| Call number | Item |
| P | Language and literature (Go to start of category) |
| PN | Literature: General, Criticism, Collections (Go to start of category) |
| PN1998 .K62 | ![[Info]](https://onlinebooks.library.upenn.edu/info.gif) Descriptive Catalogue of Kodascope Library Motion Pictures (6th edition; c1936), by Kodascope Libraries (multiple formats at archive.org) |
| PN1998 .P28 1918 | Descriptive List of Pathéscope Films, Classified (cover title: Descriptive Catalogue of Pathéscope Films; New York, ca. 1918), by Pathescope Company of America (multiple formats at archive.org) |
| PN1998 .U615 | Motion Pictures, 1894-1912, Identified From the Records of the United States Copyright Office (1953), by Library of Congress Copyright Office, ed. by Howard Lamarr Walls |
| PN1998 .U6152 | Catalog of Copyright Entries, Cumulative Series: Motion Pictures, 1912-1939, by Library of Congress Copyright Office |
| PN1998 .U6154 | Catalog of Copyright Entries, Cumulative Series: Motion Pictures, 1960-1969, by Library of Congress Copyright Office |
| PN1998.3 .D39 H54 1994 | Cecil B. DeMille and American Culture: The Silent Era (Berkeley: University of California Press, c1994), by Sumiko Higashi (frame-dependent illustrated HTML at UC Press) |
| PN1998.3 .H58 M45 2016 | Hitchcock's Appetites: The Corpulent Plots of Desire and Dread (New York and London: Bloomsbury Academic, c2016), by Casey McKittrick |
| PN1998.3.O98 B67 1988 | Ozu and the Poetics of Cinema (1998), by David Bordwell (page images and PDF with commentary at Michigan) |
| PN1998.3.P67 M87 1991 | Before the Nickelodeon: Edwin S. Porter and the Edison Manufacturing Company (Berkeley: University of California Press, 1991), by Charles Musser (HTML at UC Press) |
| PN1998.3 .R82 J66 2017 | The Documentary Art of Filmmaker Michael Rubbo (Calgary: University of Calgary Press, c2017), by D. B. Jones (PDF files with commentary at University of Calgary) |
| PN1998.3 .R885 S35 2011 | Celluloid Activist: The Life and Times of Vito Russo (Madison: University of Wisconsin Press, c2011), by Michael R. Schiavi (multiple formats with commentary at fulcrum.org) |
| PN1998.3 .S392 L36 2008 | Caught in the Crossfire: Adrian Scott and the Politics of Americanism in 1940s Hollywood (c2008), by Jennifer E. Langdon (HTML and PDF at gutenberg-e.org) |
| PN1998.3.S77 B94 1995 | Landscapes of Resistance: The German Films of Danièle Huillet and Jean-Marie Straub (Berkeley: University of California Press, 1995), by Barton Byg (HTML at UC Press) |
| PN2000 .N55 | New York Clipper (1853-1924) (partial serial archives) |
| PN2000 .T45 | Theatre Arts (partial serial archives) |
| PN2000 .T5 | Theatre Magazine (partial serial archives) |
| PN2000 .V3 | Variety (partial serial archives) |
| PN2020 .P57 1993 | Plays, Movies, and Critics (Durham, NC and London: Duke University Press, 1993), ed. by Jody McAuliffe (page images at HathiTrust) |
| PN2037 .M35 | A Book About the Theater (New York: C. Scribner's Sons, 1916), by Brander Matthews (Gutenberg text and illustrated HTML) |
| PN2041 .W37 D55 2016 | Theatre and War: Notes From the Field (Cambridge, UK: Open Book Publishers, c2016), by Nandita Dinesh (PDF and HTML with commentary at openbookpublishers.com) |
| PN2047 .C596 2016 | Politics, Ethics and Performance: Hélène Cixous and the Théâtre du Soleil (Melbourne: Re.press, 2016), by Hélène Cixous, ed. by Lara Stevens (PDF with commenrary at re-press.org) |
| PN2047 .C6 1698 | A Short View of the Immorality and Profaneness of the English Stage: Together with the Sense of Antiquity Upon This Argument (second edition; London: Printed for S. Keble et al., 1698), by Jeremy Collier (page images at Utah) |
| PN2047 .G6 | Playes Confuted in Five Actions, by Stephen Gosson (page images here at Penn) |
| PN2051 .A5 | Article Geneve de l'Encyclopédie; Profession de Foi des Ministres Genevois, Avec des Notes d'un Théologien, et Réponse a la Lettre de M. Rousseau, Citoyen de Geneve (in French; Amsterdam: Z. Chatelain, 1759), by Jean Le Rond d' Alembert (multiple formats at archive.org) |
| PN2051 .R53 2013 | Passionate Amateurs: Theatre, Communism, and Love (Ann Arbor: University of Michigan Press, c2013), by Nicholas Peter Ridout |