| Call number | Item |
| N | Fine Arts (Go to start of category) |
| NK | Decorative Arts (Go to start of category) |
| NK9604.5 .P35 1998 | ![[Info]](https://onlinebooks.library.upenn.edu/info.gif) Painted Wood: History and Conservation (Los Angeles: Getty Conservation Institute, c1998), ed. by Valerie Dorge and F. Carey Howlett (PDF and page images with commentary at getty.edu and Google) |
| NK9704 .J2 | Wood-Carving: Design and Workmanship (New York: D. Appleton and Co., 1903), by George Jack, ed. by W. R. Lethaby (Gutenberg text, illustrated HTML, and page images) |
| NK9704 .L5 1909 | A Manual of Wood Carving (revised edition; New York: C. Scribner's Sons, 1909), by Charles Godfrey Leland and John J. Holtzapffel (Gutenberg text and illustrated HTML) |
| NK9704 .R72 | The Art of Wood Carving: Practical Hints to Amateurs, and a Short History of the Art (London: Virtue and Co., 1867), by George Alfred Rogers (multiple formats at archive.org) |
| NK9752.A1 N49 1990 | Italian Renaissance Frames (New York: Metropolitan Museum of Art, 1990), by Timothy J. Newbery, George Bisacca, and Laurence B. Kanter (page images and PDF with commentary at Metropolitan Museum of Art and Google) |
| NK9900.7 .E15 M47 1991 | East Asian Lacquer: The Florence and Herbert Irving Collection (New York: Metropolitan Museum of Art, c1991), by James C. Y. Watt and Barbara Brennan Ford (page images and PDF with commentary at metmuseum.org and Google) |
| NK9900.7 .E15 U78 1985 | Urushi: Proceedings of the Urushi Study Group, June 10-27, 1985, Tokyo (Marina del Rey, CA: Getty Conservation Institute, c1988), ed. by N. S. Brommelle and Perry Smith (page images and PDF with commentary at getty.edu and Google) |
| NK9900.7 .J3 P44 | Japanese Lacquer, 1600-1900: Selections from the Charles A. Greeneld Collection (New York: Metropolitan Museum of Art, c1980), by Andrew Pekarik (page images and PDF at Metropolitan Museum of Art and Google) |
| NK9920 .J3 | Intarsia and Marquetry (London: Sands and Co., 1903), by F. Hamilton Jackson (multiple formats at archive.org) |
| NK9950 .L4 B3 | The Leather Work Book: Containing Full Instructions for Making and Ornamenting Articles so as to Successfully Imitate Carved Oak, Specifically Written for the Use of Amateurs (London: "The Bazaar" Office, ca. 1875), by Rosa Baughan (page images at HathiTrust) |
| NX | Arts in General (Go to start of category) |
| NX1 .A672 | Art and Letters (reprint of the journal originally published 1917-1920; US access only) (full serial archives) |
| NX1 .F57 | Fire!! (full serial archives) |
| NX1 .J67 | Journal of Arts and Ideas (issues online 1983-1999) (partial serial archives) |
| NX1 .K96 | Der Kunstwart (full serial archives) |
| NX24 .M6 B784 2005 | Bright Stars: Charting the Impact of the Arts in Rural Minnesota (Minneapolis: McKnight Foundation, c2005), by Carlo M. Cuesta, Dana M. Gillespie, and Padraic Lillis (PDF with commentary at mcknight.org) |
| NX24 .O5 O54 | Oklahoma Humanities (Oklahoma City: Oklahoma Humanities Council, 2008-) (full serial archives) |
| NX164 .W65 W48 2011 | Portraits of the Artist as a Young Woman: Painting and the Novel in France and Britain, 1800-1860 (Columbus, OH: Ohio State University Press, c2011), by Alexandra Wettlaufer (PDF at Ohio State) |
| NX180 .A36 R46 2011 | Remembering the AIDS Quilt (East Lansing: Michigan State University Press, c2011), ed. by Charles E. Morris (multiple formats with commentary at fulcrum.org) |
| NX180 .I56 | Mapping Intermediality in Performance (Amsterdam: Amsterdam University Press, c2010), ed. by Sarah Bay-Cheng, Chiel Kattenbelt, Andy Lavender, and Robin Nelson (PDF with commentary at oapen.org) |
| NX180 .I57 L6 | Extinction Internet: Our Inconvenient Truth Moment (Amsterdam: Institute of Network Cultures, 2022), by Geert Lovink (PDF with commentary at networkcultures.org) |
| NX180 .P67 C66 2021 | Congoville: Contemporary Artists Tracing Colonial Tracks / Hedendaagse Kunstenaars Bewandelen Koloniale Sporen (in English and Dutch; Leuven: Leuven University Press, c2021), ed. by Pieter Boons, Sandrine Colard, and Veerle De Laet (PDF files with commentary at Project MUSE) |
| NX180 .S6 E98 2020 | Extraordinary Partnerships: How the Arts and Humanities are Transforming America (Amherst, MA: Lever Press, c2020), ed. by Christine Henseler (multiple formats with commentary at Lever Press) |
| NX180 .S6 M625 2018 | Mobilizing Pedagogy: Two Social Practice Projects in the Americas (Amherst, MA: Amherst College Press, c2018), ed. by Elyse A. Gonzales and Sara Reisman, contrib. by Pablo Helguera, Suzanne Lacy, and Pilar Riaño Alcalá (HTML and PDF with commentary at fulcrum.org) |
| NX310 .C2 V5 2004 | Visual and Performing Arts Framework for California Public Schools: Kindergarten Through Grade Twelve (2004), by California Department of Education (PDF at cde.ca.gov) |
| NX454 .A8 1991 | A Fable of Modern Art (Berkeley: University of California Press, 1991), by Dore Ashton (HTML at UC Press) |