| Call number | Item |
| M | Music (Go to start of category) |
| ML | Literature on Music (Go to start of category) |
| ML50 .M939 Z32 | ![[Info]](https://onlinebooks.library.upenn.edu/info.gif) The Magic Flute / Die Zauberflöte: An Opera in Two Acts, the Music by Mozart, As Represented at the Royal Italian Opera, London, and the Academy of Music, New York (New York: F. Rullman, ca. 1900), by Wolfgang Amadeus Mozart and Emanuel Schikaneder (page images at HathiTrust) |
| ML50 .O32 C62 1907 | New Version of Les Contes d'Hoffmann (The Tales of Hoffman): Opera in Four Acts, With an Original and Novel First Act and Other Important Changes (with libretto in English and French, and encoded music; New York: Charles E. Burden, 1907), by Jacques Offenbach and Jules Barbier, trans. by Charles Alfred Byrne, contrib. by E. T. A. Hoffmann (Gutenberg text and multimedia Web presentation) |
| ML50 .O32 G72 | The Grand Duchess of Gerolstein (libretto, music, and commentary), by Adrian Ross, Charles H. E. Brookfield, and Jacques Offenbach (multiple formats at Gilbert and Sullivan Archive) |
| ML50 .P99 F2 | The Fairy-Queen: An Opera, Represented at the Queen's-Theatre by Their Majesties Servants (anonymously written libretto, without music, of Purcell's opera, based on Shakespeare's Midsummer Night's Dream; London: Printed for J. Tonson, 1692), contrib. by Henry Purcell and William Shakespeare |
| ML50 .S96 B3 | The Beauty Stone (libretto, vocal score, and commentary), by Arthur Wing Pinero, J. Comyns Carr, and Arthur Sullivan (multimedia at Gilbert and Sullivan Archive) |
| ML50.S96 C2 1888 | The Capitalist, or, the City of Fort Worth: A Parody on the Mikado (Fort Worth, TX: Fort Worth Board of Trade, c1888), by Ed. J. Smith (page images at Portal to Texas History) |
| ML50 .W1 W24 1893 | La Valkyrie (libtretto only, in French; Paris et al.: Schott, ca. 1893), by Richard Wagner, trans. by Victor Wilder (page images at HathiTrust) |
| ML50.W14 R474 | The Ring of the Nibling: Siegfried and the Twilight of the Gods, by Richard Wagner, trans. by Margaret Armour, illust. by Arthur Rackham (HTML at sacred-texts.com) |
| ML50.2.A555 H3 1715 | Amadis of Gaul: An Opera, as it is Perform'd at the King's Theatre in the Hay-Market (in Itslian and English; London: Printed for Jacob Tonson, 1715), contrib. by John James Heidegger (Gutenberg text) |
| ML50.9 .M52 | Midwest Side Story: A Fannish Musical As Presented at MINICON 12, Leamington Hotel, Minneapolis, Minn., April 9, 1977, by Minnesota Science Fiction Society. (PDF at mnstf.org) |
| ML52.2 .D4 C3 | The Discription of a Maske, Presented before the Kinges Maiestie at White-Hall, on Twelfth Night last, in Honour of the Lord Hayes, and His Bride (London: John Windet for John Brown, 1607), by Thomas Campion (multiple formats at archive.org) |
| ML52.2.O6 S4 1785 | A Short Account of the New Pantomime Called Omai, or, A Trip Round the World (new edition, libretto only; London: T. Cadell, 1785), by John O'Keeffe (HTML at National Library of Australia) |
| ML60 .D43 | Curiosités Musicales: Notes, Analyses, Interprétation de Certaines Particularités Contenues dans les Oeuvres des Grands Maîtres (in French; Paris: Firmin Didot Frères, Fils et cie., 1873), by Édouard Marie Ernest Deldevez (multiple formats at archive.org) |
| ML60 .F49 | Chopin, and Other Musical Essays (New Yor: C. Scribner's Sons, 1894), by Henry T. Finck (Gutenberg text) |
| ML60 .L62 1897 | The Art Melodious (third edition, augmented; London and New York: F. Tennyson Neely, c1897), by Louis Lombard (page images at HathiTrust) |
| ML64 .E33 | A Musick-Lector (1667), by Solomon Eccles (HTML at qhpress.org) |
| ML64 .K7 | Music in Song, From Chaucer to Tennyson: Being a Selection of Extracts Descriptive of the Power, Influences, and Effects of Music (1883), ed. by L. L. Carmela Koelle (multiple formats at archive.org) |
| ML65.B6 W6 | Bluebeard: A Musical Fantasy, by Kate Douglas Wiggin |
| ML68 .C5 | Music in Radio Broadcasting (1946), ed. by Gilbert Chase (PDF at worldradiohistory.com) |
| ML74.7 .S84 2014 | Evaluation and Credentialing in Digital Music Communities: Benefits and Challenges for Learning and Assessment (Cambridge, MA and London: MIT Press, c2014), by H. Cecilia Suhr (PDF with commentary at MIT Press) |
| ML75 .J63 | Journal of the Irish Folk Song Society (partial serial archives) |
| ML80 .P9 H5 | La Musique dans l'Oeuvre de Marcel Proust (in French; New York: Columbia University, c1933), by Florence Hier (page images at HathiTrust) |
| ML80 .S5 L43 2009 | Shakespeare, Madness, and Music: Scoring Insanity in Cinematic Adaptations (Lanham, MD et al.: Scarecrow Press, 2009), by Kendra Preston Leonard (PDF at MLA Commons) |
| ML80 .S5 N3 1896 | Shakespeare and Music, With Illustrations From the Music of the 16th and 17th Centuries (London: J. M. Dent and Co., 1896), by Edward W. Naylor (Gutenberg text and illustrated HTML) |
| ML85 .M22 | Musikalische Denkmäler der Steinätzkunst des 16. und 17. Jahrhunderts, Nebst Beiträgen zur Musikpflege Dieser Zeit (in German; Munich: J. J. Lentner, 1912), by Bertha Antonia Wallner |