| Call number | Item |
| P | Language and literature (Go to start of category) |
| PN | Literature: General, Criticism, Collections (Go to start of category) |
| PN1994 .R45 | ![[Info]](https://onlinebooks.library.upenn.edu/info.gif) In the Supreme Court of the United States, October Term, 1949, No. 248: John Howard Lawson, Petitioner, vs. United States of America, Respondent; No. 249: Dalton Trumbo, Petitioner, vs. United States of America, Respondent: Brief of Alexander Meiklejohn, of Cultural Workers in Motion Pictures and Other Arts, and of Members of the Professions, as Amici Curiae (Los Angeles: Parker and Co., printers, ca. 1949), by Max Radin and Carey McWilliams, contrib. by Alexander Meiklejohn (page images at HathiTrust; US access only) |
| PN1994 .R568 1995 | Moving Places: A Life at the Movies (Berkeley: University of California Press, 1995), by Jonathan Rosenbaum (HTML at UC Press) |
| PN1994 .V39 | That Marvel, the Movie: A Glance at its Reckless Past, its Promising Present, and its Significant Future (New York and London: G. P. Putnam's Sons, 1923), by Edward S. Van Zile, contrib. by Will H. Hays (page images at HathiTrust) |
| PN1994 .W62 1985 | Wonderful Inventions: Motion Pictures, Broadcasting, and Recorded Sound at the Library of Congress (Washington: The Library, 1985), ed. by Iris Newsom, contrib. by Erik Barnouw (page images at HathiTrust) |
| PN1995 .D4 | Photogénie (in French; Paris: M. de Brunoff, ca. 1920), by Louis Delluc (page images at HathiTrust; US access only) |
| PN1995 .I1813 1998 | Memory of Tiresias: Intertextuality and Film (Berkeley: University of California Press, c1998), by M. B. Iampolskii, trans. by Harsha Ram (frame-dependent HTML with commentary at UC Press) |
| PN1995 .K66 | The Altering Eye: Contemporary International Cinema, by Robert Phillip Kolker |
| PN1995 .M4875 2009 | Writing National Cinema: Film Journals and Film Culture in Peru (Hanover, NH: Dartmouth College Press, Published by University Press of New England, c2009), by Jeffrey Middents (multiple formats at Dartmouth Digital Publishing) |
| PN1995 .M75 1916 | The Photoplay: A Psychological Study (New York and London: D. Appleton and Co., 1916), by Hugo Münsterberg (Gutenberg text) |
| PN1995.1 .K32 | Kinema Junpō (in Japanese) (partial serial archives) |
| PN1995.5 | Theology at the Movies (electronic edition, based on 1995 print edition with additions), by John M. Frame (HTML at frame-poythress.org) |
| PN1995.5 .S78 1958 | Hollywood Cesspool: A Startling Survey of Movieland Lives and Morals, Pictures and Results (Grand Rapids, MI: Zondervan, 1958), by Robert L. Sumner (page images at HathiTrust; US access only) |
| PN1995.7 .C27 | Motion Pictures With Sound (Manhattan Beach, NY: Cameron Pub. Co., c1929), by James R. Cameron (multiple formats at archive.org) |
| PN1995.7 .P5 | The Art of Sound Pictures (New York and London: D. Appleton and Co., c1930), by Walter B. Pitkin and William Moulton Marston, contrib. by Jesse L. Lasky (page images at HathiTrust) |
| PN1995.75 .P43 1992 | Eloquent Gestures: The Transformation of Performance Style in the Griffith Biograph Films (Berkeley: University of California Press, c1992), by Roberta E. Pearson (frame-dependent illustrated HTML at UC Press) |
| PN1995.9 .A26 B35 2008 | Reframing Screen Performance (Ann Arbor: University of Michigan Press, c2008), by Cynthia Baron and Sharon Marie Carnicke (page images at HathiTrust) |
| PN1995.9 .D6 I925 2016 | The Conscience of Cinema: The Films of Joris Ivens, 1912-1989 (Amsterdam: Amsterdam University Press, c2016), by Thomas Waugh |
| PN1995.9 .D6 N27 | U. S. Government Films: A Catalog of Motion Pictures and Filmstrips for Sale by the National Audiovisual Center (Washington: National Archives and Records Service, 1969), by National Audiovisual Center |
| PN1995.9.E96 W44 1992 | Light Moving in Time: Studies in the Visual Aesthetics of Avant-Garde Film (Berkeley: University of California Press, 1992), by William C. Wees (HTML at UC Press) |
| PN1995.9 .E96 Y6 | Expanded Cinema (1970), by Gene Youngblood, contrib. by R. Buckminster Fuller (PDF files at vasulka.org) |
| PN1995.9 .F34 F35 2010 | Fairy Tale Films: Visions of Ambiguity (Logan, UT: Utah State University Press, 2010), ed. by Pauline Greenhill and Sidney Eve Matrix (PDF with commentary at usu.edu) |
| PN1995.9 .H34 P76 2010 | The Problem Body: Projecting Disability on Film (Columbus, OH: Ohio State University Press, c2010), ed. by Sally Chivers and Nicole Markotić (PDF at Ohio State) |
| PN1995.9 .H835 | Humour and Irony in Dutch Post-War Fiction Film (Amsterdam: Amsterdam University Press, c2016), by Peter Verstraten |
| PN1995.9 .L28 K46 2007 | Filming Politics: Communism and the Portrayal of the Working Class at the National Film Board of Canada, 1939-1946 (Calgary: University of Calgary Press, c2007), by Malek Khouri (PDF files at University of Calgary) |
| PN1995.9 .P6 W48 2011 | Revisioning Europe: The Films of John Berger and Alain Tanner (Calgary: University of Calgary Press, 2011), by Jerry White (PDF at University of Calgary) |