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Motion pictures -- Political aspects -- Switzerland -- History -- 20th century

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• Motion pictures -- Political aspects -- Switzerland -- History
• Motion pictures -- Political aspects -- Europe -- History -- 20th century
• Motion pictures -- History -- 20th century
• Switzerland -- History -- 20th century

• Revisioning Europe: The Films of John Berger and Alain Tanner (Calgary: University of Calgary Press, 2011), by Jerry White (PDF at University of Calgary)

Items below (if any) are from related and broader terms.

• Revisioning Europe: The Films of John Berger and Alain Tanner (Calgary: University of Calgary Press, 2011), by Jerry White (PDF at University of Calgary)

• Cinema is the Strongest Weapon: Race-Making and Resistance in Fascist Italy (Minneapolis and London: University of Minnesota Press, c2023), by Lorenzo Fabbri (PDF with commentary at Project MUSE)

• Haute Couture (New York: Metropolitan Museum of Art, c1995), by Richard Martin and Harold Koda (page images and PDF with commentary at metmuseum.org and Google)

• Early Film Culture in Hong Kong, Taiwan, and Republican China: Kaleidoscopic Histories (Ann Arbor: University of Michigan Press, c2018), ed. by Emilie Yueh-yu Yeh (multiple formats with commentary at fulcrum.org)

• Exploring Hong Kong Films of the 1930s and 1940s (English edition, 2 volumes; Hong Kong: Hong Kong Film Archive, c2022), ed. by Kwok Ching-Ling and May Ng
  • Part 1 (Era and Film History): PDF with commentary at filmarchive.gov.hk
  • Part 2 (Genres, Regions, Culture): PDF with commentary at filmarchive.gov.hk
• Early Film Culture in Hong Kong, Taiwan, and Republican China: Kaleidoscopic Histories (Ann Arbor: University of Michigan Press, c2018), ed. by Emilie Yueh-yu Yeh (multiple formats with commentary at fulcrum.org)

• Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema (Amsterdam: Amsterdam University Press, c2007), by Tim Bergenfelder, Sue Harris, and Sarah Street (PDF at OAPEN)

• Cinema is the Strongest Weapon: Race-Making and Resistance in Fascist Italy (Minneapolis and London: University of Minnesota Press, c2023), by Lorenzo Fabbri (PDF with commentary at Project MUSE)

• Humour and Irony in Dutch Post-War Fiction Film (Amsterdam: Amsterdam University Press, c2016), by Peter Verstraten
  • PDF with commentary at OAPEN
  • page images at HathiTrust

• Writing National Cinema: Film Journals and Film Culture in Peru (Hanover, NH: Dartmouth College Press, Published by University Press of New England, c2009), by Jeffrey Middents (multiple formats at Dartmouth Digital Publishing)

• Vision's Immanence: Faulkner, Film, and the Popular Imagination (Baltimore and London: Johns Hopkins University Press, c2004), by Peter Lurie (multiple formats with commentary at Project MUSE)
• Living Labor: Fiction, Film, and Precarious Work (Ann Arbor: University of Michigan Press, c2023), by Joseph B. Entin (multiple formats with commentary at fulcrum.org)
• The Roman Salute: Cinema, History, Ideology (Columbus, OH: Ohio State University Press, c2009), by Martin M. Winkler (PDF at Ohio State)