Sound -- Early works to 1800
See also what's at your library, or elsewhere.
Broader terms:![[Info]](https://onlinebooks.library.upenn.edu/info.gif)
Outlines of Experiments and Inquiries Respecting Sound and Light (reprinted from Philosophical Transactions; London: Printed by W. Bulmer and Co., 1800), by Thomas Young (page images at NIH)
Items below (if any) are from related and broader terms.
Filed under: Sound- Acoustemologies in Contact: Sounding Subjects and Modes of Listening in Early Modernity (Cambridge, UK: Open Book Publishers, c2021), ed. by Emily Wilbourne and Suzanne G. Cusick (multiple formats with commentary at Open Book Publishers)
- Digital Sound Studies (Durham, NC and London: Duke University Press, 2018), ed. by Mary Caton Lingold, Darren Mueller, and Whitney Trettien (PDF at oapen.org)
- Acoustics, Theoretical ("Part I" only part published; Oxford: At the Clarendon Press, 1870), by W. F. Donkin, contrib. by Bartholomew Price
- Acoustics, Theoretical (second edition; Oxford: At the Clarendon Press, 1884), by W. F. Donkin, ed. by A. E. Donkin, contrib. by Bartholomew Price (multiple formats at archive.org)
- A Summary of Researches in Sound, Conducted in the Service of the United States Light-House Board, by Joseph Henry, During the Years 1865 to 1877 (from the Snithsonian report for 1878; Washington: GPO, 1879), by Joseph Henry (multiple formats at Google)
- Basic Audio (3 volumes in 1; New York: J. F. Rider, c1959), by Norman H. Crowhurst (PDF at worldradiohistory.com)
- Audio Measurements (New York: Gernsback Library, c1958), by Norman H. Crowhurst (PDF at worldradiohistory.com)
- The Art and Science of Audio Book Production (1995), by Billy R. West (HTML at loc.gov)
- How to Service Tape Recorders (New York: J. F. Rider, c1954), by C. A. Tuthill (PDF at worldradiohistory.com)
- Home Truths? Video Production and Domestic Life (c2011), by David Buckingham, Rebekah Willett, and Maria Pini (HTML with commentary at digitalculture.org)
- Deep Lab (Pittsburgh: Deep Lab and the Frank-Ratchye Studio for Creative Inquiry, 2014), by Addie Wagenknecht, Allison Burtch, Claire L. Evans, Denise Caruso, Harlo Holmes, Ingrid Burrington, Jillian C. York, Kate Crawford, Lindsay Howard, Lorrie Faith Cranor, Maddy Varner, Maral Pourkazemi, and Runa A. Sandvik (PDF with supplementary materials at studioforcreativeinquiry.org)
- Sound on Sound (issues of this British sound system magazine freely available online 1985-1990) (partial serial archives)
- The Audio Critic (partial serial archives)
- Gramophone (1923-) (partial serial archives)
- Vinyl Theory (Amherst, MA: Lever Press, c2020), by Jeffrey R. Di Leo
- History of the Kinetograph, Kinetoscope, and Kinetophonograph (reprint, originally published 1895; New York: Arno Press and the New York Times, 1970), by W. K.-L. Dickson and Antonia Dickson (page images at HathiTrust)
- Jahrbuch der Drahtlosen Telegraphie und Telephonie (partial serial archives)
- Recording Musician (British magazine, 1992-1993) (full serial archives)
- Home Studio Recording (British magazine; issues online 1983-1985, plus two later issues titled "Home & Studio Recording") (partial serial archives)
- Sound on Sound (issues of this British sound system magazine freely available online 1985-1990) (partial serial archives)
- Gramophone (1923-) (partial serial archives)
- Engaging with Everyday Sounds (Cambridge, UK: Open Book Publishers, c2022), by Marcel Cobussen (multiple formats with commentary at Open Book Publishers)
- Guide to Audio Reproduction (New York: J. F. Rider, c1953), by David Fidelman
- Sound and Music Computing (reprint of a special issue of Applied Sciences; Basel et al.: MDPI, 2018), ed. by Tapio Lokki, Stefania Serafin, Meinard Müller, and Vesa Välimäki (PDF with commentary at mdpi.com)
- Digital Sound Studies (Durham, NC and London: Duke University Press, 2018), ed. by Mary Caton Lingold, Darren Mueller, and Whitney Trettien (PDF at oapen.org)
- Capturing Analog Sound for Digital Preservation: Report of a Roundtable Discussion of Best Practices for Transferring Analog Discs and Tapes (2006) (PDF at clir.org)
- Sound Souvenirs: Audio Technologies, Memory and Cultural Practices (Amsterdam: Amsterdam University Press, c2009), ed. by Karin Bijsterveld and José van Dijck (PDF with commentary at OAPEN)
- Fundamentals of High Fidelity (New York: J. F. Rider, c. 1959), by Herman Burstein (PDF at worldradiohistory.com)
- The Sound of High Fidelity (Chicago: Popular Mechanics Press, c1958), by Robert Oakes Jordan and James Cunningham, illust. by David Foster, Robert Barker, and Arthur Lutz (PDF at worldradiohistory.com)
- High Fidelity Simplified (New York: J. F. Rider, c1952), by Harold D. Weiler (PDF at worldradiohistory.com)
- Stereophonic Sound (New York: J. F. Rider, c1957), by Norman H. Crowhurst (PDF at worldradiohistory.com)
- Operator's and Organizational Maintenance Manual: Audio Oscillators TS-382A/U, TS-382B/U, TS-382D/U, TS-382E/U, and TS-382F/U (originally published 1961; includes looseleaf updates from up to 1974), by United States Department of the Army (page images at HathiTrust)
- Oink! Moo! How Do You Do? A Book of Animal Sounds, by Grace Maccarone, illust. by Hans Wilhelm (PDF at Wayback Machine)
- The Tale of Bobby Bobolink (New York: Grosset and Dunlap, c1928), by Arthur Scott Bailey (Gutenberg text, illustrated HTML, and page images)
- Songs of the Birds (London: J. Lane, 1922), by Walter Garstang, illust. by J. A. Shepherd (page images at HathiTrust)
- Songs of the Birds (second edition, revised and enlarged; London: J. Lane, 1923), by Walter Garstang, illust. by J. A. Shepherd (page images at HathiTrust; US access only)
- Species Limits in the Indigobirds (Ploceidae, Vidua) of West Africa: Mouth Mimicry, Song Mimicry, and Description of New Species (1982), by Robert B. Payne (PDF at Michigan)
- Engaging with Everyday Sounds (Cambridge, UK: Open Book Publishers, c2022), by Marcel Cobussen (multiple formats with commentary at Open Book Publishers)
- Acoustemologies in Contact: Sounding Subjects and Modes of Listening in Early Modernity (Cambridge, UK: Open Book Publishers, c2021), ed. by Emily Wilbourne and Suzanne G. Cusick (multiple formats with commentary at Open Book Publishers)
- Perception and Communication (New York: Pergamon Press, Macmillan, c1958), by Donald E. Broadbent (page images at HathiTrust)
- Apes and Monkeys: Their Life and Language (ca. 1900), by R. L. Garner (illustrated HTML with commentary at erbzine.com)
- The Speech of Monkeys (London: W. Heinemann, 1892), by R. L. Garner (Gutenberg text and illustrated HTML)
- A Philosophical Amusement Upon the Language of Beasts and Birds: Written Originally in French by Father Bougeant, a Famous Jesuit, Now Confined at La Fleche, on Account of This Work (second edition corrected; London: Printed for T. Cooper, 1740), by G.-H. Bougeant
- Basic Audio (3 volumes in 1; New York: J. F. Rider, c1959), by Norman H. Crowhurst (PDF at worldradiohistory.com)
- Acoustic Design Charts (Philadelphia: The Blakiston Co., c1942), by Frank Massa
- Audio Measurements (New York: Gernsback Library, c1958), by Norman H. Crowhurst (PDF at worldradiohistory.com)
- Mathematics of the Discrete Fourier Transform (DFT), With Audio Applications (second edtion, c2007), by Julius O. Smith (illustrated HTML with commentary at dsprelated.com)
- Harmonics: or, The Philosophy of Musical Sounds (second edition; London: Printed for T. and J. Merrill, et al., 1759), by Robert Smith
- Ideal Program in Underwater Sound: A Report to the Chief of Naval Research by the Underwater Sound Advisory Group (declassified version, slightly redacted; Washington: Office of Naval Research, 1958), by Jesse Coop, Guy Harris, Don Wilson, Alvin Jaques, and H. L. Saxton (page images at HathiTrust)
More items available under broader and related terms at left.