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Music theory -- 17th century

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• Music theory
• Music -- 17th century
• 17th century

• Music theory -- 17th century -- Early works to 1800
• Music theory -- History -- 17th century

• El melopeo y maestro : tractado de musica theorica y pratica : en que se pone por extenso, lo que uno para hazerse perfecto musico ha menester saber : y por mayor facilidad, comodidad, y claridad del lector, esta repartido en XXII. libros ... (Por Iuan Bautista Gargano y Lucrecio Nucci, impressores, in the 1960s), by Pietro Cerone and Gioseffo Zarlino (page images at HathiTrust)
• Studi critici di interpretazione. (Bottega di poesia, 1925), by Alceo Toni (page images at HathiTrust; US access only)

• Renatus Des-Cartes excellent compendium of musick: (Printed by T. Harper, for H. Moseley, 1653), by René Descartes and William Brouncker Brouncker (page images at HathiTrust)

• A briefe and short instruction of the art of musicke to teach how to make discant, of all proportions that are in vse: very necessary for all such as are desirous to attaine to knowledge in the art; and may by practice, if they can sing, soone be able to compose three, foure, and five parts: and also to compose all sorts of canons that are usuall, by these directions of two or three parts in one, upon the plain-song. By Elvvay Bevin. (London : Printed by R. Young, at the signe of the Starre on Bread-street hill, 1631), by Elway Bevin (HTML at EEBO TCP)
• A plaine and easie introduction to practicall musicke set downe in forme of a dialogue: deuided into three partes, the first teacheth to sing with all things necessary for the knowledge of pricktsong. The second treateth of descante and to sing two parts in one vpon a plainsong or ground, with other things necessary for a descanter. The third and last part entreateth of composition of three, foure, fiue or more parts with many profitable rules to that effect. With new songs of 2. 3. 4. and .5 [sic] parts. By Thomas Morley, Batcheler of musick, & of the gent. of hir Maiesties Royall Chapell. (Imprinted at London : By Peter Short, dwelling on Breedstreet hill at the signe of the Starre, 1597), by Thomas Morley (HTML at EEBO TCP)
• Musice actiue micrologus. English (London : Printed [by Thomas Snodham] for Thomas Adams, dwelling in Paules Church-yard, at the signe of the white Lion, [1609]), by Andreas Ornithoparchus, John Dowland, and d'Arezzo Guido (HTML at EEBO TCP)

• Descartes et la musique. (Fischbacher, 1907), by André Pirro (page images at HathiTrust)
• La musique universelle contenant toute la pratique et toute la théorie (Minkoff Reprint, 1972), by Antoine de Cousu (page images at HathiTrust)
• Libro de tientos y discursos de musica practica y teorica de organo (Minkoff, 1981), by Francisco Corrêa de Araujo (page images at HathiTrust)
• Musica instrumentalis deudsch, 1. und 4. Ausg., Wittemberg 1528 und 1545. In neuer diplomatisch Genauer, zum Teil facsimilierter Ausg. (Breitkopf & Härtel, 1896), by Martin Agricola and Robert Eitner (page images at HathiTrust)
• Musica instrumentalis deudsch, 1. und 4. Ausg., Wittemberg 1528 und 1545. In neuer diplomatisch Genauer, zum Teil facsimilierter Ausg. (Breitkopf & Härtel, 1896), by Martin Agricola and Robert Eitner (page images at HathiTrust)
• Un tratado de canto de organo (siglo XVI) : manuscrito en la Biblioteca Nacional de Paris (R. Hermanos, 1913), by Henri Collet and Bibliothèque nationale (France) (page images at HathiTrust)
• Musica getutscht und auszgezogẽ durch Sebastianũ Virdung Priesters von Amberg und alles Gesang ausz den Notẽ in die Tabulaturẽ diser benantẽ dryer Instrumẽtẽ, der Orgeln: der Lautẽ und đ Flöten transferieren zu lernẽ Kurtzlich gemacht zu eren dẽ hochwirdigẽ hoch gebornen fürsten unnd Herren: Herr Wilhalmen Bischoue zü Strassburg seynem gnedigẽ Herren. [Basel, 1511] ([Breitkopf und Härtel], 1882), by Sebastian Virdung (page images at HathiTrust)
• Glareani Dodecachordon. : Basileæ, 1547 (Breitkopf & Härtel, 1888), by Henricus Glareanus and Peter Bohn (page images at HathiTrust)
• The interpretation of the music of the XVIIth and XVIIIth centuries revealed by contemporary evidence. (Novello and company, limited:, 1915), by Arnold Dolmetsch (page images at HathiTrust)
• A briefe and short instruction of the art of musick, to teach how to make discant, of all proportions that are in use : very necessary for all such as are desirous to attaine to knowledge in the art : and may be by practice, if they can sing, soone to be able to compose three, foure, and five parts : and also to compose all sorts of canons that are usuall, by these directions of two or three parts in one, upon the plain-song (Printed by R. Young, 1631), by Elway Bevin (page images at HathiTrust)
• Discorso secondo mvsicale di Antonio Braccino [pseud.] da Todi. Per la Dichiaratione della lettera posta ne' Scherzi musicali del sig. Claudio Monteuerde. (G. Vincenti, 1934), by Giovanni Maria Artusi (page images at HathiTrust)
• Ars magna consoni et dissoni (Ex typographia Haeredum Francisci Corbelletti, 1650), by Athanasius Kircher and Jacobus Viva (page images at HathiTrust)
• Nouvelle instruction familière. (A. Leduc, 1900), by Michel de Menehou and Henry Expert (page images at HathiTrust)
• Renati Des-Cartes Musicae compendium [Compendium musicae] Trajecti ad Rhenum 1660 : à Zÿll und ab Ackers dÿck. ([Strassburg Heitz], 1965), by René Descartes (page images at HathiTrust)
• Libro primo delle laudi spirituali. (Forni, 1969), by Serafino Razzi (page images at HathiTrust)
• Syntagma musicum, Band III (C. F. Kahnt Nachfolger, 1916), by Michael Praetorius and Eduard Bernoulli (page images at HathiTrust)
• Descartes et la musique (Fischbacher, 1984), by André Pirro (page images at HathiTrust; US access only)
• Compendivm mvsicae latino-germanicvm. (1625), by Adam Gumpeltzhaimer and Heinrich Faber (page images at HathiTrust)
• Arte tripharia (Juan de Leon, impresor, 1550), by Juan Bermudo (page images at HathiTrust)
• Musicae compendium. English (London : Printed by Thomas Harper for Humphrey Moseley, and are to bee [sic] sold at his shop ... and by Thomas Heath ..., 1653), by René Descartes and William Brouncker Brouncker (HTML at EEBO TCP)
• A philosophical essay of musick directed to a friend. (London : Printed for John Martyn ..., 1677), by Francis North Guilford (HTML at EEBO TCP)
• Synopsis of vocal musick containing the rudiments of singing rightly any harmonical song, delivered in a method so solid, short and plain, that this art may now be learned more exactly, speedily and easily, than ever heretofore : whereunto are added several psalms and songs of three parts, composed by English and Italian authors for the benefit of young beginners / by A.B., Philo-Mus. (London : Printed for Dorman Newman ..., 1680), by Philo-Mus A. B. (HTML at EEBO TCP)
• Elementale mathematicum. VI, Musica. English (London : Printed by Will. Godbid for Peter Dring ..., 1664), by Johann Heinrich Alsted and John Birchensha (HTML at EEBO TCP)
• Musick's monument (London : Printed by T. Ratcliffe and N. Thompson for the author, and are to be sold by himself ... and by John Carr ..., 1676), by Thomas Mace (HTML at EEBO TCP)

Items below (if any) are from related and broader terms.

• The Academic Manual of the Rudiments of Music (London: Weekes and Co., 1915), by G. Augustus Holmes (page images at HathiTrust)
• Methodo de Musica (in Portuguese; Coimbra: Na Real Imprensa da Universidade, 1806), by José Maurício
  • multiple formats at Google
  • page images at HathiTrust
• Understanding Basic Music Theory, by Catherine Schmidt-Jones (illustrated HTML at libretexts.org)
• Harmonielehre (4th revised edition, in German; Stuttgart: C. Grüninger, ca. 1915), by Rudolf Louis and Ludwig Thuille (page images at HathiTrust; US access only)
• Harmonielehre (7th edition, in German; Stuttgart: C. Grüninger, ca. 1920), by Rudolf Louis and Ludwig Thuille (multiple formats at archive.org)
• Considérations sur les divers systèmes de la musique ancienee et moderne. (Goujon, 1810), by Pierre Jean Joubert de La Salette (page images at HathiTrust)
• Die tonkunst in der zweiten hälfte des neunzehnten jahrhunderts; ein beitrag zur geschichte der musikalischen technik. (Breitkopf & Härtel, 1906), by Heinrich Rietsch (page images at HathiTrust)
• An introduction to research in music. (Catholic University of America Press, 1958), by Allen M. Garrett (page images at HathiTrust)
• The philosophy of music. Being the substance of a course of lectures delivered at the Royal Institution of Great Britain, in February and March 1877. (Trübner, 1879), by William Pole (page images at HathiTrust)
• La musique et la vie intérieure : essai d'une histoire psychologique de l'art musical (F. Alcan ;, 1921), by Lucien Bourguès and Alexandre Denéréaz (page images at HathiTrust)
• Esquisse d'une esthétique musicale scientifique. (F. Alcan, 1908), by Charles Lalo (page images at HathiTrust)
• Principj della musica (Presso E. Reynell, 1781), by Salvatore Bertezén (page images at HathiTrust)
• Allgemeine Musiklehre. (E. Klett, 1947), by Hermann Grabner (page images at HathiTrust)
• Basic music ([Washington], 1961), by United States Bureau of Naval Personnel (page images at HathiTrust)
• Grundriss der Musikwissenschaft (Quelle & Meyer, 1928), by Hugo Riemann and Johannes Wolf (page images at HathiTrust)
• Harmonical spectator (Printed by the author, and sold by him, 1746), by William Tans'ur (page images at HathiTrust)
• Music theory. (Standards and Curriculum Division, Training, Bureau of Naval Personnel, 1950), by Washington United States. Naval School of Music (page images at HathiTrust)
• Neue musikalische Theorien und Phantasien (Universal-edition a.g., 1977), by Heinrich Schenker (page images at HathiTrust)
• Applied theory for musician and layman (Elkan-Vogel co., inc., 1937), by Ruth Bampton (page images at HathiTrust)
• Histoire de la langue musicale. (H. Laurens, 1911), by Maurice Emmanuel (page images at HathiTrust)
• The commonplaces of music. A student's handbook, originally prepared for the first course of Euing lectures, in Anderson's university, Glasgow, session 1866-7 ... (Tonic sol-fa agency, 1874), by John Curwen and Euing lectures (page images at HathiTrust)
• Exposition de la théorie et de la pratique de la musique, suivant les nouvelles découvertes. (Chez F.G. Deschamps, 1764), by Jean-Laurent de Béthizy (page images at HathiTrust)
• Traité élémentaire de musique : contenant la théorie de toutes les parties de cet art. (Société pour l'émancipation intellectuelle, A. Jamar, 1831), by François-Joseph Fétis (page images at HathiTrust)
• École de la lyre harmonique : cours de musique vocale, ou, recueil méthodique des leçons (Chez l'Auterur, 1822), by E'tienne Jean Baptiste Pastou (page images at HathiTrust)
• Musical theory (Tonic sol-fa agency, 1879), by John Curwen (page images at HathiTrust)
• Materialien zur Musiklehre. (C. Winter, 1925), by Victor Goldschmidt (page images at HathiTrust)
• Sprechen, singen, musik ; grund- und zeitfragen aus der stimmkunde, der musiktheorie und der musikalischen jugend- und volkserziehung. (Dürrsche buchh., 1914), by Richard Wicke (page images at HathiTrust)
• Syntagma. II. Teil: Von den Instrumenten. Wolfenbüttel 1618. (Trautwein, 1884), by Michael Praetorius (page images at HathiTrust)
• Musiklehre (M. Hesse, 1929), by Hans Mersmann (page images at HathiTrust)
• Metodo completo per la divisione : espressamente composto per uso degli allievi del Regio Conservatorio di musica in Milano (G. Ricordi ;, 1800), by Pasquale Bona (page images at HathiTrust)
• Music essentials for classroom teachers. (Wadsworth Pub. Co., 1961), by Robert Pace (page images at HathiTrust)
• The theory of music : as applied to the teaching and practice of voice and instruments (New England Conservatory of Music, 1890), by Louis Charles Elson (page images at HathiTrust)
• Algemeene muziekleer. Herzien en uitgebreid door S. Van Milligen. Zevende vermeerderde druk. (J.B. Wolters, 1911), by J. A. Worp (page images at HathiTrust)
• Étude sur les notes de passage. (Le Monde musical, 1922), by Charles Kœchlin (page images at HathiTrust)
• Music fundamentals; a guide to musical understanding (Chandler Pub. Co.;, 1962), by Howard Ansley Murphy (page images at HathiTrust)
• Teoría ilustrada de la música; XL lecciones convenientemente dispuestas para servir de texto en conservatorios, academias, seminarios, escuelas normales y colegios de ambos sexos, durante los cursos de preparación, elemental, medio y superior. (E. Subirana, 1915), by Rosendo Fortunet y Busquets (page images at HathiTrust)
• Muzykalʹnoe obrazovanīe : osnovy muzykalʹno-teoreticheskikh znanīĭ (S.-Peterburg :, 1903), by A. I. Puzyrevskīĭ and L. A. Sakketti (page images at HathiTrust)
• Exercises in melody-writing; a systematic course of melodic composition, designed for the use of young music students, chiefly as a course of exercise collateral with the study of harmony (G. Schirmer, 1900), by Percy Goetschius (page images at HathiTrust)
• Cours de musique théorique et pratique. (F. Aureau, 1870), by P. V. F. Bos (page images at HathiTrust)
• Regeln und Erläuterungen zum studium der Musik-theorie. (Papst, 1883), by Carl Piutti (page images at HathiTrust)
• Die vergleichende musikwissenschaft, ihre methoden und probleme (Hölder-Pichler-Tempsky a.-g., 1924), by Robert Lach (page images at HathiTrust)
• Die rationalen und soziologischen Grundlagen der Musik (Drei Masken Verlag, 1921), by Max Weber (page images at HathiTrust)
• Grundriss der Musikwissenschaft. (Quelle & Meyer, 1919), by Hugo Riemann (page images at HathiTrust)
• Gramática musical; ó, Manual expositivo de la teoría del solfeo (Tip. hispano-americana, 1883), by Felipe Pedrell and Tomás Campano (page images at HathiTrust)
• On the elements of expression in music. (University of Minnesota, 1949), by Donald Nivison Ferguson (page images at HathiTrust)
• The theory of music (E. Benn, 1928), by Greville Cooke (page images at HathiTrust)
• Darstellungen aus der Musik : nebst vorbereitenden Lehren aus der Theorie der Musik (Dieterich, T. Weicher, 1911), by Karl Christian Friedrich Krause (page images at HathiTrust)
• Disegno storico dell'arte musicale : con esempi (G. B. Paravia, 1927), by Andrea Della Corte (page images at HathiTrust)
• Le professeur de musique : ou, L'enseignement de cet art : mis à la portée de chacun au moyen d'un instrument à sons fixes et du métronome de Maelzel-- (A. Quinzard, 1857), by Louis François Dauprat (page images at HathiTrust)
• Théorie de la musique déduite de la considération des nombres relatifs de vibrations par D. Deloche. (E. Giraud, 1857), by D. Deloche (page images at HathiTrust)
• Musiktheorie, enthaltend Elementar-, Harmonie- und Formenlehre in kurzgefassten Erläuterungen, Regeln, Notenbeispielen und Übungsaufgaben. (A. Stubenrauch, 1881), by Theodor Drath (page images at HathiTrust)
• Music (H. Holt and Company, 1887), by Henry C. Banister (page images at HathiTrust)
• Versuch einer rationellen construction des modernen tonsystems. (E.H.C. Schulze, 1832), by C. L. H. Wöltje (page images at HathiTrust)
• Manuel complet de musique vocale et instrumentale; ou, Encyclopédie musicale (Roret, 1836), by Alexandre Choron and J. Adrien de La Fage (page images at HathiTrust)
• Harmonika stoicheia (At the Clarendon Press, 1902), by Aristoxenus and Henry Stewart Macran (page images at HathiTrust)
• Darstellungen aus der Musik : nebst vorbereitenden Lehren aus der Theorie der Musik (Dietrich'sche Buchhandlung, 1827), by Karl Christian Friedrich Krause (page images at HathiTrust)
• Allgemeine Musiklehre : auf Anregung und unter Mitwirkung (R. Oppenheim, 1885), by Ludwig Erk and Otto Tiersch (page images at HathiTrust)
• Katechismus der musik (allgemeine musiklehre) (M. Hesse, 1888), by Hugo Riemann (page images at HathiTrust)
• Allgemeine Musiklehre (Breitkopf & Härtel, 1892), by Salomon Jadassohn (page images at HathiTrust)
• Elements of musical composition; comprehending the rules of thorough bass, and the theory of tuning. (Longman, Hurst, Rees, Orme, & Brown, 1833), by William Crotch (page images at HathiTrust)
• The musician : or, Self-instructor and teachers' guide ([s.n.] : Sold by F. J. Huntington, 1841), by Jacob Monk (page images at HathiTrust)
• The musician's hand and text book : being a theory on the fundamental laws of music, and a prepatory study for harmony and composition : with a treatment of instrumentation, transposition, conducting, accompaniment and temperament of the piano (Volk, Jones & McMein, 1889), by Pierre V. Olker (page images at HathiTrust)
• Principe acoustique nouveau et universel de la théorie musicale, ou Musique expliquée (Bachelier, 1816), by Jean Alexandre Morel (page images at HathiTrust)
• An introduction to the study of theory; a sequel to the "Elements of music", and intended to prepare the student for Professor Prout's series of theoretical works. (Augener, Ltd., 1897), by Franklin Sievewright Peterson (page images at HathiTrust)
• Neue Musikalische Theorien und Phantasien. (J.G. Cotta'sche Buchhandlung Nachfolger, 1906), by Heinrich Schenker (page images at HathiTrust)
• Die Theorie der Tonalität; ein Beitrag zur Gründung eines konsequenten Ton- und Musik-Theorie-Systems. (H. Braams, 1898), by Werker (page images at HathiTrust)
• Populäre Vorträge über Bildung und Begründung eines musikalischen Urtheils, mit erläuternden Beispielen (Breitkopf und Härtel, 1871), by Hermann Kuester (page images at HathiTrust)
• La via ai rapporiti melodici della musica naturale : indagine critica (A. Ricci, 1902), by Giovanni Battista Ricci (page images at HathiTrust)
• 350 exercises in harmony, counterpoint and modulation (J. Williams, ;, 1906), by S. Macpherson (page images at HathiTrust)
• Theorie der Musik. I. Theil: Harmonielehre (J. Bacmeister, 1879), by C. Müller-Hartung (page images at HathiTrust)
• The music of nature; or, An attempt to prove that what is passionate and pleasing in the art of singing, speaking, and performing upon musical instruments, is derived from the sounds of the animated world. (Sanborn, Carter & Bazin, 1856), by William Gardiner (page images at HathiTrust)
• Ecole de l'harmonie moderne : traitʹe complet de la thʹeorie et de la pratique de cette science depuis ses notions les plus ʹelʹementaires jusquà ses derniers dʹeveloppements (Harand, 1863), by Paul Émile Bienaimé (page images at HathiTrust)
• Die Lehre von der Form in der Musik. (Breitkopf & Härtel, 1907), by Alfred Richter (page images at HathiTrust)
• Harmonischen Fragmente des Aristoxenus (Weidmann, 1868), by Aristoxenus and Paul Marquard (page images at HathiTrust)
• Yue lü biao wei : 8 juan (Qi xue zhai, 1762), by Yansheng Hu (page images at HathiTrust)
• Elemente der Musik. (Weigel, 1862), by Arrey von Dommer (page images at HathiTrust)
• Die Grundsätze der musikalischen Komposition. (Breitkopf und Härtel, 1853), by Simon Sechter (page images at HathiTrust)
• Die grundverhältnisse der musik. (B. Tauchnitz, 1853), by Theodor Wilhelm Richter (page images at HathiTrust)
• Lü lü tong jin tu shuo : 1 juan ; [Lü yi 1 juan] (Miao shi, 1861), by Tian Miao (page images at HathiTrust)
• Elementartheorie der Musik; Einführung in die Theorie der Melodik, Harmonik, Rhythmik und der musikalischen Formen- und Vortragslehre (Breitkopf & Härtel, 1911), by Justus Hermann Wetzel (page images at HathiTrust)
• Publikation aelterer praktischer und theoretischer Musik-Werke vorzvgsweise des XV. vnd XVI. jahrhunderts ... (Bahn, 1873), by Gesellschaft für Musikforschung (1868-1906) (page images at HathiTrust)
• Musikiĭskai︠a︡ grammatika (Tip. M. A. Aleksandrova, 1910), by Mykola Dilet︠s︡ʹkyĭ and Stepan Vasilʹevich Smolenskiĭ (page images at HathiTrust)
• Allgemeine Musiklehre : Handbuch der Musik (Max Hesses, 1918), by Hugo Riemann (page images at HathiTrust)
• Neue musikalische Theorien und Phantasien (Universal-Edition, 1910), by Heinrich Schenker (page images at HathiTrust)
• Die praktischen Studien zur Theorie der Musik. (Breitkopf & Härtel, 1913), by E. F. Richter (page images at HathiTrust)
• Praktisches Lehrbuch der Musikwissenschaft : eine Abhandlungen des gesamten musik-theoretischen Stoffes zum speziellen Gebrauch beim höheren Klavierunterricht, op. 50 (Henry Litolff ;, 1901), by Carl Buttschardt (page images at HathiTrust)
• Questionnaire de la théorie complète de la musique : 637 questions ou devoirs écrits et 313 problèmes musicaux d'examen. (C. Dupuis, 1913), by Amédée Reuchsel (page images at HathiTrust)
• What is music? A brief analysis for the general reader (Chatto & Windus, 1913), by Henry Heathcote Statham (page images at HathiTrust)
• Uchebnik ėlementarnoĭ teorīi muzyki. (Musykalʹnai︠a︡ torgovli︠a︡ P. I︠U︡rgensona, 1895), by Nikolaĭ Dmitrievich Kashkin (page images at HathiTrust)
• Utriusque cosmi majoris scilicet et minoris metaphysica, physica atque technica historia (aere Johan-Theodori de Bry, typis Hieronymi Galleri, 1617), by Robert Fludd, Hieronymus Galler, Matthaeus Merian, and Johann Theodor de Bry (page images at HathiTrust)
• Les principes de la musique basés sur calculs mathé matiques et illustrés d'exemples coloriés ([E. Archambault], 1918), by Orpha-F. Deveaux (page images at HathiTrust)
• Le guide de l'organiste praticien suivi de la maniè re de toucher l'harmonium d'un catalogue de musique pour l'orgue et l'harmonium, et d'un petit traité d'harmonie à l'usage des amateurs (Laurent, Laforce, 1869), by Gustave Smith (page images at HathiTrust)
• Les principes de l'harmonie théorie de l'harmonie consonante et dissonante naturelle ([s.n.], 1919), by Orpha-F. Deveaux (page images at HathiTrust)
• Théorie musicale spécialement dédiée aux jeunes pianistes (E. Archambault, 1916), by S.M. de S.M. (Soeur Marie de Saint-Mathieu) (page images at HathiTrust)
• The philosophy of music. Being the substance of a course of lectures delivered at the Royal institution of Great Britain, in February and March 1877. (Kegan Paul, Trench, Trübner & co., ltd., 1895), by William Pole (page images at HathiTrust)
• Irish music : being an examination of the matter of scales, modes, and keys, with practical instructions and examples for players (An Cló-Ċumann, 1903), by Richard Henebry (page images at HathiTrust)
• Musiktheoretische Schriften. (Schmidt, 1898), by Cyrill Kistler (page images at HathiTrust)
• Tres canones harmonici; [codex miscellaneous bibliothecae Laurentianae plut. lvi. 1 bombyc. fol. saec. XIII.] (Berolini, 1881), by Adolf Stamm (page images at HathiTrust)
• The philosophy of music : being the substance of a course of lectures delivered at the Royal Institution of Great Britain, in February and March 1877 (Houghton, Osgood, 1879), by William Pole (page images at HathiTrust)
• The theory and practice of tone-relations : an elementary course of harmony with emphasis upon the element of melody (Schirmer, 1917), by Percy Goetschius (page images at HathiTrust)
• Das Rätsel der Musik; eine Theorie der Tonvorstellungen. (Selbst-verlag, 1907), by Konrad Fischer (page images at HathiTrust)
• Die Musiksysteme in ihren Principien, ihrer Entwickelung und ihren Consequenzen ... (Selbstverlag des Verfassers, 1882), by Anton Krisper (page images at HathiTrust)
• Neue Tonlehre aus den natürlichen Gesetzen der Töne, wissenschaftlich Entwickelt. Theil I. (C. Gerold, 1873), by A. J. Koch (page images at HathiTrust)
• Algemeene Muziekleer. (Groningen, 1875), by J. A. Worp (page images at HathiTrust)
• Questions & exercises : intended for practical use during the study of The Text-book of musical knowledge, theory of music, as a preparation for the local examinations in the theory of music, advanced intermediate division of Trinity College of Music (Trinity College of Music, 1918), by Charles William Pearce and Trinity College of Music (page images at HathiTrust)
• Primae lineae musicae vocalis : das ist, Kurtze, leichte, gründliche und richtige Anweisung wie die Jugend ... wohl und richtig singen zu lernen ... (Zentralantiquariat der Deutschen Demokratischen Republik, 1977), by Johann Samuel Beyer (page images at HathiTrust)
• La panharmonie musicale, ou, Cours complet de composition théorique et partique (Pacini, 1837), by Hippolyte Raymond Colet (page images at HathiTrust)
• The philosophy of music : being the substance of a course of lectures delivered at the Royal Institution of Great Britain in February and March 1877 (Paul, Trench, Trübner & Co., 1910), by William Pole (page images at HathiTrust)
• Grundriss der Musikwissenschaft (Quelle & Meyer, 1908), by Hugo Riemann (page images at HathiTrust)
• Les procédés du langage musical; leur théorie et leur application pratique (Tipo-lithographie générale, 1909), by Philippe Mousset (page images at HathiTrust)
• Elements of music, harmony and musical form : a course of study for the use of students preparing for examinations (Rivington, Percival, 1893), by M. I. Richardson (page images at HathiTrust)
• Text book of musical elements. (J. Curwen, 1886), by George Oakey (page images at HathiTrust)
• A music primer for schools (Clarendon Press, 1890), by J. Troutbeck and Reginald F. Dale (page images at HathiTrust)
• Rudiments of musical grammar. (Longmans, Green, Reader, and Dyer, 1876), by John Hullah (page images at HathiTrust)
• Primary elements of music (Laidlaw, 1917), by Inez Field Damon (page images at HathiTrust)
• The philosophy of music : being the substance of a course of lectures delivered at the Royal Institution of Great Britain, in February and March 1877 (K. Paul, Trench, Trübner, 1985), by William Pole (page images at HathiTrust)
• Introduction au Traité d'harmonique de George Pachymère : extrait des manuscrits 2536, 2338, 2339, 2340 et 2438, de la Bibliothèque Royale (s.n., 1840), by A. J. H. Vincent (page images at HathiTrust)
• Manual of musical theory : a concise, comprehensive and practical text-book on the science of music (W.A. Pond, 1877), by Karl Friedrich Weitzmann and Edward Morris Bowman (page images at HathiTrust)
• Elementary harmony. Music XB 3A. (Department of Correspondence Instruction, University Extension, University of California, 1958), by Winifred B. Howe (page images at HathiTrust)
• A brief introduction to musical thought (University of Minnesota, 1933), by Donald N. Ferguson and Abe Pepinsky (page images at HathiTrust)
• Theorie und Praxis des harmonischen Tonsatzes : Hand- und Lehrbuch fu̲r den Unterricht und das Studium der Theorie der Musik (H. vom Ende, 1898), by Friedrich Wilhelm Franke (page images at HathiTrust)
• Handbüchlein der Harmonie-, Melodie- und Formenlehre (C. Merseburger, 1867), by Benedikt Widmann (page images at HathiTrust)
• Sull'arte musicale : pensiere (Stabilimento G. Civelli, 1876), by Giovanni Battista Barbirolli (page images at HathiTrust)
• Von dem Hervortreten der in den Körpern schlummernden Töne : eine wissenschaftliche Grundlage für die moderne Tonlehre (E.J. Edler'schen, 1849), by Heinrich Weber (page images at HathiTrust)
• Kratkai︠a︡ muzykalʹnai︠a︡ grammatika (P. I︠U︡rgensona, 1895), by Aleksandr Ivanovich Rubet︠︡s (page images at HathiTrust)
• Elements of the theory of music (The Linden Press, 1937), by Herbert James Wrightson (page images at HathiTrust)
• Elements of music. (Longmans, Green and Co., 1887), by Francis Davenport (page images at HathiTrust)
• Music H31; fundamentals of musicianship [II] ([Madison, Wis., 1963), by Hilmar F. Luckhardt and University of Wisconsin--Madison. Correspondence Instruction Program (page images at HathiTrust)
• Mathésis musicale (Imprimerie de la "Fédération Artistique", 1891), by Léopold Wallner (page images at HathiTrust)
• Developing concepts for teaching music theory. (Municipal University of Wichita, 1954), by Gordon B. Terwilliger (page images at HathiTrust)
• Lois du chant d'église et de la musique moderne. Nomosthésie musicale. Ouvrage utile à tous les ecclésiastiques, maitres de chapelle, organistes, directeurs de chant, à ceux qui étudient ou enseignent la musique, et qui veulent avoir une connaissance exacte de ses lois. (V. Didron, 1854), by A. Herland (page images at HathiTrust)
• An exercise book in creative music : in two parts (Paul A. Schmitt Music Co., 1938), by Maurice F. Carr, Archie N. Jones, and Floyd P. Barnard (page images at HathiTrust; US access only)
• Sangītasāra 7 bhāga : Jayapūrādhīśa Mahārājā Savāī devakṛta (B.T. Sahasruddhe (Hon Sec. of the Gayan Samaj, Pune), 1910), by Maharaja of Jaipur Pratapsingh, Śārṅgadeva, Natesh Appaji Dravid, Balavanta Triyambaka Sahasrabuddhe, and Poona Gayan Samaj (page images at HathiTrust; US access only)
• Theōrētikon mega tēs mousikēs syntachthen men para Chrysanthou Archiepiskopou Dyrrachiou. (Spyrid. Kousoulinou, 1911), by Chrysanthos (page images at HathiTrust; US access only)
• Llaw-lyfr ar gynghanedd. (Curwen, 1899), by David Emlyn Evans (page images at HathiTrust)
• Essentials of music theory, elementary (C. Fischer, 1923), by Carl E. Gardner (page images at HathiTrust)
• Mvsicae compendivm (Amstelodami : Ex Typographica Blaviana, MDCLXXXIII [1683], 1683), by René Descartes and Typographia Blaviani (page images at HathiTrust)
• Three hundred and fifty questions and exercises on the Academic manual of the rudiments of music. Prepared specially for candidates for the various musical examinations. (Weekes, 1908), by G. Augustus Holmes (page images at HathiTrust; US access only)
• Fī al-falak wa-al-handasah wa-al-ḥisāb. (Columbia University Libraries, 1200), by David Eugene Smith, Naʻīm, Mamlūk Arghūn, Taqī al-Dīn Naṣr, Aḥmad ibn Muḥammad Ibn al-Surá, Fārābī, Alhazen, Aḥmad ibn Muḥammad Sijzī, Aḥmad ibn Ibrāhīm Sanjarī, Jābir ibn Ibrāhīm Ṣābiʼ, Omar Khayyam, ʻAlī ibn Aḥmad Nasawī, of Samos Aristarchus, Archimedes, al-Muẓaffar ibn Muḥammad Ṭūsī, of Alexandria Menelaus, and Muslim World Manuscripts (Columbia University. Rare Book and Manuscript Library) (page images at HathiTrust)
• Discurso histórico acerca del origen y progresos de la ciencia música (en la Imprenta del Diario, por Pedro Pablo Husson de Lapazaran, 1801), by J. M. C. B. (page images at HathiTrust)
• Dialogo di Vincentio Galilei nobile fiorentino della mvsica antica, et della moderna (In Fiorenza : Appresso Giorgio Marescotti, M.D.LXXXI. [1581], 1581), by Vincenzo Galilei and Giorgio Marescotti (page images at HathiTrust)
• Harmonicorum instrumentorum libri IV (Lutetiae Parisiorum : Petri Ballardi typographi regij characteribus harmonicis. Sumptibus Guillielmi Baudry, Via Amygdalina, propè Collegium Grassinorum, M.DC.XXXVI. [1636], 1636), by Marin Mersenne, Pierre Ballard, Henri-Louis Habert de Montmor, and Guillaume Baudry (page images at HathiTrust)
• Project studies in music structure; the basic course in theory at Cincinnati Conservatory of Music, Cincinnati, Ohio. (Educational Publishers, 1953), by William S. Naylor (page images at HathiTrust; US access only)
• Theory of music (Irving Squire, 1908), by Arthur Foote (page images at HathiTrust)
• Short lessons in theory (H.T. FitzSimons, 1926), by Arthur Olaf Andersen (page images at HathiTrust)
• Grundriss der Musikwissenschaft. (Quelle & Meyer, 1914), by Hugo Riemann (page images at HathiTrust; US access only)
• A companion to the Thorough-base primer : being fifty preliminary exercises, consisting of a base and melody, corresponding with the explanations, and intended to precede each exercise in that work ; to which is added a key to the exercises (Firth and Hall, 1800), by J. F. Burrowes and Benson Collection of Hymnals and Hymnology (Princeton Theological Seminary) (page images at HathiTrust)
• The Singing master. (London : Taylor & Walton, 1840., 1840), by W. E. Hickson and Benson Collection of Hymnals and Hymnology (Princeton Theological Seminary) (page images at HathiTrust)
• Prolegomenos de la musica : sintesis de los conocimientos basicos del divino arte (Casa de Carlos de Gante, 1927), by Manuel M. Bermejo (page images at HathiTrust; US access only)
• Discorso di Vincentio Galilei nobile florentino, intorno all'opere di messer Gioseffo Zarlino da Chioggia, et altri importanti particolari attenenti alla musica. (G. Marescotti, 1833), by Vincenzo Galilei (page images at HathiTrust)
• Monozentrik, eine neue Musiktheorie. (C. Grüninger nachf. E. Klett, 1924), by Hans Schümann (page images at HathiTrust; US access only)
• Materialien zur musiklehre ... (C. Winter, 1923), by Victor Goldschmidt (page images at HathiTrust; US access only)
• Disegno storico dell' arte musicale, con esempi. (G.B. Paravia & c., 1929), by Andrea Della Corte (page images at HathiTrust; US access only)
• Allgemeine Musiklehre für Seminaristen, Präparanden und Musikschüler. (H. Handel, 1891), by Leopold Heinze (page images at HathiTrust)
• All about music : a complete book of musical theory for pianists and other students presented in an entertaining form (Boston Music, 1955), by Jay Sheldon (page images at HathiTrust; US access only)
• First theory book (G. Schirmer, 1950), by Angela Diller (page images at HathiTrust; US access only)
• Sbornik zadach, uprazhneniĭ i voprosov (1001) dli︠a︡ prakticheskago izuchenii︠a︡ zlementarnoĭ teorii muzyki. (Sobstvennost izdateli P. I︠U︡rgensona, 1905), by Georgiĭ Koni︠u︡s (page images at HathiTrust; US access only)
• A catechism of the rudiments of music, adapted for beginners in any branch of the science. (Chappell, 1870), by Edward F. Rimbault (page images at HathiTrust)
• Musiklehre. Neue Darstellung der Musiktheorie nach einzelnen Grundsätzen von Poehlmann's Gedächtnislehre (C.L. Poehlmann, 1905), by Christof Ludwig Poehlmann (page images at HathiTrust; US access only)
• Musices practicae erotematum libri II (H. Petri, 1553), by Gregorius Faber (page images at HathiTrust)
• Vom schaffen grosser komponisten. (Stuttgart : C. Grüninger nachf. E. Klett, [1927], 1927), by Richard Tronnier (page images at HathiTrust; US access only)

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