Call number | Item |
P | Language and literature (Go to start of category) |
PN | Literature: General, Criticism, Collections (Go to start of category) |
PN1998.3 .S392 L36 2008 | Caught in the Crossfire: Adrian Scott and the Politics of Americanism in 1940s Hollywood (c2008), by Jennifer E. Langdon (HTML and PDF at gutenberg-e.org) |
PN1998.3.S77 B94 1995 | Landscapes of Resistance: The German Films of Danièle Huillet and Jean-Marie Straub (Berkeley: University of California Press, 1995), by Barton Byg (HTML at UC Press) |
PN2000 .N55 | New York Clipper (1853-1924) (partial serial archives) |
PN2000 .T45 | Theatre Arts (partial serial archives) |
PN2000 .T5 | Theatre Magazine (partial serial archives) |
PN2000 .V3 | Variety (partial serial archives) |
PN2020 .P57 1993 | Plays, Movies, and Critics (Durham, NC and London: Duke University Press, 1993), ed. by Jody McAuliffe (page images at HathiTrust) |
PN2037 .M35 | A Book About the Theater (New York: C. Scribner's Sons, 1916), by Brander Matthews (Gutenberg text and illustrated HTML) |
PN2041 .W37 D55 2016 | Theatre and War: Notes From the Field (Cambridge, UK: Open Book Publishers, c2016), by Nandita Dinesh (PDF and HTML with commentary at openbookpublishers.com) |
PN2047 .C596 2016 | Politics, Ethics and Performance: Hélène Cixous and the Théâtre du Soleil (Melbourne: Re.press, 2016), by Hélène Cixous, ed. by Lara Stevens (PDF with commenrary at re-press.org) |
PN2047 .C6 1698 | A Short View of the Immorality and Profaneness of the English Stage: Together with the Sense of Antiquity Upon This Argument (second edition; London: Printed for S. Keble et al., 1698), by Jeremy Collier (page images at Utah) |
PN2047 .G6 | Playes Confuted in Five Actions, by Stephen Gosson (page images here at Penn) |
PN2051 .A5 | Article Geneve de l'Encyclopédie; Profession de Foi des Ministres Genevois, Avec des Notes d'un Théologien, et Réponse a la Lettre de M. Rousseau, Citoyen de Geneve (in French; Amsterdam: Z. Chatelain, 1759), by Jean Le Rond d' Alembert (multiple formats at archive.org) |
PN2051 .R53 2013 | Passionate Amateurs: Theatre, Communism, and Love (Ann Arbor: University of Michigan Press, c2013), by Nicholas Peter Ridout |
PN2051 .R713 | J.J. Rousseau, Citoyen de Genève, a Mr. d'Alembert, sur son Article Genèe dans le VIIme Volume de l'Encyclopédie, et Particulierement sur le Projet d'Établir un Théatre de Comédie en Cette Ville (in French; Amsterdam: M. Rey, 1758), by Jean-Jacques Rousseau (multiple formats at archive.org) |
PN2061 .B4 | The Art of the Theatre (London: G. Bles, ca. 1924), by Sarah Bernhardt, trans. by H. J. Stenning, contrib. by James Agate (page images at HathiTrust; US access only) |
PN2061 .D5 | The Paradox of Acting: Translated With Annotations From Diderot's "Paradoxe sur le Comédien" (London: Chatto and Windus, 1883), by Denis Diderot, ed. by Walter Herries Pollock, contrib. by Henry Irving (multiple formats at archive.org) |
PN2067 .Y6 | Stage Costuming (New York: Macmillan, 1939), by Agnes Brooks Young (page images at HathiTrust) |
PN2071 .P78 C37 2001 | The Haunted Stage: The Theatre as Memory Machine (Ann Arbor: University of Michigan Press, c2001), by Marvin Carlson (page images at HathiTrust) |
PN2075 .E83 2021 | Theater as Data: Computational Journeys into Theater Research (Ann Arbor: University of Michigan Press, c2021), by Miguel Escobar (multiple formats at fulcrum.org) |
PN2081 .A7 F5 | The Castle in the Circle (Ball State Monograph #6; Muncie, IN: Ball State University, 1967), by Merle Fifield (PDF at bsu.edu) |
PN2095 .A3 | The Quizziology of the British Drama (London: Pub. at the Punch Office, 1846), by Gilbert Abbott À Beckett |
PN2095 .J4 | Stage-Land, by Jerome K. Jerome (Gutenberg text) |
PN2095 .J4 1906 | Stage-Land (New York: H. Holt and Co., 1906), by Jerome K. Jerome, illust. by Bernard Partridge (illustrated HTML with commentary at fiftywordsforsnow.com) |
PN2101 .D5 | A Complete History of the English Stage (5 volumes; London: Printed for the author, ca. 1800), by Charles Dibdin (page images at HathiTrust) |