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Merlin (Legendary character) -- Drama

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• Merlin (Legendary character)
• Drama

• The Birth of Merlin: or, The Childe Hath Found His Father, by William Rowley (HTML at Rochester)
• The Birth of Merlin: or, The Childe Hath Found His Father (this edition attributed to Shakespeare (dubiously) and Rowley; London: Printed by T. Johnson for F. Kirkman and H. Marsh, 1662), by William Rowley, contrib. by William Shakespeare (multiple formats at archive.org)
• The Quest of Merlin, by Richard Hovey (HTML at Rochester)

Items below (if any) are from related and broader terms.

• The Vita Merlini, by Geoffrey of Monmouth, trans. by John Jay Parry (HTML at sacred-texts.com)

• Galfredi Monumetensis Historia Britonum, Nunc Primum in Anglia (in Latin, with some English notes; London: D. Nutt; et al., 1844), by Geoffrey of Monmouth, ed. by J. A. Giles (multiple formats at Google)
• Histories of the Kings of Britain (from the Temple Classics edition; London: J.M. Dent and Co., 1904), by Geoffrey of Monmouth, trans. by Sebastian Evans (HTML with commentary at sacred-texts.com)
• History of the Kings of Britain, by Geoffrey of Monmouth, trans. by Aaron Thompson and J. A. Giles (PDF at In Parentheses)

• The History of Sir Thomas Thumb (Edinburgh: T. Constable and Co.; London: Hamilton, Adams, and Co., 1855), by Charlotte M. Yonge, illust. by Jemima Blackburn (multiple formats at Google)

• Merlin, by Edwin Arlington Robinson (HTML at Rochester)

• La Storia di Merlino (in Italian; Bergamo: Istituto Italiano d'Arti Grafiche, 1898), by Paolino Pieri, ed. by Ireneo Sanesi
  • multiple formats at Google
  • multiple formats at archive.org
  • page images at HathiTrust
• Merlin: or The Early History of King Arthur: A Prose Romance (1906 edition), ed. by Henry B. Wheatley (HTML at Michigan)
• Prose Merlin, ed. by John Conlee (HTML at metseditions.org)
• Arthour and Merlin (transcription and translation of the Oxford Bodelein Douce 236 MS, and link to transcription of Auchinleck MS), ed. by Eleanor Lawson (HTML with commentary at archive.org)

• Of Dramatic Poesie, by John Dryden (HTML at Toronto)
• Plays, Movies, and Critics (Durham, NC and London: Duke University Press, 1993), ed. by Jody McAuliffe (page images at HathiTrust)
• Dryden's Dramatic Theory and Practice (Yale Studies in English #4; Boston et al.: Lamson, Wolffe and Co., 1898), by Margaret Pollock Sherwood (page images at HathiTrust)
• Opera and Drama, by Richard Wagner, trans. by William Ashton Ellis (HTML at Wayback Machine)
• Our Stage and its Critics (1910), by Edward Fordham Spence (Gutenberg text)

• Drury's Guide to Best Plays (Washington: Scarecrow Press, 1953), by Francis K. W. Drury (page images at HathiTrust)
• Bibliography of Dramatic Literature (La Jolla, CA: World Drama Prompters, c1915), ed. by H. N. Clugston
  • multiple formats at archive.org
  • page images at HathiTrust
• Viewpoints in Modern Drama: An Arrangement of Plays According to Their Essential Interest (Chicago: American library association, 1925), by Francis K. W. Drury (page images at HathiTrust)

• Musical Design in Sophoclean Theater (Hanover, NH: Dartmouth College Press; University Press of New England, c1996), by William C. Scott (multiple formats at Dartmouth Digital Publishing)
• Musical Design in Aeschylean Theater (Hanover, NH: Dartmouth College Press; Published by University Press of New England, 1984), by William C. Scott (multiple formats at Dartmouth Digital Publishing)

• Three Tragedies: Bertram; Bellamira; The Apostate (London:, 1818), by Charles Robert Maturin and Richard Lalor Sheil (multiple formats at archive.org)
• The Pocket University (23 volumes; Garden City, NY: Pub. for N. Doubleday, Inc. by Doubleday, Page and Co., 1924), ed. by Bliss Perry, Thomas L. Masson, Henry Van Dyke, Hardin Craig, Asa Don Dickinson, George Iles, Hamilton Wright Mabie, and Lyman Abbott (page images at HathiTrust)

• On Editing Shakespeare and the Elizabethan Dramatists (Philadelphia: Pub. for the Philip H. and A. S. W. Rosenbach Foundation by the University of Pennsylvania Library, 1955), by Fredson Bowers (page images at HathiTrust)

• Lectures on Dramatic Art and Literature, by August Wilhelm von Schlegel, trans. by John Black (Gutenberg text)
• The Scene is Changed (c1942), by Ashley Dukes (HTML in Canada; NO US ACCESS)
• The Theory of the Theatre, and Other Principles of Dramatic Criticism (New York: Henry Holt and Co., 1910), by Clayton Meeker Hamilton (Gutenberg text)
• The Jew in Drama (London: P. S. King and Son, 1926), by M. J. Landa
  • page images in Germany
  • multiple formats at Google; US access only
• A Book About the Theater (New York: C. Scribner's Sons, 1916), by Brander Matthews (Gutenberg text and illustrated HTML)

• Drury's Guide to Best Plays (Washington: Scarecrow Press, 1953), by Francis K. W. Drury (page images at HathiTrust)
• Annual Magazine Subject-Index (including a dramatic index for most years) (partial serial archives)

• The Drama (partial serial archives)
• The Dramatic Index (partial serial archives)
• Bulletin de la Société des Historiens du Théâtre (in French) (partial serial archives)

• Staging Consciousness: Theater and the Materialization of Mind (Ann Arbor: University of Michigan Press, c2002), by William W. Demastes (page images at HathiTrust)
• Acting like Men: Gender, Drama, and Nostalgia in Ancient Greece (Ann Arbor: University of Michigan Press, c1998), by Karen Bassi (page images at HathiTrust)
• Shakespeare's Patterns of Self-Knowledge (Columbus, OH: Ohio State University Press, c1972), by Rolf Soellner
  • PDF files with commentary at Ohio State Press
  • PDF at Ohio State
• Psychoanalysis and Shakespeare (New York et al: McGraw-Hill Book Co., c1966), by Norman N. Holland (page images at Florida)

• The Social Significance of the Modern Drama (Boston: R. G. Badger; Toronto: Copp Clark Co., c1914), by Emma Goldman
  • Gutenberg text and illustrated HTML
  • multiple formats at archive.org
  • page images at HathiTrust

• Drury's Guide to Best Plays (Washington: Scarecrow Press, 1953), by Francis K. W. Drury (page images at HathiTrust)

• The Craftsmanship of the One-Act Play (Boston: Little, Brown, and Co., c1923), by Percival Wilde (page images at HathiTrust)
• How's Your Second Act? (New York: P. Goodman Co., 1918), by Arthur Hopkins, contrib. by George Jean Nathan (multiple formats at archive.org)
• Play-Making: A Manual of Craftsmanship (1912), by William Archer (Gutenberg text)
• Playwriting: A Handbook for Would-Be Dramatic Authors, by A Dramatist (second edition; London: The Stage Office, n.d.), by Jerome K. Jerome (multiple formats at archive.org)
• The Science of Playwriting (New York: Brentano's, c1925), by Moses L. Malevinsky, contrib. by Owen Davis (page images at HathiTrust)
• Shakspere's Five-Act Structure: Shakspere's Early Plays on the Background of Renaissance Theories of Five-Act Structure From 1470 (Urbana: University of Illinois Press, 1947), by T. W. Baldwin (page images at HathiTrust)
• Toward a Theater of the Oppressed: The Dramaturgy of John Arden (Ann Arbor: University of Michigan Press, c1995), by Javed Malick (page images at HathiTrust)
• Lectures on Dramatic Art and Literature, by August Wilhelm von Schlegel, trans. by John Black (Gutenberg text)
• The Thirty-Six Dramatic Situations (Franklin, OH: James Knapp Reeve, 1921), by Georges Polti, trans. by Lucille Ray, contrib. by James Knapp Reeve (multiple formats at archive.org)

More items available under broader and related terms at left.