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Found objects (Art)

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• Art, Modern -- 20th century

• Assemblage (Art)
• Collage

• Found art
• Objects, Found (Art)
• Ready-mades (Art)
• Readymades (Art)

• My Life in Garbology, by A. J. Weberman (illustrated HTML at garbology.com)

• Cut/Copy/Paste: Fragments from the History of Bookwork (Minneapolis and London: University of Minnesota Press, c2021), by Whitney Trettien (HTML with commentary at mn.edu)

• Collage and Construction in Elementary and Junior High Schools (Worcester, MA: Davis Publications, c1958), by Lois Lord (page images at HathiTrust)

• Cut/Copy/Paste: Fragments from the History of Bookwork (Minneapolis and London: University of Minnesota Press, c2021), by Whitney Trettien (HTML with commentary at mn.edu)

Items below (if any) are from related and broader terms.

• The Fluxus Reader (Chicester, UK and New York: Academy Editions, 1998), ed. by Ken Friedman (PDF files at Swinburne Research Bank)
• Artist and Computer (1976), ed. by Ruth Leavitt (illustrated HTML at atariarchives.org)
• Beasts of the Modern Imagination: Darwin, Nietzsche, Kafka, Ernst, and Lawrence (originally published 1985; open access edition Baltimore: Johns Hopkins University Press, 2019), by Margot Norris (HTML and PDF files with commentary at Project MUSE)
• The Painted Word: Samuel Beckett's Dialogue With Art (Ann Arbor: University of Michigan Press, c2000), by Lois Oppenheim (page images at HathiTrust)
• Après le Cubisme (in French; Paris: Éditions des Commentaires, 1918), by Amédée Ozenfant and Le Corbusier
  • multiple formats at Google; US access only
  • page images at HathiTrust; US access only

• The "New Woman" Revised: Painting and Gender Politics on Fourteenth Street (Berkeley: University of California Press, 1993), by Ellen Wiley Todd (HTML at UC Press)

• Modern Masters from the Collection of the Solomon R. Guggenheim Museum (1961), by Solomon R. Guggenheim Museum, contrib. by Thomas M. Messer (multiple formats at archive.org)
• From Degas to Calder: Sculpture and Works on Paper From the Guggenheim Museum Collection (New York: Solomon R. Guggenheim Museum, c1984), by Solomon R. Guggenheim Museum, contrib. by Thomas M. Messer (multiple formats at archive.org)
• Gauguin and the Decorative Style (New York: Solomon R. Guggenheim Museum, c1966), by Solomon R. Guggenheim Museum, contrib. by Lawrence Alloway and Marilyn Hunt-Nishi, illust. by Paul Gauguin (multiple formats at archive.org)
• Women of the 1913 Armory Show: Their Contributions to the Development of American Modern Art (dissertation; Louisville, KY: University of Louisville, 2014), by Jennifer Pfeifer Shircliff (PDF with commentary at lousville.edu)
• Six Painters and the Object (New York: Solomon R. Guggenheim Museum, c1963), by Lawrence Alloway (multiple formats at archive.org)
• Catalogue of an Exhibition of Paintings by Robert Henri, Charles Bittinger, Theresa Bernstein; and Etchings by William Meyerowitz: April, Nineteen Hundred Twenty (Rochester, NY: Memorial Art Gallery, 1920), by University of Rochester Memorial Art Gallery
  • multiple formats at archive.org
  • page images at HathiTrust
• Offizieller Katalog der Internationalen Kunst-Ausstellung des Vereins Bildender Künstler Münchens (A. V.), "Secession", 1898 im Kgl. Kunstausstellungsgebäude am Königsplatz gegenüber der Glyptothek (4th edition, in German; Munich: F. Bruckmann A.-G., 1898), by Internationale Kunst-Ausstellung
  • page images at HathiTrust
  • multiple formats at archive.org

• American Abstract Expressionists and Imagists (c1961), by Solomon R. Guggenheim Museum, ed. by H. H. Amason (multiple formats at archive.org)

• Kandinsky in Paris, 1934-1944 (New York: Solomon R. Guggenheim Foundation, 1985), by Solomon R. Guggenheim Museum, contrib. by Vivian Endicott Barnett, Christian Derouet, and Wassily Kandinsky (multiple formats at archive.org)

• Kandinsky in Paris, 1934-1944 (New York: Solomon R. Guggenheim Foundation, 1985), by Solomon R. Guggenheim Museum, contrib. by Vivian Endicott Barnett, Christian Derouet, and Wassily Kandinsky (multiple formats at archive.org)

• New Images From Spain (New York: Solomon R. Guggenheim Museum, 1980), by Margit Rowell (multiple formats at archive.org)

• Identidad y Diversidad: Libro de Artista / Identity and Diversity: Artist's Book (Boston: Northeastern University, 2011), ed. by Stephen A. Sadow, Irene Jaievesky, and Perla Bajder, contrib. by Jenny Asse Chayo, Mariana Felcman, Daniel Chirom, Michal Kirchbaum, Sonia Chocrón, Susana Beibe, Teodoro Ducach, Hugo Goldgel, Ricardo Feierstein, Memum Adrian Levy, Juana García Abás, Leonor Coifman, Isaac Goldemberg, Tomas Wengrowicz, Miryam Esther Gover de Nasatsky, Liana Strasberg, Susana Grimberg, Angelina Muñiz-Huberman, Raquel Schwartz, Rosita Kalina, Ileana Piszk Kalina, José Pivín, Lihie Talmor, César Tiempo, Raquel Orzuj, Eliahu Toker, and Mirta Kupferminc (multiple formats at Northeastern)

• Futurism, a Modern Focus: the Lydia and Harry Lewis Winston Collection, Dr. and Mrs. Barnett Malbin (New York: Solomon R. Guggenheim Museum, c1973), by Solomon R. Guggenheim Museum, contrib. by Marianne W. Martin and Linda Shearer (multiple formats at archive.org)

• A Quick and Dirty Guide to Art, Music, and Culture, by Clayton Funk (multiple formats with commentary at at Pressbooks)

• Broom: An International Magazine of the Arts (1921-1924), ed. by Harold Loeb (partial serial archives)

• Das Kunstblatt (partial serial archives)

• The Bonefolder: An E-Journal for the Bookbinder and Book Artist (full serial archives)

• Das Kunstblatt (partial serial archives)

• Blast (1914-1915; only ran two issues), ed. by Wyndham Lewis (full serial archives)

• Art of Tomorrow: Fourty-One Reproductions From the Collection of the Solomon R. Guggenheim Foundation for Non-Objective Painting (ca. 1947), by Solomon R. Guggenheim Foundation, contrib. by Hilla Rebay (multiple formats at archive.org)

• Out of Eden: Essays on Modern Art (Berkeley: University of California Press, 1991), by W. S. Di Piero (HTML at UC Press)

• Marion Nicoll: Silence and Alchemy (Calgary: University of Calgary Press, 2013), by Ann Davis and Elizabeth Herbert, contrib. by Jennifer E. Salahub and Christine Sowiak (PDF at University of Calgary)

• Grenze/Granica: Art on the German-Polish Border After 1990 (Cologne: Böhlau Verlag, c2024), by Burcu Dogramaci and Marta Smolińska (PDF and EPub files at V&R eLibrary)

• The Current Line (1996), by Johanna Drucker (page images with commentary at artistsbooksonline.org)

• Du "Cubisme" (6th edition, in French; Paris: E. Figuière et cie, ca. 1912), by Albert Gleizes and Jean Metzinger (page images at HathiTrust; US access only)
• The New Tendency in Art: Post Impressionism, Cubism, Futurism (Garden City, NY: Doubleday, Page and Co., 1913), by Henry Rankin Poore (multiple formats at archive.org)
• Modern Painting: Its Tendency and Meaning (New York: Dodd, Mead and Co., 1922), by Willard Huntington Wright
  • multiple formats at archive.org
  • Gutenberg text and illustrated HTML
• Après le Cubisme (in French; Paris: Éditions des Commentaires, 1918), by Amédée Ozenfant and Le Corbusier
  • multiple formats at Google; US access only
  • page images at HathiTrust; US access only

• Van Gogh and Expressionism (New York: Solomon R. Guggenheim Foundation, c1964), by Maurice Tuchman (multiple formats at archive.org)
• American Abstract Expressionists and Imagists (c1961), by Solomon R. Guggenheim Museum, ed. by H. H. Amason (multiple formats at archive.org)

• The New Tendency in Art: Post Impressionism, Cubism, Futurism (Garden City, NY: Doubleday, Page and Co., 1913), by Henry Rankin Poore (multiple formats at archive.org)
• Modern Painting: Its Tendency and Meaning (New York: Dodd, Mead and Co., 1922), by Willard Huntington Wright
  • multiple formats at archive.org
  • Gutenberg text and illustrated HTML

• English Composition as a Happening (Logan, UT: Utah State University Press, c2002), by Geoffrey Michael Sirc (PDF with commentary at usu.edu)

• Art and Contemporary Critical Practice: Reinventing Institutional Critique (London: MayFly Books, 2009), ed. by Gerald Raunig and Gene Ray (PDF and HTML with commentary at MayFlyBooks)

• The New Tendency in Art: Post Impressionism, Cubism, Futurism (Garden City, NY: Doubleday, Page and Co., 1913), by Henry Rankin Poore (multiple formats at archive.org)
• Modern Painting: Its Tendency and Meaning (New York: Dodd, Mead and Co., 1922), by Willard Huntington Wright
  • multiple formats at archive.org
  • Gutenberg text and illustrated HTML
• Since Cézanne (ca. 1922), by Clive Bell (Gutenberg text)
• Après le Cubisme (in French; Paris: Éditions des Commentaires, 1918), by Amédée Ozenfant and Le Corbusier
  • multiple formats at Google; US access only
  • page images at HathiTrust; US access only

• Impressionist and Post-Impressionist Paintings in The Metropolitan Museum of Art (New York: Metropolitan Museum of Art and Harry N. Abrams, 1985), by Charles S. Moffett (page images and PDF with commentary at Metropolitan Museum of Art and Google)

• Monet's Years at Giverny: Beyond Impressionism (New York: Metropolitan Museum of Art, c1978), by Daniel Wildenstein, contrib. by Philippe De Montebello, James N. Wood, and Charles S. Moffett, illust. by Claude Monet (page images and PDF at Metropolitan Museum of Art and Google)

• Après le Cubisme (in French; Paris: Éditions des Commentaires, 1918), by Amédée Ozenfant and Le Corbusier
  • multiple formats at Google; US access only
  • page images at HathiTrust; US access only

More items available under broader and related terms at left.