Remixes
Here are entered recorded musical works derived from one or more existing sound recordings through processes known as remixing.
This heading is applied to sound recordings that are entirely remixes, prominently identified as remix(es), mixes, or expressions such as dance mix and club mix, but not to recordings where mix(es) means only medley, mixture, or miscellaneous.
See also what's at Wikipedia, your library, or elsewhere.
Broader term:Narrower terms:Used for:- Club mixes
- Dance mixes
- Mixes (Music)
![[Info]](https://onlinebooks.library.upenn.edu/info.gif)
Rock This Way: Cultural Constructions of Musical Legitimacy (Ann Arbor: University of Michigan Press, c2023), by Mel Stanfill (multiple formats with commentary at fulcrum.org)
- Rock This Way: Cultural Constructions of Musical Legitimacy (Ann Arbor: University of Michigan Press, c2023), by Mel Stanfill (multiple formats with commentary at fulcrum.org)
Items below (if any) are from related and broader terms.
Filed under: ELectronic music- Sound and Music Computing (reprint of a special issue of Applied Sciences; Basel et al.: MDPI, 2018), ed. by Tapio Lokki, Stefania Serafin, Meinard Müller, and Vesa Välimäki (PDF with commentary at mdpi.com)
- Music Technology (British magazine, 1986-1993) (partial serial archives)
- Electronics and Music Maker (British magazine, 1981-1986) (partial serial archives)
- Electronic Soundmaker and Computer Music (British magazine, 1983-1985) (full serial archives)