| Call number | Item |
| M | Music (Go to start of category) |
| ML | Literature on Music (Go to start of category) |
| ML3917 .C6 B35 2021 | ![[Info]](https://onlinebooks.library.upenn.edu/info.gif) Rethinking Social Action through Music: The Search for Coexistence and Citizenship in Medellín's Music Schools (Cambridge, UK: Open Book Publishers, c2021), by Geoffrey Baker (multiple formats with commentary at Open Book Publishers) |
| ML3918 .G3 W57 2017 | The Jazz Republic: Music, Race, and American Culture in Weimar Germany (Ann Arbor: University of Michigan Press, c2017), by Jonathan O. Wipplinger (PDF with commentary at Michigan and oapen.org) |
| ML3918 .O64 T5413 | Center Stage: Operatic Culture and Nation Building in Nineteenth-Century Central Europe (West Lafayette, IN: Purdue University Press, c2014), by Philipp Ther, trans. by Charlotte Hughes-Kreutzmuller (PDF at Purdue) |
| ML3920 .R78 | The Power of Music and the Healing Art, by Guy Cadogan Rothery (multiple formats at archive.org) |
| ML3921.8 .R36 Z36 2017 | Holy Hip Hop in the City of Angels (Oakland, CA: University of California Press, c2017), by Christina Zanfagna (multiple formats with commentary at Luminos) |
| ML3921.8 .R63 A9 1956 | Jungle Madness in Modern Music (reprinted articles from Baptist Standard, Youth for Christ, and Sunday School Times; New York: Ayerow Christian Projects, ca. 1956), by William Ward Ayer (multiple formats at archive.org) |
| ML3925 .A2 F54 | Paris Blues (New York: Ballantine Books, c1957), by Harold Flender (page images at HathiTrust) |
| ML3925 .S43 | The Soul of an Organ (Boston: Christopher Publishing House, c1916), by Louise Vescelius Sheldon (multiple formats at archive.org) |
| ML3930 .A2 B85 1939 | Famous Composers for Young People (New York: Dodd, Mead and Co., c1939), by Gladys Burch and John Wolcott (page images at HathiTrust) |
| ML3930 .A2 B85 1945 | Famous Composers for Young People (New York: A. S. Barnes and Co., c1945), by Gladys Burch and John Wolcott (page images at HathiTrust; US access only) |
| ML3930 .A2 S47 | A Trip to Music-Land: A Fairy-Tale, Forming and Allegorical and Pictorial Exposition of the Elements of Music (London: Houlston and Sons, ca. 1875), by Emma L. Shedlock, illust. by J. King James (page images at Florida) |
| ML3930 .W2 A6 | Opera Stories From Wagner (1915), by Florence Akin (Gutenberg text and illustrated HTML) |
| MT | Musical Instruction and Study (Go to start of category) |
| MT1 .S33 | Musikalische Didaktik, oder, Die Kunst des Unterrichts in der Musik: Ein Nothwendiges Hand- und Hülfsbuch für Alle Lehrer und Lernende der Musik, Erzieher, Schulvorsteher, Organisten, Volkschullehrer &c. (in German; Eisleben: F. Kuhnt, 1851), by Gustav Schilling |
| MT6 .K75 | How to Appreciate Music (New York: Moffat, Yard and Co., 1912), by Gustav Kobbé (Gutenberg text and illustrated HTML) |
| MT6 .K92 1897 | How to Listen to Music: Hints and Suggestions to Untaught Lovers of the Art (seventh edition; New York: C. Scribner's Sons, 1897), by Henry Edward Krehbiel (Gutenberg text and illustrated HTML) |
| MT7 .H7 | The Academic Manual of the Rudiments of Music (London: Weekes and Co., 1915), by G. Augustus Holmes (page images at HathiTrust) |
| MT7 .M455 1806 | Methodo de Musica (in Portuguese; Coimbra: Na Real Imprensa da Universidade, 1806), by José Maurício |
| MT7 .P7 | An Introduction to the Skill of Musick (London: John Playford, 1655), by John Playford (PDF at shipbrook.net) |
| MT7 .S368 | Understanding Basic Music Theory, by Catherine Schmidt-Jones (illustrated HTML at libretexts.org) |
| MT40 .M4 | Die Lehre von der Musikalischen Komposition, Praktisch Theoretisch (4 volumes (various editions) in German; Leipzig: Breitkopf und Härtel, 1847-1879), by Adolf Bernhard Marx (page images at HathiTrust) |
| MT40 .M4 1854 | Theory and Practice of Musical Composition (5th American edition, based on a translation of the 3rd German edition; New York: Mason Bros., c1854), by Adolf Bernhard Marx, ed. by Herrman S. Saroni, contrib. by Emilius Girac (page images at HathiTrust) |
| MT40 .O79 | Theory and Composition of Music: A Manual of Advanced Harmony, Melody Writing, Practical Composition and Musical Form, for Class, Private and Self Instruction (Philadelphia: T. Presser Co., c1924), by Preston Ware Orem (page images at HathiTrust) |
| MT50 .A72 1889 | Sbornik Zadach (1000) Dlia Prakticheskago Izucheniia Garmonii (Sammlung von 1000 Aufgaben zum Praktischen Erlernen der Harmonie) (sheet music, with Russian and German annotations; Moscow: P. Jurgenson, et al., ca. 1889), by Anton Arensky (page images at HathiTrust) |
| MT50 .B36 | Cours d'Harmonie Théorique et Pratique (4th edition, in French; Paris: L. Escudier, ca. 1857), by François Bazin (multiple formats at archive.org) |
| MT50 .C437 1899 | Leitfaden zum Praktischen Erlernen der Harmonie (German translation; Leipzig: P. Jurgenson, c1899), by Peter Ilich Tchaikovsky, trans. by Paul Juon |