| Call number | Item |
| P | Language and literature (Go to start of category) |
| PN | Literature: General, Criticism, Collections (Go to start of category) |
| PN2287.C5 P3 | ![[Info]](https://onlinebooks.library.upenn.edu/info.gif) The Great God Pan: A Biography of The Tramp Played by Charles Chaplin (New York: Hermitage House, c1952), by Robert Payne (page images at HathiTrust) |
| PN2287 .C63 A5 | All About Amos 'n' Andy, and Their Creators, Correll and Gosden (New York et al.: Rand McNally and Co., c1929), by Charles J. Correll and Freeman F. Gosden (PDF at worldradiohistory.com) |
| PN2287.C8 | A Life of Charlotte Cushman (New York et al.: Brentano's, c1894), by W. T. Price (multiple formats at Google) |
| PN2287 .C8 L4 | Bright Particular Star: The Life and Times of Charlotte Cushman (c1970), by Joseph Leach (HTML at Wayback Machine) |
| PN2287.C8 W4 | Charlotte Cushman (Boston: James R. Osgood and Company, 1882), by Clara Erskine Clement Waters (multiple formats at archive.org) |
| PN2287 .J7 A3 | Men, Marriage and Me (New York: Macauley Co., 1930), by Peggy Hopkins Joyce (page images at HathiTrust) |
| PN2287 .L5 A3 | An American Comedy (New York et al.: Longmans, Green and co., 1928), by Harold Lloyd and Wesley Winans Stout (page images at HathiTrust) |
| PN2287 .L6 A3 | The Mimic World, and Public Exhibitions: Their History, Their Morals, and Effects (1871), by Olive Logan (page images and uncorrected OCR text at MOA) |
| PN2287 .M2 | Autobiography of Clara Fisher Maeder (New York; The Dunlap society, 1897), by Clara Fisher, ed. by Douglas Taylor (page images at HathiTrust) |
| PN2287.M7 A3 | Stage Confidences: Talks About Players and Play Acting (London: Charles H. Kelly, 1902), by Clara Morris (Gutenberg text) |
| PN2287 .V3 R2 1926 | Rudy: An Intimate Portrait of Rudolph Valentino by His Wife (London: Hutchinson and Co., ca. 1926), by Natacha Rambova, contrib. by George B. Wehner |
| PN2291 .B4 1932 | The Business of the Theatre (New York: Actors' Equity Association, 1932), by Alfred L. Bernheim, ed. by Alfred Harding, contrib. by Sara Harding (page images at HathiTrust) |
| PN2297 .P53 L48 2007 | Detroit on Stage: The Players Club, 1910-2005 (Detroit: Wayne State University Press, c2007), by Marijean Levering (multiple formats with commentary at Wayne State) |
| PN2389 .G66 2025 | Shipping Out: Race, Performance, and Labor at Sea (Ann Arbor: University of Michigan Press, c2025), by Anita Gonzalez (multiple formats with commentary at fulcrum.org) |
| PN2421 .W7 | Revels in Jamaica, 1682-1838: Plays and Players of a Century, Tumblers and Conjurors, Musical Refugees and Solitary Showmen, Dinners, Balls and Cockfights, Darky Mummers and Other Memories of High Times and Merry Hearts (New York: Dodd, Mead and Co., 1937), by Richardson Little Wright (page images at HathiTrust) |
| PN2575 .P55 F5 | The Playgoers' Club, 1884 to 1905: Its History and Memories (London: The Playgoers' Club, 1905), by Benjamin William Findon (page images at HathiTrust) |
| PN2581 .S67 1910 | Our Stage and its Critics (1910), by Edward Fordham Spence (Gutenberg text) |
| PN2589 .C6 1831 | The History of English Dramatic Poetry to the Time of Shakespeare, and Annals of the Stage to the Restoration (3 volumes; London: J. Murray, 1831), by John Payne Collier (page images at HathiTrust) |
| PN2589 .C86 1986 | Records of Early English Drama: Cumberland, Westmorland, Gloucestershire (Toronto et al.: University of Toronto Press, 1981), ed. by Audrey W. Douglas and Peter Greenfield (multiple formats at archive.org) |
| PN2589 .H4 | Henslowe's Diary (2 volumes; London: A. H. Bullen, 1904-1908), by Philip Henslowe, ed. by W. W. Greg |
| PN2589 .H4 1907 | Henslowe Papers: Being Documents Supplementary to Henslowe's Diary (London: A. H. Bullen, 1907), by Philip Henslowe, ed. by W. W. Greg (multiple formats at archive.org) |
| PN2590 .R5 G7 | Documents Relating to the Office of the Revels in the Time of Queen Elizabeth (Louvain: A. Uystpruyst; et al., 1908), by Great Britain Office of the Revels, ed. by Albert Feuillerat |
| PN2592 .A18 1643 | The Actors Remonstrance, or Complaint, for the Silencing of Their Profession, and Banishment From Their Severall Play-Houses (London: Printed for Edw. Nickson, 1643) (HTML at Renascence Editions) |
| PN2592 .A5 1917 | The Dramatic Records of Sir Henry Herbert, Master of the Revels, 1623-1673 (1917), by Great Britain Office of the Revels and Henry Herbert, ed. by Joseph Quincy Adams (multiple formats at archive.org) |
| PN2592 .S7 | The Stage-Players Complaint (London: Printed for Tho. Bates, 1641) |