Street artHere are entered works on outdoor mural painting decorating buildings in public thoroughfares and often drawing attention to contemporary urban problems such as drugs, minorities, police brutality, etc. General works on painting on wall surfaces are entered under Mural painting and decoration. Works on drawing on wall surfaces emphasizing the concept of drawing with the drawing usually visible for a limited period of time are entered under Wall drawing (Conceptual art). See also what's at Wikipedia, your library, or elsewhere.
Broader terms:Related term:Narrower terms:Used for:- Art, Street
- Art, Wall
- Wall art
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Filed under: Street art -- Political aspects -- Chile
Filed under: Street art -- Social aspects -- Chile
Items below (if any) are from related and broader terms.
Filed under: Graffiti -- England -- History Medieval Graffiti, Especially in The Eastern Counties (reprinted from Cambridge Antiquarian Society's Publications; London: Simpkin, Marshall, Hamilton, Kent and Co., 1915), by G. G. Coulton
Filed under: Graffiti -- England -- History -- 18th century The Merry-Thought: or, The Glass-Window and Bog-House Miscellany (4 parts reprinted with new introductions in 2 volumes, 1982-1983), ed. by Hurlothrumbo, contrib. by George Robert Guffey and Maximillian E. Novak
Filed under: Graffiti -- Greece -- Athens
Filed under: Graffiti -- Political aspects -- Chile
Filed under: Graffiti -- Social aspects -- Chile
Filed under: Mural painting and decoration, Chilean -- 21st century
Filed under: Art and society Deep Lab (Pittsburgh: Deep Lab and the Frank-Ratchye Studio for Creative Inquiry, 2014), by Addie Wagenknecht, Allison Burtch, Claire L. Evans, Denise Caruso, Harlo Holmes, Ingrid Burrington, Jillian C. York, Kate Crawford, Lindsay Howard, Lorrie Faith Cranor, Maddy Varner, Maral Pourkazemi, and Runa A. Sandvik (PDF with supplementary materials at studioforcreativeinquiry.org) Disrupting Business: Art and Activism in Times of Financial Crisis (Brooklyn, NY: Autonomedia, c2013), ed. by Tatiana Bazzichelli and Geoff Cox (PDF with commentary at data-browser.net) Climate Change and the New Polar Aesthetics: Artists Reimagine the Arctic and Antarctic (Durham, NC and London: Duke University Press, 2022), by Lisa E. Bloom (PDF with commentary at Project MUSE) Ubiquity: Photography's Multitudes (Leuven: Leuven University Press, c2021), ed. by Jacob W. Lewis and Kyle Parry (Epub and PDF with commentary in Belgium) Prints and People: A Social History of Printed Pictures (New York: Metropolitan Museum of Art; distributed by New York Graphic Society, c1971), by A. Hyatt Mayor (page images and PDF with commentary at metmuseum.org and Google) Mobilizing Pedagogy: Two Social Practice Projects in the Americas (Amherst, MA: Amherst College Press, c2018), ed. by Elyse A. Gonzales and Sara Reisman, contrib. by Pablo Helguera, Suzanne Lacy, and Pilar Riaño Alcalá (HTML and PDF with commentary at fulcrum.org) The Aims of Art (London: Office of "The Commonweal", 1887), by William Morris
Filed under: Art and society -- Congresses
Filed under: Art and society -- England -- History -- 19th century
Filed under: Art and society -- Italy -- Siena -- Exhibitions
Filed under: Art and society -- Netherlands
Filed under: Art and state -- NetherlandsFiled under: Art and society -- Periodicals
Filed under: Art and society -- Rome -- Study and teaching
Filed under: Art and war
Filed under: War memorials -- Germany
Filed under: USS Arizona Memorial (Hawaii)
Filed under: Perry's Victory and International Peace Memorial (Put-in-Bay, Ohio)
Filed under: Mural painting and decoration, Chilean -- 20th century
Filed under: Performance art Performing the Sentence: Research and Teaching in Performative Fine Arts (Pub. series of the Academy of Fine Arts Vienna, v13; Berlin: Sternberg Press, c2014), ed. by Carola Dertnig and Felicitas Thun-Hohenstein (PDF with commentary in Austria) Mapping Intermediality in Performance (Amsterdam: Amsterdam University Press, c2010), ed. by Sarah Bay-Cheng, Chiel Kattenbelt, Andy Lavender, and Robin Nelson (PDF with commentary at oapen.org) Interfaces: Women, Autobiography, Image, Performance (Ann Arbor: University of Michigan Press, c2002), ed. by Sidonie Smith and Julia Watson (page images at HathiTrust)
Filed under: Performance art -- California -- Los Angeles
Filed under: Performance art -- Political aspects -- Yugoslavia -- History -- 20th century Alienation Effects: Performance and Self-Management in Yugoslavia, 1945-89 (Ann Arbor: University of Michigan Press, c2016), by Branislav Jakovljević
Filed under: Performance art -- Social aspects -- Yugoslavia -- History -- 20th century Alienation Effects: Performance and Self-Management in Yugoslavia, 1945-89 (Ann Arbor: University of Michigan Press, c2016), by Branislav Jakovljević
Filed under: Politics in art
Filed under: Socialist realism in art -- China |