Slides (Photography)
See also what's at Wikipedia, your library, or elsewhere.
Broader terms:Related terms:Narrower terms:Used for:- Color slides
- Photographic slides
- Slides (Transparencies)
- Reversal film
![[Info]](https://onlinebooks.library.upenn.edu/info.gif)
Lantern Slides and How to Make Them (New York: Scovill and Adams, 1892), by A. R. Dresser (page images at HathiTrust)
- Slides and Photographs, List 18: American Literature (descriptions without pictures, second edition, reprinted from the 12th annual report of the State Dept. of Education; 1917), by University of the State of New York Visual Instruction Division
- Lantern Slides and How to Make Them (New York: Scovill and Adams, 1892), by A. R. Dresser (page images at HathiTrust)
Items below (if any) are from related and broader terms.
Filed under: Visual education- Through the Eye to the Heart: or, Eye-Teaching in the Sunday-School (1873 edition), by Wilbur F. Crafts (page images at MOA)
- Manga Vision: Cultural and Communicative Perspectives (Clayton, Victoria: Monash University Publishing, c2016), ed. by Sarah E. Pasfield-Neofitou and Cathy Sell, illust. by Queenie Chan (PDF and Epub with commentary at monash.edu)
- Editorials from the Hearst Newspapers, by Arthur Brisbane (Gutenberg text)
- Teaching Beginning Reading and Writing with the Picture Word Inductive Model, by Emily Calhoun (HTML with commentary at ascd.org)
- Library of Congress Catalog: Motion Pictures and Filmstrips (partial serial archives)
- Library of Congress Catalog: Motion Pictures and Filmstrips (partial serial archives)
- Motion Pictures, 1894-1912, Identified From the Records of the United States Copyright Office (1953), by Library of Congress Copyright Office, ed. by Howard Lamarr Walls
- Descriptive Catalogue of Kodascope Library Motion Pictures (6th edition; c1936), by Kodascope Libraries (multiple formats at archive.org)
- Catalogue of the National Film Library of Sixteen Millimeter Motion Pictures (first edition; Los Angeles: National Film Library, c1931), by National Film Library (multiple formats at archive.org)
- Catalog of Copyright Entries, Cumulative Series: Motion Pictures, 1912-1939, by Library of Congress Copyright Office
- Catalog of Copyright Entries, Cumulative Series: Motion Pictures, 1960-1969, by Library of Congress Copyright Office
- Catalogue of Pathépictures Selected for Educational, Religious and Social Groups (New York: Pathé Exchange, 1925), by Pathescope Company of America (multiple formats at archive.org)
- Descriptive List of Pathéscope Films, Classified (cover title: Descriptive Catalogue of Pathéscope Films; New York, ca. 1918), by Pathescope Company of America (multiple formats at archive.org)
- The Latest Blues by Columbia Race Stars: Columbia New Process Records, Made the New Way, Electrically, Viva-Tonal Recording, The Records Without Scratch (ca. 1927), by Columbia Records, Inc. (page images at HathiTrust)
- The Streaming Guide to Cataloging Remote Access Multimedia: A How-to Virtual Manual for Catalogers (c2010), by Marielle Veve (HTML and multimedia at Newfound Press)
- Copyright and Related Issues Relevant to Digital Preservation and Dissemination of Unpublished Pre-1972 Sound Recordings by Libraries and Archives (2009), by June M. Besek (PDF with commentary at clir.org)
- Copyright Issues Relevant to Digital Preservation and Dissemination of Pre-1972 Commercial Sound Recordings by Libraries and Archives (2005), by June M. Besek (HTML and PDF with commentary at clir.org)
- Protection for Pre-1972 Sound Recordings under State Law and Its Impact on Use by Nonprofit Institutions: A 10-State Analysis (2009), by Washington College of Law Program on Information Justice and Intellectual Property, contrib. by Peter Jaszi and Nicholas B. Lewis (HTML and PDF with commentary at clir.org)
- Folklore/Cinema: Popular Film as Vernacular Culture (Logan, UT: Utah State University Press, 2007), ed. by Sharon R. Sherman and Mikel J. Koven (PDF with commentary at usu.edu)
- Film Quarterly: Forty Years, A Selection (Berkeley: University of California Press, c1999), ed. by Brian Henderson, Ann Martin, and Lee Amazonas (frame-dependent HTML with commentary at UC Press)
- Memory of Tiresias: Intertextuality and Film (Berkeley: University of California Press, c1998), by M. B. Iampolskii, trans. by Harsha Ram (frame-dependent HTML with commentary at UC Press)
- Wonderful Inventions: Motion Pictures, Broadcasting, and Recorded Sound at the Library of Congress (Washington: The Library, 1985), ed. by Iris Newsom, contrib. by Erik Barnouw (page images at HathiTrust)
- Plays, Movies, and Critics (Durham, NC and London: Duke University Press, 1993), ed. by Jody McAuliffe (page images at HathiTrust)
- Movies From A.A.P.: Programs of Quality From Quality Studios (1957), by Associated Artists Productions (multiple formats at archive.org)
- Framing French Culture (Adelaide: University of Adelaide Press, c2015), ed. by Natalie Edwards, Ben McCann, and Peter Poiana (PDF with commentary at Adelaide)
- The Art of Cineplastics (Boston: Four Seas Co., 1923), by Élie Faure, trans. by Walter Pach (page images at HathiTrust)
- The Best Moving Pictures of 1922-23; also, Who's Who in the Movies, and the Yearbook of the American Screen (Boston: Small, Maynard and Co., c1923), ed. by Robert E. Sherwood (page images at HathiTrust)
- Der Film: Seine Mittel, Seine Ziele (in German; Berlin: Schuster und Loeffler, 1921), by Urban Gad (page images at HathiTrust; US access only)
- Making the Movies (New York: The Macmillan Co., 1919), by Ernest A. Dench (page images at HathiTrust)
- The Novel and the Screen (New York: Motion Picture Producers and Distributors of America, ca. 1925), by Motion Picture Producers and Distributors of America
- That Marvel, the Movie: A Glance at its Reckless Past, its Promising Present, and its Significant Future (New York and London: G. P. Putnam's Sons, 1923), by Edward S. Van Zile, contrib. by Will H. Hays
- Behind the Screen (New York: G. H. Doran Co., c1923), by Samuel Goldwyn
- Breaking Into the Movies (Philadelphia: G. W. Jacobs and Co., c1921), by John Emerson and Anita Loos (Gutenberg text and illustrated HTML)
- Radiomovies, Radiovision, Television (Washington: National Capital Press, c1929), by C. Francis Jenkins (page images at HathiTrust)
- Frame by Frame: A Materialist Aesthetics of Animated Cartoons (Oakland, CA: University of California Press, c2019), by Hannah Frank, ed. by Daniel Morgan, contrib. by Tom Gunning (multiple formats with commentary at Luminos)
- Ozu and the Poetics of Cinema (1998), by David Bordwell (page images and PDF with commentary at Michigan)
- Light Moving in Time: Studies in the Visual Aesthetics of Avant-Garde Film (Berkeley: University of California Press, 1992), by William C. Wees (HTML at UC Press)
- An Anagram of Ideas on Art, Form and Film (Yonkers, NY: Alicat Book Shop Press, 1946), by Maya Deren (page images at HathiTrust; US access only)
- Photogénie (in French; Paris: M. de Brunoff, ca. 1920), by Louis Delluc (page images at HathiTrust; US access only)
- The Photoplay: A Psychological Study (New York and London: D. Appleton and Co., 1916), by Hugo Münsterberg (Gutenberg text)
- The Tread of a White Man's Foot: Australian Pacific Colonialism and the Cinema, 1925-62 (Canberra: Pandanus Books, c2006), by Jane Landman (page images at HathiTrust)
- Hollywood Undressed: Observations of Sylvia as Noted by Her Secretary (New York: Brentano's, 1931), contrib. by Sylvia of Hollywood (page images at HathiTrust)
- The Best Moving Pictures of 1922-23; also, Who's Who in the Movies, and the Yearbook of the American Screen (Boston: Small, Maynard and Co., c1923), ed. by Robert E. Sherwood (page images at HathiTrust)
- Jamaica's Difficult Subjects: Negotiating Sovereignty in Anglophone Caribbean Literature and Criticism (Columbus, OH: Ohio State University Press, c2014), by Sheri-Marie Harrison (PDF at Ohio State)
- In the Supreme Court of the United States, October Term, 1949, No. 248: John Howard Lawson, Petitioner, vs. United States of America, Respondent; No. 249: Dalton Trumbo, Petitioner, vs. United States of America, Respondent: Brief of Alexander Meiklejohn, of Cultural Workers in Motion Pictures and Other Arts, and of Members of the Professions, as Amici Curiae (Los Angeles: Parker and Co., printers, ca. 1949), by Max Radin and Carey McWilliams, contrib. by Alexander Meiklejohn (page images at HathiTrust; US access only)
- A Code to Govern the Making of Motion Pictures, the Reasons Supporting it and the Resolution for Uniform Interpretation (aka the Hays code; original version adopted 1930; this edition includes changes up to 1955), by Motion Picture Association of America
- Sound Souvenirs: Audio Technologies, Memory and Cultural Practices (Amsterdam: Amsterdam University Press, c2009), ed. by Karin Bijsterveld and José van Dijck (PDF with commentary at OAPEN)
- Wonderful Inventions: Motion Pictures, Broadcasting, and Recorded Sound at the Library of Congress (Washington: The Library, 1985), ed. by Iris Newsom, contrib. by Erik Barnouw (page images at HathiTrust)
More items available under broader and related terms at left.