| Call number | Item |
| N | Fine Arts (Go to start of category) |
| NC | Drawing, Design, Illustration (Go to start of category) |
| NC745 .A2 P3 1509 | ![[Info]](https://onlinebooks.library.upenn.edu/info.gif) Divina Proportione: Opera a Tutti Glingegni Perspicaci e Curiosi Necessaria oue Ciascun Studioso di Philosophia; Prospettiua Pictura Sculptura; Architectura; Musica; e Altre Mathematice; Suavissima; Sotile; e Admirabile Doctrina Consequira; e Delecterassi, Co Varie Questione de Secretissima Scientia (in Italian; Venice: A. Paganius Paganinus characteribus elegantissimis accuratissime imprimebat, 1509), by Luca Pacioli, contrib. by Antonio Capella, illust. by Leonardo da Vinci |
| NC749 .A2 I8 | On the Rationalization of Sight; With an Examination of Three Renaissance Texts on Perspective (papers #8; New York: Metropolitan Museum of Art, 1938), by William Mills Ivins (page images and PDF with commentary at Metropolitan Museum of Art and Google) |
| NC749 .A48 1719 | New Principles of Linear Perspective: or, The Art of Designing on a Plane the Representation of All Sorts of Objects, in a More General and Simple Method Than Has Been Done Before (London: R. Knaplock, 1719) (page images in Germany) |
| NC749 .A48 1749 | New Principles of Linear Perspective: or, The Art of Designing on a Plane the Representation of All Sorts of Objects, in a More General and Simple Method Than Has Been Done Before (third edition; London: J. Ward, 1749), by Brook Taylor and John Colson (multiple formats at Google) |
| NC749 .D4 | Maniere Universelle de Mr Desargues, Pour Pratiquer la Perspective par Petit-Pied, Comme le Geometral (in French; Paris: Pierre Des-Hayes, 1648), by Gérard Desargues and Abraham Bosse (page images in Germany) |
| NC749 .D84 | La Perspective Pratique (second edition, 3 volumes in French; Paris: A. Dezallier, 1679), by Jean Dubreuil |
| NC749 .D9 1743 | The Practice of Perspective: or, An Easy Method of Representing Natural Objects According to the Rules of Art (third edition; London: Printed for T. Bowles and J. Bowles, 1743), by Jean Dubreuil, trans. by Ephraim Chambers |
| NC749 .D9 1765 | The Practice of Perspective: or, An Easy Method of Representing Natural Objects According to the Rules of Art (fourth edition; includes Hodgson's "Theory of Perspective"; London: Printed for J. and C. Bowles, 1765), by Jean Dubreuil, trans. by Ephraim Chambers, contrib. by James Hodgson |
| NC749 .P7 | Rules and Examples of Perspective Proper for Painters and Architects, etc , in English and Latin (London: J. Sturt, 1707), by Andrea Pozzo, trans. by John James, illust. by John Sturt (page images at E-Rara) |
| NC749 .P72 | Perspectiva Pictorum et Architectorum (2 volumes, in Latin, published 1692-1700), by Andrea Pozzo, illust. by Vincenzo Mariotti |
| NC749 .T3 1719 | Linear Perspective; New Principles of Linear Perspective (2 books published in 1715 and 1719, bound together; some figures and first 16 pages of "Linear Perpective" main text bound out of order), by Brook Taylor (page images at Sapienza Digital Library) |
| NC750 .S8 | The Theory and Practice of Perspective, by G. A. Storey (PDF at djm.cc) |
| NC750 .T3 1835 | Dr. Brook Taylor's Principles of Linear Perspective: or, The Art of Designing Upon a Plane the Representation of All Sorts of Objects, As They Appear to the Eye (new edition; London: M. Taylor, 1835), by Brook Taylor, ed. by Joseph Jopling |
| NC760 .D93 | Duval's Artistic Anatomy: Completely Revised, With Additional Original Illustrations (New York and London: Funk and Wagnalls Co., ca. 1905), by Mathias Duval and Andrew Melville Paterson (multiple formats at archive.org) |
| NC760 .M6 1939 | Artistic Anatomy (revised and enlarged edition; Los Angeles: Borden Pub. Co., c1939), by Walter Farrington Moses, contrib. by Monte Salvin (page images at HathiTrust) |
| NC760 .W3 | Artistic Anatomy of the Human Figure (16th edition; London: Winsor and Newton, ca. 1853), by Henry Warren |
| NC765.D85 1532 | Alberti Dureri Clarissimi Pictoris et Geometrae de Symetria Partium in Rectis Formis Huanorum Corporum, Libri in Latinum Conuersi (in Latin; Nuremberg: In aedib. viduae Durerianae, 1532), by Albrecht Dürer (page images at Vatican Digital Library) |
| NC765 .E5 1918 | Studies of the Human Figure, With Some Notes on Drawing and Anatomy (first edition; London: B. T. Batsford, Ltd., 1918), by G. M. Ellwood and Francis Rowland Yerbury |
| NC770 .H4 | Grundformen der Mimik des Antlitzes, in Freiem Anschlusse an Piderits "Mimik und Physiognomik" mit Besonderer Berücksichtigung der Bildenden Kunst (in German; Vienna: A. Schroll, 1902), by Hermann Heller (page images at HathiTrust; US access only) |
| NC880 .J44 2008 | Dictionary of Pastellists Before 1800 (online edition, 2008), by Neil Jeffares (PDF files with commentary at pastellists.com) |
| NC885 .M48 1989 | American Pastels in the Metropolitan Museum of Art (New York: Metropolitan Museum of Art, c1989), by Metropolitan Museum of Art (New York, N.Y.), contrib. by Doreen Bolger, Mary Wayne Fritzsche, Jacqueline Hazzi, Marjorie Shelley, Gail Stavitsky, Mary L. Sullivan, Marc Vincent, and Elizabeth Wylie (page images and PDF with commentary at metmuseum.org and Google) |
| NC890 .G98 | Sketching and Rendering in Pencil (New York: Pencil Points Press, 1922), by Arthur L. Guptill (page images at HathiTrust) |
| NC905 .H18 1913 | With Pen and Ink (New York et al.: The Prang Co., c1913), by James Hall |
| NC910 .J25 | The History of Silhouettes (London: The Connoisseur, 1911), by Emily Jackson |
| NC910 .K8 | Die Goethezeit in Silhouetten: 74 Silhouetten in Ganzer Figur Vornehmlich aus Weimar und Umgebung (text in German; Weimar: G. Kiepenheuer, 1911), ed. by Hans Timotheus Kroeber |