Call number | Item |
N | Fine Arts (Go to start of category) |
N7435 .S19 | Elements of Art Criticism, by G. W. Samson (page images at MOA) |
N7445 .A44 | Lectures on Art, and Poems, by Washington Allston (page images at MOA) |
N7445 .B53 | Art (New York: F. A. Stokes Co., ca. 1914), by Clive Bell (Gutenberg text and illustrated HTML) |
N7445 .B535 | Kunst ("Art" translated into German; Dresden: Sibyllenverlag, 1922), by Clive Bell, ed. by Paul Westheim (page images at HathiTrust; US access only) |
N7445 .B54 | Since Cézanne (ca. 1922), by Clive Bell (Gutenberg text) |
N7445 .B62 | Questioni Pratiche di Belle Arti: Restauri, Concorsi, Legislazione, Professione, Insegnamento (in Italian; Milano: U. Hoepli, 1893), by Camillo Boito (page images at HathiTrust) |
N7445 .C4 | Artists Past and Present: Random Studies (New York: Moffat, Yard and Co., 1909), by Elisabeth Luther Cary (page images at HathiTrust) |
N7445 .J25 | Sketches of Art, Literature, and Character (Boston and New York: Houghton, Mifflin, 1885), by Mrs. Jameson (multiple formats at archive.org) |
N7445 .M67 | Hopes and Fears for Art, by William Morris (Gutenberg text) |
N7445 .R33 | Seven Discourses on Art, by Joshua Reynolds (Gutenberg text) |
N7445 .R9 | The Two Paths, by John Ruskin (Gutenberg text) |
N7445 .S25 | Memorie: Studi dal Vero (in Italian; Rome: Forzani, 1901), by Guglielmo De Sanctis |
N7445.2 .H46 1923 | The Art Spirit (Philadelphia and London: J. B. Lippincott Co., 1923), by Robert Henri, ed. by Margery Ryerson (page images at HathiTrust; US access only) |
N7445.2 .M29 1983 | A. Hyatt Mayor: Selected Writings and a Bibliography (New York: Metropolitan Museum of Art, 1983), by A. Hyatt Mayor (page images and PDF with commentary at Metropolitan Museum of Art and Google) |
N7450 .D87 | Art's True Mission in America, by A. J. H. Duganne (page images at MOA) |
N7450 .M853 | The Aims of Art (London: Office of "The Commonweal", 1887), by William Morris |
N7450 .M855 1898 | Art and the Beauty of the Earth: A Lecture Delivered at Burslem Town Hall on October 13, 1881 (London: Longmans and Co., 1899), by William Morris (multiple formats at archive.org) |
N7483 .B56 | Burning Bright: Essays in Honour of David Bindman (London: UCL Press, c2015), ed. by Diana Dethloff, T. V. Murdoch, and Kim Sloan, contrib. by Caroline Elam |
N7483 .H34 A2 | Philip Gilbert Hamerton: An Autobiography, 1834-1858, and a Memoir by His Wife, 1858-1894, by Philip Gilbert Hamerton and Eugénie Hamerton (Gutenberg text) |
N7485 .G7 K36 2013 | Victorian Art Criticism and the Woman Writer (Columbus, OH: Ohio State University Press, c2013), by John Paul M. Kanwit (PDF at Ohio State) |
N7570 .G35 2020 | Gallucci's Commentary on Dürer's "Four Books on Human Proportion": Renaissance Proportion Theory (Cambridge, UK: Open Book Publishers, c2020), by Giovanni Paolo Gallucci, trans. by James Hutson (multiple formats with commentary at Open Book Publishers) |
N7588 .N42 | Roman Portraits (2 volumes in 1; New York: Metropolitan Museum of Art, 1941), by Gisela M. A. Richter (page images at HathiTrust) |
N7591.C5 S65 1990 | Contemplating the Ancients: Aesthetic and Social Issues in Early Chinese Portraiture (Berkeley: University of California Press, 1990), by Audrey G. Spiro (HTML at UC Press) |
N7592 .R75 | Twelve Portraits (London: Faber and Faber Ltd., c1929), illust. by William Rothenstein (illustrated HTML at Gutenberg Canada) |
N7593 .N45 | The Hawes-Stokes Collection of American Daguerreotypes by Albert Sands Southworth and Josiah Johnson Hawes (New York: Metropolitan Museum of Art, c1939), by I. N. Phelps Stokes (page images and PDF with commentary at metmuseum.org and Google) |