The Online Books Page

Sounds

Use as a topical subdivision under individual organs and regions of the body and wars.

See also what's at Wikipedia, your library, or elsewhere.

• Heart -- Sounds
• Human sounds
• Nature sounds
• Sound -- Recording and reproducing

• Talking and Listening in the Age of Modernity: Essays on the History of Sound (2007), ed. by Joy Damousi and Desley Deacon (multiple formats with commentary at ANU E Press)

• On So-called Functional Heart Murmurs (reprinted from Montreal Medical Journal, 1899), by Maude E. Abbott (multiple formats at archive.org)

• Old London Street Cries; and, The Cries of To-Day, With Heaps of Quaint Cuts (London: Field and Tuer, 1885), by Andrew White Tuer (illustrated HTML at Wisconsin)

• Oink! Moo! How Do You Do? A Book of Animal Sounds, by Grace Maccarone, illust. by Hans Wilhelm (PDF at Wayback Machine)

• The Tale of Bobby Bobolink (New York: Grosset and Dunlap, c1928), by Arthur Scott Bailey (Gutenberg text, illustrated HTML, and page images)

• Songs of the Birds (London: J. Lane, 1922), by Walter Garstang, illust. by J. A. Shepherd (page images at HathiTrust)
• Songs of the Birds (second edition, revised and enlarged; London: J. Lane, 1923), by Walter Garstang, illust. by J. A. Shepherd (page images at HathiTrust; US access only)

• Species Limits in the Indigobirds (Ploceidae, Vidua) of West Africa: Mouth Mimicry, Song Mimicry, and Description of New Species (1982), by Robert B. Payne (PDF at Michigan)

• Guide to Audio Reproduction (New York: J. F. Rider, c1953), by David Fidelman
  • page images at HathiTrust
  • PDF at worldradiohistory.com

• Sound and Music Computing (reprint of a special issue of Applied Sciences; Basel et al.: MDPI, 2018), ed. by Tapio Lokki, Stefania Serafin, Meinard Müller, and Vesa Välimäki (PDF with commentary at mdpi.com)
• Digital Sound Studies (Durham, NC and London: Duke University Press, 2018), ed. by Mary Caton Lingold, Darren Mueller, and Whitney Trettien (PDF at oapen.org)
• Capturing Analog Sound for Digital Preservation: Report of a Roundtable Discussion of Best Practices for Transferring Analog Discs and Tapes (2006) (PDF at clir.org)

• Sound on Sound (issues of this British sound system magazine freely available online 1985-1990) (partial serial archives)
• The Audio Critic (partial serial archives)

• Gramophone (1923-) (partial serial archives)

• Vinyl Theory (Amherst, MA: Lever Press, c2020), by Jeffrey R. Di Leo
  • HTML and Epub with commentary at Lever Press
  • HTML and PDF at JSTOR

• History of the Kinetograph, Kinetoscope, and Kinetophonograph (reprint, originally published 1895; New York: Arno Press and the New York Times, 1970), by W. K.-L. Dickson and Antonia Dickson (page images at HathiTrust)

• Recording Musician (British magazine, 1992-1993) (full serial archives)
• Home Studio Recording (British magazine; issues online 1983-1985, plus two later issues titled "Home & Studio Recording") (partial serial archives)

• Sound on Sound (issues of this British sound system magazine freely available online 1985-1990) (partial serial archives)
• Gramophone (1923-) (partial serial archives)

• Sound Souvenirs: Audio Technologies, Memory and Cultural Practices (Amsterdam: Amsterdam University Press, c2009), ed. by Karin Bijsterveld and José van Dijck (PDF with commentary at OAPEN)

• Fundamentals of High Fidelity (New York: J. F. Rider, c. 1959), by Herman Burstein (PDF at worldradiohistory.com)
• The Sound of High Fidelity (Chicago: Popular Mechanics Press, c1958), by Robert Oakes Jordan and James Cunningham, illust. by David Foster, Robert Barker, and Arthur Lutz (PDF at worldradiohistory.com)
• High Fidelity Simplified (New York: J. F. Rider, c1952), by Harold D. Weiler (PDF at worldradiohistory.com)

• Stereophonic Sound (New York: J. F. Rider, c1957), by Norman H. Crowhurst (PDF at worldradiohistory.com)

• The Art and Science of Audio Book Production (1995), by Billy R. West (HTML at loc.gov)
• How to Service Tape Recorders (New York: J. F. Rider, c1954), by C. A. Tuthill (PDF at worldradiohistory.com)

• Home Truths? Video Production and Domestic Life (c2011), by David Buckingham, Rebekah Willett, and Maria Pini (multiple formats with commentary at fulcrum.org)

• Deep Lab (Pittsburgh: Deep Lab and the Frank-Ratchye Studio for Creative Inquiry, 2014), by Addie Wagenknecht, Allison Burtch, Claire L. Evans, Denise Caruso, Harlo Holmes, Ingrid Burrington, Jillian C. York, Kate Crawford, Lindsay Howard, Lorrie Faith Cranor, Maddy Varner, Maral Pourkazemi, and Runa A. Sandvik (PDF with supplementary materials at studioforcreativeinquiry.org)

Items below (if any) are from related and broader terms.