The Online Books Page

Movement (Acting)

See also what's at your library, or elsewhere.

• Acting

• Gesture

• Movement on the stage

• Eloquent Gestures: The Transformation of Performance Style in the Griffith Biograph Films (Berkeley: University of California Press, c1992), by Roberta E. Pearson (frame-dependent illustrated HTML at UC Press)

• Integrating Gestures: The Interdisciplinary Nature of Gesture (Amsterdam and Philadelphia: John Benjamins Pub. Co., c2011), ed. by Gale Stam and Mika Ishino (PDF with commentary at John Benjamins e-Platform)
• Die Gebärden der Griechen und Römer (in German; Leipzig: B.G. Teubner, 1890), by Karl Sittl
  • multiple formats at archive.org
  • page images at HathiTrust
• Introduction to Kinesics (An Annotation System for Analysis of Body Motion and Gesture) (Washington: Dept. of State, Foreign Service Institute, 1952), by Ray L. Birdwhistell (page images at HathiTrust)

• Chirologia: or, The Naturall Language of the Hand Composed of the Speaking Motions, and Discoursing Gestures Thereofl Whereunto Is Added Chironomia, or, the Art of Manuall Rhetoricke, Consisting of the Naturall Expressions, Digested by Art In the Hand, as the Chiefest Instrument of Eloquence, By Historicall Manifesto's Exemplified Out of the Authentique Registers of Common Life and Civill Conversation; With Types, or Chyrograms, a Long-wish'd for Illustration of This Argument (London: Printed by T. Harper, 1644), by J. B.
  • multiple formats at archive.org
  • HTML at EEBO TCP

• Gesture and Rank in Roman Art; The Use of Gestures to Denote Status in Roman Sculpture and Coinage (New Haven: Connecticut Academy of Arts and Sciences, 1963), by Richard Brilliant (page images at HathiTrust)

Items below (if any) are from related and broader terms.

• The Art of the Theatre (London: G. Bles, ca. 1924), by Sarah Bernhardt, trans. by H. J. Stenning, contrib. by James Agate (page images at HathiTrust; US access only)
• The Drama, by Henry Irving (Gutenberg text and illustrated HTML)
• The Paradox of Acting: Translated With Annotations From Diderot's "Paradoxe sur le Comédien" (London: Chatto and Windus, 1883), by Denis Diderot, ed. by Walter Herries Pollock, contrib. by Henry Irving (multiple formats at archive.org)
• Shakespearean Representation: Its Laws and Limits (London: E. Stock, 1908), by Percy Fitzgerald (multiple formats at archive.org)
• Stage Confidences: Talks About Players and Play Acting (London: Charles H. Kelly, 1902), by Clara Morris (Gutenberg text)

• The Whole Art of the Stage: Containing Not Only the Rules of the Drammatick Art, But Many Curious Observations About It, Which May Be of Great Use to the Authors, Actors, and Spectators of Plays, Together With Much Critical Learning About the Stage and Plays of the Antients (London: Printed for the author and sold by W. Cadman et al., 1684), by François-Hédelin Aubignac (HTML at EEBO TCP)

• Selected illustrations (unique bound volume of 80 images from Diversarum Nationum Habitus and other Bertelli works, ca. 1590), by Pietro Bertelli
  • multiple formats at archive.org
  • page images at HathiTrust

• Acting Naturally: Mark Twain in the Culture of Performance (Berkeley: University of California Press, 1995), by Randall K. Knoper (HTML at UC Press)

• Analog Game Studies (full serial archives)

• Nordic Larp (Stockholm: Fea Livia, c2010), ed. by Jaakko Stenros and Markus Montola (PDF in Finland)

• Acting Naturally: Mark Twain in the Culture of Performance (Berkeley: University of California Press, 1995), by Randall K. Knoper (HTML at UC Press)
• Caught in the Act: Theatricality in the Nineteenth-Century English Novel (Berkeley: University of California Press, 1992), by Joseph Litvak (HTML at UC Press)

• Principles of Drama-Therapy (New York: Sopherim, 1917), by Stephen F. Austin
  • multiple formats at archive.org
  • page images at HathiTrust

• Green Stockings: A Comedy in Three Acts (New York and London: S. French, c1914), by A. E. W. Mason
  • Gutenberg text
  • multiple formats at archive.org
• The Inspector-General: A Comedy in Five Acts, by Nikolai Vasil'evich Gogol', trans. by Thomas Seltzer (Gutenberg text)

• Tom Cobb (with commentary), by W. S. Gilbert (multimedia at Gilbert and Sullivan Archive)

• The Masquerader, by Katherine Cecil Thurston (Gutenberg text)
• Where There's a Will, by Mary Roberts Rinehart (Gutenberg text)
• Where There's a Will (New York: A. L. Burt Co., c1912), by Mary Roberts Rinehart, illust. by F. Vaux Wilson
  • multiple formats at archive.org
  • page images at HathiTrust
• The Golden Bird, by Maria Thompson Daviess, illust. by Edward L. Chase (Gutenberg text and illustrated HTML)
• The Time of Roses (Chicago: M. A. Donohue and Co., n.d.), by L. T. Meade (Gutenberg text and illustrated HTML)

• Lake of Fire (New York: C. Kendall, c1933), by Lionel Houser, illust. by Steele Savage (page images at HathiTrust)
• Buried Alive: A Tale of These Days, by Arnold Bennett (Gutenberg text)
• The Cinema Murder, by E. Phillips Oppenheim (Gutenberg text)
• The Cinema Murder (New York: A. L. Burt Co., 1917), by E. Phillips Oppenheim
  • multiple formats at archive.org
  • page images at HathiTrust

• The Early Life and Adventures of Sylvia Scarlett (London: M. Secker, 1918), by Compton Mackenzie (page images at HathiTrust; US access only)
• The Early Life and Adventures of Sylvia Scarlett (New York and London: Harper and Bros., c1918), by Compton Mackenzie (Gutenberg text and illustrated HTML)

• Fighting Fraud: Top Scams in 2021, by United States Senate Special Committee on Aging (PDF at senate.gov)

• Der Römische Mimus (in German; extracted from K. Akademie der Wissenschaften, Vienna; 1854), by Karl Joseph Grysar (page images at HathiTrust)

• Reframing Screen Performance (Ann Arbor: University of Michigan Press, c2008), by Cynthia Baron and Sharon Marie Carnicke (page images at HathiTrust)
• Eloquent Gestures: The Transformation of Performance Style in the Griffith Biograph Films (Berkeley: University of California Press, c1992), by Roberta E. Pearson (frame-dependent illustrated HTML at UC Press)

• Stage Costuming (New York: Macmillan, 1939), by Agnes Brooks Young (page images at HathiTrust)