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Velvet painting -- Technique

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• Velvet painting
• Painting -- Technique
• Technique

• Velvet painting -- Technique -- Handbooks, manuals, etc.

• Aquarelle-miniature perfectionnée : reflets métalliques et chatoyans et peinture a l'huile sur velours en six leçons : sans maître et sans qu'il soit nécessaire d'avoir aucune notion de dessin, suivies de moyens pour esquisser de suite d'après nature, avec toutes les réductions progressives que l'on désire : ouvrage orné de quinze sujets dont sept peints à la main avec toutes les explications pour parvenir rapidement a l'exécution (Félix Rusconi ;, 1835), by M. Saint-Victor (page images at HathiTrust)

• Hints on landscape painting, with instructions for painting on velvet (Printed for Longman, Hurst, Rees & Orme, and J. Bumpus, 1820), by J. W. Alston (page images at HathiTrust)

Items below (if any) are from related and broader terms.

• The Painter in Oil, by Daniel Burleigh Parkhurst (illustrated HTML with commentary at artrenewal.org)
• The Practice of Oil Painting and of Drawing As Associated With It, by Solomon J. Solomon
  • illustrated HTML at painting-technique.com
  • zipped illustrated HTML at aisthesthai.tk
• Tone Relations in Painting (Cambridge, MA: Harvard University Press, 1922), by Arthur Pope (multiple formats at archive.org)
• The Book of the Art of Cennino Cennini (London: G. Allen and Unwin, 1922), by Cennino Cennini, trans. by Christiana Jane Powell Herringham (multiple formats at archive.org)
• Les Traditions Techniques de la Peinture Médiévale (in French; Brussels and Paris: G. van Oest et cie, 1914), by G. Loumyer (page images at HathiTrust; US access only)
• The Painter's Palette and How to Master It (New York: Baker and Taylor Co., c1913), by Bolton Brown (page images at HathiTrust)
• Practical Hints on Colour in Painting, Illustrated by Examples From the Works of the Venetian, Flemish, and Dutch Schools (second edition), by John Burnet (zipped illustrated HTML at aisthesthai.tk)
• A Treatise on Painting (London: E. Lumley, 1844), by Cennino Cennini, trans. by Mary P. Merrifield, contrib. by Giuseppe Tambroni (multiple formats at archive.org)
• Is your contemporary painting more temporary than you think? Vital technical information for the present-day artist (International Book Company, 1962), by Louis Pomerantz (page images at HathiTrust; US access only)
• Über die Maltechnik der Alten : mit besonderer Berücksichtigung der römisch-pompejanischen Wandmalerei, nebst einer Anleitung zur mikroskopischen Untersuchung der Kunstwerke (Georg Reimer, 1910), by E. Raehlmann (page images at HathiTrust; US access only)
• History and methods of ancient and modern painting (Chapman & Hall, ltd., 1913), by James Ward (page images at HathiTrust)
• Oil painting: methods and demonstrations. (Reinhold, 1953), by Henry M. Gasser (page images at HathiTrust)
• Von der hochedlen Malerei / Tractat des Michel Angelo Biondo (Venedig 1549) ; übersetzt, mit Einleitung und Noten versehen von Albert Ilg. (Wilhelm Braumüller, 1873), by Michelangelo Biondo and Albert Ilg (page images at HathiTrust)
• Notes on the technique of painting (Exposition Press, 1955), by Hilaire Hiler (page images at HathiTrust)
• Mérimée on oil painting (Whittaker & Co., 1839), by J.-F.-L. Mérimée and William B. Sarsfield Taylor (page images at HathiTrust)
• The technique of painting (W. Heinemann, 1912), by Ch. Moreau-Vauthier (page images at HathiTrust; US access only)
• The painter in oil; a complete treatise on the principles and technique necessary to the painting of pictures in oil colors (Lee and Shepard, 1903), by Daniel Burleigh Parkhurst (page images at HathiTrust)
• Enkaustik und Fresko auf antiker Grundlage; eine Ergänzungsschrift zu "Bergers Beiträgen zur Entwicklungsgeschichte der Maltechnik," (G. D. W. Callwey, 1926), by Hans Schmid and Ernst Berger (page images at HathiTrust; US access only)
• The practice of oil painting and of drawing as associated with it (Seeley, Service & co. limited, 1914), by Solomon J. Solomon (page images at HathiTrust; US access only)
• Studio secrets (Watson-Guptill publications, inc., 1944), by Frederic Taubes (page images at HathiTrust)
• Mathematik und Malerei (B. G. Teubner, 1925), by Georg Wolff (page images at HathiTrust; US access only)
• Emotional design in painting. April seventh to May fifth, nineteen hundred amd forty ([Washington], 1940), by Phillips Collection and C. Law Watkins (page images at HathiTrust; US access only)
• The guide to oil painting ... (G. Rowney and co., 1800), by Alfred Clint and J. S. Templeton (page images at HathiTrust)
• Creative color. (Reinhold Pub. Corp., 1961), by Faber Birren (page images at HathiTrust)
• The secret of the old masters (D. Appleton and company, 1916), by Albert Abendschein (page images at HathiTrust)
• Oil painting. (Van Nostrand, 1956), by Stephen Bone (page images at HathiTrust)
• Chromatography. A treatise on colours and pigments for the use of artists (Windsor and Newton, limited, 1885), by George Field and J. Scott Taylor (page images at HathiTrust)
• Das Erlernen der Malerei; ein Handbuch. (P. Cassirer, 1909), by Lovis Corinth (page images at HathiTrust; US access only)
• Tone relations in painting (Harvard university press, 1928), by Arthur Pope (page images at HathiTrust)
• Miniatura; or, The art of limning (Clarendon press, 1919), by Edward Norgate, Martin Hardie, and Bodleian Library (page images at HathiTrust)
• Traité de perspective : où sont contenus les fondemens de la peinture (Chez Anisson ..., 1701), by Bernard Lamy (page images at HathiTrust)
• The materials of the painter's craft in Europe and Egypt, from earliest times to the end of the XVIIth century, with some account of their preparation and use. (T.N. Foulis, 1910), by A. P. Laurie (page images at HathiTrust; US access only)
• I principii scientifici del divisionismo (la tecnica della pittura)... (Fratelli Bocca, 1929), by Gaetano Previati (page images at HathiTrust; US access only)
• Manuel d'iconographie chrétienne grecque et latine, avec une introd. et des notes par M. Didron. Traduit du manuscrit byzantin, Le guide de la peinture, par Paul Durand. (B. Franklin, 1963), by of Fourna Dionysios, Paul Durand, and Adolphe Napoléon Didron (page images at HathiTrust; US access only)
• Das Lehrgedicht des Karel van Mander (M. Nijhoff, 1916), by Carel van Mander and Rudolf Hoecker (page images at HathiTrust; US access only)
• Della nobilissima pittura (Alla Insegna di Appolline, 1549), by Michelangelo Biondo (page images at HathiTrust)
• A treatise on painting (E. Lumley, 1844), by Cennino Cennini, Giuseppe Tambroni, and Mary P. Merrifield (page images at HathiTrust)
• The book of the art of Cennino Cennini; a contemporaty practical treatise of quattrocento painting translated from the Italian, with notes on mediaeval art methods (G. Allen & Unwin, 1922), by Cennino Cennini and Christiana Jane Powell Herringham (page images at HathiTrust; US access only)
• The principles of painting under the heads of anatomy ... unity, etc. : in which is contained, an account of the Athenian, Roman, Venetian and Flemish schools : to which is added, the balance of painters, being the names of the most noted painters, and their degrees of perfection in the four principal parts of their art : of singular use to those who would form an idea of the value of paintings and pictures (Printed for J. Osborn, at the Golden Ball, in Pater-noster Row, 1743), by Roger de Piles, James Mynde, and John Osborn (page images at HathiTrust)
• The pigments and mediums of the old masters: with a special chapter on microphotographic study of brushwork (Macmillan, 1914), by A. P. Laurie (page images at HathiTrust)
• Zhonghua mei shu ming jia hua pu: [4 juan]. (1919) (page images at HathiTrust; US access only)
• Gao deng xi hua lin ben. (1900) (page images at HathiTrust; US access only)
• San xi tang hua pu fen lei da guan : [10 ji] (1925), by Molishanren (page images at HathiTrust; US access only)
• Yan yun gong yang lu. (Place of publication not identified, 1915), by Qian Wu (page images at HathiTrust; US access only)
• Essays on the art of painting that resonate within me ([publisher not identified], 1878), by Zuyong Qin (page images at HathiTrust)
• Hua chan shi sui bi : 4 juan (Shao ye shan fang, 1928), by Qichang Dong (page images at HathiTrust; US access only)
• Heraclius : von den farben und künsten der Römer. Originaltext und übersetzung (W. Braumüller, 1873), by Eraclius and Albert Ilg (page images at HathiTrust)
• Gu jin hua jian (Han fen lou, 1920), by Hou Tang (page images at HathiTrust; US access only)
• Xuanhe hua pu. (Han fen lou :, 1922) (page images at HathiTrust; US access only)
• Contemporary materials and techniques in the fine arts (Education Off., Brooklyn Museum, 1936), by Brooklyn Museum (page images at HathiTrust)
• Palettes d'artistes, avec 5 illustrations hors texte. (E. Sansot, 1912), by Abel Letalle and Galerie Georges Petit (page images at HathiTrust; US access only)
• History and methods of ancient & modern painting (Dutton, 1917), by James Ward (page images at HathiTrust; US access only)
• Die Wachsmalerei des Apelles und seiner Zeit; neue Untersuchungen und Versuche über die antike Malertechnik. (G.D.W. Callwey, 1917), by Ernst Berger (page images at HathiTrust; US access only)
• Original treatises, dating from the XIIth to XVIIIth centuries on the arts of painting, in oil, miniature, mosaic, and on glass; of gilding, dyeing, and the preparation of colours and artificial gems; preceded by a general introduction; with translations, prefaces, and notes. (J. Murray, 1849), by Mary P. Merrifield (page images at HathiTrust)
• How to paint permanent pictures (D. Van Nostrand company, 1922), by Maximilian Toch (page images at HathiTrust)
• Facts about processes, pigments, and vehicles : a manual for art students (Macmillan, 1895), by A. P. Laurie (page images at HathiTrust)
• Practical hints on colour in painting : illustrated by examples from the works of the Venetian, Flemish, and Dutch schools (James Carpenter, 1843), by John Burnet (page images at HathiTrust)
• An artist talks about color (J. Wiley & sons, inc.;, 1930), by Joseph Cummings Chase (page images at HathiTrust; US access only)
• Traité méthodique et raisonné de la peinture à l'huile : contenant les principes du coloris ou mélanges des couleurs appliqués à tous les genres, paysages, fleurs, fruits, animaux, figures, etc. : d'après les règles des grands maitres et la connaissance parfaite des effets chimiques sur les matières colorantes : suivi de l'art de la restauration et conservation des tableaux (Renault, Libraire-Éditeur, 1876), by Frédéric Auguste Antoine Goupil (page images at HathiTrust)
• Field's chromatography; or, Treatise on colours and pigments as used by artists. (Winsor and Newton, 1869), by George Field (page images at HathiTrust)
• The chemistry of paints and painting (Seeley, Service & Co., limited, 1915), by A. H. Church (page images at HathiTrust)
• Die koloristische Entwicklung in der niederländischen Malerei des xv. und xvi. Jahrhunderts (B. Cassirer, 1928), by Axel Adolf Sjöblom (page images at HathiTrust; US access only)
• Week-end painter. (Whittlesey House, 1948), by Laurence V. Burton (page images at HathiTrust)
• Materials for permanent painting; a manual for manufacturers, art dealers, artists and collectors (D. Van Nostrand Company, 1911), by Maximilian Toch (page images at HathiTrust)
• Keisai soga. Shohen. (Eirakuya Tōshirō, in the 19th century), by Masayoshi Kitao (page images at HathiTrust)
• New art of painting with cotton (Educational art company, 1927), by Michael Stephan Mastrukoff (page images at HathiTrust; US access only)
• Manuel d'iconographie chrétienne, grecque et latine (Imprimerie Royale, 1845), by of Fourna Dionysios, Paul Durand, and Adolphe Napoléon Didron (page images at HathiTrust)
• Anweisung zur oel-malerei, zur aquarell-, fresco-, miniatur- und holz-malerei. Nebst 26 geheimnissen für zeichner, maler und lackirer, über farbenlehre und harmonie der farben, bestes verfahren zeichnungen zu copiren ... (Ernst, 1879), by Friedrich Dietrich (page images at HathiTrust)
• Di Cennino Cennini trattato della pittura messo in luce la prima volta con annotazioni dal cavaliere Giuseppe Tambroni ... (Paolo Salviucci, 1821), by Cennino Cennini and Giuseppe Tambroni (page images at HathiTrust)
• Le mouvement idéaliste en peinture. (H. Floury, 1896), by André Mellerio (page images at HathiTrust)
• Papers of the Society of Painters in Tempera, vol. I. 1901-1907. (Printed for the Society by the Dolphin Press, 1928), by London Society of Mural Decorators and Painters in Tempera and Mary Sargant Florence (page images at HathiTrust; US access only)
• Papers of the Society of Mural Decorators & Painters in Tempera. Second volume, 1907-1924. (Printed for the Society by the Dolphin Press, 1925), by London Society of Mural Decorators and Painters in Tempera and John D. Batten (page images at HathiTrust; US access only)
• Malerbriefe : Beiträge zur Theorie und Praxis der Malerei (S. Hirzel, 1904), by Wilhelm Ostwald (page images at HathiTrust; US access only)
• Course in beginning oil painting. (Reinhold, 1960), by Olle Nordmark (page images at HathiTrust)
• The functions of color in painting; an educational loan exhibition, February 16 to March 23, 1941, Phillips memorial gallery, Washington, D.C. ([Washington, 1941), by Phillips Collection, Charles Law Watkins, and Duncan Phillips (page images at HathiTrust)
• The painter's methods & materials : the handling of pigments in oil, tempera, water-colour & in mural painting, the preparation of grounds & canvas, & the prevention of discolouration, together with the theories of light & colour applied to the making of pictures (Seeley, Service, 1926), by Arthur Pillians Laurie (page images at HathiTrust; US access only)
• The secret of the old masters (D. Appleton and company, 1906), by Albert Abendschein (page images at HathiTrust)
• A grammar of colouring : applied to decorative painting and the arts (C. Lockwood, 1888), by George Field and Ellis A. Davidson (page images at HathiTrust)
• On the theory of painting; to which is added and index of mixed tints, and an introduction to painting in water-colours, with precepts. (W.H. Allen, 1836), by T. H. Fielding (page images at HathiTrust)
• Die koloristische Entwicklung des niederländischen Stillebens im 17. Jahrhundert (Graphische Kunstanstalt Franz Scheiner, 1917), by Axel Adolf Sjöblom (page images at HathiTrust; US access only)
• Untersuchungen zur Geschichte der Farbengebung in der venezianischen Malerei ... Teil I. (Hermann Freise, 1914), by Erich von der Bercken (page images at HathiTrust; US access only)
• The art of painting restored to its simplest and surest principles (David Bogue, 86, Fleet Street, 1849), by Liberat Hundertpfund, Thomas Harrild, and David Bogue (page images at HathiTrust)
• The painter in oil : a complete treatise on the principles and technique necessary to the painting of pictures in oil colors (Lee and Shepard, 1898), by Daniel Burleigh Parkhurst (page images at HathiTrust)
• Scene painting. (George Rowney & Co., 1875), by F. Lloyds (page images at HathiTrust)
• Tōyō garon shūsei (Dokuga Shoin, 1915), by Tenpō Imazeki (page images at HathiTrust; US access only)
• Aburae no tehodoki (Hakubunkan, 1926), by Kōzō Yokoi (page images at HathiTrust; US access only)
• Pictures and dirt separated, in the works of the old masters (H. Merrit, 1854), by Henry Merritt (page images at HathiTrust)
• Traité complet de la peinture (Bossange père, 1829), by Jacques Nicolas Paillot de Montabert and Hector Bossange (page images at HathiTrust)
• Introduction to the art of painting in oil colours (London : Printed for R. Ackermann and Co., MDCCCXXIX [1829], 1829), by John Cawse (page images at HathiTrust)
• Handbuch der Oel-Malerei. Nach dem heutigen Standpunkte und in vorzugsweiser Anwendung auf Landschaft und Architektur. (P. Neff, 1878), by Friedrich Jaennicke (page images at HathiTrust)
• Wesen und technik der malerei; ein handbuch für künstler und kunstfreunde von Ernst Kiesling (K.W. Hiersemann, 1908), by Ernst Kiesling (page images at HathiTrust; US access only)
• A practical treatise on painting. In three parts ... The whole illustrated by examples from the Italian, Venetian, Flemish, and Dutch schools. (J. Carpenter and Son, 1828), by John Burnet (page images at HathiTrust)
• Manuel général de la peinture à l'huile : précédé de considérations sur les peintures anciennes et modernes : restauration et conservation des tableaux : peinture à la cire : renaissance de la mosaique en France (Renauld, 1877), by Goupil (Frédéric-Auguste-Antoine) (page images at HathiTrust)
• Ecole de la miniature ou l'art d'apprendre à peindre sans maitre. (Bachelier, 1817) (page images at HathiTrust)
• Rudiments of the painters' art; or, A grammar of colouring, applicable to operative painting, decorative architecture, and the arts. (J. Weale, 1858), by George Field (page images at HathiTrust)
• Fabricant & épurateur d'huiles végétales et animales (Librairie encyclopédique de Roret, 1880), by Julia de Fontenelle (Jean-Sébastien-Eugène) and F. Malepeyre (page images at HathiTrust)
• Über die Maltechnik der Alten, mit besonderer Berücksichtigung der römisch-pompejanischen Wandmalerei, nebst einer Anleitung zur mikroskopischen Untersuchung der Kunstwerke (G. Reimer, 1910), by E. Raehlmann (page images at HathiTrust; US access only)
• The practice of oil painting and of drawing as associated with it (Seeley and co. limited, 1911), by Solomon J. Solomon (page images at HathiTrust; US access only)
• Tone relations in painting (Harvard university press, 1922), by Arthur Upham Pope (page images at HathiTrust)
• La peinture : les divers procédés : les maladies des couleurs : les faux tableaux (Hachette, 1913), by Ch. Moreau-Vauthier (page images at HathiTrust; US access only)
• Comment on peint aujourd'hui. (Floury, 1923), by Ch. Moreau-Vauthier (page images at HathiTrust; US access only)
• La science des couleurs et l'art du peintre (F. Alcan, 1923), by Maurice Auguste Joseph Boigey (page images at HathiTrust; US access only)
• Painting popularly explained : including fresco, oil, tempera, mosaic, encaustic, water-colour, miniature, missal, painting on pottery, porcelain, enamel, glass, &c., with historical sketches of the progress of the art (Kent and Co., 1859), by Thomas John Gullick and John Timbs (page images at HathiTrust)
• Painter and space; or, The third dimension in graphic art (C. Scribner's sons, 1923), by Howard Russell Butler (page images at HathiTrust)
• Rudiments of the painters' art (J. Weale, 1850), by George Field (page images at HathiTrust)
• The materials of the painter's craft in Europe and Egypt : from earliest times to the end of the XVIIth century, with some account of their preparation and use : containing seven reproductions in colour & other illustrations (J.B. Lippincott Co., 1911), by A. P. Laurie (page images at HathiTrust)
• A handbook for painters and art students on the character and use of colours, their permanent or fugitive qualities, and the vehicles proper to employ : also short remarks on the practice of painting in oil and water colours (Baillière, Tindall, and Cox, 1880), by William J. Muckley (page images at HathiTrust)
• Techniques of painting. (Reinhold, 1958), by Henry M. Gasser (page images at HathiTrust)
• The secret of pictorial art, or, Self-instructor in painting on glass, china, satin and paper : it teaches the oil photo-miniature, Grecian oil, antique, oriental, crystal and pastel paintings, crystalline, decalcomanie and diaphanie transferring (D.D. Morse, 1879), by D. D. Morse (page images at HathiTrust)
• Color (Bridgman, 1930), by Herbert E. Martini (page images at HathiTrust)
• The secret of the old masters (D. Appleton and Co., 1927), by Albert Abendschein (page images at HathiTrust)
• Principes scientifiques des beaux-arts, essais et fragments de théorie (G. Baillière et cie, 1878), by Ernst Wilhelm Brücke and Hermann Ludwig Ferdinand von Helmholtz (page images at HathiTrust)
• Sentimens svr la distinction des diverses manières de peinture, dessein & graueure, & des originaux d'auec leurs copies (Chez l'autheur ..., 1649), by Abraham Bosse (page images at HathiTrust)
• The painter's educator. For stainers, varnishers, grainers, carriage painters, fresco artists, gilders and amateurs; containing rules and methods ... (Enterprise print], 1901), by T. C. Turney (page images at HathiTrust)
• L'arte della pittura, accresciuta con più recenti e necesarie osservazioni. (G. Montiroisecco, 1775), by Charles Alphonse Du Fresnoy (page images at HathiTrust)
• L'arte della pittura, poema latina tradotto in versi toscani da Innocenzio Ansaldi. (Pescia, 1782), by Charles Alphonse Du Fresnoy (page images at HathiTrust)
• Essai sur le paysage, dans lequel on traite des diverses méthodes pour se conduire dans l'étude du paysage suivi de courtes notices sur les plus habiles peintres en ce genre; ouvrage utile aux amateurs. (Treuttel et Wurtz, 1817), by C. J. F. Lecarpentier (page images at HathiTrust)
• Manuel des jeunes artistes et amateurs en peinture (F.G. Levrault, 1832), by P. L. Bouvier (page images at HathiTrust)
• Des procédés matériels employés dans ce genre de peinture (Huzard, 1830), by J.-F.-L. Mérimée (page images at HathiTrust)
• Field on the power of colours in painting (C. Tilt, 1835), by George Field (page images at HathiTrust)
• Traité théorique et pratique sur l'art de faire les vernis; suivi de deux mémoires, l'un sur les dangers qui menacent les peintures vernies d'extérieurs, l'autre sur les précautions à prendre pour assurer aux revernissages la mem̄e durée quàux vernissages faits sur les peintures fraîches. (L. Mathias, 1845), by A. M. Tripier-Deveaux (page images at HathiTrust)
• Handbook of young artists and amateurs in oil painting : being chiefly a condensed compilation from the celebrated manual of Bouvier ... appended, A new explanatory and critical vocabulary (J. Wiley & Son, 1865), by Laughton Osborn and P. L. Bouvier (page images at HathiTrust)
• Fresco painting; modern methods and techniques for painting in fresco and secco. (American Artists Group, 1947), by Olle Nordmark (page images at HathiTrust; US access only)
• The decorator's assistant : a modern guide for decorative artists and amateurs, painters, writers, gilders ... . (Crosby Lockwood, 1907) (page images at HathiTrust; US access only)
• The technique of painting (G.P. Putnam's ;, 1923), by Ch. Moreau-Vauthier (page images at HathiTrust; US access only)
• Die kunst der malerei; eine anleitung zur ausbildung für die kunst, nebst einem anhang zur nachhilfe bei dem studium der perspektive, anatomie und der proportionen (K. W. Hiersemann, 1910), by Adolf Ehrhardt, Ernst Berger, and Johann Gottfried Schadow (page images at HathiTrust; US access only)
• Die Kunst der Malerei, enthaltend das Landschaft-, Porträt-, Genre- und Historien-fach, nach rein Künstlerischer, leicht fasslicher Methode. (Rudolph Weigel, 1852), by Johann Wilhelm Völker (page images at HathiTrust)
• Monochromatic painting (Printed by E. Shepard, 1847), by Silas Wood (page images at HathiTrust)
• Directions for transparent painting on glass. (Published by M.J. Whipple & Co. ..., 1856), by M.J. Whipple & Co (page images at HathiTrust)
• Il libro dell'arte, o, Trattato della pittura (F. Le Monnier, 1859), by Cennino Cennini, Carlo Milanesi, and Gaetano Milanesi (page images at HathiTrust)
• Nouveau manuel complet du fabricant et de l'épurateur d'huiles végétales et animales. (Roret, 1866), by Julia de Fontenelle (Jean-Sébastien-Eugène) (page images at HathiTrust)
• De la statve et de la peintvre traités de Leon-Battista Alberti ... (Chez A. Lévy, editeur, 1868), by Leon Battista Alberti (page images at HathiTrust)
• Handbook of young artists and amateurs in oilpainting : being chiefly a condensed compilation from the celebrated manual of Bouvier, with additional matter selected from the labors of Merimée, De Montabert and other distinguished continental writers in the art in seven parts ... : a new explanatory and critical vocabulary (J. Wiley, 1849), by Laughton Osborn and P. L. Bouvier (page images at HathiTrust)
• Peri zōgraphias. (Typois A. Ktena kai S. Oikonomou, 1871), by Panagiōtēs Doxaras and Spyridōn Paulou Lampros (page images at HathiTrust)
• Procédés des coloristes anciens (Imprimerie de Horemans, 1856), by Oscar de Haes (page images at HathiTrust)
• The art of the old masters (Harper, 1899), by Cennino Cennini (page images at HathiTrust)
• Das Buch von der kunst, oder Tractat der Malerei des Cennino Cennini da Colle di Valdelsa. (W. Braumüller, 1888), by Cennino Cennini and Albert Ilg (page images at HathiTrust)
• Von der hochedlen Malerei. Tractat des Michel Angelo Biondo (Venedig 1549) (W. Braumüller, 1873), by Michelangelo Biondo and Albert Ilg (page images at HathiTrust)
• Jie zi yuan hua zhuan (Zhang fu ji shu ju yin xing, 1917), by Xun Chao, Gai Wang, and Yu Li (page images at HathiTrust; US access only)
• The practice of painting and perspective made easy: in which is contained, the art of painting in oil, with the method of colouring and a new account of the art of perspective (Printed by S. Richardson, for the author, 1756), by Thomas Bardwell (page images at HathiTrust)
• The book of the art of Cennino Cennini : a contemporary practical treatise on quattrocento painting translated from the Italian, with notes on mediæval art methods (G. Allen & Unwin, ltd., 1899), by Cennino Cennini (page images at HathiTrust)
• Jie zi yuan hua zhuan : chu, er, san ji (Qian qing tang, 1906), by Gai Wang (page images at HathiTrust; US access only)
• Das buch von der kunst, oder Tractat der malerei des Cennino Cennini da Colle di Valdelsa. (W. Braumüller, 1871), by Cennino Cennini and Albert Ilg (page images at HathiTrust)
• A practical treatise on painting : in three parts ; consisting of hints on composition, chiaroscuro, and colouring ; the whole illustrated by examples from the Italian, Venetian, Flemish, and Dutch schools (J. Carpenter, 1827), by John Burnet (page images at HathiTrust)
• Painted tapestry and its application to interior decoration : practical lessons in tapestry painting with liquid colour (Lechertier, Barbe, and Co., 60 Regent Street, 1879), by Jean Joseph Julien Godon (page images at HathiTrust)
• Das Citralakshaṇa nach dem tibetischen Tanjur (O. Harroassowitz, 1913), by Berthold Laufer (page images at HathiTrust; US access only)
• Quellen und Technik der Fresko-, Oel- und Tempera-Malerei des Mittelalters : von der byzantinischen Zeit bis einschliesslich der "Erfindung der Ölmalerei" durch die Brüder van Eyck (Sändig Reprint Verlag, 1982), by Ernst Berger (page images at HathiTrust; US access only)
• Élémens de peinture pratique (Chez Arkstée & Merkus, libraires ;, 1776), by Roger de Piles, Charles-Antoine Jombert, and Arkstée et Merkus (page images at HathiTrust)
• La scienza della pittura (Arturo Demarchi, 1900), by J. G. Vibert and Gaetano Previati (page images at HathiTrust; US access only)
• Das Buch von der Kunst : oder Tractat der Malerei (W. Braumüller, 1871), by Cennino Cennini and Albert Ilg (page images at HathiTrust)
• Entretiens sur la théorie de la peinture : pour aider aux progrès des jeunes personnes qui cultivent cet art (Chez Aubry :, 1820), by J.-P. Voïart (page images at HathiTrust)
• The science of painting (P. Young, 1892), by J. G. Vibert (page images at HathiTrust)
• Trattato della pittura (Presso Giovacchino Pagani libraio e Iacopo Graziole stampatore, 1792), by Leonardo da Vinci and Gaetano Vascellini (page images at HathiTrust)
• Peinture (Bourgogne et Martinet, 1845), by Hippolyte Fortoul (page images at HathiTrust)
• Stil- und Kompositionslehre für Maler : unter besonderer Berücksichtigung der Farbengebung (Neff, 1903), by Franz Schmid-Breitenbach (page images at HathiTrust; US access only)
• La science de la peinture (P. Ollendorff, 1891), by J. G. Vibert (page images at HathiTrust)
• Graphice (Ex officina Endteriana, 1669), by Johannes Scheffer (page images at HathiTrust)
• Elucidation of colours, with a chromatometer (Printed by Richard Taylor and Co., 1809), by James Sowerby (page images at HathiTrust)
• Descrizione ragionata della Galleria Doria : preceduta da un breve saggio di pittura (Presso Luigi Perego Salvioni, 1794), by Salvatore Tonci, Luigi Perego Salvioni, and Galleria Doria Pamphilj (page images at HathiTrust)
• Dictionnaire portatif de peinture, sculpture et gravure : avec un traité pratique des differentes manieres de peindre, dont la théorie est développée dans les articles qui en sont susceptibles : ouvrage utile aux artistes, aux eleves & aux amateurs (Chez Bauche, libraire ..., 1757), by Antoine-Joseph Pernety and Jean-Baptiste-Claude Bauche (page images at HathiTrust)
• Treatise on portrait painting from life (George Rowney & Co., 1887), by F. Haynes and George Rowney and Co (page images at HathiTrust)
• Les premiers elemens de la peinture pratique : enrichis de figures de proportion mesurées sur l'antique (Chez Nicolas Langlois ..., 1684), by Roger de Piles, Nicolas Langlois, Sébastien Le Clerc, and Jean-Baptiste Corneille (page images at HathiTrust)
• Nova academia de pintura : dedicada a's senhoras portuguezas, que amão ou se applicão ao estudo das bellas artes. (Impressão Regia, 1817), by Cyrillo Volkmar Machado (page images at HathiTrust)
• A manual on flower painting in oil colours from nature : with instructions for preliminary practice : also a section on flower painting in water colours, etc. ... (Winsor & Newton, 1888), by William J. Muckley (page images at HathiTrust)
• The art of landscape painting in oil colours. (Winsor and Newton, in the 1870s), by W. Williams and Thomas Charles Leeson Rowbotham (page images at HathiTrust)
• Theoretisch-praktisches Handbuch fuer Maler, Illuminirer, Zeichner, Kupferstecher, Kupferdrucker und Formschneider : worinnen man den Gebrauch der Farben nebst Zubereitung derselben nach systematischen Grundsätzen bekannter Autoren, sehr leicht erkennen und erlernen kann : nebst einer praktischen Abhandlung von den verschiedenen Arten der Malerey, auf Leinwand, Seide, Glas, Wachs, Mauern, mit Oel, en miniature oder Pastell zu arbeiten ... (Im Verlag bey Mathias Ludwig, in der Singerstrasse, 1792), by Tobias Querfurt, Joseph Hraschanzky, and 18th cent Fritsch (page images at HathiTrust)
• Arcadia pictórica en sueño, alegoría (Por Don Antonio de Sancha, 1789), by Francisco Preciado de la Vega and Antonio de Sancha (page images at HathiTrust)
• Arte della pittura di Carlo Alfonso du Fresnoy (A spese di Giuseppe Monti Roisecco in Piazza Navona, 1775), by Charles-Alphonse Dufresnoy, Giampietro Zanotti, Giuseppe Monti Roisecco, Ignazio Benedetti, and Francesco Algarotti (page images at HathiTrust)
• Malmaterialienkunde als Grundlage Maltechnik : für Kunststudierende, Künstler, Maler, Lackierer, Fabrikantern und Händler (Springer, 1909), by A. Eibner (page images at HathiTrust; US access only)
• Premières études de peinture a l'huile (Paris : Librairie Renouard, H. Laurens, éditeur, [between 1900 and 1909?], in the 1900s), by Ernest Hareux (page images at HathiTrust; US access only)
• Manuel des jeunes artistes et amateurs en peinture (F.G. Levrault, 1827), by P. L. Bouvier (page images at HathiTrust)
• The chemistry of paints and painting (Seeley and Co., Ltd., 1901), by A. H. Church (page images at HathiTrust)
• De la loi du contraste simultané des couleurs et de ses applications (Imprimerie nationale :, 1889), by M. E. Chevreul, Henri Chevreul, Imprimerie Gauthier-Villars, and Imprimerie nationale (France) (page images at HathiTrust)
• A handbook for painters and art students on the character, nature, and use of colours, their permanent, or fugitive qualities, and the vehicles proper to employ : with an appendix giving permanent hues and tints :also short remarks on the practice of painting in oil and water colours (Baillière, Tindall and Cox, 1893), by William J. Muckley (page images at HathiTrust)
• Handbook of young artists and amateurs in oilpainting, being chiefly a condensed compilation from the celebrated manual of Bouvier ... appended a new explanatory and critical vocabulary (J. Wiley, 1854), by Laughton Osborn and P. L. Bouvier (page images at HathiTrust)
• On the theory of painting : to which is added and index of mixed tints, and an introduction to painting in water-colours, with precepts (Published for the author by W.H. Allen, & Co., Leadenhall Street, and Smith, Elder & Co., Cornhill, 1835), by T. H. Fielding, J.L. Cox and Sons, Elder Smith, and W.H. Allen & Co (page images at HathiTrust)
• Art's master-piece (Printed for G. Conyers ... and J. Sprint ..., in the 1700s), by active 18th century C. K., John Sprint, and George Conyers (page images at HathiTrust)
• Handbook of oilpainting (Wiley and Putnam, 1845), by Laughton Osborn and P. L. Bouvier (page images at HathiTrust)
• The chemistry of paints and painting (Seeley, 1892), by A. H. Church (page images at HathiTrust)
• Dialogue sur le coloris. (Chez Nicolas Langlois ..., 1699), by Roger de Piles (page images at HathiTrust)
• Die Malerfarben und Malmittel : eine Darstellung der Eigenchaften aller im Handel vorkommenden Farben und Malmittel (Öle, Firnisse, Lacke, usw.) deren Untersuchung auf ihre Echtheit, erlaubte und unerlaubte Zusätze und Verfälschungen : ferner die Schilderung des Einflusses der Atmosphärilien auf die Farben, die Verfahren zur Untersuchung der Farben und Malmittel auf ihr Verhalten beim Malen sowie der Prüfung der Farben auf chemischem Wege und die Wiederherstellung alter Gemälde : für Kunstmaler, gewerbetreibende Maler, Anstreicher, Lackierer, Firnis-, Lack-, Farbenfabrikanten und Farbenhändler (A. Hartleben, 1905), by Josef Bersch (page images at HathiTrust; US access only)
• Handbuch der Oelmalerei für Künstler und Kunstfreunde (C.A. Schwetschke und Sohn, 1895), by P. L. Bouvier and Adolf Ehrhardt (page images at HathiTrust)
• Handbuch der Oelmalerei : nach dem heutigen Standpunkte (Paul Neff Verlag (Max Schreiber), 1906), by Friedrich Jaennicke (page images at HathiTrust; US access only)
• A practical treatise on painting : in three parts : consisting of hints on composition, chiaroscuro, and colouring : the whole illustrated by examples from the Italian, Venetian, Flemish, and Dutch schools (London : Printed for the proprietor, and sold by James Carpenter and Son, Old Bond Street, 1828., 1828), by John Burnet and James Carpenter and Son (page images at HathiTrust)
• A grammar of colouring : applied to decorative painting and the arts (C. Lockwood, 1896), by George Field and Ellis A. Davidson (page images at HathiTrust)
• Cawse on oil painting (Published by Rudolph Ackermann at his Eclipse Sporting Gallery and Repository of Arts, 191, Regent Street, 1840), by John Cawse and Rudolph Ackermann (Firm) (page images at HathiTrust)
• The book of the art of Cennino Cennini : a contemporary practical treatise on Quattrocento painting (G. Allen & Unwin, ltd., 1899), by Cennino Cennini, Christiania Jane Powell Herringham, and Christiana Jane Powell Herringham (page images at HathiTrust)
• Ueber Mal-Technik. Ein Beitrag zur Beförderung rationeller Malverfahren. (A. Foerster, 1903), by Adolf Wilhelm Keim (page images at HathiTrust; US access only)
• History and methods of ancient & modern painting. (Dutton, 1914), by James Ward (page images at HathiTrust)
• La vie et les œuvres de Jean Étienne Liotard (C. M. van Gogh [etc.], 1897), by Édouard Humbert, Jan Willem Reinier Tilanus, and Alphonse Revilliod (page images at HathiTrust)
• Compendium a l'usage des artistes peintres. (Eugène Vanderhaeghen, 1881), by Jacques Blockx (page images at HathiTrust)
• Die fabrikation des Copal-, terpentinöl-, und spiritus-lacke. (A. Hartleben, 1883), by Louis Edgar Andés (page images at HathiTrust)
• Zur Geschichte der aromatischen Diazoverbindungen (R. Oldenburg, 1903), by A. Eibner (page images at HathiTrust; US access only)
• Peinture et vernissage des métaux et du bois (Roret, 1887), by Fink and S. Lacombe (page images at HathiTrust)
• Elementi tecnici della pittura (Fratelli Bocca, 1905), by Gaetano Previati (page images at HathiTrust; US access only)
• The practice of oil painting and of drawing as associated with it (J.B. Lippincott company;, 1910), by Solomon J. Solomon (page images at HathiTrust; US access only)
• Wangchuan hua jue (Xu Wenqing, 1900), by Wang Wei (page images at HathiTrust; US access only)
• Rongachiku gūhitsu (Doi Bunji, 1896), by Gōga Doi (page images at HathiTrust)
• Hints to young painters, and the process of portrait painting, as practiced by the late Thomas Sully. (J. M. Stoddart, 1873), by Thomas Sully, F. T. S. D., F. T. S. D., Charles Walter Stetson, and George Vaux Cresson (page images at HathiTrust)
• The technique of oil paintings, and other essays (Ardsley House, 1913), by Hamilton Easter Field (page images at HathiTrust)
• Drawing and painting self-taught (A.K. Cross, 1922), by Anson Kent Cross and Evelyn F. Cross (page images at HathiTrust)
• Hermēneia tēs zōgraphikes. (1900), by of Fourna Dionysios (page images at HathiTrust; US access only)
• Painting in oil; a manual for use of students (R. Clarke, 1888), by M. Louise McLaughlin (page images at HathiTrust)
• Handbuch der Ölmalerei für Künstler und Kunstfreunde (C.A. Schwetschke und Sohn, 1895), by P. L. Bouvier and Adolf Ehrhardt (page images at HathiTrust)
• Ni︠e︡skolʹko slov o drevneĭ i sovremennoĭ russkoĭ ikonopisi. (Moskva, 1905), by D. K. Trenev (page images at HathiTrust; US access only)
• Analysis of drawing, painting and composing (Printed by VIncent Brooks, Day & Son, Ltd., 1904), by H. L. Moore (page images at HathiTrust; US access only)
• A manual of oil painting (Cassell, 1886), by John Collier (page images at HathiTrust)
• Brushwork : elementary brush-forms (O. Newmann, 1903), by Marion Hudson (page images at HathiTrust; US access only)
• Observations and suggestions on brushwork and colour study (Educational Supply Association, 1906), by Frederick Hitchman (page images at HathiTrust; US access only)
• Traité méthodique et raisonné de la peinture a l'huile : contenant les principes du coloris ou mélanges des couleurs appliqués à tous les genres: paysages, fleurs, fruits, animaux, figures, etc. d'après les règles des grands maîtres et la connaissance parfaite des effets chimiques sur les matières colorantes ; suivi de L'art de la restauration et conservation des tableaux (Renault, 1872), by Goupil (Frédéric-Auguste-Antoine) and Desloges (page images at HathiTrust)
• Traité pratique de la peinture à l'huile (paysage) (H. Laurens, 1895), by Karl Robert (page images at HathiTrust)
• Manuel des jeunes artistes et amateurs en peinture (Ve Berger-Levrault, 1844), by Pierre Louis Bouvier and Christian Friedrich Prange (page images at HathiTrust)
• De la lumière et de la couleur chez les grands maîtres anciens (Vve J. Renouard, 1865), by J. D. Régnier (page images at HathiTrust)
• Mokuzai chakushoku, wanisu, penki, urushi, makie nurimonojutsu (Ōkura Shoten, 1922), by Hidekichi Okayama (page images at HathiTrust; US access only)
• Si tong gu zhai lun hua ji ke (Hui wen zhai, 1909), by Xianghe Zhang (page images at HathiTrust; US access only)
• Die Mineral-Malerei : Neues Verfahren zur Herstellung witterungsbeständiger Wandgemälde : technisch-wissenschaftliche Anleitung (A. Hartleben's Verlag, 1881), by Adolf Wilhelm Keim (page images at HathiTrust)
• Painted tapestry and its application to interior decoration. (Lechertier, Barbe, 1879), by Julien Godon (page images at HathiTrust)
• Original treatises : dating from the XIIth to XVIIIth centuries on the arts of painting, in oil, miniature, mosaic, and on glass; of gilding, dyeing, and the preparation of colours and artificial gems; preceded by a general introduction; with translations, prefaces, and notes (J. Murray, 1849), by Mary P. Merrifield (page images at HathiTrust)
• Beiträge zur entwickelungs-geschichte der maltechnik. Mit unterstützung des Königlich preussischen ministeriums der geistlichen, unterrichts- und medizinal-angelegenheiten ... (G.D.W. Callwey, 1897), by Ernst Berger (page images at HathiTrust; US access only)
• Introduction to the art of painting in oil colours (Printed for R. Ackermann, by J. Diggens, 1822), by John Cawse (page images at HathiTrust)
• Die Technik der Oelmalerei im Auftrag des Königlich Preussischen Ministeriums ... (W. Engelmann, 1893), by Heinrich Ludwig (page images at HathiTrust)
• A grammar of colouring applied to decorative painting and the arts (Crosby Lockwood & Co., 1882), by George Field, Ellis A. Davidson, and England) Crosby Lockwood & Co. (London (page images at HathiTrust)
• Handbuch der Ölmalerei nach dem heutigen Standpunkte und in vorzugsweiser Anwendung auf Landschaft, Marine und Architektur (Paul Neff Verlag, 1903), by Friedrich Jaennicke (page images at HathiTrust; US access only)
• Kraski i zhivopisʹ. (Tip. M. M. Stasi͡ulevicha, 1901), by F. Petrushevskii (page images at HathiTrust; US access only)
• The materials of the painter's craft in Europe and Egypt : from earliest times to the end of the XVIIth century, with some account of their preparation and use (T.N. Foulis, 1910), by A. P. Laurie (page images at HathiTrust; US access only)
• Practical hints on painting, composition, landscape, and etching (J. B. Lippincott co. [etc., etc.], 1905), by Henry Francis William Ganz (page images at HathiTrust)
• Essai de peinture à l'huile; ou, Manuel indispensable à toute personne qui s'occupe de ce mode de peinture ... (A. Saint-Martin, 1842), by J. P. Thénot (page images at HathiTrust)
• A manual of oil painting (London : Cassell & Company, Limited, 1889., 1889), by John Collier (page images at HathiTrust)
• Technik der Malerei : ein Handbuch für Künstler und Dilettanten (E. Haberland, 1901), by Paul Schultze-Naumburg (page images at HathiTrust; US access only)
• The theory and practice of painting in oil and water colours, for landscape and portraits : including ... a manual of lithography (D. Bogue, 1854), by T. H. Fielding (page images at HathiTrust)
• On painting in oil and water colours, for landscape and portraits, including the preparation of colours, vehicles, oils &c., method of painting in wax, or encaustic : also on the chemical properties and permanency of colours, and on the best methods of cleaning and repairing old paintings, &c. (Published for the author by Ackermann and Co., 1839), by T. H. Fielding (page images at HathiTrust)
• Les origines de la peinture a l'huile : étude historique et critique (Perrin et Cie, Libraires-Editeurs, 1904), by Charles Dalbon (page images at HathiTrust; US access only)
• Het schilder-boeck : waerin voor eerst de leerlustighe-jueght den grondt der edel vrye schilderkonst in verscheyden deelen wort voor-gedragen : daer na in drij deelen t'leven der vermaerde doorluchtighe schilders des ouden ende nieuwen tydts : eyndlyck d'uytlegginghe op den Metamorphoseon Pub. Ovidij Nasonis, met d'uytbeeldinge der figueren, alles dienstich ende nut den schilders, const-beminders ende dichters en alle andere staten van menschen (By Jacob Pietersz. Wachter ..., 1618), by Carel van Mander and G. A. Bredero (page images at HathiTrust)
• Sul modo di dipingere, di dorare, di verniciare, di stuccare e di tingere (Tip. e lib. Andrea Santini, 1842), by Bonajuto Vecchio (page images at HathiTrust)
• Les principes scientifiques du divisionnisme (la technique de la peinture) (A. Grubicy, 1910), by Gaetano Previati (page images at HathiTrust; US access only)
• A manual of oil painting (Cassell and company, limited, 1895), by John Collier (page images at HathiTrust)
• Li Liweng xian sheng lun ding Xiushui Wan Anjie mo gu Jie zi yuan hua zhuan ben ya cang ban ([publisher not identified], 1679), by Gai Wang and Yu Li (page images at HathiTrust)
• A guide to oil painting (London : George Rowney & Co., [between 1870 and 1879?], in the 1870s), by J. S. Templeton (page images at HathiTrust)
• Air brush art. (The Signs of the times publishing company, 1946), by George W. Kadel (page images at HathiTrust; US access only)
• Manual of art ([D.D. Morse], 1884), by D. D. Morse (page images at HathiTrust)
• Méthode pour dessiner : conseils pratiques : textes et dessins (Ph. Lecluse, 1890), by Edmond-Eugène Valton (page images at HathiTrust)
• Traité élémentaire et pratique du dessin et de la peinture à l'usage des jeunes artistes : contenant des observations sur les différentes manières de dessiner, les règles de la composition, du clair obscur et du coloris, l'apprêt et le mélange des couleurs, la connaissance des vernis, secrets et procédés pour les paysages à l'encre de la Chine, à l'aquarelle et à la gouache, les régles pour la figure ou pour la peinture à l'huile en général, et quatre gravures raisonnées (A Paris : Chez Delarue, libraire, 1825., 1825), by Lambert Libert (page images at HathiTrust)
• Color technique and composition (International Textbook, 1927), by E. L. Koller (page images at HathiTrust)
• Manuel pratique de lla peinture a l'huile (H. Canville, in the 19th century), by Ernest Hareux (page images at HathiTrust)
• Practical hints on portrait painting: illustrated by examples from the works of Vandyke and other masters. (D. Bogue, 1850), by John Burnet (page images at HathiTrust)
• Dirt and pictures separated, in the works of the old masters. (Holyoake and Co., 1854), by Henry Merritt (page images at HathiTrust)
• Über die Grundsätze der Ölmalerei und das Verfahren der classischen Meister (W. Engelmann, 1893), by Heinrich Ludwig (page images at HathiTrust)
• Tratado de la pintura en general : comprende las reglas más importantes para el ejercicio de esta bella arte en sus diversas manifestaciones, como son al encausto, al temple, al fresco, al óleo, á la aguada, á la miniatura y al pastel, y también los medios que deben emplearse para la restauración de toda clase de pinturas (E. Cuesta, 1886), by Vicente Poleró y Toledo (page images at HathiTrust)
• Peinture a l'huile suivie du traité de la restauration des tableaux (Desloges, 1856), by R. de Lasalle and J. P. Thénot (page images at HathiTrust)
• Vollständige Anweisung zur Öhlmahlerei fur Künstler und Kunstfreunde (Halle : Bei Hemmerde und Schwetschke, 1828., 1828), by P. L. Bouvier and Christian Friedrich Prange (page images at HathiTrust)
• Seeing with pencil and brush. (Harper, 1962), by Arthur Zaidenberg (page images at HathiTrust; US access only)
• The School of fine arts : containing ample directions for every mode of painting, in oil and water colours, for engraving and copper-plate printing and for modelling and casting : with miscellaneous receipts, necessary for the better attainment of these elegant arts. (Printed by and for William Cole, in the 1820s), by William Cole (page images at HathiTrust)
• Techniques of picture making. (Reinhold, 1963), by Henry M. Gasser (page images at HathiTrust; US access only)
• M.P.L. Bouvier's Handbuch der Oelmalerei für Künstler und Kunstfreunde. (C.A. Schwetschke und Sohn, 1875), by P. L. Bouvier and Adolf Ehrhardt (page images at HathiTrust)
• Il libro dell'arte (R. Carabba, 1913), by Cennino Cennini and Renzo Simi (page images at HathiTrust; US access only)
• A handbook for painters and art students on the character, nature, and use of colours, their permanent or fugitive qualities, and the vehicles proper to employ : also short remarks on the practice of painting in oil and water colours (Baillière, Tindall and Cox, 1882), by William J. Muckley (page images at HathiTrust)
• Manuale per i dilettanti di pittura : a olio, acquarello, miniatura, guazzo, tempera, encausto, pastello, fotopittura, ecc. (paesaggio, figura, fiori, cartelli, reclame, ecc.) (Ulrico Hoepli, 1922), by Giuseppe Ronchetti (page images at HathiTrust; US access only)
• Holzmalerei (Verlag von Glaser & Garte, 1876), by Fr Lahnek (page images at HathiTrust)
• La tecnica della pittura (Fratelli Bocca, 1923), by Gaetano Previati (page images at HathiTrust; US access only)
• Abbreviations des plvs difficiles operations de perspective pratiqve (Annecy : Par André Leyat, 1644., 1644), by Nicolas Baytaz de Doucy and André Leyat (page images at HathiTrust)
• The art of painting in oil, rendered familiar to every capacity : extracted from the works of the most eminent masters of the Italian, Flemish, and English schools (but principally from Mr. Bardwell) : to which is prefixed, an explanation of the method of mixing the colours to the various teints used for portraits, landscapes, &c. (R.H. Laurie, 1826), by Author of The art of drawing in perspective and Thomas Bardwell (page images at HathiTrust)
• The artist's assistant in drawing, perspective, etching in copper and steel, engraving, metzotinto scraping, painting on glass, in crayons, in water-colours, and on silks and satins : containing the easiest and most comprehensive rules for the attainment of those truly useful and polite arts : methodically digested, and adapted to the capacities of young beginners : illustrated with suitable examples, engraved on copper. (R.H. Laurie, 1825), by Carington Bowles (page images at HathiTrust)
• Hints to amateurs : a handbook on art (Harper & Brothers, 1891), by Louise Jopling (page images at HathiTrust)
• The principles of colouring in painting (Winsor and Newton, 1855), by Charles Martel, Winsor & Newton, and Geo. Rowney & Co (page images at HathiTrust)
• A guide to oil painting. Part II, landscape from nature (G. Rowney, 1850), by Alfred Clint (page images at HathiTrust)
• The art of landscape painting in oil colours. (Winsor and Newton, 1854), by W. Williams (page images at HathiTrust)
• Handbook of young artists and amateurs in oilpainting : being a condensed compilation from the celebrated manual of Bouvier ... appended A new explanatory and critical vocabulary (Wiley, 1869), by Laughton Osborn and P. L. Bouvier (page images at HathiTrust)
• A compendium of painting : compendium à l'usage des artistes peintres et des amateurs de tableaux (P. Young, 1910), by Jacques Blockx and J.-B. Dumas (page images at HathiTrust; US access only)
• Gründlicher Unterricht zur Bereitung aller Farb-Materialen, Verfertigung des Lackfirnisses, und der Metall-, Lack-, Tusch-, Pastell-, Wachs-, Email-, Fresco-, Wasch-, und Seiden-Farben, der Bronzirung, Vergoldung und Lackirkunst (Joseph Lindauer'sche Buchhandlung, 1825), by H. F. A. Stöckel (page images at HathiTrust)
• An account of a new process in painting : in two parts. (Printed for F. C. and J. Rivington, no. 62, St. Paul's Church-Yard, and no. 3, Waterloo-Place, Pall-Mall, 1821), by Miss Cleaver, Richard Gilbert, and C. and J. Rivington F. (page images at HathiTrust)
• Le moyen de devenir peintre en trois heures, et d'exécuter au pinceau les ouvrages des plus grands maîtres, sans avoir appris le dessein. (Chez les Libraires associés, 1755), by F. X. Vispré (page images at HathiTrust)
• Technische Mitteilungen für Malerei. (A. Keim, 1886), by Adolf Wilhelm Keim, Deutsche Gesellschaft zur Förderung rationeller Malverfahren, and Deutsche Gesellschaft für rationelle Malverfahren (page images at HathiTrust)
• L'idea del perfetto pittore : per servire di regola nel giudicio che si deve formare intorno alle opere de' pittori : accresciuto della maniera di dipingere sopra la porcellana, smalto, vetro, metalli, e pietre, ec. (Appresso Beltramo Antonio Re, librajo sotto i portici del Palazzo della Città, 1769), by Roger de Piles and Beltramo Antonio Re (page images at HathiTrust)
• How to draw and paint. (Dell Pub. Co., 1955), by Henry M. Gasser (page images at HathiTrust; US access only)
• The technique of painting (G.P. Putnam's ;, 1912), by Ch. Moreau-Vauthier (page images at HathiTrust; US access only)
• Le peintre : traité usuel de peinture à l'usage de tout le monde (Garnier, 1907), by Camille Bellanger (page images at HathiTrust; US access only)
• Painting in the classroom; a key to child growth (Davis Publications, 1962), by Arne W. Randall and Ruth Elise Halvorsen (page images at HathiTrust; US access only)
• Painting with both hands (Chapman & Hall, 1856), by John Lone (page images at HathiTrust)
• Oil & tempera painting; 500 questions and answers. (Watson-Guptill, 1957), by Frederic Taubes (page images at HathiTrust; US access only)
• New techniques in painting. (Dodd, Mead, 1962), by Frederic Taubes (page images at HathiTrust; US access only)
• Learning to paint in oil. (Watson-Guptill Publications, 1957), by Jerry Farnsworth (page images at HathiTrust; US access only)
• What pictures are made of : materials and techniques (Art Treasures of the World, 1953), by William S. Heckscher (page images at HathiTrust; US access only)
• Dai Wenjie hua ji ([Ci] shu], 1893), by Xi Dai and Nian Hui (page images at HathiTrust)
• Color (Pelham, N.Y. : Bridgman, [1946], 1946), by Herbert E. Martini (page images at HathiTrust; US access only)
• Mathematik und Malerei (B.G. Teubner, 1916), by Georg Wolff (page images at HathiTrust; US access only)
• A manual of airbrush technique (American Photographic Pub. Co., 1946), by J. Carroll Tobias (page images at HathiTrust; US access only)
• A manual on flower painting in oil colours from nature : with instructions for preliminary practice, also a section on flower painting in water colours, etc., three illustrations (Winsor & Newton, in the 1880s), by William J. Muckley (page images at HathiTrust)
• A manual on fruit & still-life painting in oil and water colours from nature : also instructions for elementary practice preparatory to beginning to paint, with three illustrations (Winsor and Newton, 1890), by William J. Muckley (page images at HathiTrust)
• How to paint from your color slides and photographs. (Foster Art Service, 1900), by Walter T. Foster (page images at HathiTrust; US access only)
• The guide to oil painting (Rowney, 1849), by J. S. Templeton (page images at HathiTrust)
• Schedula diversarum artium. (W. Braumüller, 1874), by Presbyter Theophilus, Hermann Hagen, and Albert Ilg (page images at HathiTrust)
• Cesty k malířskému umění. (Borský a Šulc, 1923), by Ferdinand Engelmüller (page images at HathiTrust; US access only)
• Peinture à l'huile (H. Laurens, 1917), by Ernest Hareux (page images at HathiTrust; US access only)
• Peinture à huile-cire (De l'imprimerie de le l'Académie Electorale, 1770), by Joseph Fratrel and Germany). Imprimerie Académie électorale (Mannheim (page images at HathiTrust)
• Traité des couleurs matérielles et de la maniere de colorer relativement aux différens arts et métiers (Chez Saugrain & Lamy ... et chez Barrois aîné ..., 1779), by Lepileur d'Apligny and Claude Marin Saugrain (page images at HathiTrust)
• Ölmamerei : Anleitung für Anfänger (Otto Maier ;, in the 1900s), by S. J. Cartlidge (page images at HathiTrust; US access only)
• Chromatography. (Charles Tilt ..., 1835), by George Field, Abraham John Valpy, and Charles Tilt (page images at HathiTrust)
• The art student's vade-mecum (Methuen & co. ltd., 1925), by Cyril Davenport (page images at HathiTrust)
• Get in there and paint (Thomas Y. Crowell Company, 1946), by Joseph Alger (page images at HathiTrust; US access only)
• A course of instructions on landscape painting in oil, water color, pastel painting (Campana, 1934), by D. M. Campana (page images at HathiTrust; US access only)
• Free brush designing (Lothrop, Lee & Shepard Co., 1955), by Lyn Egbert and Ruth Barnet (page images at HathiTrust; US access only)
• Storia estetico-critica delle arti del disegno, ovvero l'architettura, la pittura e la statuaria considerate nelle correlazione fra loro e negli svolgimenti storici, estetici e tecnici; lezioni dette nella I. R. Accademia di Belle Arti in Venezia da P. Selvatico. (co' Tipi di P. Naratovich, 1852), by Pietro Selvatico and Venice (Italy). Accademia di belle arti (page images at HathiTrust)
• Mechanics of form organization in painting (s.n., 1926), by Thomas Hart Benton (page images at HathiTrust)
• How to paint permanent pictures, by Maximilian Toch (Gutenberg ebook)
• The Painter in Oil: A complete treatise on the principles and technique necessary to the painting of pictures in oil colors, by Daniel Burleigh Parkhurst (Gutenberg ebook)
• Field's Chromatography: or Treatise on Colours and Pigments as Used by Artists, by George Field, ed. by Thomas W. Salter (Gutenberg ebook)
• The whole art of drawing, painting, limning, and etching collected out of the choicest Italian and German authors : to which is added exact rules of proportion for drawing the heads of men, women and children , of what bigness soever / originally invented and written by the famous Italian painter Odoardo Fialetti, painter of Boloign ; published for the benefit of all ingenuous gentlemen and artists by Alexander Brown ... (London : Printed for Peter Stint ... and Simon Miller ..., 1660), by Odoardo Fialetti and Alexander Browne (HTML at EEBO TCP)
• Art's master-piece, or, A companion for the ingenious of either sex ... by C.K. (London : Printed for G. Conyers ... and J. Sprint ..., 1697), by C. K. (HTML at EEBO TCP)

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