walter Donaldson and Arthur J. Jackson (page images at HathiTrust)
• Southern Gals. (New York, Detroit : Jerome H. Remick & Co., 1917., 1917), by Jack Yellen and Albert Gumble (page images at HathiTrust)
• Stumbling. (New York : Leo. Feist, Inc., 1922., 1922), by Zez Confrey (page images at HathiTrust)
• Swanee. (New York : T. B. Harms and Francis, Day & Hunter, 1919., 1919), by George Gershwin and Irving Caesar (page images at HathiTrust)
• Sweet Suspense. (Philadelphia : Jos. Morris, 1902., 1902), by Louis A. Drumheller, William Austin Starmer, and Frederick Waite Starmer (page images at HathiTrust)
• Take Me To My Alabam’ : (Come Back, They’re Calling You). (New York, Chicago, Philadelphia, Boston, London : M. Witmark & Sons, 1916., 1916), by Harry Tobias, William Austin Starmer, Frederick Waite Starmer, and Will Dillon (page images at HathiTrust)
• Take Your Girlie to the Movies : (If You Can’t Make Love at Home). (New York : Waterson, Berlin & Snyder Co., 1919., 1919), by Pete Wendling, Edgar Leslie, Bert Kalmar, and Albert Wilfred Barbelle (page images at HathiTrust)
• Tell Me Why You Want to Go to Paree : (You Can Get the Same Sweet Loving Here at Home). (New York : McCarthy & Fisher Inc., 1919., 1919), by Shelton Brooks, Andre De Takacs, and Shelton Brooks (page images at HathiTrust)
• That International Rag. (New York : Waterson, Berlin & Snyder Co., 1913., 1913), by Irving Berlin and Edward Henry Pfeiffer (page images at HathiTrust)
• That Old Gang of Mine. (New York : Irving Berlin Inc. Music Publishers, 1923., 1923), by Ray Henderson, Billy Rose, Malcolm Perret, and Mort Dixon (page images at HathiTrust)
• The Bachelor Girls. (Chicago, New York : McKinley Music Co., 1903., 1903), by Fred L. Ryder (page images at HathiTrust)
• The Bravest Heart of All. (New York & Detroit : Jerome H. Remick & Co., 1917., 1917), by Richard A. Whiting and Raymond B. Egan (page images at HathiTrust)
• The Burning of Rome. (New York : E.T. Paull Music Co., 1903., 1903), by E. T. Paull (page images at HathiTrust)
• The High Cost of Loving. (New York : Leo. Feist, Inc., 1914., 1914), by George W. Meyer and Alfred Bryan (page images at HathiTrust)
• The Love Nest : (Jack and Mary). (New York : Victoria Pub. Corp., 1920., 1920), by Louis Achille Hirsch and Otto Abels Harbach (page images at HathiTrust)
• The Merry Makers. (Williamsport, Pennsylvania : Vandersloot Music Co., 1906., 1906), by Harry J. Lincoln and W.J. Dittmar (page images at HathiTrust)
• The Midnight Fire Alarm. (New York : E.T. Paull Music Co., 1900., 1900), by Harry J. Lincoln (page images at HathiTrust)
• The Old Time Rag. (New York : F.B. Haviland Publishing Co., 1908., 1908), by Theodore Morse and Edward Madden (page images at HathiTrust)
• The Tennessee Jubilee. (New York : Jos. W. Stern & Co., 1898., 1898), by H Stern (page images at HathiTrust)
• There’s a Broken Heart for Every Light on Broadway. (New York : Leo. Feist, Inc., 1915., 1915), by Fred Fisher and Howard E. Johnson (page images at HathiTrust)
• There’s a Quaker Down in Quaker Town. (New York : Joe Morris Music Co., 1916., 1916), by Alfred Solman and David Berg (page images at HathiTrust)
• They Made It Twice As Nice As Paradise And They Called It Dixieland. (New York, Detroit : Jerome H. Remick & Co., 1916., 1916), by Richard A. Whiting and Raymond B. Egan (page images at HathiTrust)
• They Were All Out of Step But Jim. (New York : Waterson, Berlin & Snyder Co., 1918., 1918), by Irving Berlin and Albert Wilfred Barbelle (page images at HathiTrust)
• Three O’Clock in the Morning. (New York : Leo. Feist, Inc., 1922., 1922), by Julian Robledo, Dorothy Terriss, and John V. Ranck (page images at HathiTrust)
• Till We Meet Again. (New York, Detroit : Jerome H. Remick & Co., 1918., 1918), by Richard A. Whiting, Frederick Stewart Manning, and Raymond B. Egan (page images at HathiTrust)
• Toot, Toot, Tootsie : (Goo’Bye). (New York : Leo. Feist, Inc., 1922., 1922), by Gus Kahn, Ernie Erdman, and Dan Russo (page images at HathiTrust)
• The Trail of the Lonesome Pine. (New York : Shapiro, Bernstein & Co., 1913., 1913), by Harry Carroll, William Austin Starmer, Frederick Waite Starmer, and Ballard MacDonald (page images at HathiTrust)
• Tripoli : (On the Shores of Tripoli). (New York : M. Witmark & Sons, 1920., 1920), by Irving Weill, Al Dubin, and Paul Cunningham (page images at HathiTrust)
• Walkin’ the Dog. (Chicago : Will Rossiter, 1916., 1916), by Shelton Brooks, William Austin Starmer, and Frederick Waite Starmer (page images at HathiTrust)
• We’ll Have a Jubilee in My Old Kentucky Home. (New York : Waterson, Berlin & Snyder Co., 1915., 1915), by Walter Donaldson, Coleman Goetz, and Albert Wilfred Barbelle (page images at HathiTrust)
• We’ll Knock the Heligo - Into Heligo - Out of Heligoland!. (New York : Leo. Feist, Inc., 1917., 1917), by Theodore Morse and John O’Brien (page images at HathiTrust)
• When a Blue Service Star Turns to Gold. (New York : Leo. Feist, Inc., 1918., 1918), by Theodore Morse and Casper Nathan (page images at HathiTrust)
• When Alexander Takes His Ragtime Band to France. (New York : Waterson, Berlin & Snyder Co., 1918., 1918), by Alfred Bryan, Cliff Hess, Alfred Bryan, and Albert Wilfred Barbelle (page images at HathiTrust)
• When Johnson’s Quartet Harmonize. (New York : Waterson, Berlin & Snyder Co., 1912., 1912), by Irving Berlin and Edward Henry Pfeiffer (page images at HathiTrust)
• When My Baby Smiles at Me. (New York : Harry Von Tilzer Music Publishing Co., 1920., 1920), by Bill Munro, Andrew B. Sterling, and Ted Lewis (page images at HathiTrust)
• When Yankee Doodle Learns To “Parlez Vous Français”. (New York : A.J. Stasny Music Co., 1917., 1917), by Ed G. Nelson, Will Hart, and Albert Wilfred Barbelle (page images at HathiTrust)
• Where Did You Get That Girl? : (Oh! You Lucky Devil). (New York : Kalmar & Puck Music Co., 1913., 1913), by Harry Puck and Bert Kalmar (page images at HathiTrust)
• Where Do We Go From Here. (New York : Leo. Feist, Inc., 1917., 1917), by Howard E. Johnson and Percy Wenrich (page images at HathiTrust)
• Where the Lanterns Glow. (Chicago : Forster Music Publisher Inc., 1919., 1919), by Charles Leslie Johnson and James Stanley Royce (page images at HathiTrust)
• Whispering. (San Francisco : Sherman, Clay & Co., 1920., 1920), by John Schonberger and M. Schoenberger (page images at HathiTrust)
• Whose Pretty Baby Are You Now. (New York, Detroit : Jerome H. Remick & Co., 1916., 1916), by Egbert Van Alstyne, William Austin Starmer, Frederick Waite Starmer, and Gus Kahn (page images at HathiTrust)
• Won’t You Forgive and Forget?. (Boston : The Copley Music Co., 1921., 1921), by Hugh Cairns and James F. Connor (page images at HathiTrust)
• Yes! We Have No Bananas. (New York : Skidmore Music Co. Inc. Music Publishers, 1923., 1923), by Frank Silver, Irving Cohn, and Wohlman Studios (page images at HathiTrust)
• You’d Be Surprised. (New York : Irving Berlin Inc., Music Publishers, 1919., 1919), by Irving Berlin (page images at HathiTrust)
• You’ll Be Sorry : (But You’ll Be Sorry Too Late). (New York : Shapiro, Bernstein & Co. Music Publishers, 1919., 1919), by Maceo Pinkard and William G. Tracey (page images at HathiTrust)
• You’re a Little Naughty Baby. (New York : Shapiro, Bernstein & Co., 1917., 1917), by Nat Vincent, William Austin Starmer, and Frederick Waite Starmer (page images at HathiTrust)
• You’re Some Pretty Doll. (New York : Shapiro, Bernstein & Co., Inc., 1917., 1917), by Clarence Williams and Albert Wilfred Barbelle (page images at HathiTrust)
• You’re the Flower of My Heart, Sweet Adeline. (New York : M. Witmark & Sons, 1903., 1903), by Harry Armstrong and Richard H. Gerard (page images at HathiTrust)
• Tapfere Soldat (New York : Jerome H. Remick, ©1908., 1908), by Oscar Straus and Stanislaus Stange (page images at HathiTrust)
• Don't you grieve after me : song and chorus (Geo. D. Newhall & Co., 1880), by Len Fairfield (page images at HathiTrust)
• Rise, my brothers, rise! : end song with chorus (John F. Perry & Co., 1880), by Fred Lyons (page images at HathiTrust)
• De gospel cars (G.D. Russell, 1880), by Sam Lucas (page images at HathiTrust)
• Wait, my children, wait! : song and chorus (John Church & Co., 1880), by Chas. R. De Kress and John Church Company (page images at HathiTrust)
• I hear dem angels a callin' loud (Geo. D. Newhall & Co., 1878), by Will. S. Hays and E. D. Grafton (page images at HathiTrust)
• De gospel fair : camp meeting melody and jubilee dance (Howley, Haviland & Co., 1895), by J. E. Nicol and J. P. MacSweeny (page images at HathiTrust)

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