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Theater -- History -- 20th century

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• Theater -- History
• History -- 20th century

• Costume -- History -- 20th century
• Experimental theater -- History -- 20th century
• Theater -- Argentina -- History -- 20th century
• Theater -- China -- History -- 20th century
• Theater -- Developing countries -- History -- 20th century
• Theater -- England -- History -- 20th century
• Theater -- English-speaking countries -- History -- 20th century
• Theater -- Europe -- History -- 20th century
• Theater -- France -- History -- 20th century
• Theater -- Germany -- History -- 20th century
• Theater -- Great Britain -- History -- 20th century
• Theater -- India -- History -- 20th century
• Theater -- Ireland -- History -- 20th century
• Theater -- Italy -- History -- 20th century
• Theater -- Japan -- History -- 20th century
• Theater -- Michigan -- Detroit -- History -- 20th century
• Theater -- New York (State) -- New York -- History -- 20th century
• Theater -- Production and direction -- History -- 20th century
• Theater -- Russia (Federation) -- History -- 20th century
• Theater -- Russia -- History -- 20th century
• Theater -- Soviet Union -- History -- 20th century
• Theater -- United States -- History -- 20th century

• History of the 1960s off-off-Broadway movement (University of Michigan Press, 2004), by Stephen J. Bottoms (page images at HathiTrust)

• World costumes. With 16 plates in colour and 142 p. of drawings. (Macmillan, 1953), by Angela Bradshaw (page images at HathiTrust)
• The international system of garment cutting : including coats, trousers, breeches, and vests, with diagrams and full instructions for dealing with all forms of disproportion (Thornton Institute, 1911), by J. P. Thornton (page images at HathiTrust)

• Haute Couture (New York: Metropolitan Museum of Art, c1995), by Richard Martin and Harold Koda (page images and PDF with commentary at metmuseum.org and Google)

• Katalog pervoĭ vystavki Moskovskoĭ assot︠s︡iat︠s︡ii khudozhnikov dekoratorov (Izd. Moskovskoĭ assot︠s︡iat︠s︡ii khudozhnikov dekoratorov, 1929), by Moskovskai︠a︡ assot︠s︡iat︠s︡ii︠a︡ khudozhnikov dekoratorov (page images at HathiTrust)

• Style. (New York ; Paris : American Fashion Company, 1916) (page images at HathiTrust)

• Review Dec. 1923-Sept. 1937 (J. M. O'Connor & Co., in the 20th century) (page images at HathiTrust)

• Das Kleid der Frau ein Beitrag zur künstlerischen Gestaltung des Frauen-Kleides (Koch, 1904), by Alfred Mohrbutter (page images at HathiTrust)

• B. Altman & Co. fall and winter : catalogue number one hundred ten (Altman & Co., 1915), by B. Altman & Co (page images at HathiTrust)

• Exclusive automobile apparel and requisites. (Saks & Co., 1905), by N.Y.) Saks & Company (New York (page images at HathiTrust)

• Speaking in tongues : language at play in the theatre (University of Michigan Press, 2006), by Marvin Carlson (page images at HathiTrust)
• Not the other avant-garde : the transnational foundations of avant-garde performance (University of Michigan Press, 2006), by John Rouse and James Martin Harding (page images at HathiTrust)

• Competing Germanies: Nazi, Antifascist, and Jewish Theater in German Argentina, 1933–1965 (Ithaca, NY: Cornell University Press, 2020), by Robert Kelz (JSTOR ebook)

• Competing Germanies: Nazi, Antifascist, and Jewish Theater in German Argentina, 1933–1965 (Ithaca, NY: Cornell University Press, 2020), by Robert Kelz (JSTOR ebook)

• Revolutionary Stagecraft: Theater, Technology, and Politics in Modern China (Ann Arbor: University of Michigan Press, 2024), by Tarryn Li-Min Chun (JSTOR ebook)

• Revolutionary Stagecraft: Theater, Technology, and Politics in Modern China (Ann Arbor: University of Michigan Press, 2024), by Tarryn Li-Min Chun (JSTOR ebook)

• Speaking in tongues : language at play in the theatre (University of Michigan Press, 2006), by Marvin Carlson (page images at HathiTrust)

• Toward a Theater of the Oppressed: The Dramaturgy of John Arden (Ann Arbor: University of Michigan Press, c1995), by Javed Malick (page images at HathiTrust)

• New dramatic list 1912-1922 (Pitman ;, 1912) (page images at HathiTrust)
• New dramatic list 1912-1922 (Pitman ;, 1912) (page images at HathiTrust)

• Modern Drama and the Rhetoric of Theater (Berkeley: University of California Press, 1992), by William B. Worthen (HTML at UC Press)

• El teatro francés contemporáneo; conferencia dada en la Residencia de Estudiantes, de Madrid, el 16 de octubre de 1926. ("Le Livre libre", 1927), by Luis Enrique Osorio (page images at HathiTrust)
• Trente Ans de théâtre (Nilsson, 1905), by Trente Ans de théâtre (Paris) and Trente Ans de théâtre (Paris). Comité de l'oeuvre française et populaire (page images at HathiTrust)

• Die Bühne im Bauhaus. (Albert Langen Verlag, 1925), by Oskar Schlemmer, Xanti Schawinsky, George Adams, Friedrich Wilhelm Bogler, Kurt Schmidt, Marcel Breuer, Farkas Molnár, and László Moholy-Nagy (page images at HathiTrust)

• The Theatre of the Real: Yeats, Beckett, and Sondheim (Columbus, OH: Ohio State University Press, c2008), by Gina Masucci MacKenzie (PDF at Ohio State)
• The contemporary drama of England (Little, Brown, 1922), by Thomas Herbert Dickinson (page images at HathiTrust)
• The contemporary drama of England (Little, Brown, and company, 1917), by Thomas Herbert Dickinson (page images at HathiTrust)

• Roberto Bracco : la sua vita - la sua arte i suoi critici (R. Sandron, 1923), by Pasquale Parisi (page images at HathiTrust)
• Le prime rappresentazioni dannunziane (Milano : Treves, 1928), by Mario Corsi (page images at HathiTrust)
• Storie e storielle del teatro di prosa (Casa editoriale Vecchi, 1926), by Achille Vitti (page images at HathiTrust)

• Theater and politics in colonial and postcolonial India (University of Michigan Press, 2004), by Nandi Bhatia (page images at HathiTrust)

• Engei gahō. (Engei Gahōsha, 1907), by Engei Gahōsha (page images at HathiTrust)
• Engeki shinchō. (Shinchōsha, 1924) (page images at HathiTrust)

• Detroit on Stage: The Players Club, 1910-2005 (Detroit: Wayne State University Press, c2007), by Marijean Levering (multiple formats with commentary at Wayne State)

• Bulldaggers, Pansies, and Chocolate Babies: Performance, Race, and Sexuality in the Harlem Renaissance (Ann Arbor: University of Michigan Press, c2010), by James F. Wilson (multiple formats with commentary at fulcrum.org)

• New dramatic list 1912-1922 (Pitman ;, 1912) (page images at HathiTrust)
• New dramatic list 1912-1922 (Pitman ;, 1912) (page images at HathiTrust)

• Modern Drama and the Rhetoric of Theater (Berkeley: University of California Press, 1992), by William B. Worthen (HTML at UC Press)

• Zapiski rezhissera (Izd. Kamernogo teatra, 1921), by Aleksandr I︠A︡kovlevich Tairov and Alexandra Exter (page images at HathiTrust)

• Narodnyĭ teatr : pervye itogi (Izd. Petrogr. soi︠u︡za raboch. potrebit. ob-va, 1918), by P. P. Gaĭdeburov (page images at HathiTrust)

• Narodnyĭ teatr : pervye itogi (Izd. Petrogr. soi︠u︡za raboch. potrebit. ob-va, 1918), by P. P. Gaĭdeburov (page images at HathiTrust)

• Bolshevik Festivals, 1917-1920 (Berkeley: University of California Press, 1993), by James Von Geldern (HTML at UC Press)
• Teatry v dni revoli͡ut͡sii 1917 (Akademia, 1927), by Vasiliĭ Bezpalov (page images at HathiTrust)
• Teatralʹnye sumerki : statʹi i ocherki ob akademizme i MKhAT'e (1926-27 gg.) (Biblioteka "Novyĭ zritelʹ", 1928), by V. A. Pavlov (page images at HathiTrust)

• Racing the Great White Way: Black Performance, Eugene O'Neill, and the Transformation of Broadway (Ann Arbor: University of Michigan Press, c2023), by Katie N. Johnson (multiple formats with commentary at fulcrum.org)
• The Theatre of the Real: Yeats, Beckett, and Sondheim (Columbus, OH: Ohio State University Press, c2008), by Gina Masucci MacKenzie (PDF at Ohio State)
• Susan Glaspell in context : American theater, culture, and politics, 1915-48 (University of Michigan Press, 2002), by J. Ellen Gainor (page images at HathiTrust)
• Arthur Miller's America : theater & culture in a time of change (University of Michigan Press, 2005), by Enoch Brater (page images at HathiTrust)
• Restaging the sixties : radical theaters and their legacies (University of Michigan Press, 2006), by Cindy Rosenthal and James Martin Harding (page images at HathiTrust)

• Racing the Great White Way: Black Performance, Eugene O'Neill, and the Transformation of Broadway (Ann Arbor: University of Michigan Press, c2023), by Katie N. Johnson (multiple formats with commentary at fulcrum.org)

• Performing America: Cultural Nationalism in American Theater (Ann Arbor: University of Michigan Press, c1999), ed. by Jeffrey D. Mason and J. Ellen Gainor (page images at HathiTrust)

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