| Call number | Item |
| M | Music (Go to start of category) |
| MT | Musical Instruction and Study (Go to start of category) |
| MT6 .K92 1897 | ![[Info]](https://onlinebooks.library.upenn.edu/info.gif) How to Listen to Music: Hints and Suggestions to Untaught Lovers of the Art (seventh edition; New York: C. Scribner's Sons, 1897), by Henry Edward Krehbiel (Gutenberg text and illustrated HTML) |
| MT7 .H7 | The Academic Manual of the Rudiments of Music (London: Weekes and Co., 1915), by G. Augustus Holmes (page images at HathiTrust) |
| MT7 .M455 1806 | Methodo de Musica (in Portuguese; Coimbra: Na Real Imprensa da Universidade, 1806), by José Maurício |
| MT7 .P7 | An Introduction to the Skill of Musick (London: John Playford, 1655), by John Playford (PDF at shipbrook.net) |
| MT7 .S368 | Understanding Basic Music Theory, by Catherine Schmidt-Jones (illustrated HTML at libretexts.org) |
| MT18 .T36 2024 | Teaching Difficult Topics: Reflections from the Undergraduate Music Classroom (Ann Arbor: University of Michigan Press, c2024), ed. by Olivia R. Lucas and Laura Moore Pruett (multiple formats with commentary at fulcrum.org) |
| MT40 .M4 | Die Lehre von der Musikalischen Komposition, Praktisch Theoretisch (4 volumes (various editions) in German; Leipzig: Breitkopf und Härtel, 1847-1879), by Adolf Bernhard Marx (page images at HathiTrust) |
| MT40 .M4 1854 | Theory and Practice of Musical Composition (5th American edition, based on a translation of the 3rd German edition; New York: Mason Bros., c1854), by Adolf Bernhard Marx, ed. by Herrman S. Saroni, contrib. by Emilius Girac (page images at HathiTrust) |
| MT40 .O79 | Theory and Composition of Music: A Manual of Advanced Harmony, Melody Writing, Practical Composition and Musical Form, for Class, Private and Self Instruction (Philadelphia: T. Presser Co., c1924), by Preston Ware Orem (page images at HathiTrust) |
| MT50 .A72 1889 | Sbornik Zadach (1000) Dlia Prakticheskago Izucheniia Garmonii (Sammlung von 1000 Aufgaben zum Praktischen Erlernen der Harmonie) (sheet music, with Russian and German annotations; Moscow: P. Jurgenson, et al., ca. 1889), by Anton Arensky (page images at HathiTrust) |
| MT50 .B36 | Cours d'Harmonie Théorique et Pratique (4th edition, in French; Paris: L. Escudier, ca. 1857), by François Bazin (multiple formats at archive.org) |
| MT50 .C437 1899 | Leitfaden zum Praktischen Erlernen der Harmonie (German translation; Leipzig: P. Jurgenson, c1899), by Peter Ilich Tchaikovsky, trans. by Paul Juon |
| MT50 .F58 | Conversations on Harmony (London: Longman, Brown, Green, and Longmans, 1855), by Sarah Mary Fitton (multiple formats at Google) |
| MT50 .K613 | A System of Harmony (translated from the second German edition; London: Haas and Co., 1899), by Cyrill Kistler, trans. by Amanda Schreiber |
| MT50 .L89 1915 | Harmonielehre (4th revised edition, in German; Stuttgart: C. Grüninger, ca. 1915), by Rudolf Louis and Ludwig Thuille (page images at HathiTrust; US access only) |
| MT50 .L89 1920 | Harmonielehre (7th edition, in German; Stuttgart: C. Grüninger, ca. 1920), by Rudolf Louis and Ludwig Thuille (multiple formats at archive.org) |
| MT50 .O79 H3 | Harmony Book for Beginners: A Text Book and Writing Book for the First Year's Work, for Class, Private and Self Instruction, Including Scales, Intervals, Common Chords, the Dominant Seventh Chord and Melody Making (Philadelphia: T. Presser Co., c1916), by Preston Ware Orem (multiple formats at archive.org) |
| MT50 .O924 1962 | Elementary Harmony: Theory and Practice (first edition, second printing; Englewood Cliffs, NJ: Prentice-Hall, 1962), by Robert W. Ottman (page images at HathiTrust) |
| MT50 .R55514 1902 | Manuel de l'Harmonie (translated into French from the 3rd German edition; Leipzig: Breitkopf and Härtel, 1902), by Hugo Riemann (page images at HathiTrust; US access only) |
| MT55 .B36 | Cours de Contre-Point Théorique et Pratique (in French; Paris: H. Le Moine, ca. 1881), by François Bazin (page images at HathiTrust) |
| MT55 .S68 | Direct Approach to Counterpoint in 16th Century Style (New York: F. S Crofts and Co., 1947), by Gustave Fredric Soderlund (page images at HathiTrust; some margins cut off) |
| MT59 .K49 2015 | The Art of Fugue: Bach Fugues for Keyboard, 1715-1750 (open access edition, with links to audio; Oakland, CA: University of California Press, c2015), by Joseph Kerman |
| MT68 .S12 | A Jazz Improvisation Primer, by Marc Sabatella (HTML at outsideshore.com) |
| MT70 .R62 | Principles of Orchestration, With Musical Examples Drawn From His Own Works (2 volumes in 1; New York: E. F. Kalmus Orchestral Scores, n.d.), by Nikolay Rimsky-Korsakov, ed. by Maksimilian Shteĭnberg, trans. by Edward Agate (multiple formats at archive.org) |
| MT82 .G66 | Guide to Memorizing Music (Cincinnati et al.: John Church Co., c1906), by A. J. Goodrich (page images at HathiTrust) |