| Call number | Item |
| P | Language and literature (Go to start of category) |
| PN | Literature: General, Criticism, Collections (Go to start of category) |
| PN1993 .P5 | ![[Info]](https://onlinebooks.library.upenn.edu/info.gif) Photoplay (partial serial archives) |
| PN1993 .S35 | Screenland (partial serial archives) |
| PN1993 .S5 | Shadowland (partial serial archives) |
| PN1993 .S57 | Silver Screen (partial serial archives) |
| PN1993 .T3 | Talking Screen (full serial archives) |
| PN1993 .Y6 | Picture Play (partial serial archives) |
| PN1993.3 .I55 1929 | The Motion Picture Almanac (partial serial archives) |
| PN1993.3 .I55 1936 | International Motion Picture Almanac (partial serial archives) |
| PN1993.3 .M64 | Motion Picture News Blue Book (partial serial archives) |
| PN1993.3 .S45 1923 | The Best Moving Pictures of 1922-23; also, Who's Who in the Movies, and the Yearbook of the American Screen (Boston: Small, Maynard and Co., c1923), ed. by Robert E. Sherwood (page images at HathiTrust) |
| PN1993.42 .E85 V2 | Film Festivals: From European Geopolitics to Global Cinephilia (Amsterdam: Amsterdam University Press, c2007), by Marijke de Valck |
| PN1993.5 .A1 H584 1987 | Der Film: Seine Mittel, Seine Ziele (in German; Berlin: Schuster und Loeffler, 1921), by Urban Gad (page images at HathiTrust; US access only) |
| PN1993.5.C2 C5 | Cinema Canada (partial serial archives) |
| PN1993.5 .C4 C44219 2014 | China's iGeneration: Cinema and Moving Image Culture for the Twenty-First Century (New York and London: Bloomsbury Academic, c2014), ed. by Matthew D. Johnson, Keith B. Wagner, Kiki Tianqi Yu, and Luke Vulpiani |
| PN1993.5 .C4 E37 2018 | Early Film Culture in Hong Kong, Taiwan, and Republican China: Kaleidoscopic Histories (Ann Arbor: University of Michigan Press, c2018), ed. by Emilie Yueh-yu Yeh (multiple formats with commentary at fulcrum.org) |
| PN1993.5 .C4 L6 | Ethnic Minority Cinema in China's Nation-State Building (Ann Arbor: University of Michigan Press, c2025), by Kwai-Cheung Lo (multiple formats with commentary at fulcrum.org) |
| PN1993.5 .E8 E4 | European Cinema: Face to Face With Hollywood (Amsterdam: Amsterdam University Press, c2005), by Thomas Elsaesser (PDF with commentary at oapen.org) |
| PN1993.5 .G3 C673 2007 | The Cosmopolitan Screen: German Cinema and the Global Imaginary, 1945 to the Present (Ann Arbor: University of Michigan Press, c2007), ed. by Stephan K. Schindler and Lutz P. Koepnick (page images at HathiTrust) |
| PN1993.5 .G3 F57 2004 | The New German Cinema: Music, History, and the Matter of Style (Berkeley: University of California Press, c2004), by Caryl Flinn (frame-dependent HTML with commentary at UC Press) |
| PN1993.5 .G3 S34 | Hollywood in Berlin: American Cinema and Weimar Germany (Berkeley: University of California Press, 1994), by Thomas J. Saunders (HTML at UC Press) |
| PN1993.5 .G7 M26 | Cinemas and Cinema-Going in the United Kingdom: Decades of Decline, 1945-65 (London: University of London Press, c2020), by Sam Manning (PDF with commentary at OAPEN) |
| PN1993.5 .I8 J28 2006 | Cinema at the End of Empire: A Politics of Transition in Britain and India (Durham, NC and London: Duke University Press, 2006), by Priya Jaikumar (PDF files at Project MUSE) |
| PN1993.5 .I88 F26 2023 | Cinema is the Strongest Weapon: Race-Making and Resistance in Fascist Italy (Minneapolis and London: University of Minnesota Press, c2023), by Lorenzo Fabbri (PDF with commentary at Project MUSE) |
| PN1993.5.J3 B8 1979 | To the Distant Observer: Form and Meaning in the Japanese Cinema (Berkeley and Los Angeles: University of California Press, 1979), by Noël Burch, ed. by Annette Michelson (page images and PDF with commentary at Michigan) |
| PN1993.5.J3 R5 1971 | Japanese Cinema: Film Style and National Character (1971), by Donald Richie (page images at PDF with commentary at Michigan) |