Art, Abstract
See also what's at Wikipedia, your library, or elsewhere.
Broader terms:Narrower terms:- Art, Abstract -- Canada
- Art, Abstract -- Europe
- Art, Abstract -- Exhibitions
- Art, Abstract -- France
- Art, Abstract -- Pictorial works
- Art, Abstract -- Québec (Province)
- Concrete art
- Vorticism
- Abstract art
- Art, Non-objective
- Non-objective art
![[Info]](https://onlinebooks.library.upenn.edu/info.gif)
Marion Nicoll: Silence and Alchemy (Calgary: University of Calgary Press, 2013), by Ann Davis and Elizabeth Herbert, contrib. by Jennifer E. Salahub and Christine Sowiak (PDF at University of Calgary)
- From Realism to Abstraction: The Art of J. B. Taylor (Calgary: University of Calgary Press, 2014), by Adriana A. Davies (PDF at University of Calgary)
- Marion Nicoll: Silence and Alchemy (Calgary: University of Calgary Press, 2013), by Ann Davis and Elizabeth Herbert, contrib. by Jennifer E. Salahub and Christine Sowiak (PDF at University of Calgary)
- Paul-Émile Borduas: Life and Work (Toronto: Art Canada Institute, c2014), by François Marc Gagnon, trans. by Elizabeth Schwaiger, illust. by Paul-Émile Borduas (illustrated HTML and PDF with commentary at aci-iac.ca)
- Kandinsky in Paris, 1934-1944 (New York: Solomon R. Guggenheim Foundation, 1985), by Solomon R. Guggenheim Museum, contrib. by Vivian Endicott Barnett, Christian Derouet, and Wassily Kandinsky (multiple formats at archive.org)
- Kandinsky in Paris, 1934-1944 (New York: Solomon R. Guggenheim Foundation, 1985), by Solomon R. Guggenheim Museum, contrib. by Vivian Endicott Barnett, Christian Derouet, and Wassily Kandinsky (multiple formats at archive.org)
- American Abstract Expressionists and Imagists (c1961), by Solomon R. Guggenheim Museum, ed. by H. H. Amason (multiple formats at archive.org)
- Art of Tomorrow: Fourty-One Reproductions From the Collection of the Solomon R. Guggenheim Foundation for Non-Objective Painting (ca. 1947), by Solomon R. Guggenheim Foundation, contrib. by Hilla Rebay (multiple formats at archive.org)
- The Current Line (1996), by Johanna Drucker (page images with commentary at artistsbooksonline.org)
- 0 to 9 (New York-based literary magazine, 1967-1969), ed. by Vito Acconci and Bernadette Mayer (partial serial archives)
- Guggenheim International Exhibition, 1971 (New York: Solomon R. Guggenheim Museum, c1966), by Solomon R. Guggenheim Museum, contrib. by Diane Waldman and Edward F. Fry (multiple formats at archive.org)
- Blast (1914-1915; only ran two issues), ed. by Wyndham Lewis (full serial archives)
Items below (if any) are from related and broader terms.
Filed under: Art, Modern -- 20th century- The Fluxus Reader (Chicester, UK and New York: Academy Editions, 1998), ed. by Ken Friedman (PDF files at Swinburne Research Bank)
- Artist and Computer (1976), ed. by Ruth Leavitt (illustrated HTML at atariarchives.org)
- Beasts of the Modern Imagination: Darwin, Nietzsche, Kafka, Ernst, and Lawrence (originally published 1985; open access edition Baltimore: Johns Hopkins University Press, 2019), by Margot Norris (HTML and PDF files with commentary at Project MUSE)
- The Painted Word: Samuel Beckett's Dialogue With Art (Ann Arbor: University of Michigan Press, c2000), by Lois Oppenheim (page images at HathiTrust)
- Après le Cubisme (in French; Paris: Éditions des Commentaires, 1918), by Amédée Ozenfant and Le Corbusier
- The "New Woman" Revised: Painting and Gender Politics on Fourteenth Street (Berkeley: University of California Press, 1993), by Ellen Wiley Todd (HTML at UC Press)
- Modern Masters from the Collection of the Solomon R. Guggenheim Museum (1961), by Solomon R. Guggenheim Museum, contrib. by Thomas M. Messer (multiple formats at archive.org)
- From Degas to Calder: Sculpture and Works on Paper From the Guggenheim Museum Collection (New York: Solomon R. Guggenheim Museum, c1984), by Solomon R. Guggenheim Museum, contrib. by Thomas M. Messer (multiple formats at archive.org)
- Gauguin and the Decorative Style (New York: Solomon R. Guggenheim Museum, c1966), by Solomon R. Guggenheim Museum, contrib. by Lawrence Alloway and Marilyn Hunt-Nishi, illust. by Paul Gauguin (multiple formats at archive.org)
- Women of the 1913 Armory Show: Their Contributions to the Development of American Modern Art (dissertation; Louisville, KY: University of Louisville, 2014), by Jennifer Pfeifer Shircliff (PDF with commentary at lousville.edu)
- Six Painters and the Object (New York: Solomon R. Guggenheim Museum, c1963), by Lawrence Alloway (multiple formats at archive.org)
- Catalogue of an Exhibition of Paintings by Robert Henri, Charles Bittinger, Theresa Bernstein; and Etchings by William Meyerowitz: April, Nineteen Hundred Twenty (Rochester, NY: Memorial Art Gallery, 1920), by University of Rochester Memorial Art Gallery
- Offizieller Katalog der Internationalen Kunst-Ausstellung des Vereins Bildender Künstler Münchens (A. V.), "Secession", 1898 im Kgl. Kunstausstellungsgebäude am Königsplatz gegenüber der Glyptothek (4th edition, in German; Munich: F. Bruckmann A.-G., 1898), by Internationale Kunst-Ausstellung
- New Images From Spain (New York: Solomon R. Guggenheim Museum, 1980), by Margit Rowell (multiple formats at archive.org)
- Futurism, a Modern Focus: the Lydia and Harry Lewis Winston Collection, Dr. and Mrs. Barnett Malbin (New York: Solomon R. Guggenheim Museum, c1973), by Solomon R. Guggenheim Museum, contrib. by Marianne W. Martin and Linda Shearer (multiple formats at archive.org)
- A Quick and Dirty Guide to Art, Music, and Culture, by Clayton Funk (multiple formats with commentary at at Pressbooks)
- Broom: An International Magazine of the Arts (1921-1924), ed. by Harold Loeb (partial serial archives)
- Art of Tomorrow: Fourty-One Reproductions From the Collection of the Solomon R. Guggenheim Foundation for Non-Objective Painting (ca. 1947), by Solomon R. Guggenheim Foundation, contrib. by Hilla Rebay (multiple formats at archive.org)
- Out of Eden: Essays on Modern Art (Berkeley: University of California Press, 1991), by W. S. Di Piero (HTML at UC Press)
- Complementary Modernisms in China and the United States: Art as Life/Art as Idea (Punctum Books, c2020), by Zhang Jian and Bruce Robertson (PDF at oapen.org)
- New Horizons in American Art; 1985 Exxon National Exhibition (New York: Solomon R. Guggenheim Museum, 1985), by Lisa Dennison (multiple formats at archive.org)
- Young American Artists: 1978 Exxon National Exhibition (New York: Solomon R. Guggenheim Foundation, 1978), by Solomon R. Guggenheim Museum, contrib. by Linda Shearer (multiple formats at archive.org)
- Ten Young Artists: Theodoron Awards (New York: Solomon R. Guggenheim Foundation, 1971), by Solomon R. Guggenheim Museum, contrib. by Thomas M. Messer, Linda Shearer, and Diane Waldman (multiple formats at archive.org)
- Women of the 1913 Armory Show: Their Contributions to the Development of American Modern Art (dissertation; Louisville, KY: University of Louisville, 2014), by Jennifer Pfeifer Shircliff (PDF with commentary at lousville.edu)
- Catalogue of the Annual Exhibition of the Society of Independent Artists, by Society of Independent Artists (New York, N.Y.) (partial serial archives)
- Grenze/Granica: Art on the German-Polish Border After 1990 (Cologne: Böhlau Verlag, c2024), by Burcu Dogramaci and Marta Smolińska (PDF and EPub files at V&R eLibrary)
- Cut/Copy/Paste: Fragments from the History of Bookwork (Minneapolis and London: University of Minnesota Press, c2021), by Whitney Trettien (HTML with commentary at mn.edu)
- Du "Cubisme" (6th edition, in French; Paris: E. Figuière et cie, ca. 1912), by Albert Gleizes and Jean Metzinger (page images at HathiTrust; US access only)
- The New Tendency in Art: Post Impressionism, Cubism, Futurism (Garden City, NY: Doubleday, Page and Co., 1913), by Henry Rankin Poore (multiple formats at archive.org)
- Modern Painting: Its Tendency and Meaning (New York: Dodd, Mead and Co., 1922), by Willard Huntington Wright
- Après le Cubisme (in French; Paris: Éditions des Commentaires, 1918), by Amédée Ozenfant and Le Corbusier
- Van Gogh and Expressionism (New York: Solomon R. Guggenheim Foundation, c1964), by Maurice Tuchman (multiple formats at archive.org)
- American Abstract Expressionists and Imagists (c1961), by Solomon R. Guggenheim Museum, ed. by H. H. Amason (multiple formats at archive.org)
- My Life in Garbology, by A. J. Weberman (illustrated HTML at garbology.com)
- The New Tendency in Art: Post Impressionism, Cubism, Futurism (Garden City, NY: Doubleday, Page and Co., 1913), by Henry Rankin Poore (multiple formats at archive.org)
- Modern Painting: Its Tendency and Meaning (New York: Dodd, Mead and Co., 1922), by Willard Huntington Wright
- English Composition as a Happening (Logan, UT: Utah State University Press, c2002), by Geoffrey Michael Sirc (PDF with commentary at usu.edu)
- Art and Contemporary Critical Practice: Reinventing Institutional Critique (London: MayFly Books, 2009), ed. by Gerald Raunig and Gene Ray (PDF and HTML with commentary at MayFlyBooks)
- The New Tendency in Art: Post Impressionism, Cubism, Futurism (Garden City, NY: Doubleday, Page and Co., 1913), by Henry Rankin Poore (multiple formats at archive.org)
- Modern Painting: Its Tendency and Meaning (New York: Dodd, Mead and Co., 1922), by Willard Huntington Wright
- Since Cézanne (ca. 1922), by Clive Bell (Gutenberg text)
- Après le Cubisme (in French; Paris: Éditions des Commentaires, 1918), by Amédée Ozenfant and Le Corbusier
More items available under broader and related terms at left.